This introduction argues for the value of projecting as a category of analysis, while exploring the contexts for its emergence and spread as a genre of intellectual and practical activity in the sixteenth, seventeenth, and eighteenth centuries. The emergence of the morally ambivalent figure of the “projector” in Elizabethan and Stuart England – initially in connection with confessional strife and attacks on corruption, and subsequently in relation to colonial expansion, experimental philosophy, and commercial and fiscal innovation – provoked defences of (...) projecting that articulated the relationship between private interest, individual effort, the public good, and collaborative ­scientific practice in new ways. German cameralists and French philosophes extended these arguments, while recuperating the figure of the projector, in the eighteenth century. (shrink)

I mention this story also as the best method I can advise any person to take in such a case, especially if he be one that makes conscience of his duty, and would be directed what to do in it, namely, that he should keep his eye upon the particular providences which occur at that time, and look upon them complexly, as they regard one another, and as all together regard the question before him: and then, I think, he may (...) safely take them for intimations from Heaven of what is his unquestioned duty to do in such a case; I mean as to going away from or staying in the place where we dwell, when visited with an infectious distemper.Daniel Defoe's fictional narrator H.F. introduces his account of the 1665 plague with the... (shrink)

Analisarei o romance Um Diário do Ano da Peste de Daniel Defoe como sendo um experimento mental que nos fornece prescrições consistentes sobre como agir em tempos de pandemia. Para mostrar que obras de ficção não possuem apenas valor estético, mas também um caráter cognitivo, defenderei o cognitivismo crítico e sustentarei desse modo que os ganhos cognitivos que temos a partir de uma obra de ficção acontecem em uma reflexão posterior à experiência imediata com a obra. Em seguida, argumentarei (...) que a ficção possui uma vantagem heurística frente à filosofia e às ciências, pois uma narrativa ficcional fornece ao espectador uma perspectiva privilegiada dos fatos ou dos pensamentos de uma personagem. Essa perspectiva pode sensibilizar o espectador e fazê-lo ter empatia pela personagem que sofre; e isso pode funcionar, em tempos de pandemia, como uma defesa das medidas de prevenção, a exemplo do isolamento social. (shrink)

Daniel Defoe’s fictional autobiographies often contain a puritanical conversion narrative, but Colonel Jack’s narrator is unique in his problematized relationship to Christian conversion. Alert to the negative implications of mercenary conversion, Defoe presents in Colonel Jack a hero who not only revels in his complex ploys to evade the law, but explicitly rejects conversion to Christianity at several points in the narrative. By reading Colonel Jack alongside narratives of European enslavement and incarceration, I suggest that in this text Defoe (...) deliberately reproduces the form of the popular Barbary captivity narrative. This subgenre of narrative portrays conversion as a force to be resisted, informs Jack’s reluctance to embrace Christianity, and ultimately suggests that living in a Christian nation may actually be a hindrance to conversion, making Catholic South America a milieu more conducive to the protagonist’s religious transformation than Protestant Virginia. (shrink)

Introduction: All is trash that reason cannot reach : unenlightened writers and the postmodern world -- Learning to read, learning to listen in Robinson Crusoe -- The hymns of Isaac Watts and postmodern worship : aesthetic knowledge as a response to the Enlightenment critique of religion -- Jonathan Swift's information machine and the critique of technology -- Christopher Smart's poetry and the dialogue between science and theology -- Festival and discipline in revolutionary France and postmodern times -- Remembering things past (...) : tradition as a way of knowing in Edmund Burke and Hans-Georg Gadamer -- Reconciling the heart with the head : the poetry of William Cowper and the thought of Michael Polanyi. (shrink)

This essay employs strategies drawn from the emergent field of everyday aesthetics to explore the pleasures of reading Daniel Defoe’s Robinson Crusoe and Samuel Richardson’s Sir Charles Grandison. As a fictional paradigm, Crusoe has been a paradoxical inspiration, inviting critique as a seductive representative of colonial power, on the one hand, and eliciting admiration for his ability to provoke meaningful artistic and intellectual engagement from a diverse group of writers and thinkers, on the other hand. To many ordinary readers, (...) he has proved company worth keeping as a source of inspiration and personal pleasure primarily through his aesthetic approach to the structuring of everyday life. The fiction of Samuel Richardson continues the focus on the everyday, placing even greater emphasis on the relationship between the ethical and the aesthetic. In his final novel, Sir Charles Grandison, pleasure can scarce be felt without some commentary outlining the contours of moral significance, and the very act of moral reasoning is demonstrably affective for characters and readers alike. The essay ends with consideration of the power of literature, especially the realistic novel, to shape the ordinary lives of everyday readers. (shrink)

Sandro Jung’s study begins by examining the illustrations in three eighteenth-century literary works: Daniel Defoe’s Robinson Crusoe (1719), James Thomson’s poetic cycle The Seasons (1726-1730), an...

