In various arguments, Descartes relies on the principles that conceivability implies possibility and that inconceivability implies impossibility. Those principles are in tension with another Cartesian view about the source of modality, i.e. the doctrine of the free creation of eternal truths. In this paper, I develop a ‘two-modality’ interpretation of the doctrine of eternal truths which resolves the tension and I discuss how the resulting modal epistemology can still be relevant for the contemporary discussion.

I argue that zombies are inconceivable. More precisely, I argue that the conceivability-intuition that is used to demonstrate their possibility has been misconstrued. Thought experiments alleged to feature zombies founder on the fact that, on the one hand, they _must_ involve first-person imagining, and yet, on the other hand, _cannot_. Philosophers who take themselves to have imagined zombies have unwittingly conflated imagining a creature who lacks consciousness with imagining a creature without also imagining the consciousness it may or may (...) not possess. (shrink)

Sometimes, after years of painstaking work, someone presents a startling argument that seems to suddenly snatch the ground right out from under your feet. And it's back to square one. Such a conceptual trapdoor caught me by surprise a few years ago. For decades, I had been convinced it is simply inconceivable that subjectivity -- the interior experience of how consciousness feels -- could possibly emerge from a previously wholly objective world, that mind could evolve from ‘dead’ matter. It (...) seemed to me that the arguments of materialist philosophers, cognitive scientists and neuroscientists invariably missed the point. They always began with an assumption of ontological objectivity or physicality, and proceeded to show that that must be the source of consciousness. Well, of course, it had to be -- given their starting assumption. But what they were talking about wasn't consciousness at all. It was usually either some neural correlation, some computer analogue, or some complex and abstract linguistic deconstruction. Whatever their approach, the first-person experience of consciousness -- it's subjective feel -- always slipped through their grasp. They were looking at the problem from the third-person perspective -- from objectivity. And you can't get to here from there. (shrink)

Philosophers are drawn to the Atomic Theory like a dog to an old shoe, but my results about realism and anti-realism in Tracking Truth, and the distinctive position I have carved out on their basis, are independent of the fate of my comments about that historical case. I will defend those comments against Stanford’s objections below, but first I will explain the argument of my chapter, because its results undermine not only historically important antirealist positions, but also the approach via (...) unconceived conceivables that Stanford’s criticisms (and his pessimistic induction) depend on. The issue is claims about equal evidential support that empiricist defenses of epistemological anti-realism, including Stanford’s, must and do appeal to. In Chapter 6 of Tracking Truth, I show that the best known probabilistic definitions of evidential support imply the anti-realist’s key equalsupport claims are either false or inconsistent with the view he wants to base on them. There are reasons to think that it is not even possible to define a probabilistic notion of support that will do the job the anti-realist needs. It follows from this, as I explain below, that the anti-realist has not defended the claim that we are in principle, or even probably, unable to confirm high-level theories – for this, I say, we must wait and see, and make our best estimates. This, and my claim that we have actually gotten beyond observables – a point made with pregnancy tests and tests for medical conditions – make room for realism. I do not endorse the kind of realist claim that says we generally have a right to believe our successful hypotheses that go beyond observables. Some successful hypotheses are better confirmed than others, and some are not at all. However, since the anti-realist’s general skeptical arguments fail, I also do not think we need such general claims in order to have a right to confidence in those particular hypotheses for which we do have good evidence. I call my approach to the epistemological realism-anti-realism debate “evidential.” The nub of the issue between the two camps has always been whether we have a right to believe our scientific theories – in some sense that includes at least some of their claims about unobservable matters – on the basis of our evidence.1 Answers to this question depend on what our evidence actually is, and on the definition or criteria for evidential support.. (shrink)

In this paper, I compare Margaret Cavendish’s argument for the view that colours of objects are inseparable from their ‘physical’ qualities with George Berkeley’s argument for the view that secondary qualities of objects are inseparable from their primary qualities. By reconstructing their respective arguments, I show that both thinkers rely on the ‘inconceivability principle’: the claim that inconceivability entails impossibility. That is, both premise their arguments on the claim that it is impossible to conceive of an object that has size (...) and shape but no colour. I argue that Cavendish, like Berkeley, accepts the inconceivability principle on the grounds that it is impossible to conceive of something that could not, in principle, be perceived and, in turn, that something imperceptible could not possibly exist. As such, I argue that both Cavendish and Berkeley are committed to an ‘empiricist’ modal epistemology: one wherein our knowledge of what it is possible to perceive informs us about what could possibly exist. For this reason, I conclude that there is more empiricism in Cavendish’s epistemology than secondary literature to date suggests. (shrink)

