A core project for deep ecologists is the reformulation of the concept of self. In searching for a more inclusive understanding of self, deep ecologists often look to Buddhist philosophy, and to the Japanese Buddhist philosopher Dōgen in particular, for inspiration. I argue that, while Dōgen does share a nondualist, nonanthropocentric framework with deep ecology, his phenomenology of the self is fundamentally at odds with the expanded Self found in the deep ecology literature. I suggest, though I do not fully (...) argue for it, that Dōgen’s account of the self is more sympathetic to one version of ecofeminism than to deep ecology. (shrink)

Applies Dogen Kigen's religious philosophy and the philosophy of Nishida Kitaro to the philosophical problem of personal identity, probing the applicability of the concept of non-self to the philosophical problems of selfhood, otherness, and temporality which culminate in the conundrum of personal identity.

This book addresses the question of how to properly handle Dōgen’s texts, a core issue that became critical during the Meiji period in which the philosophical appropriation of Dōgen became apparent inside and outside of the monastery. In present day Dōgen studies, most scholarship is informed by a number of factions representing Dōgen. The chapters herein address: the Zennist (j. zenjōka) emphasising practice, the Genzōnians (j. genzōka) shifting the attention to the close reading of Dōgen’s texts, the laity movement opening (...) up both the texts and the practice to people in modern society, and the Genzō researchers (j. genzō kenkyūka) searching for the authenticity and truth of Dōgen’s writings. The book aims to clarify the rightful place of Dōgen: in the monastery, in denominational studies, or in modern academic philosophy? It brings forth various viewpoints on Dōgen, and analyzes the relations of these viewpoints from the premodern to modern times. The collected volume appeals to students and researchers in the field while establishing hermeneutic standards of reading and proposing new, original, and critical interpretations of Dōgen’s texts. Chapter From Uji to Being-time (and Back): Translating Dōgen into Philosophy is available open access under a Creative Commons Attribution 4.0 International License via link.springer. com. (shrink)

Are Derrida’s critique of presence and Dōgen’s emphasis on presence incompatible? I argue that they are not—and, in fact, that there is a deep connection between the projects of the two thinkers. In showing this I hope to combat some serious misconceptions about essential aspects of both Zen Buddhism and deconstruction.

Wie denkt Dogen (1200-1253) Sprache im Horizont der sprachkritischen Tradition des Zenbuddhismus? Die vorliegende Studie widmet sich dieser Frage und rekonstruiert umfassend das Sprachdenken des philosophisch fruchtbarsten Autors der japanischen Vormoderne. Dazu wählt der Autor einen doppelten Zugang: zum einen rezeptionsgeschichtlich unter Einschluss von Philosophen des modernen Japans, zum anderen systematisch mithilfe der Symboltheorie Ernst Cassirers in der Theoretisierung eines adäquaten Sprachbegriffs. So verschränken sich mit Interpretationen zum Hauptwerk Dogens, dem Shobogenzo, Außen- und Innenperspektive auf ein zenbuddhistisches Sprachdenken und erweisen (...) es in seiner Kommensurabilität zum philosophischen Diskurs. (shrink)

Originally published in 1980. Dogen was the founder of the Soto School of Zen and one of the most influential thinkers in the history of Japanese Buddhism. When originally published, this historical and textual study was the first to examine in detail the line of continuity between Dogen and his Chinese predecessors, through his Chinese master, Ju-ching.

Dogen Kigen (1200-1253) tritt uns in seinem Werk in vielfaltigen Aspekten entgegen: als Praktiker buddhistischer Lebensform und Experte fur Meditationstechniken, als Lehrer, um den sich Anhanger sammelten, als gebildeter Scholastiker, der sich bestens in buddhistischer Dogmatik auskannte, als Theoretiker, der diese Lehren und die mit ihnen verbundene Begrifflichkeit kritisch hinterfragte und auf seine Situation hin adaptierte, sowie als Neuerer, der traditionelle Konzepte auf eigenwillige Art interpretierte, und schliesslich als Dichter, der seine philosophischen Erkenntnisse auch in poetische Formen zu fassen wusste. (...) Um diese verschiedenen Facetten des Wirkens einzufangen, wird Dogens Werk aus unterschiedlichen Perspektiven und unter Einbeziehung verschiedener philosophischer Methoden betrachtet. Zusatzlich sind zwei seiner beruhmtesten Texte, Genjokoan und Bussho, in deutscher Neuubersetzung wiedergegeben. (shrink)

Dogen Kigen: Mystical Realist. Hee Jin Kim. Foreword by Roshi Robert Aitken. University of Arizona Press, Tuscon 1975, rev.ed. 1987. xviii, 324pp. $18.95.