According to the Swiss theologian Hans Urs von Balthasar, a world that has lost sight of beauty is a world riddled with skepticism, moral and aesthetic relativism, conflicting religious worldviews, and escalating ecological crises. In The Eclipse and Recovery of Beauty, John D. Dadosky uses Kierkegaard and Nietzsche's negative aesthetics to outline the context of that loss, and presents an argument for reclaiming beauty as a metaphysical property of being. Inspired by Bernard Lonergan's philosophy of consciousness, Dadosky presents a (...) philosophy of beauty that is grounded in contemporary Thomistic thought. Responding to Balthasar, he argues for a concept of beauty that can be experienced, understood, judged, created, contemplated, and even loved. Deeply engaged with the work of Aquinas, Kierkegaard, Nietzsche, and Kant, among others, The Eclipse and Recovery of Beauty will be essential reading for those interested in contemporary philosophy and theology. (shrink)

The authors of this volume — all of them recognized representatives of a wide range of academic disciplines — agree that Locke’s work must have had a considerable influence both on English and German literature and the visual arts of Great Britain, especially in the eighteenth and nineteenth centuries. From the perspective of interdisciplinarity and intertextuality, the essays presented here deal with Locke as a source of ideas for Archibald Alison, John Constable, Daniel Defoe, Henry Fielding, Oliver Goldsmith, Johann (...) Timotheus Hermes, William Hogarth, Immanuel Kant, Martin Knutzen, Gottfried Wilhelm von Leibniz, Gotthold Ephraim Lessing, George Lillo, Edward Moore, Johann Gottwerth Müller, Joshua Reynolds, Samuel Richardson, John Ruskin, Joseph Spence, Laurence Sterne, J. M. W. Turner and Thomas Whately, among others. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 9, Page 1302-1328, November 2022. Robinson Crusoe is a mythic character who lives not only in the popular imaginary but through the history of political and social thought. Defoe’s protagonist lives marooned on his island, isolated and apart from society. The narrative is a perfect naturalisation of the ‘bourgeois’ world, dependent on an ontology of the self-sufficient individual. This article analyses this lineage in the social contract theory of Hobbes, Locke and Rousseau. Later, (...) Hegel used the novel to illustrate his dialectic of mastery/servitude. Challenging the atomism of the state of nature, Hegel’s theory of recognition gives an account of positive freedom, where the individual is formed in and through social interdependence. This sociality is continued by Marx, who satirises Defoe's novel in his value-form critique of political economy. The value-form provides insight into Robinson's island labour and Marx's difference with Locke's labour theory of value. For Marx, the myth of ‘natural man’ hides the domination of capitalist development and Robinson Crusoe reflects the internalisation of the abstract rationality of commodity society. However, Marx's immanent critique of the novel points to a radical idea of social life and freedom. (shrink)

Chapter 14. Andrea Timár engages with literary representations of the experience of perpetrators of dehumanization. Her chapter focuses on perpetrators of dehumanization who do not violate laws of their society (i.e., they are not criminals) but exemplify what Simona Forti, inspired by Hannah Arendt, calls “the normality of evil.” Through the parallel examples of Dezső Kosztolányi’s Anna Édes (1926) and Doris Lessing’s The Grass is Singing (1950), Timár first explores a possible clash between criminals and perpetrators of dehumanization, showing literature’s (...) exceptional ability to reveal the gap between ethics and law. Second, she examines novels focalized through perpetrators and the difficult narrative empathy they provoke, arguing that only the critical reading of these novels can make one engage with the potential perpetrator in oneself. As case studies, Timár examines Daniel Defoe’s Robinson Crusoe (1719), which may potentially turn its reader into an accomplice in the process of dehumanization, and J.M. Coetzee’s Foe (1986), which puts on critical display the dehumanizing potentials of both aesthetic representation and sympathy as imaginative violence. Third, she reads Jonathan Littell’s The Kindly Ones [Les Bienveillantes, 2006], which can make the reader question, through the polyphony of the voice of its protagonist, the notions of narrative voice and readerly empathy, only to reveal that the difficulty involved in empathizing with perpetrator characters lies not so much in the characters’ being perpetrators, but rather in their being literary characters. Eventually, Timár briefly touches upon the problem of the aesthetic and the comic via Nabokov’s Lolita (1955) to ask whether one can avoid some necessarily dehumanizing aspects of humor. (shrink)

