Results for ' Arts, Bulgarian'

977 found
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  1.  33
    Women in Bulgarian theater: A promise of preserving and promoting the tradition of theater as art.Snejina Tankovska - 1997 - The European Legacy 2 (1):15-17.
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  2.  18
    Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff.Galina Dekova - 2019 - Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 21 (1):188-200.
    The aim of this paper is to present those realistic tendencies in Bulgarian painting from the 1920s and 1930s, that echoe contemporary West European ones, like the New Objectivity in Germany. Among others, it will be shown how Bulgarian artist’s paintings are inspired by the folklore primitive from the past and reflect the assiduity of cultural administration to renew the idea of a modern artistic school of art with a defined national character.
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  3.  10
    Sine arte scientia nihil est: izsledvanii︠a︡ v chest na prof. dfn Oleg Georgiev.Georgi Kapriev & Oleg Georgiev (eds.) - 2019 - Sofii︠a︡: Universitetsko izdatelstvo "Sv. Kliment Okhridski".
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  4.  35
    Conceptualization of objectiveness and classification of nouns in bulgarian language.S. P. Burov - 2013 - Liberal Arts in Russia 2 (4):309.
    The article examines the interpretation peculiarities of notions about objectiveness through the prism of grammatical characteristics of the noun in Bulgarian language in comparison with Russian. The author suppose that conceptualization of objectiveness primarily related to quantitative categorization. Specific, individual objects are conceptualized as ''a single unit''; specific set of similar specific objects conceptualized as ''many''; fractional objects conceptualized as uncounted items, converse is also true – uncounted items conceptualized as fractional objects. Depending on other characteristics (structure of the (...)
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  5.  18
    Representation of the category of space in phraseological units of the Russian and Bulgarian languages.F. G. Fatkullina & A. R. Kanafina - 2022 - Liberal Arts in Russia 11 (5):392-398.
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  6.  16
    Dominant images in Russian and Bulgarian emotive phraseology.L. A. Kiseleva & A. M. Yamaletdinova - 2022 - Liberal Arts in Russia 11 (6):444-452.
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  7.  7
    Estetika: rechnik na aktualni, redki, diskutirani i nalozheni ot avangarda termini.Valentin Angelov - 2014 - Sofii︠a︡: Iztok-Zapad.
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  8.  13
    Roerich and the Fight for Culture.Nikolay Raynov - 2018 - Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 20 (2):195-198.
    In 1930, at the initiative of Nikolay Raynov, was founded the Bulgarian Roerich Society. This brief essay, written and published by Raynov in the Newspaper Zarya 1933, aims to introduce the oeuvre of Nicholas Roerich and his ideas of Pax Cultura – peace trough culture – to a larger Bulgarian audience. Raynov argues that it is not enough to create oeuvres of art, i.e. to write books or to paint pictures, but that it is also necessary to fight (...)
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  9.  4
    Estetikata dnes: neesteticheski infiltrati v izkustvoto.Valentin Angelov - 2021 - Veliko Tŭrnovo: Universitetsko izdatelstvo "Sv. sv. Kiril i Metodiĭ".
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  10.  9
    Kulturologichnata estetika =.Valentin Angelov - 2018 - Veliko Tŭrnovo: Universitetsko izdatelstvo "Sv. sv. Kiril i Metodiĭ".
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  11.  8
    Svobodata v izkustvoto i nasilieto na dogmite.Orlin Stefanov - 2005 - [Bulgaria?]: Artkoop.
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  12.  32
    ⚘ The Profile of John Deely as a Semiotician and a Philosopher ☀ Eero Tarasti.Eero Tarasti, Bujar Hoxha & Elma Berisha - unknown
    Kick off the year right... and you will find yourself capable of recognizing the depth and breadth of John's genius. This event, commented on by Bujar Hoxha (South-East European University) chaired by Elma Berisha (Lyceum Institute), is part of the activities of the 2022 International Open Seminar on Semiotics: a Tribute to John Deely on the Fifth Anniversary of His Passing, cooperatively organized by the Institute for Philosophical Studies of the Faculty of Arts and Humanities of the University of Coimbra, (...)
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  13. National Identity in Latin-American Literature.Juan Liscano & Jorge Luis Borges - 1987 - Diogenes 35 (138):41-60.
    If we admit that Latin-American literature is a part of what is called Western culture, why, I ask myself, has it not been able to influence any of the great literatures of the West, outside of the Spanish? To be more precise, when I speak of influencing, I am not referring to the historico-cultural event that signifies Latin America, which has changed the West, but specifically to literature, that is, writing, the book, the language, the contents, the creative structure and (...)
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  14.  9
    Transformation of Graphic into Conceptual Artist: Innovations, Games and Improvisations.Todor Yalamov - 2021 - Filosofiya-Philosophy 30 (4):413-422.
    The paper problematizes the work and evolution of a Bulgarian artist from the point of view of the biographical approach, his artistic interventions and his re-legitimization as a contemporary artist. It discusses various aspects of contemporary art from the point of view of the artist, his interventions, market demands, the underlying contradictions, as well as the transformative tendencies in the small graphics. The paper argues that it is necessary to expand the understanding of contemporary art with certain actions of (...)
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  15.  44
    Historical and culturologic aspects in slavic studies as the directions of a joint activity of st. Cyril and st. methodius university of veliko turnovo and bashkir state university.St Burov & L. A. Kalimullina - 2013 - Liberal Arts in Russia 2 (3):293.
    In the article, the main lines of the research and educational cooperation of the linguists of the Bashkir State University and the St. Cyril and St. Methodius University of Veliko Turnovo are considered. The prospects of these contacts are determined by capabilities of joint development of the long-term research programs in comparative linguistics, sociolinguistics, cognitive linguistics, which can be implement as collective monographs, Ph.D. theses, textbooks of the Russian and the Bulgarian languages, dictionaries (including the multilingual dictionaries). A program (...)
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  16.  12
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  17. Arte classica ch 6900 lugano. Via peri 9-tel. 091 23 38 54.Bernheimer'S. Antique Arts & Antique Jewelry - 1991 - Minerva 2.
  18.  17
    Semiotics of art literature• painting• film.Sémiotique des Arts - 1971 - In Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.), Essays in semiotics. The Hague,: Mouton. pp. 397.
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  19.  15
    Nauchno-tekhnologicheskie transformat︠s︡ii v sovremennom obshchestve: nravstvenno-filosofskoe osmyslenie i osobennosti pravovogo regulirovanii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  20.  45
    The Market's Benevolent Tendencies.Art Garden - 2005 - In Nicholas Capaldi (ed.), Business and religion: a clash of civilizations? Salem, MA: M & M Scrivener Press. pp. 55.
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  21.  8
    Commentarii Collegii Conimbricensis Societatis Jesu, in tres libros De anima Aristotelis Stagiritae: Hac quarta editione, Graeci contextus Latino è regione respondentis accessione auctiores & emendatiores, ob studiosorum philosophiae usum, in Germania editi. Cum indice rerum praecipuarum.Colégio das Artes, Aristotle & Haeredes Lazari Zetzneri - 1609 - Sumptibus Hæedum Lazari Zetzneri.
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  22.  7
    Nravstvennostʹ i pravo: realʹnostʹ i perspektivy vzaimodeĭstvii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  23. Ṿe-raḥamaṿ ʻal kol maʻaśaṿ: leḳeṭ be-ʻinyene isur tsaʻar baʻale ḥayim.Yoʼel ben Aharon Shṿarts - 1983 - [Jerusalem]: Hotsaʼat Devar Yerushalayim.
     