Thinkers like Slavoj Žižek and Tim Morton have heralded the end of our ideological constructions of nature, warning that popular “ecology” or the “natural” is just the latest opiate of the masses. Attempting to think what I call Nature after Nature, I turn to the Kamakura period Zen master Dōgen Eihei (1200–1253) to explore the possibilities of thinking Nature in its non-ideological self-presentation or what Dōgen called “mountains and rivers (sansui).” I bring Dōgen into dialogue with his great champion, the (...) American poet Gary Snyder (who understands the process of sansui as “the wild”), as well as with thinkers as diverse as Schelling, Kundera, Žižek, Agamben, and Muir. Beyond Nature being any one thing, what Badiou derides as the “cosmological one,” I argue for the reawakening and sobering up to multiple Nature, beyond its appearance as an object to a discerning subject, as the bioregions which give us our interdependent and dynamic being. (shrink)

Dōgen: Textual and Historical Studies is an impressive volume that marks a significant leap forward in the study of Zen Master Eihei Dōgen, founder of the Japanese Sōtō School. Dōgen’s life and thought are closely examined in light of the wider historical and religious contexts of Song dynasty China and the Kamakura era in Japan. This collection offers a careful consideration of Dōgen’s rich literary legacy by examining his significance situated as he was at the historical crossroads between the Chinese (...) Chan tradition and the birth of Japanese Zen. In particular, the volume contemplates the manner in which Dōgen’s historical — perhaps mythological — figure has been endorsed and cultivated by the Sōtō.. (shrink)

This study argues that one of Dōgen Zenji’s most renowned essays, the “Genjōkōan” of 1233, can be read as an exposition of interpretive sensibilities. By drawing a comparison between the function of the principle of the “dharma position” (法位) and that of interpretive charity as formulated in the Judaic tradition, I argue that the “Genjōkōan” initiates the reader into Dōgen’s dialectical interpretive perspective. As he elaborated on this theme throughout his life in many writings, Dōgen strived to creatively pacify the (...) lasting tensions between authority and interpretation, textual closure and hermeneutical openness. Thus, I propose that examining the dialectics of the “dharma position” as a hermeneutical framework expressed in pivotal passages of the “Genjōkōan”, may deepen our appreciation of the image of Dōgen the interpreter. (shrink)

This study argues that Dōgen’s “Leaving Home Life” fascicle is not simply about leaving home/lay life to become a practicing monk. At first glance, the fascicle might not appear philosophically significant. To help bring the themes of that work into greater focus, I juxtapose Dōgen’s Shōbōgenzō and John Dewey’s later works on aesthetic experience and education. Both the teachings of Dōgen and the later Deweyan works on aesthetic experience are similar in the sense that both describe nature as a radically (...) plural and interdependent world without recourse to an underlying substance ontology or reality antecedent to and outside of experience. Both Dōgen and Dewey also claim that the experience of nature as... (shrink)

This chapter focuses on modern commentators close to or from the Kyoto school. According to Müller, there have been two approaches within the so-called Kyoto school regarding Dōgen's work. Initially, there were philosophically ambitious interpretations, such as those by Watsuji Tetsurō and Tanabe Hajime. They were ambitious insofar as they attempted to bridge the gap between philosophy and religion. However, from the 1940s onwards, these seminal works tended to recede into the background since they were criticised for assimilating a medieval (...) monk into modern secular thought. Müller discusses the second approach that was put forward by thinkers such as Nishida Kitarō (1870-1945), Nishitani Keiji (1900-1990) and Ueda Shizuteru (1926-2019). They furthered the questioning of religion and philosophy by developing a specific style of reading Dōgen. (shrink)