Usando expressões da linguagem comum e personagens de romances de DanielDefoe e Eliza Haywood como exemplos, procuro, nesse artigo, fazer umrecorte de gênero sobre os conceitos de controle, domínio e autonomia. Noinício da modernidade, freqüentemente, seu exercício por mulheres associavaseàs idéias de corrupção e incapacidade moral. Em minha hipótese, enquantoDefoeretrata a aplicação diferenciada para homens e mulheres, podemosinterpretarHaywood como fazendo sua denúncia.In this paper, I take ordinary language meanings and characters in the novelsof Daniel Defoe and Eliza Haywood as (...) evidencing gender biases in the earlymodern concepts of autonomy, dominion and control. Frequently, a woman’sattempt to achieve self-reliance signals or results in complete moral corruption.In my hypothesis, while Defoe confirms, Haywood challenges and subvertssuch biases. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:How We Write Plagues JAMES UDEN One advantage of writing about historical pandemics is that they have already occurred. From where I sit, as I listen to the loudspeaker on the council truck telling me to stay indoors, it is impossible to know what direction the covid-19 crisis will take. Certainly, aspects of the virus’s social impact have mirrored the trajectory of previous pandemics. Back in February, people in (...) France began circulating the phrase Je ne suis pas un virus, protesting acts of violence against Asian communities and resisting the well-documented tendency for societies to target ethnic minorities as scapegoats for epidemic disease. The President’s labeling of covid-19 as the “Chinese virus” aroused similar protest in the United States.1 At an armed rally at the state house in Lansing, MI, armed protesters demanded the reopening of businesses despite public health advice to the contrary, an act that raised familiar questions about the freedom of the individual versus the health of the collective in times of health crisis. Here in Boston, anti-lockdown protesters assembled at the Massachusetts State House on May 4, chanting “no more dictatorship”—language congenial to Boston’s history of colonial rebellion, though not especially fitting to the crisis at hand. Just one day earlier, a banner had flown over the buildings of Manhattan with the words CAPITALISM IS THE PANDEMIC. Whether the virus will redistribute power and become, in Walter Scheidel’s words, a “great leveler,” remains to be seen.2 arion 28.1 spring/summer 2020 Hunter H. Gardner, Pestilence and the Body Politic in Latin Literature. Oxford: Oxford University Press, 2019. x + 303 pages. $90.00. Brian Walters, The Deaths of the Republic: Imagery of the Body Politic in Ciceronian Rome, 2020. xv + 158 pages. $80.00. 132 how we write plagues Given that we have frequently been reminded that we are facing a pandemic of historic proportions, it is natural that people have turned to history for perspective. Daniel Defoe’s journalistic account of plague in London in 1665, A Journal of the Plague Year (1722), has catapulted to an unlikely relevance, promoted on the publisher’s website as the “surprise ‘must-read’ for people facing the covid-19 epidemic.” Thucydides ’ description of Athens’s experience of the plague in 430 bc has made news in The Economist, The Washington Post and The Guardian. Historical accounts of plagues are regularly being called upon to offer advice to the present. Yet not all plagues are alike. Historians have rightly protested about parallels being made between covid-19 and the aids crisis, since the current emergency response contrasts damningly with the Reagan government’s protracted silence and willful ignorance throughout the 1980s.3 One problem is the word “plague” itself, a term too suggestive of sin to represent the devastating impartiality of viral disease. “Plagues,” Susan Sontag wrote in aids and its Metaphors (1988), are “inflicted, not just endured.” She argued that the term imposed additional burdens on patients, who were portrayed as suffering some punishment, and could not simply be ill.4 To speak of “plagues” in the plural also suggests a common experience across time, a regular and shared event. Literary accounts of the plague do indeed share many common tropes. Yet there are important differences in the way communities have responded to outbreaks in different eras, and significant divergences in the meaning of disease. Accounts of plagues understandably arouse interest during a pandemic, but they are apt to mislead us, because the plagues so often look the same. One unshakable constant is the analogy between the body and the state, the “body politic.” As has long been recognized, the symbol surfaces across many, unrelated world cultures.5 In seeking to explain a unity composed of many parts, human beings have tended to look to the most immediate parallel— themselves. Although it has been invoked famously to justify James Uden 133 hierarchies within the state (Livy, Shakespeare, Hobbes), the image seems to resonate most intuitively when it conceptualizes danger, when the “health” of the state is threatened by “infection” or “disease.” In 2009, psychologists asked sixty -nine undergraduates at the University of Arizona to read a popular... (shrink)

In his final seminar, The Beast and the Sovereign, vol. 2 , Jacques Derrida spends the entire year reading just two texts, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s Fundamental Concepts of Metaphysics. This essay looks in detail at Derrida’s treatment of this latter and, in particular, at Derrida’s emphasis on the Heideggerian notion of Walten in this work. The essay begins by considering several of Derrida’s prior engagements with Heidegger, especially in Of Spirit and the “Geschlecht” essays, and (...) their analyses of such themes as Geist or spirit, sexual and species difference, violence, and ontotheology. The essay then develops the relationship between what Derrida considered to be the hyper-sovereignty of Walten and Derrida’s own notions of autoimmunity and différance, before concluding with the question of why Derrida would think it necessary to devote so much of his final seminar to this Heideggerian notion. (shrink)

In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of (...) lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, _How to Live Together_ is a key introduction to Barthes's pedagogical methods and critical worldview. In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: Émile Zola's _Pot-Bouille_, set in a Parisian apartment building; Thomas Mann's _The Magic Mountain_, which takes place in a sanatorium; André Gide's _La Séquestrée de Poitiers_, based on the true story of a woman confined to her bedroom; Daniel Defoe's _Robinson Crusoe_, about a castaway on a remote island; and Pallidius's _Lausiac History_, detailing the ascetic lives of the desert fathers. As with his previous lecture books, _How to Live Together_ exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him--or for him--and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, _How to Live Together_ orients English-speaking readers to the full power of Barthes's intellectual adventures. (shrink)