In “Absent Qualia and the Mind-Body Problem,” Michael Tye (2006) presents an argument by which he claims to show the inconceivability of beings that are functionally equivalent to phenomenally conscious beings but lack any qualia. On that basis, he concludes that qualia can be fully defined in functional terms. The argument does not suffice to establish the claimed results. In particular it does not show that such absent qualia cases are inconceivable. Tye’s argument relies on a principle P according (...) to which the exchange of isomorphic states between functionally equivalent systems will preserve their equivalence. If they were functionally equivalent before the exchange, they will also be so after. Consideration of the contextual nature of realization shows that Principle P is not a general truth as Tye claims, and his argument against the possibility of absent qualia thus fails. (shrink)

Conceivability is an important source of our beliefs about what is possible; inconceivability is an important source of our beliefs about what is impossible. What are the connections between the reliability of these sources? If one is reliable, does it follow that the other is also reliable? The central contention of this paper is that suitably qualified the reliability of inconceivability implies the reliability of conceivability, but the reliability of conceivability fails to imply the reliability of inconceivability.

Formal implication is usually represented by symbolization such as ‘ φx ⊃ Ψx,’ which may be read, “for all values of ‘x’, φx implies Ψx.” If the values of the variable ‘x’, in ‘φx’ and ‘Ψx’ be ‘x1’ ‘x2’ ‘x3’, etc., then … ‘φx’ formally implies ‘Ψx’ if and only if, whatever values of ‘x’, ‘xn’, be chosen, ‘φxn’ materially implies ‘Ψxn’ …However, this still leaves it doubtful which of two possible interpretations of expressions having the form ‘ φx ⊃ (...) Ψx’ is to be taken as correct. … It means one thing to say, “Every existent having the property φ … has also the property Ψ,” and it means quite a different thing to say, “Every thinkable thing which should have the property φ must also have the property Ψ.” The second of these holds only when having the properly φ logically entails having the property Ψ; when ‘Ψx’ is deductible from ‘φx’. … The first of them, however, holds not only in such cases … but also in every case where among existent things, one property is universally accompanied by another. (shrink)

There are several existing arguments against scientific realism which rely on the notion that key alternatives are inconceivable. But there are other such arguments which have remained unarticulated. In this paper presentation, Rowbottom would chart the possibility space of such arguments, and outline some promising novel arguments for anti-realism.

Throughout her philosophical writing, Margaret Cavendish is clear in stating that colours are real; they are not mere mind-dependent qualities that exist only in the mind of perceivers. This puts her at odds with other seventeenthcentury thinkers such as Galileo and Descartes who endorsed what would come to be known as the ‘primary-secondary quality distinction’. Cavendish’s argument for this view is premised on two claims. First, that colourless objects are inconceivable. Second, that if an object is inconceivable then (...) it could not possibly exist in nature. My aim in this paper is to explain why Cavendish accepts both premises of this argument. However, the repercussions of this paper go much further than just explaining why she thinks colourless objects cannot exist in nature and the upshots are twofold. First, it provides new insights into the fundamental role that perception plays in Cavendish’s metaphysics. While Cavendish’s view that all of nature perceives is well-established, I show that Cavendish is also committed to the view that all of nature is perceivable. Second, it provides the first in-depth discussion of Cavendish’s modal epistemology and her reasons for thinking that inconceivability entails impossibility (in nature). (shrink)

Proponents of the hard problem of consciousness argue that the zombie and inverted spectrum thought experiments demonstrate that consciousness cannot be physical. They present scenarios designed to demonstrate that it is conceivable that a physical replica of someone can have radically different or no conscious experiences, that such an experience-less replica is possible and therefore that materialism is false. I will argue that once one understands the limitations that the physics of this world puts on cognitive systems, zombies and the (...) inverted spectrum are not conceivable. (shrink)

Derrida's discourse on forgiveness is importantly a discourse on heritage. More precisely, he is interested in our split inheritance of this concept and what this inheritance implies. Of concern to Derrida is the link that he draws between our Abrahamic religious inheritance and the proliferation of various therapeutic discourses in the political realm. Derrida's deconstruction of forgiveness turns on his understanding of what is in fact unforgivable, of those deeds that are so horrendous that it is inconceivable or unthinkable (...) that forgiveness would be granted. By far and away the Derridean project to which the deconstruction of forgiveness is most proximate is Derrida's deconstruction of the gift. This proximity exceeds that which is gestured to by the etymological bond between the two, don and pardon, forgiveness and gift. In spite of Derrida's criticisms of phenomenology, he remains relatively attuned to the experiences that are implied by his various deconstructive projects. (shrink)