Philosophers interested in mining the Buddhist tradition for insights have long been drawn to Dōgen, and in particular to his Shōbōgenzō. I defend the practice of reading Dōgen as a philosophical figure, arguing that Dōgen’s mystical and paradoxical language can generally be cut through, yielding straightforward assertions of determinate philosophical views. As a proof of concept, I offer philosophical readings of Dōgen on two issues. First, I argue that Dōgen’s intervention in the Japanese Buddhist discourse on ‘Buddha nature’ (busshō 佛性) (...) expresses an overarching metaphysical position that unifies the Shōbōgenzō. I then argue that Dōgen recognises and attempts to solve a metaethical problem raised by his understanding of Buddha nature. Along the way, I show how careful attention to Dōgen’s position in the intellectual history of the Buddhist tradition can illuminate how he builds on the philosophical legwork of his forebears. (shrink)

Busshō, one of the central fascicles of Dōgen’s Shōbōgenzō, is dedicated to the problematic of Buddha-nature, the understanding of which in Dōgen’s thought is fairly different from previous Buddhist philosophy, but concordant with his views on reality, time and person. The article will present a close reading of several passages of the fascicle with comment in order to argue that Dōgen’s understanding of Buddha-nature is not something that entities have, but a mode of how they are, neither in itself nor (...) for us, but in the total world-process. The relation between totality and particularity is not hierarchical, nor one of opposition, but conceived of a matter of perspective, which, as Dōgen shows, is both mediated and circumscribed by language. As a result, we can see that particularity of being is precisely what makes the totality of being accessible to every existent, not an obstacle to be overcome. (shrink)

While there have been numerous claims of a resemblance between the philosophy of Ludwig Wittgenstein and Zen Buddhism, few studies of the philosophy of Wittgenstein in detailed comparison with specific Zen thinkers have emerged. This paper attempts to fill this gap by considering Wittgenstein’s philosophy in relation to that of Eihei Dōgen, founder of the Sōtō school of Zen. Points of particular confluence are found in both thinkers’ approaches to language, experience, and practice. Through an elucidation of these points, this (...) paper argues that both Dōgen and Wittgenstein can be understood as putting forth a philosophy of transcendent ethics. (shrink)

Continental philosophy, beginning with Kant, has found itself exposed to the abyss of reason. This crisis makes it a more ready dialogue partner with some of the Zen tradition. I explore this opening by bringing Eihei Dōgen into an encounter with Continental thought, broadly construed. Rather than demonstrate how Dōgen already fits within Continental thought or re-engineering the latter so that he can fit, I argue that this encounter, already precipitated by Continental philosophy’s own acknowledgement of the felix culpa of (...) Western philosophy’s otherwise indefensible overreach, transforms and expands the manners in which thinking counts as philosophical. This is no less than to recover a sense of philosophy as genetic and creative, rather than a shopworn tool kit of universal insights. (shrink)

In "The Way of the Dialetheist: Contradictions in Buddhism," Yasuo Deguchi, Jay L. Garfield, and Graham Priest argue that some (though not all) of the contradictions that appear in Buddhist texts should be accepted. An examination of their argument depends on what sort(s) of negation is (are) used in the texts. In order to see apparently contradictory statements as affirmations of true contradictions, we must assume that 'not' (or its variance) is used as a contradiction-forming operator. In this article, the (...) conception of negation(s) that is (are) salient in the writings of Dōgen is examined, and it is argued that he would not agree that his sentences are to be considered, and accepted, as contradictory. (shrink)

Since Nāgārjuna's proclamation of the emptiness of all things,1 Mahāyāna Buddhism has been faced with the question of how to reconcile emptiness with its commitment to compassion and altruism. While the latter would seem to require the existence of moral facts, the former would seem to destroy any basis for moral facts. In the vocabulary of contemporary metaethics, it would seem that any Buddhist who accepts Nāgārjuna's formulation of emptiness is committed to moral anti-realism,2 but it remains controversial whether anti-realism (...) is a position suited to Buddhism and its ethical focus.3In this essay, I will show that Dōgen 道元, founder of the Sōtō school of Japanese Zen Buddhism, responds to this problem... (shrink)