The End of the World and Other Teachable Moments follows the remarkable itinerary of Jacques Derrida’s final seminar, “The Beast and the Sovereign”, as the explicit themes of the seminar—namely, sovereignty and the question of the animal—come to be supplemented and interrupted by questions of death, mourning, survival, the archive, and, especially, the end of the world. The book begins with Derrida’s analyses, in the first year of the seminar, of the question of the animal in the context of his (...) other published works on the same subject. It then follows Derrida through the second year of the seminar, presented in Paris from December 2002 to March 2003, as a very different tone begins to make itself heard, one that wavers between melancholy and an extraordinary lucidity with regard to the end. Focusing the entire year on just two works, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s seminar of 1929–30, “The Fundamental Concepts of Metaphysics,” the seminar comes to be dominated by questions of the end of the world and of an originary violence that at once gives rise to and effaces all things. The End of the World and Other Teachable Moments follows Derrida as he responds from week to week to these emerging questions, as well as to important events unfolding around him, both world events—the aftermath of 9/11, the American invasion of Iraq—and more personal ones, from the death of Maurice Blanchot to intimations of his own death less than two years away. All this, the book concludes, makes this final seminar an absolutely unique work in Derrida’s corpus, one that both speaks of death as the end of the world and itself now testifies to that end—just one, though hardly the least, of its many teachable moments. (shrink)

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate (...) students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T126964 Anonymous. By Benjamin Franklin. Only 100 copies printed. London: printed in the year, 1725. 32p.; 8°. (shrink)

In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career, the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of lectures exploring solitude and the degree of (...) contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, _How to Live Together_ is a key introduction to Barthes's pedagogical methods and critical worldview. In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: Émile Zola's _Pot-Bouille_, set in a Parisian apartment building; Thomas Mann's _The Magic Mountain_, which takes place in a sanatorium; André Gide's _La Séquestrée de Poitiers_, based on the true story of a woman confined to her bedroom; Daniel Defoe's _Robinson Crusoe_, about a castaway on a remote island; and Pallidius's _Lausiac History_, detailing the ascetic lives of the desert fathers. As with his previous lecture books, _How to Live Together_ exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him -- or for him -- and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, _How to Live Together_ orients English-speaking readers to the full power of Barthes's intellectual adventures. (shrink)

The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, along with lapdog (...) lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture. (shrink)

This article combines Deleuze’s extraordinary analysis of Michel Tournier’s Friday, where we find the presentation of a duplicated, perverted, version of Robinson Crusoe when compared to Daniel Defoe’s classical version, with a critical analysis of conceptions such as being-in-the-world, stemming from Heidegger’s hermeneutic phenomenology. My point is that without Others [Autrui], or what Deleuze calls the structure-Other [structure Autrui], it is the very possibility of ‘interpreting’ being-in-the-world which is at stake, being a world without Others, the structure-Other, one wherein (...) a pre-ontological comprehension of being is ‘uncomprehended', no longer being it possible to attain a facticity of being precisely insofar as one lives, suffers, without Others, a process of an inverted nature, not so much of the facticity of being but of its ‘defacticization’. I propose, therefore, a new conception of the limit of being-in-the-world not in terms of death but of Others, of what it is to lose Others, the structure-Other, and how this loss implies losing being-in-the-world, the very possibility of interpreting, of comprehending its different structures. The concept of Others functions then as a giant fold between being-in-the-world and what Artaud called ‘the other side of existence’, but also between the absence of Others and the creation of ‘worlds without Others’, all of which ‘minor’, ‘desert islands’, ‘plateaus’, constituted in the immanence of this absence, of the ‘outside’. (shrink)

Following on from The Beast and the Sovereign, Volume I, this book extends Jacques Derrida’s exploration of the connections between animality and sovereignty. In this second year of the seminar, originally presented in 2002–2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger’s 1929–1930 course The Fundamental Concepts of Metaphysics, and Daniel Defoe’s Robinson Crusoe. As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, (...) world, violence, boredom and death as they supposedly affect humans and animals in different ways. Hitherto unnoticed or underappreciated aspects of Robinson Crusoe are brought out in strikingly original readings of questions such as Crusoe’s belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe’s terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida’s friend Maurice Blanchot. Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers. (shrink)

This article draws upon the rich and diverse history of situation to develop a new tool for narrative analysis across media and form. The term has played a role in theater, creative writing, and screenwriting; as situatedness, it has been linked to the categories of identity; and it has been used to chart relations between social and aesthetic experience. Seizing upon the way situation emphasizes emergent dynamics, we theorize it as a narrative concept by distinguishing it from plot, genre, and (...) context. Identifying its minimal conditions as two elements in relation with something at stake, we explore what situation can offer in capsule readings of Harold Ramis’s Groundhog Day and Daniel Defoe’s Robinson Crusoe. (shrink)

From the early modern period to well into the eighteenth century, cattle plagues, murrains, or what were called “great cattle mortalities” were often analogized to bubonic plague; felling animals in devastating numbers, these catastrophes likewise afflicted living creatures on a grand scale. Three Enlightenment cattle pandemics (1709–1720, 1742–1760, and 1768–1786) propelled governments across Europe to enact harsh regulatory measures, including widespread slaughters, quarantines, and major disruptions of trade. This article examines works by Theophilus Lobb, Richard Bradley, Nathaniel Hodges, and (...) class='Hi'>Daniel Defoe, among other writers and physicians, who responded differently to the ways in which human and animal health were biophysically and imaginatively linked. (shrink)