In this paper, I argue that, if transcendental arguments are to proceed from premises that are acceptable to the skeptic, the Transcendental Premise, according to which “X is a metaphysically necessary condition for the possibility of Y,” must be grounded in considerations of conceivability and possibility. More explicitly, the Transcendental Premise is based on what Szabó Gendler and Hawthorne call the “conceivability-possibility move.” This “inconceivability-impossibility” move, however, is a problematic argumentative move when advancing transcendental arguments for the following reasons. First, (...) from “S cannot conceive of P” it doesn’t necessarily follow that P is inconceivable. Second, from “P is inconceivable” it doesn’t necessarily follow that P is metaphysically impossible. Third, rather than block skeptical doubts, the conceivability-possibility move introduces skeptical doubts. For these reasons, transcendental arguments fail to deliver on their promise to overcome skeptical doubts. (shrink)

Counterfactuals abound in science, especially when one deals with models. Some models, namely highly idealized models, have assumptions that are metaphysically impossible. This means that in science one has often to deal with counterpossibles. According to the standard semantics for counterfactuals, all counterpossibles are vacuously true. But scientific practice shows that counterpossibles are not always regarded as vacuously true by scientists. To do justice of the use of counterpossibles in science, some authors think that we should adopt a semantics that (...) allows for impossible worlds. It seems difficult to reconcile the role played by highly idealized models in science with scientific realism. Nevertheless, some authors think that it is possible to provide a realist account of highly idealized models. In this view, scientific realism should not be interpreted as the claim that models aim to provide accurate representations of models’ targets, rather it should be interpreted as the claim that models aim to provide true modal information about models’ targets. This variant of scientific realism seems to imply a commitment to some form of modal realism. I develop an objection to that variant of scientific realism by elaborating on some arguments originally developed to show that there are unknowable facts. (shrink)

Hume's maxim consists of two principles which are logically independent of each other: (1) whatever is conceivable is possible; and (2) whatever is inconceivable is impossible. Thomas Reid offered several arguments against the former principle, while John Stuart mill argued against the latter. The primary concern of this paper is to examine whether Reid and mill were successful in calling Hume's maxim into question.

How is moral knowledge possible? This paper defends the anti-Humean thesis that we can acquire moral knowledge by deduction from wholly non-moral premises. According to Hume’s Law, as it has become known, we cannot deduce an ‘ought’ from an ‘is’, since it is “altogether inconceivable how this new relation can be a deduction from others, which are entirely different from it” (Hume, 1739, 3.1.1). This paper explores the prospects for a deductive theory of moral knowledge that rejects Hume’s Law.