One of the most characteristic features of the philosophy of Dōgen is his idiosyncratic use of language, in particular, the replacement of expected semantic connections between two adjacent Chinese characters with improbable, but grammatically possible ones, from which new philosophical concepts are then derived. The article places this writing technique in the context of the linguistic changes that were taking place both in China and Japan at the time of Dōgen's writing as well as the general attitude of Chan/zen thinkers (...) toward language, arguing that the Chan/zen critique was not pointed to language as such, but its reified and alienated forms. Dōgen's concept-making could accordingly be seen as an effort to keep language ‘alive.’ The article offers two possible ways of interpreting his concepts: they can either be seen as relativisations of the mainstream reading norms, or as the creation of total semantic links in which all the existing ways of linking two characters are simultaneously possible. (shrink)

Revitalized interest in "the virtues" has affected the study of Buddhism in recent years, and in this regard we may benefit by focusing on the Zen Master Dōgen (1200-1253). Seeking to describe Dōgen's moral virtues, we might begin by a study of his primer, the "Shōbōgenzō" Zuimonki; a particularly efficacious template for this project would appear to be one provided by Edmund L. Pincoffs in his book "Quandaries and Virtues: Against Reductivism in Ethics". This "modus operandi" reveals Dōgen's exhortation of (...) a broad array of mandatory and nonmandatory virtues, partially depend- ing on whether or not the intended recipient is a layperson or one leading the religious life. If valid, this description may benefit Dōgen Studies as well as contribute to, and encourage, other "Western" efforts to articulate Buddhist ethics. (shrink)

Journal of Philosophy of Education, EarlyView.

Beyond Personal Identity. Dogen, Nishida and a Phenomenology of No-Self. Gereon Kopf. Curzon Press, Richmond 2001. xx, 298 pp. 40.00. ISBN 0-7007-1217-8.

Zen master Dōgen 道元, the founder of the Sōtō sect in medieval Japan, is often referred to as the leading classical philosopher in Japanese history and one of the foremost exponents of Mahayana Buddhist thought. His essays, sermons and poems on numerous Buddhist topics included in his main text, the Shōbōgenzō 正法眼蔵, reflect an approach to religious experience based on a more philosophical analysis of topics such as time and temporality, impermanence and momentariness, the universality of Buddha-nature and naturalism, and (...) the role of language and emotions in the experience of enlightenment, as well as practical matters such as ethics and the precepts or meditation and daily activity, than is generally found in the writings of most thinkers in the Japanese Zen school. The single main element in Dōgen’s unique approach to Buddhist theory and practice is his emphasis on the multiple meanings of “impermanence” in personal experience and as the basis for Buddhist metaphysics. In particular, he emphasizes the radical impermanence of each and every phenomenon and the need to attain spiritual realization by acknowledging and identifying, rather than resisting or denying, the ephemeral nature of reality. The notion of impermanence or the transiency of all aspects of human and natural existence has always been a fundamental feature of the Buddhist teaching since the sermons of the Buddha dealing with the doctrines of anātman and anitya regarding the insubstantial, selfless nature of things. However, Dōgen repeatedly cautions against any subtle tendency to view ultimate reality––nirvāṇa or the universal “Buddha-nature” ––as an eternal realm separable from, or independent of, impermanence. Instead, he stresses that a full, unimpeded, and perpetually renewed experience of impermanence and of the unity of “being-time” is the touchstone and framework of every aspect of Buddhist meditative training and spiritual realization. Other key doctrines related to this are the “spontaneous here-and-now manifestation of Zen enlightenment”, the “eternal moment of meditation”, the “immediacy of awakening”, and “impermanence-Buddha-nature”. In addition to looking at Dōgen’s poetic writings on aesthetic experience, later writings on karma and supernaturalism will be briefly examined for their contributions to his philosophical discussions of mystical awareness and the issues of commitment and responsibility involved in authentic religious practice. (shrink)