From the ancient Egyptian tale of a Shipwrecked Sailor through to Sinbad and Robinson Crusoe, the stranded castaway living and philosophizing alone on a strange, desert island is a theme which has captured the imaginations of writers spanning cultures and millennia. Most familiar to Western literary historians is Daniel Defoe’s Robinson Crusoe, which inspired generations of writers from Jonathan Wyss and William Golding to Michel Tournier and J.M.Coetzee. However, little attention has been paid to Defoe’s antecedents, such as the (...) remarkable HayyIbn Yaqzan by twelfth-century Arab physician and philosopher, Muhammad Ibn Tufayl. Mahmoud Baroud here conducts a detailed comparative textual analysis of Hayy Ibn Yaqzan and Robinson Crusoe, and concludes that Daniel Defoe was likely to have been deeply influenced by Ibn Tufayl’s Arabic text. This book will be of interest to students and scholars of comparative literature, along with medieval Arabic literature, culture, and philosophy. (shrink)

The pandemic reminds us that, with the catastrophes to which biodiversity is subjected, with the disruption of ecosystems, much more dangerous and fatal viruses can appear. Also, disturbed in its quietude and reminded of its own mortality, the human being knows the same anguishes which were those of all the victims of the epidemics which formerly devastated the populations and of which the literature was able to account in multiple occasions. Daniel Defoe’s Diary of the Plague, which is very (...) rich in lessons, bears witness to the similarities in attitude between the centuries: disruption of the economy, unemployment, famine, rumors, the search for false remedies, confinement, transgressions. Conjuring up confinement through writing is a remedy that tempts some. With the sound diary of the writer Wajdi Mouawad it is from the inside that the experience of confinement is given to understand. (shrink)

Following on from _The Beast and the Sovereign, Volume I_, this book extends Jacques Derrida’s exploration of the connections between animality and sovereignty. In this second year of the seminar, originally presented in 2002–2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger’s 1929–1930 course _The Fundamental Concepts of Metaphysics, _and Daniel Defoe’s _Robinson Crusoe. _As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, (...) world, violence, boredom and death as they supposedly affect humans and animals in different ways. Hitherto unnoticed or underappreciated aspects of _Robinson Crusoe _are brought out in strikingly original readings of questions such as Crusoe’s belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe’s terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida’s friend Maurice Blanchot. Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers. (shrink)

This article investigates waymaking, the use of language to dedicate space to the traffic of animals, goods, fuel, waste, and people. It argues that the rhetorical creation of traversable clearances anticipates and services the formation of infrastructure. Through a close reading of Daniel Defoe’s A Journal of the Plague Year (1722), I show how literary critics can analyze the words that create the emptiness that allows conduits to happen and claim this emptiness as an analytical object in itself. By (...) tracing modern conceptions of infrastructure as assemblage, occasion, and patterning to the fray of early modern waymaking, I claim that criticism can supplement social-scientific research by casting as poetic event and autopoietic phenomenon the human practice of reserving space for utilities. (shrink)

This essay originated from a re-reading of Umberto Eco's Six Walks in the Fictional Woods (1994) and from discussions of Charles Darwin's illnesses. The question of historical truth arises whenever we seek to validate a scientific analysis of a fictional incident. Whereas Darwin may actually have suffered from several health conditions, Robinson Crusoe's illness is the product of Daniel Defoe's imagination. But the search for a medical diagnosis must follow the same methods in both cases. After eight months as (...) sole inhabitant of his island, Crusoe is taken ill. A detailed description of the symptoms is duly registered in his diary, along with his attempts at finding its possible nature and origin. The island, according to Crusoe, lies in the tropical waters of the Caribbean Sea, not far from the coast of Venezuela. From the standpoint of medical geography, his illness is a tropical disease that was prevalent in South and Central America in the seventeenth century. Five possible diseases are suggested and discussed. (shrink)

This essay offers an analysis of Daniel Defoe’s Robinson Crusoe read in concert with Derrida’s treatment of the novel in the second volume of The Beast and the Sovereign. Drawing from Derrida while developing insights of my own, I assemble the elements of a unique account and critique of the logic of human sovereignty. Focusing on a crucial moment in both the novel and in Derrida’s reading of it, I argue the thesis that human sovereignty rests upon a logically (...) prior mastery of both non-human animals and subordinated human beings—a relation of mastery I call the human/animal logic of sovereignty. (shrink)

SUMMARYJohn Campbell's commercial theory in his early work demonstrates that he held more sophisticated views on British colonialism than previously thought. Campbell draws upon complex influences, which include Charles Davenant's notion of free trade and his ‘Old Whig’ arguments against corruption; Daniel Defoe's ‘new Whig’ arguments for progress and John Locke's arguments on industry and property; and Bolingbroke's Tory arguments for emphasizing common interest. By blending these ideas, Campbell offers a distinctive commercial theory that prioritizes the recognition of the (...) interest and circumstances of all nations and peoples within an unconstrained and reciprocal exchange of commodities in order for the home nation simultaneously to resist corruption and flourish. (shrink)