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  24. Zariz ṿe-niśkar: leḳeṭ be-maʻalat ha-zerizut u-genut ha-ʻatslut.Yoʼel ben Aharon Shṿarts - 1989 - Netanyah: Makhon le-hotsaʼat sefarim she-ʻal yad Merkaz ha-Torah di-Yeshivat Radin, Netanyah.
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  25. The central problem of the aesthetics of nature.Art Criticism - forthcoming - Environmental Ethics: Divergence and Convergence.
     
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  26. Artes plásticas.Laís Moura—Duas Artes Primitivas, Homem Comum, M. Silveira & Domingos Crippa—O. Humanismo Marxista - 1967 - Convivium: revista de filosofía 10.
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  27. Cognitive Dynamics: Conceptual change in humans and machines.Eric Dietrich Art Markman (ed.) - 2000 - Lawrence Erlbaum.
     
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  28. Emergency conditionals.Art & Language - 2007 - In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and conceptual art. New York: Oxford University Press.
     
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  29.  11
    Throw your stuff off the plane: achieving accountability in business and life.Art Horn - 2017 - Toronto, Ontario: Dundurn.
    Helps individual readers to overcome procrastination and build self-esteem Reveals how to create a culture of accountability, and how to hold someone accountable Gives leaders a step-by-step process for helping team members become more self-responsible Explains commitment reluctance and how to encourage self-responsibility among team members Uncovers why we blame others and shows how to defeat a blame culture Provides an easy read with no consultant-speak In recent years, HORN Training and Consulting was awarded the distinguished Gold Medal by the (...)
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  30.  22
    Manipulativeness degree as a function of the dichotomy “oral speech – written speech”.A. Getsov - 2013 - Liberal Arts in Russia 2 (4):342.
    The article discusses mechanisms of manipulative influence on a theoretical basis of suggestion and on the actual material of Bulgarian press. The author supposes that adequate research requires integrated approach with symbiosis of techniques of cognitive science, linguistic pragmatics, psycholinguistics and the theory of speech activity. Manipulative action takes place not only through language (explicit and implicit), but also non-verbal instruments that have different range, different pragmatic potential, etc. The necessity of a comprehensive analysis of the hidden manipulative influence (...)
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  31. Chapter Ten Art Constructs as Generators of the Meaning of the Work of Art Viktor F. Petrenko and Olga N. Sapsoleva.Art Constructs as Generators - 2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press.
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  32. Bernheimer's antique arts.Antique Jewelry & Arte Classica - 1991 - Minerva 2.
     