Tsunoda Tairyū of Komazawa University is one of the foremost authorities on shūgaku 宗学, or “Sōtō theology,” in Japanese academia, and a leading philologist of Dōgen’s writings, in particular the Shōbōgenzō 正法眼蔵. Tsunoda’s ongoing investigation of Dōgen’s philosophy culminated in the year 2015 when his extensive study Dōgen Zenji no shisō-teki kenkyū 道元禅師の思想的研究 was published by Shunjūsha. Tsunoda opens by introducing the fundamental methodologies that constitute Sōtō theological scholarship. The first is sankyū 参究, or scholarship based on one’s faith in (...) the tradition. With sankyū, Tsunoda argues, the standpoint of faith... (shrink)

: Many recent studies of Dōgen have rightly emphasized that for Dōgen language and thought are capable of expressing the buddha dharma. But they have not recognized that this positive assessment of language rests on an underlying critique of the prevalent commonsense view that language functions by representing an independent reality. Focusing on Dōgen's use of apparently paradoxical language, it is suggested that in order to understand this critique we need to trace it back to its roots in the interpretation (...) of Madhyamaka given by the Tiantai thinker Zhiyi. (shrink)

ABSTRACTJason Wirth's Mountains, Rivers, and the Great Earth: Reading Gary Snyder and Dōgen in an Age of Ecological Crisis challenges complacency in two significant ways. First, it performs a commitment to philosophy as creative and capacious practice in contrast to orthodoxies or technical provincialisms. Second, it disrupts unreflective usages of “wealth” and “development” as inherently economic in developing a compelling argument about the way that spiritual poverty informs contemporary ecological pathology. In this review, I present six key claims in Wirth's (...) text and offer unfolding thoughts in response. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Beyond Personal Identity: Dōgen, Nishida, and a Phenomenology of No-SelfCarl OlsonBeyond Personal Identity: Dōgen, Nishida, and a Phenomenology of No-Self. By Gereon Kopf. Richmond, UK: Curzon Press, 2001. 298 + xx pp.This work of comparative philosophy focuses on the problem of the self by comparing Western existential and phenomenological thought with Zen thinkers such as Dōgen and Nishida. In addition to such thinkers as Jean-Paul Sartre, Merleau-Ponty, Edmund (...) Husserl, and Martin Heidegger, the author also includes a discussion of such Western philosophers as Descartes, Kant, Leibniz, Lock, and Hume. The author demonstrates a knowledgeable command of his subjects and the central focus of the book.After discussing the problem of personal identity in the first part of the book, the author uses the second part of the book to place phenomenologists into dialogue with Zen Buddhist thinkers. The second part of the book includes the following topics: selfhood, otherness, continuity of experience, and temporality. In the final part of the book, the author considers the Zen conception of personal identity by discussing a Zen phenomenology of experience and personhood as presencing. Within the context of this final part of the book, Kopf wants to develop terminology that derives from both phenomenology and Zen Buddhism in order to consider the Zen notion of no-self as a process of presencing. This approach gives the author an opportunity to explore the philosophical implications of Zen Buddhist terminology and rhetoric and to suggest a way to theorize and discuss the self beyond personal [End Page 200] identity. Overall, each of the three parts of the book provides a different perspective: a discourse on personal identity, a comparative philosophical perspective, and a Zen viewpoint.This work of comparative philosophy embodies an internal tension between the position of the author and the impermanent nature of the non-self in Zen Buddhism. Kopf acknowledges his basic position in the following way: "It is my thesis that the framing of the question of personal identity already implies the notion of an enduring self" (p. xviii). In contrast, Dōgen rejects the notion of an enduring self or personal identity. The author's stated thesis and that of Zen Buddhism suggests that continuity is a crucial issue for this book.In chapter 4, Kopf elucidates his understanding of the continuity of experience: "The notion of continuity reflects the assumption that the 'I' of human experience is not without a history: It finds itself in the context of past experiences, which the experiental 'I' encounters in memories, as well as in a given situation" (p. 124). In short, a person finds oneself thrown into a situation. After discussing Sartre, Merleau-Ponty, the non-self doctrine in early Buddhism, how the Mahāyāna thinker Vasubandhu attributes continuity of experience to the habit energy produced by karmic activity, and how Nāgārjuna collapses the distinction between sam.sāra and nirvan.a, the author considers the positions of Dōgen and Nishida. The former defines the continuity of experience by two diachronically diverse dharma positions instead of three moments of time. This position suggests that Dōgen views continuity as the process from the present to the present and not as a process that operates from the past into the future. According to Nishida, the I-Thou forms a nonrelative contradictory self-identity, and it exists in the world of expression. This implies that the self is simultaneously continuous and discontinuous.In his chapter on temporality, Kopf distinguishes between abstract time, phenomenal time, lived time, and actual time, which is a fourth dimension suggested by Dōgen and Nishida. Abstract time is rejected because time is inseparable from existence. Grasping time as a dynamic event, the author discusses phenomenal time, in which the self realizes its own temporality and historicity. In contrast to the threefold structure of abstract time, phenomenal time possesses a twofold structure of past and future, whereas lived time embodies an internal unity in which the present unifies the past and future. A fourth dimension of time—actual time—is suggested by the work of Dōgen and Nishida. Actual time expresses a "modality of... (shrink)