In the early 18th Century, Daniel Defoe found it natural to write a novel whose heroine was a sexually adventurous, socially marginal property offender. Only half a century later, this would have been next to unthinkable. In this paper, the disappearance of Moll Flanders, and her supercession in the annals of literary female offenders by heroines like Tess of the d'Urbervilles, serves as a metaphor for fundamental changes in ideas of selfhood, gender and social order in 18th and 19th (...) Century England. Drawing on law, literature, philosophy and social history, I argue that these broad changes underpinned a radical shift in mechanisms of responsibility-attribution, with decisive implications for the criminalisation of women. I focus in particular on the question of how the treatment and understanding of female criminality was changing during the era which saw the construction of the main building blocks of the modern criminal process, and of how these understandings related in turn to broader ideas about gender, social order and individual agency. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Bad, the Ugly, and the Need for a Position by PsychiatryLloyd A. Wells (bio)Keywordsvice, psychiatric education, psychiatry-law interface, medicalizationSadler’s paper is thought provoking and will resonate with many psychiatrists who deal with the interface of vice and psychiatric syndromes. This interface and the dilemmas it poses are perhaps most discussed by residents, who are dealing with the issue for the first time and who often debate what is (...) “psychiatric” about these cases. Many residents have their own informal systems of classifying vice, often with a divide between the criminal population and those perceived as avoiding work and responsibility. These unofficial classifications are usually judgmental and often pejorative, but the residents rarely get much help from faculty in this area. Indeed, many of the faculty have equally judgmental and pejorative views, which are neither systematized nor subject to systematic analysis.By clarifying the importance of the issue of the vice–mental disorder relationship (VMDR) to psychiatry, Sadler may move this topic to one that receives Socratic discourse in our training programs and serious consideration in the training of psychiatrists rather than an idiosyncratic lumping of these patients into the broad category of “patients I don’t like.”Sadler asks for comments in several categories: historical intractability, goals of psychiatry, taxonomy, implications for the criminal justice system, implications for the law, and ethical/political implications.Issues of historical intractability are long standing. In A Tour of the Whole Island of Great Britain, written in the early eighteenth century, Daniel Defoe (1724–1727) describes many asylums, often with the comment, “as it is a madhouse, so is it also a house of correction.” Some of the great public hospitals of the seventeenth and eighteenth centuries were built at least as much to get antisocial and homeless people off the streets as to provide care for the mentally ill. The moral treatment of France and Great Britain, which added much to the practice of psychiatry, clearly had punitive “treatments” for patients with vice-laden behaviors, and this was very explicit in the American moral model of treatment of the late nineteenth century with its obsessive need to prevent patients from masturbating. In the nineteenth and early twentieth centuries, there was great debate about the inclusion of Pritchard’s “moral insanity”—now sanitized into “personality disorders”—into the psychiatric domain, and Kraepelin referred to this group as “enemies of society.”Sadler next asks us to consider the goals of psychiatry in regard to “a proper VMDR.” He wonders [End Page 43] whether a strict medicalization account can be defended. I think it is clear from a large literature and from clinical experience that it cannot be defended —now. But it may become defensible in this century, which will pose enormous challenges to psychiatry, lawmakers, and the courts (vide infra). A strict moralization model is defended by many in society, including some psychiatrists, but has severe limitations and seems illogical. It is hard to make a case (though juries have done so) that, for example, a very delusional young woman with postpartum psychosis who murders her children because of the belief that far worse things than death will happen to them imminently if they live, fits the moralization approach. The Dahmer case is especially instructive. Although there was enormous “vice” (and perhaps “evil”), it is hard to make a case that a sane man would make temples out of the body parts of victims and would attempt to commune with the dead through them.He wonders whether a “mixed” version of medicalization/moralization can be developed and defended. I would argue for both a mixed approach and a “shared” approach. A middle adolescent with bipolar disorder burned his house to the ground. (Fortunately, he and family members were injured but not killed.) He was wildly manic at the time and set the fire because he wanted to prove that he was immortal and totally impervious to flames. He was delusional, extraordinarily impulsive, and completely without judgment, and it would be extraordinarily difficult to exclude the medical frame in any consideration of the vice involved. The vice, indeed, may be more involved in his decision while euthymic to stop taking... (shrink)