It is generally agreed that Kant's first Critique was merely a codification of the Newtonian physics. Kant not only had no doubt about the principles of classical mechanics, but he even tried to prove that no other principles of physics are possible. According to the principles of his epistemology, no matter how much the "material" of experience may increase, its form will remain forever the same, since it is determined by the fixed and static character of the perceiving subject. More (...) concretely: it is inconceivable that in some distant future facts will be discovered which would contradict the Euclidian character of space, the principle of the constancy of material substance, the principle of spatio-temporal continuity of all changes, or the principle of strict causality. Why this alleged impossibility? Kant's answer was simple: because the principles just mentioned are not empirical generalizations; they do not stem from experience at all. On the contrary, they precede experience because they make every experience possible; or, in Kant's jargon, they are transcendental conditions of experience. They belong to the innate structure of the epistemological subject, and it is due to their action that the structured and organized perception arises. It is true--and Reichenbach did not fail to notice it--that Kant hypothetically considered the possibility of beings endowed with a different cognitive apparatus. This, according to Reichenbach, would imply the possibility of some cognitive forms intermediate between such hypothetical beings and human beings. But this evolutionist interpretation of Kant is very questionable; the fact that this was done by Helmholtz should not blind us to the fact that it is completely foreign to the whole spirit of the Kantian philosophy. Evolution and change in general were regarded by Kant as legitimate concepts only within our sensory and introspective experience; from the transcendent realm of "things-in-themselves" they were completely excluded. This view was a natural and inevitable consequence of the Kantian claim that time is merely a form of our perception, whether external or internal; hence the timelessness of the transcendental Ego and the utter impossibility of any kind of evolution in our cognitive faculties. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:155. REMARKS ON P. S. WADIA" S 'PHILO CONFOUNDED' In responding to Professor Wadia's paper in McGiIl Hume Studies, I will attempt to show why his analysis of the illustrative analogies in Part III of the Dialogues fails to capture what it is that Cleanthes sought to accomplish through them. On p. 285, Wadia begins his discussion of Part III and admits to being bewildered because one expects Cleanthes (...) to confine his illustrations to familiar things in the world around him. One wonders, however, why Wadia thinks the ilustrations should be so confined, since it is precisely matters such as these for which the Design Argument is attempting to account through the hypothesis of an intelligent external artificer - an hypothesis which Philo refuses to accept in this regard. Contrary to what Wadia maintains, there is one occasion in Part III where Cleanthes' defense does have recourse to natural phenomena. On p. 154 he asks Philo to consider, anatomise the eye, and behold the male and female of each species, the correspondence of their parts and instincts, their passions and whole course of life before and after generation to be persuaded that the most obvious conclusion surely is in favour of design! Cleanthes explains Philo's resistance to this most obvious conclusion as due to too luxuriant a fertility, which suppresses your natural good sense, by a profusion of unnecessary scruples and objections. (DNR155) On two occasions in Part III-in the first paragraph and once again toward the end of the seventh - Cleanthes comments on Philo's 'blindness' in rejecting the inference from natural phenomena to an intelligent cause of design. Given this assessment of Philo by Cleanthes, the employment of imaginary examples is easily appreciated inasmuch as actual examples have been impotent in convincing Philo. Just how these imaginary examples are relevant to his position has yet to be discussed; but the use of imaginary illustrations is not bewildering. 156. In setting the stage for his central claim on Cleanthes* intended use of his illustrations, Wadia seriously misrepresents the disagreement between Philo and Cleanthes. At one point (p. 286) he takes Philo to be arguing that empirical evidence regarding an intelligent designer is actually inconceivable. But, in fact, this was not Philo's position in Part II at all. Philo finds it easy indeed to conceive of the empirical evidence required to support the conclusion of the Design Argument, namely, the world must sufficiently resemble some thing which is known to be intelligently contrived to enable us to classify it as a further instance of that kind of thing. If this could be done, the principle 'like effects prove like causes' could be used to infer an intelligent cause for the design of the world. Philo, of course, denies that the required resemblance can be found. However, as I have shown, he never denies that it is conceivable. One page earlier, Wadia offers an account of Philo's position in Part II which is also incorrect. He argues that since, for Philo, an inference to the existence of an intelligent designer of the world requires having seen worlds formed under our eyes, this claim amounts to saying that it is impossible for there to be empirical evidence relevant to the conclusion of the Design Argument, because no one can satisfy this condition. Philo's argument in Part II, however, is not this one. He begins by considering how the world must present itself to justify reasoning by analogy to an intelligent designer. And it is only because the required resemblances between the world and objects of human contrivance are not present, that he offers 'seeing worlds formed under our eyes' as a condition which must be satisfied if the inference to an intelligent designer is to be acceptable. Now since Philo himself entertains possible states of the world which, if they existed, would constitute evidence for an intelligent designer, Wadia is mistaken in attributing "the impossibility claim* 157. to Philo. For Wadia to argue successfully regarding Philo's adoption of 'the impossibility claim' he must show that Philo has argues that it is impossible for the world to resemble objects of human contrivance - a position which Philo never... (shrink)

The development of modern information and communication technologies has enabled the spread of tools and procedures dedicated to the discretization of reality, already involving inconceivable and unprecedented swathes of informations. The diversity, volume and velocity of data has made possible a vast set of digital contents: this is not just a form of technical externalization, of data storage, or of symbolic representation, but also the tangible basis for a new form of power, ‘algorithmic governmentality’, which uses the mathematical analysis (...) of this vast gathering of data to prescribe and proscribe particular concrete behaviours. Evaluating these procedures for the discretization of reality, together with processes of dividualization, data behaviourism and personal profiling, this article examines the complex of techniques applied to digital contents. The basis for this examination is here the Deleuzian concept of stratoanalysis: this will initially involve studying the forms and spaces generated and composed by digital technologies, so as to assess the viability of the concept of ‘digital stratum’. By then analysing the relationship between the anthropomorphic stratum and the digital stratum, and the way that algorithmic governmentality strives to control this relationship, it will become possible to propose a line of flight that sets out and sets off from this logic of control. (shrink)