: A hallmark of Dogen's legacy is his introduction of Chinese Ch'an koan literature to Japan in the first half of the thirteenth century and his unique and innovative style of interpreting dozens of koan cases, many of which are relatively obscure or otherwise untreated in the annals. What constitutes the distinctiveness of Dogen's approach? According to Hee-Jin Kim's seminal study, Dogen shifts from an instrumental to a realizational model of koan interpretation. While this essay agrees with some features of (...) Kim's approach, especially his emphasis on the importance of language, it is argued that Kim overlooks the diversity of aims and intentions in Dogen's use of rhetorical and narrative strategies to highlight diverse doctrinal and ritual themes. There is no single underlying view of koans for Dogen, who continually modifies his interpretive approach to particular cases in order to articulate specific themes. (shrink)

Although the planet is currently facing an unprecedented array of environmental crises, those who are in a position to do something about them seem to be paralyzed and the general public apathetic. This pathological situation derives in part from a particular concep­tion of the human relationship to nature which is central to anthro­pocentric traditions of thought in the West, and which understands the human being as separate from, and superior to, all other beings in the natural world. Traditional East Asian (...) understandings of this relationship are quite different and remarkably un-anthropocentric, especially as exemplified in the ideas of Chinese Daoism and Japanese Buddhism—even though Western conceptions now predominate in both China and Japan. Nevertheless, these ideas and understandings are experientially accessible to any contemporary person who has full contact with the natural world, regardless of which tradition that per­son stands in.This essay examines the understanding of the human-nature rela­tion that we find in the philosophies of Kūkai and Dōgen, from whom we can learn much that is ben­eficial in the context of our current environmental predicament. The ideas of both thinkers are firmly rooted in practice, and especially bodily or somatic practice, designed to bring about a transformation of experience. The argument is not that we should appropriate their conceptions of nature in order to solve our environmental problems; rather, since they both practice “philosophy as a way of life,” the sug­gestion is that we can learn from the practices they advocate in the light of what they say about natural phenomena and would benefit from emulating their ways of engaging the world ecologically. (shrink)

This article argues for a new way to interpret Dōgen's theory of time, reading the notion of uji as momentary existence, and shows that many notorious difficulties usually associated with the theory can be overcome with this approach, which is also more compatible with some fundamental assumptions of Buddhist philosophy (the non-durational existence of dharmas, the arbitrariness of linguistic designations and the concepts they point to, the absence of self-nature in beings, etc.). It is also shown how this reading leads (...) to an innovative treatment of the concept of selfhood, viewing the self as the active openness of an existent to the surrounding world, with which it is able to identify through a mutual relation with other existents within the existential moment. This argument is supported by an alternative translation in the "momentary mode" of those extracts of the fascicle that introduce or elaborate on Dōgen's key concepts. (shrink)

The traditional narrative of Zen Buddhism focuses on a religious experience that goes beyond words and concepts. I argue that Dōgen’s understanding of enlightenment is not limited to a religious experience, as it involves a creative process of Buddha-making that demands the flexibility to present a novel expression of the Buddha way with the transiency of the impermanent world. In arguing for the processual understanding of the Buddha way and enlightenment, I refer to the fluidity of dao in Chinese philosophy (...) to shed light upon the significance of creativity in authentic practice. By doing so, I explain why an unexamined Zen is problematic for Dōgen. (shrink)