Outrem como desafio à diferença. Por uma nova ética dos afetos no mundo contemporâneo. Resumo: O artigo apresenta o conceito de Outrem através das perspectivas histórica e filosófica em conexão com o plano estético. O foco do trabalho consiste em apresentar as dinâmicas de Outrem a partir da obra Sexta-feira ou os limbos do pacífico, de Michel Tournier, precisamente por meio das novas versões dos personagens Robinson Crusoé e Sexta-feira em comparação com a proposta inicial de Daniel Defoe. Para (...) tanto, pensamos com Gilles Deleuze e Félix Guattari a apreensão de uma ética a partir de Outrem capaz de contribuir com a criação de outros mundos possíveis na passagem da literatura colonial para a literatura decolonial. Na relação entre os personagens observamos uma experiência de mundo mediada por uma troca horizontal. Sexta-feira e Robinson compõem outra existência ética a ser experienciada. O que desnaturaliza todo o ethos cultural europeu (de matriz colonizadora) responsável por estabelecer aquilo que é, ou não, civilizado. Palavras-chave: Outrem; Ética: diferença; Colonial; Decolonial. Others as a challenge to difference. For a new ethics of affections in the contemporary world. Abstract: The article presents the concept of Others through the historical and philosophical perspectives in connection with the aesthetic plane. The focus of this article is to present the dynamics of Others from Friday or the other Island, by Michel Tournier, precisely through the new versions of the characters Robinson Crusoé and Friday in comparison with the initial proposal of Daniel Defoe. For that, we examine Gilles Deleuze and Félix Guattari’s apprehension of the ethics from Others, capable of contributing to the creation of other possible worlds in the passage from colonial literature to decolonial literature. In the relationship between the characters, we observe an experience of the world mediated by a horizontal exchange. Friday and Robinson make up another ethical existence that would be experienced, which denaturalizes the whole European cultural ethos (of a colonizing matrix) responsible for establishing what is, or not, civilized. Keywords: Others; Ethics: Difference; Colonial; Decolonial. Outrem como un desafío a la diferencia. Por una nueva ética de los afectos en el mundo contemporâneo. Resumen: El artículo presenta el concepto de Outrem a través de las perspectivas históricas y filosóficas en conexión con el plan estético. El foco del trabajo es presentar la dinámica de Outrem desde la obra Sexta-feira ou os limbos do pacífico, de Michel Tournier, precisamente a través de las nuevas versiones de los personajes Robinson Crusoé y Sexta-feira en comparación con la propuesta inicial de Daniel Defoe. Para ello, pensamos con Gilles Deleuze y Félix Guattari la aprehensión de una ética de Outrem capaz de contribuir a la creación de otros mundos posibles en la transición de la literatura colonial a la decolonial. En la relación entre los personajes, observamos una experiencia del mundo mediada por un intercambio horizontal. Sexta-feira e Robinson conforman otra existencia ética aún por vivir. Lo que desnaturaliza todo el ethos cultural europeo (de matriz colonizadora) responsable de establecer lo que es, o no, civilizado. Palabras llave: Otro; Ética: diferencia; Colonial; Decolonial. Data de registro: 23/03/2021 Data de aceite: 15/03/2022. (shrink)

Though it was a remarkably brief and obscure agreement, the Methuen Commercial Treaty came to exercise an enduring hold over the English imagination as the treaty became a litmus test of political affiliation and national loyalty. Yet the treaty's beginnings were inauspicious. Signed in England in 1703, it remained all but unknown for a decade and in 1713 was almost abandoned in favour of a treaty with France. The attempt to revoke the treaty drew Portugal traders and the "wool interest" (...) into a political confrontation with the Tory government. Though the government drew on the extraordinary propaganda skills of Jonathan Swift and Daniel Defoe to defame the treaty and its signatories, it was unable to overcome animosity to the French, suspicion of free trade, and a new-found popular loyalty to Portugal and its wines. This paper examines the struggle - and the part played in it by Portuguese diplomats - between French and Portuguese commercial interests that elevated John Methuen to something of a national icon and port wine to the national drink. Não obstante o Tratado de Methuen ser singularmente curto e relativamente vago, teve uma influência marcante no imaginário inglês, tornando-se um indicador seguro de união política e lealdade nacional. Contudo, este tratado comercial assinado na Inglaterra em 1703 teve um inicio pouco auspicioso. Praticamente ignorado durante a primeira década de vigência, chega mesmo a ser considerada a possibilidade da sua revogação, em 1713, na sequência da vontade de estabelecer um novo acordo com a Franca. Confrontados com esta conjuntura, os comerciantes e os produtores de lanifícios Portugueses vêem-se envolvidos numa disputa política. Mas, mesmo com o recurso aos extraordinários textos de propaganda de Jonathan Swift e Daniel Defoe, com o propósito de denegrir o acordo e seus signatários, o governo Conservador foi incapaz de superar o clima de animosidade contra a Franca, assim como a suspeita de liberalização do mercado e a emergência de uma nova lealdade de cariz popular para com Portugal e os seus vinhos. Este trabalho examina o confronto entre os interesses comerciais de Portugal e Franca - e o papel desempenhado pelos diplomatas Portugueses - confronto esse responsável pela ascensão de John Methuen a figura de ícone e a elevação do vinho do Porto a bebida nacional. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:162 BOOK REVIEWS L'un et l'autre sacerdoce: Essai sur la structure sacramentelle de l'Eglise. By DANIEL BOURGEOIS. Paris~ Desclee, 1991. Pp. 243. 89F (Paper). This essay in sacramental theology forms part of the prestigious Desclee collection Essai, which includes works by such celebrated authors as Jean Danielou and Hans Urs von Balthasar. The present author belongs to a recently-formed monastic community, the Fra· ternite des Moines apostoliques, (...) which claims among its principal ministerial priorities the proper celebration of the Church's foll liturgy. The Fraternity staffs the parish church of Saint Jean de Malte, which enjoys a well-earned reputation in the French Proven~al region as a center of liturgical and ecclesial renewal. The present book actually contains two essays. The first essai comprises the book's principal divisions where the author presents his main proposal. Developed during a series of conferences that the author delivered to a group of French bishops, these seven chapters unfold Bourgeois's fundamental thesis concerning the sacramentality of the Church. Unlike a great deal of contemporary ecclesiology, which tends to focus on structural analyses of the institutional Church, the author retrieves a significant theme of the Second Vatican Council's Lumen gentium on the sacramental nature of the Church. In particular, his thesis holds that the sacramentality of the ministerial priesthood forms a living center of the Church's visible presence in the world. While the transcendence of Christ's saving action guarantees the validity of the Church's commission to sanctify, to teach, and to govern, this three· fold mission operates efficaciously only to the extent that the whole Church, priests and Christian faithful together, sacramentally form a catholic Body throughout the world. At the same time, the author strongly insists that one cannot reduce the sacramental dimension of the Church to a number of £unctions which either priests or the Christian faithful discharge. Instead, Bourgeois envisions a complementarity of charisms which, by reason of their common derivation from divine grace, manifest an unambiguous manifestation of the true Church of Christ, in which excessive clericalism finds no quarter. But there is another essay in this book, and it is found in the "Notes" attached to each of the seven chapters and to the appendix significantly entitled, " On a certain ambiguity in post-conciliar ecclesiology." These eight sections of "notes," it is true, contain the ordinary references and bibliographical information which serve to document and support the author's main argument, but there is much more to be found in these 46 pages of fine print text. Here the author BOOK REVIEWS 163 sets forth in a trenchant style his incisive analysis of a wide range of theological issues, from the influence of Heidegger on modern university -centered theology to certain interventions made by a Swiss bishop during the synodal debates over the Apostolic Exhortation Christifideles laici. In reading these notes, one is reminded a hit of the genius of Nietzsche, for instance, in Beyond Good and Evil, who brilliantly exposes the core of critical questions in epigrammatic style and still leaves the reader with something to think about. In fact, the substantial notes are so well constructed that they can he read with profit, even independently of the main text. The author is to he congratulated for sharing his theological culture with us and for contributing such a fine essay on this important contemporary question, the distinctive character of the ministerial priesthood. Dominican House of Studies Washington, D.C. ROMANUS CESSARIO, O.P.... (shrink)