A certain philosophical frame of mind holds that contentless imaginings are unimaginable, “inconceivable” (Shapiro, p. 214) ‐ that it is simply not possible to imagine acts of imagining in the absence of representational content. Against this, this paper argues that there is no naturalistically respectable way to rule out the possibility of contentless imaginings on purely analytic or conceptual grounds. Moreover, agreeing with Langland‐Hassan (2015), it defends the view that the best way to understand the content and correctness conditions (...) of non‐basic, hybrid imaginative attitudes is to assume that basic sensory imaginings are enlisted to play many different kinds of cognitive roles depending on the surrounding contentful attitudes that imaginers adopt toward them. Finally, it argues that when it comes to understanding how pure, basic sensory imaginings do their explanatorily important work there is every reason to focus on the properties of such imaginings that enable appropriate interactions and exactly no reason for thinking that representational contents are amongst those properties. (shrink)

Zombies are unconscious objects with conscious physical micro-duplicates. If zombies are possible then physicalism is false. It has been argued that zombies are possible if conceivable for an agent with ideal rationality. At any rate, they are possible only if so conceivable. This essay uses a mereological constraint to highlight the fine-grained differences between actually conscious physical objects and certain of their actually consciousness-incapable proper parts. These mereological considerations form the basis of an argument by dilemma that zombies are (...) class='Hi'>inconceivable. Either an arbitrary actually conscious object might have had simpler consciousness-capable parts than it in fact has, or not. The affirmative horn leads to a version of panpsychism that is inconsistent with the ideal conceivability of zombies. The negative horn rules out zombies as incoherent. The upshot is a new reason to deny the conceivability of zombies. (shrink)

Metaphysical modalities are definable from counterfactual conditionals, and the epistemology of the former is a special case of the epistemology of the latter. In particular, the role of conceivability and inconceivability in assessing claims of possibility and impossibility can be explained as a special case of the pervasive role of the imagination in assessing counterfactual conditionals, an account of which is sketched. Thus scepticism about metaphysical modality entails a more far-reaching scepticism about counterfactuals. The account is used to question the (...) significance of the distinction between a priori and a posteriori knowledge. (shrink)

In an earlier paper I suggested that we can solve the Benacerraf Problem – the problem of explaining how mathematical knowledge is possible on the assumption that the objects of mathematics are abstract and immaterial – by positing efficient causal relations between those abstract objects and our brains. The burden of the paper was to remove the appearance that relations between abstracta and concreta, far from being actual, are inconceivable. This alleged inconceivability has been derived from some putative conditions (...) on efficient causation: physical contact, energy transfer, reciprocal effects on the cause, and the idea that the cause must exist in time if its effects do. I argued that none of these conditions are a priori conditions on efficient causation, and thus do not pose an obstacle to the conceivability or metaphysical possibility of efficient causal relations between platonic objects and brains. In this essay I reply to three published challenges to this proposed solution to the Benacerraf Problem. (shrink)

In this paper, I will argue for two interrelated theses. First, if we take phenomenological psychopathology seriously, and want to understand what it is like to undergo various psychopathological experiences, we cannot treat madpeople’s testimony as mere data for sane clinicians, philosophers, and other scholars to analyze and interpret. Madpeople must be involved with analysis an interpretation too. Second, sane clinicians and scholars must open their minds to the possibility that there may be experiences that other people have, which they (...) nevertheless cannot conceive of. I look at influential texts in which philosophers attempt to analyze and understand depersonalization and thought insertion. They go astray because they keep using their own powers of conceivability as a guide to what is or is not humanly possible to experience. Several experiences labeled inconceivable and therefore impossible by these philosophers, are experiences I have had myself. Philosophers and others would be less likely to make this mistake if they would converse and collaborate more with the madpeople concerned. When this is not feasible, they should nevertheless strive to keep an open mind. Fantastical fiction may have a role to play here, by showing how bizarre experiences may nevertheless be prima facie conceivable. (shrink)

Stanford’s argument against scientific realism focuses on theories, just as many earlier arguments from inconceivability have. However, there are possible arguments against scientific realism involving unconceived (or inconceivable) entities of different types: observations, models, predictions, explanations, methods, instruments, experiments, and values. This paper charts such arguments. In combination, they present the strongest challenge yet to scientific realism.