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  33. Dimka Gitcheva.Bulgarian Interpretations Of Ancient - 2001 - Studies in Soviet Thought 53:75-109.
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  34.  74
    Lord Kelvin and the age-of-the-earth debate: a dramatization.Art Stinner & Jürgen Teichmann - 2003 - Science & Education 12 (2):213-228.
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  35. What's morally wrong with eugenics.Art Caplan - 2004 - In Arthur L. Caplan, James J. McCartney & Dominic A. Sisti (eds.), Health, Disease, and Illness: Concepts in Medicine. Georgetown University Press.
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  36.  46
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply hisEthics and Economic Progressto problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public good” might (...)
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  37.  97
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  38. Interpretation in Science and in the Arts.Art as Representation - 1993 - In George Levine (ed.), Realism and Representation. University of Wisconsin Press.
     
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  39.  22
    becker, howard s., faulkner, robert r., and kirshenblatt-gimblett, barbara (eds). Art from Start to Finish. Jazz, Painting, and Other Improvisations. University of Chicago Press. 2006. pp. 248. 23 half. [REVIEW]Art Criticism - 2006 - British Journal of Aesthetics 46 (4).
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  40. Art as the Measure of Man.Bruno Bettelheim, Irwin Edman, George Dinsmore Stoddard & National Committee on Art Education - 1964 - [Published by] the Museum of Modern Art for the National Committee on Art Education; Distributed by Doubleday, Garden City, N. Y.
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  41.  70
    On Sartwell’s Thesis That Knowledge is Merely True Belief.Art Skidmore - 1997 - Southwest Philosophy Review 13 (1):123-127.
  42.  26
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent formal (...)
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  43. Pesiʻot bi-shevile ha-ḥayim: pirḳe hadrakhah be-sugyot ha-ḥayim.Yoʼel ben Aharon Shṿarts - 1985 - [Jerusalem]: Hotsaʼat Devar Yerushalayim.
     
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  44. Sefer Reḳiaʻ ha-shamayim: teʼur ḥeleḳ mi-nifleʼot ha-Bore ba-yeḳum, bi-meʼorot ha-shamayim uva-aṭmosferah..Yoʼel ben Aharon Shṿarts - 1996 - Yerushalayim: Devar Yerushalayim.
     
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  45. The Pastoral Ideal in Martial, Book 10.Art L. Spisak - 2002 - Classical World: A Quarterly Journal on Antiquity 95 (2).
     
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  46.  43
    Truth in Myth and Science.Art Stawinski - 2005 - Dialogue and Universalism 15 (1-2):71-78.
    We humans are a curious species. Of all the life forms that inhabit the earth, we alone strive to make sense of the world in which we find ourselves. For thousands of years we understood the world through stories. Our ancestors told stories of how the world began, how our people originated and came to be at this place, and how those people across the river or beyond the mountains came to be where they are. Some stories were of animals (...)
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  47.  40
    A Reply to Robert Allan Cooke.Art Wolfe - 1993 - Business Ethics Quarterly 3 (1):65-67.
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  48. Luke 15:1–10.Art Ross - 2007 - Interpretation: A Journal of Bible and Theology 61 (4):422-424.
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  49. Contextualise/Zusammenhange herstelten. Kunstverein Hamburg and Kbln: DuMont Verlag, 2002, pp. 134-46. Baker, G.,'Editorial Introduction', October 110 (Fall 2004), pp. 49-50. [REVIEW]Art Press - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: key contemporary thinkers. New York: Berg. pp. 52.
     
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  50.  14
    Designing experiments informed by observational studies.Art B. Owen & Evan T. R. Rosenman - 2021 - Journal of Causal Inference 9 (1):147-171.
    The increasing availability of passively observed data has yielded a growing interest in “data fusion” methods, which involve merging data from observational and experimental sources to draw causal conclusions. Such methods often require a precarious tradeoff between the unknown bias in the observational dataset and the often-large variance in the experimental dataset. We propose an alternative approach, which avoids this tradeoff: rather than using observational data for inference, we use it to design a more efficient experiment. We consider the case (...)
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