Retrospective and prospective data collected in Cameroon were used to reassess hypotheses about how infant and early childhood mortality is affected by birth spacing and breast-feeding. These data show that: (a) a short preceding birth interval is detrimental for child survival in the first 4 months of life; (b) full and partial breast-feeding have direct protective effects on child survival in the first 4-6 months of life, with the effects of the former stronger than those of the latter; (c) early (...) subsequent conception significantly increases mortality risks in the first 16 months of life of the index child. These findings are robust to various controls, e.g. study design, data defects, child's health conditions at/around birth, postnatal maternal and child recurrent illnesses, patterns of utilisation of health care services, and immunisation status of the child. (shrink)

This paper uses multilevel modelling and Demographic and Health Survey data from five African countries to investigate the relative contributions of compositional and contextual effects of socioeconomic status and place of residence in perpetuating differences in the prevalence of malnutrition among children in Africa. It finds that community clustering of childhood malnutrition is accounted for by contextual effects over and above likely compositional effects, that urban–rural differentials are mainly explained by the socioeconomic status of communities and households, that childhood malnutrition (...) occurs more frequently among children from poorer households and/or poorer communities and that living in deprived communities has an independent effect in some instances. This study also reveals that socioeconomic inequalities in childhood malnutrition are more pronounced in urban centres than in rural areas. (shrink)

Les travaux ici rassemblés constituent les actes d’une journée d’études tenue en mai 2010 au Centre d’études supérieures de la Renaissance de Tours. Conformément aux coutumes épistémologiques du Centre, des spécialistes venus d’horizons disciplinaires très variés – histoire, philosophie, géographie, études italiennes – s’y sont retrouvés autour d’une interrogation commune sur les formes de la domination territoriale que met en jeu l’idée ..

Les travaux ici rassemblés constituent les actes d’une journée d’études tenue en mai 2010 au Centre d’études supérieures de la Renaissance de Tours. Conformément aux coutumes épistémologiques du Centre, des spécialistes venus d’horizons disciplinaires très variés – histoire, philosophie, géographie, études italiennes – s’y sont retrouvés autour d’une interrogation commune sur les formes de la domination territoriale que met en jeu l’idée...

Les Cahiers La Boétie accueillent des travaux interdisciplinaires explorant tous les aspects et les enjeux de l'oeuvre de La Boétie.

L'art médical est fréquemment utilisé par Platon pour penser de façon analogique la construction de la science politique et ses difficultés. Une lecture comparée des usages de cette analogie dans le Gorgias et le Politique permet de montrer de quelle façon Platon utilise cette analogie, et à quel moment précis il s'en défait pour indiquer la différence entre un art des cas (la médecine) et un art des codes (la politique). Au contraire, Averroès, dans son Exposition sur la République de (...) Platon, reprend l'analogie entre médecine et politique d'un point de vue épistémologique, pour mettre en évidence l'identique articulation interne que connaissent ces deux disciplines, et qui permet d'y distinguer chaque fois un art et une science, ou une pratique et une théorie. Averroès se présente ainsi, dans la mesure même où il contourne le problème soulevé par Platon, comme l'initiateur d'une longue tradition d'usage de l'analogie médico-politique, qui va se poursuivre du XIIIe au XVIe siècles pour élucider la structure épistémologique de la science politique. (shrink)