In this paper I examine the structure of hope and trust from a phenomenological perspective in order to analyze the kinds of beliefs, valuings, and practical dispositions involved in them. I claim that there are some basic aspects of the social world that would be inconceivable without the feeling components of these attitudes. However, since these attitudes are only rational in as far as they involve rational beliefs, valuings, and practical assumptions, a complex theory of reason that deals with (...) these three domains is necessary to understand what is at stake in them. Accordingly, I attempt to sketch central aspects of the Husserlian pluralistic conception of reason and highlight the way in which, when they are rational, the valuings involved both in hope and trust open new possibilities to act in rational or meaningful ways. This leads me to stress the role of the feelings involved in these attitudes, for I claim that such valuings or axiological assessments are based on them. I argue that hope allows us to act rationally in the face of uncertainty and what lies beyond our control. In the final part I elaborate on the idea that trust is founded on hope. I examine what happens when hope is expressed and how being found trustworthy by others implies being capable of establishing all kinds of social relationships, including relationships in which the trusted one is dominated. This opens the possibility of raising ethical questions concerning trusting and responding to the trust of others. (shrink)

Mathematics for Hume is the exemplary field of demonstrative knowledge. Ideally, this knowledge is a priori as it arises only from the comparison of ideas without any further empirical input; it is certain because demonstration consist of steps that are intuitively evident and infallible; and it is also necessary because the possibility of its falsity is inconceivable as it would imply a contradiction. But this is only the ideal, because demonstrative sciences are human enterprises and as such they are (...) just as fallible as their human practitioners. According to the reading suggested here, Hume develops a radical sceptical challenge for mathematics, and thereby he undermines the knowledge claims associated with demonstrative reasoning. But Hume does not stop there: he also offers resources for a sceptical solution to this challenge, one that appeals crucially to social practices, and sketches the social genealogy of a community-wide mathematical certainty. While explaining this process, he relies on the conceptual resources of his faculty psychology that helps him to distinguish between the metaphysics and practices of mathematical knowledge. His account explains why we have reasons to be dubious about our reasoning capacities, and also how human nature and sociability offers some remedy from these epistemic adversities. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

In this article, I weigh in on the debate between "Humeans" and "New Humeans" concerning David Hume's stance on the existence of causal connections in "the objects." According to New Humeans, Hume believes in causal connections; according to Humeans, he does not. -/- My argument against New Humeans is that it is too difficult to reconcile Hume's repeated claims that causal connections are inconceivable with any belief that they these inconceivable somethings still exist. Specifically, Hume either assumes or (...) does not assume that causal connections do or must exist. If he does not, then the New Hume is false. If he does, then it is only reasonable to expect him to do one of two things: (1) provide explicit and unambiguous statements to the effect that he still believes that causal connections do or must exist despite his belief that we cannot even conceive of them and/or (2) provide textual evidence that he subscribes to a reason for believing that causal connections do or must exist in the objects despite his belief that we cannot even conceive of them. I then argue that Hume never satisfies either (1) or (2). -/- My ultimate conclusion is not that the New Hume is false. On the contrary, in section IX, I will argue that the New Hume is still a viable possibility if we attribute a certain other position to Hume – what I will refer to as "Newtonian Empiricism." But I will also argue that this rather plausible interpretation of Hume is equally consistent with Hume's being an agnostic about causal connections and Hume's being a Humean about causal connections. Therefore while we have no good reason to subscribe to the New Hume (rather than Hume's being an agnostic or a Humean), we cannot conclusively rule out this interpretation. (shrink)

My starting point is a fundamental paradox that lies at the heart of the slow demise of the Roman Republic: why does the system collapse when, as many scholars have noted, there is nothing that suggests that there was ever an intention by anyone to overthrow the Republic? Understanding this paradox is key to identifying what Rome might have to say to us today. What changes in the final decades of the Roman Republic is a declining view of the ability (...) of political institutions to project the community into the future. This change is due to important alterations in the norms that provide the background context by which individuals working through institutions can get things done. The changes in these norms not only disable these institutions, making them seem less capable of projecting the community into the future, but also make possible alterations in the political framework that might have been inconceivable before. In particular, one sees the elevation of individuals who offer solutions by promising to bypass those ineffective and unresponsive institutions. (shrink)

Martha Nussbaum has claimed that it is possible for a moral agent to be confronted, through no fault of his own, with an irresolvable conflict between his moral duties; and cites Kant as someone who takes the opposing view. Kant did indeed take the view that conflict between duties was inconceivable, but Nussbaum has failed to grasp his main reason for doing so, namely the principle that ‘ought’ implies ‘can’. When that principle is properly understood it can be seen (...) that a Kantian account, or one drawing upon Kantian resources, can make more sense of our being confronted, seemingly, by incompatible duties than the account Nussbaum herself offers. (shrink)

Research Objective: This study focuses on ADs in the Netherlands and introduces a cross-cultural perspective by comparing it with other countries. Methods: A questionnaire was sent to a panel comprising 1621 people representative of the Dutch population. The response was 86%. Results: 95% of the respondents didn't have an AD, and 24% of these were not familiar with the idea of drawing up an AD. Most of those familiar with ADs knew about the Advanced Euthanasia Directive (AED, 64%). Both low (...) education and the presence of a religious conviction that plays an important role in one's life increase the chance of not wanting to draw up an AD. Also not having experienced a request for euthanasia from someone else, and the inconceivability of asking for euthanasia yourself, increase the chance of not wanting to draw up an AD. Discussion: This study shows that the subjects of palliative care and end-of-life-decision-making were very much dominated by the issue of euthanasia in the Netherlands. The AED was the best known AD; and factors that can be linked to euthanasia play an important role in whether or not people choose to draw up an AD. This differentiates the Netherlands from other countries and, when it comes to ADs, the global differences between countries and cultures are still so large that the highest possible goals, at this moment in time, are observing and possibly learning from other cultural settings. (shrink)

-/- Panpsychism is often thought to be an obviously mistaken doctrine, because it is considered to be completely inconceivable how the elementary particles of physics could possibly have proto-mental properties. This paper points out that quantum theory implies that elementary particles are far more subtle and strange than most contemporary physicalist philosophers assume. The discusses David Bohm’s famous “pilot wave” theory which implies that, say, an electron is a particle guided by a field carrying active information, the latter of (...) which can be seen as a primitive mind-like quality. (shrink)

Additional arguments for sense‐data begin by defending the claim that perceptual sensations are psychological individuals, examples being phosphenes, after‐images, and the ‘ringings’ of ‘tinnitus’. Five arguments for sense‐data follow. First, that since corresponding to every veridical visual field is a possible non‐veridical visual field of sensations, the latter merely needs a different and regular outer cause to be deemed veridical. Second, since bodily sensation experience is extremely strong evidence for the existence of a matching sensation cause, the experience of ‘ringing’ (...) must be strong evidence that a ‘ringing’ sensation is its cause, and this holds in the veridical hearing of a ringing sound. Third, that it is inconceivable that one has a truly visual experience of a red visual field, and absolutely nothing red‐looking be there before one had noticed. Fourth, that the experience of sound might have had a different developmental history, in which first there was merely experience of auditory sensation, and then over millennia such experience gradually found itself caused by regular outer phenomena, thereby constituting the hearing of sound. And a fifth argument that resembles the first argument. (shrink)

In her book Extended Rationality: A Hinge Epistemology (2015), Annalisa Coliva puts forward an anti-sceptical proposal based on the idea that the notion of rationality extends to the unwarrantable presuppositions “that make the acquisition of perceptual warrants possible” (2015: 150). These presuppositions are commonly the target of sceptical arguments, and by showing that they are on the one hand unwarrantable, but on the other are constitutive components of rationality itself, she reveals that they are beyond rational doubt and thus avoids (...) scepticism. Part of Coliva’s defence of using extended rationality in this way involves distancing it from relativist interpretations, which she describes as “devastating” (2015: 120). She proposes two ways that someone might attempt to formulate epistemic relativism from her extended rationality view, and argues that both would be unsuccessful because they require describing alternative conceptions of rationality which are “unintelligible” (in the first case), or “inconceivable” (in the second). The superficial claim of this chapter is that Coliva’s arguments, as they stand, are insufficient to dismiss relativism. She fails to show that the conception of rationality needed for the first formulation of relativism is unintelligible, and overestimates the significance of the second formulation’s conception turning out to be inconceivable. But I also highlight a deeper problem: neither formulation follows a realistic blueprint for relativism, and so these were the wrong possibilities to consider in the first place. To address this issue, I propose a third, more plausible, way in which someone might attempt to formulate relativism on the basis of Coliva’s account. I leave open whether this strategy is successful, or whether a version of Coliva’s criticisms apply to it too. (shrink)

In this paper, I argue that the first and the third premises of the zombie argument cannot be jointly true: zombies are either inconceivable beings or the possible existence of them does not threaten the physicalist standpoint. The tenability of the premises in question depends on how we understand the concept of a zombie. In the paper, I examine three popular candidates to this concept, namely zombies are creatures who lack consciousness, but are identical to us in their (a) (...) functional organization, (b) entire physical makeup, and (c) microphysical structure. The main aim of the paper is to argue that none of these conceptions conveys a consistent zombie-concept to us, which, at the same time, would be dangerous for physicalism. In the conclusion, I argue that the source of this failure can be found in the logical fallaciousness of the argument, namely the premises simply presuppose the truth of the conclusion. (shrink)

When they abandoned the analytic-synthetic distinction, analytic philosophers substituted for it uncritical appeals to thought experiments or conceivability arguments. Although the history of philosophy is replete with thought experiments, medieval and early modern philosophers developed sophisticated theories concerning what governs what happens in thought experiments. By contrast, contemporary philosophers subscribe to the thesis of facile conception according to which casual allegations of conceivability or inconceivability are taken as good evidence of possibility or impossibility. Philosophers need to adopt standards of thought (...) experimentation like those found in science and to ground them in a general theory of conceivability. (shrink)

There is no question, of course, that music is a temporal art. Stravinsky, noting that it is inconceivable apart from the elements of sound and time, classifies it quite simply as "a certain organization in time, a chrononomy."1 His definition stands as part of a long and honored tradition that encompasses such diverse figures as Racine, Lessing, and Schopenhauer. Schopenhauer, putting the case in its strongest terms, remarks that music is "perceived solely in and through time, to the complete (...) exclusion of space," thus making explicit the opposition between time and space and ruling out the latter as a possible area for legitimate musical experience. Yet anyone familiar with the philosophical and theoretical literature dealing with music must be struck by the persistence with which spatial terminology and categories appear. Indeed, it would seem to be impossible to talk about music at all without invoking spatial notions of one kind or another. Thus in discussing even the most elementary aspects of pitch organization—and among the musical elements, only pitch, we should remember, is uniquely musical—one finds it necessary to rely upon such spatially oriented oppositions as "up and down," "high and low," "small and large" , and so on. Space, then, pace Schopenhauer, apparently forms an inseparable part of the musical experience. · 1. Igor Stravinsky, Poetics of Music in the Form of Six Lessons, trans, Arthur Knodel and Ingolf Dahl , p. 28. Robert P. Morgan is active as both a music composer and theorist. A professor of music at the University of Chicago, he is currently composing a concerto for flute, oboe, and string orchestra to be performed at Swarthmore College. His previous contribution to Critical Inquiry, "On the Analysis of Recent Music," appeared in the Autumn 1977 issue. Anthony Gilbert responds to the current essay in "Musical Space: A Composer's View". (shrink)

This paper discusses philosophical arguments for presenting scarcity and/or abundance as characteristic of the human condition. It criticizes those positions which presenthuman action as characterized by either 'universal scarcity' or 'universal abundance'. Universal scarcity is associated with instrumental activity and argues that the possibility of abundance supposes a Utopia of intrinsic activity which is inconceivable. Universal abundance is defended by Georges Bataille, who conceives of human life as the necessary expenditure of an original abundance. Both positions are criticized: even (...) on their own terms, abundance reappears in the worldview of universal scarcity and vice versa. Finally, a perspective is presented where scarcity and abundance are complementary, on three different levels. On the level of the general structure of action, scarcity is implied by the fundamental ideological structure of action while abundance is implied by the fact that our actions are not dictated by (strict) necessity. At the level of social practices in general and the more specific level of the modern economic practices of work and consumption, scarcity arises wherever action is best interpreted as the satisfaction of socially formulated needs. Abundance here arises in so far as we can free ourselves of these social needs, either by subjecting them to criticism and reformulation,or by revising our membership of social practices. (shrink)

The title of this article has been chosen deliberately, for we find interesting parallels in the careers and outlooks of Alexis de Tocqueville and the great Prussian theorist of war, Carl von Clausewitz whose master work, On War, remains sui generis. They overlapped in time, but, more importantly, their major theoretical works dealt in large measure with the same problem – the democratic revolution and its impact on politics. As Clausewitz argued, the warfare of the new era was caused by (...) the new political conditions which die French Revolution created both in France and in Europe as a whole, conditions that set in motion new means and new forces, and have thus made possible a degree of energy in war diat odierwise would have been inconceivable. It follows that the transformation of the art of war resulted from the transformation of politics. (shrink)

In this dissertation I suggest an answer to the famous question ‘why is there something rather than nothing?’ I argue that there is something because there could not have been nothing. The focus of my discussion is the empty possible world of metaphysical nihilism, and the first chapter is a rejection of the only prominent argument for that position; the subtraction argument. In the second part of my discussion I construct a positive argument against metaphysical nihilism, I assume, as is (...) common in the literature, that inconceivability provides evidence of impossibility. I establish the inconceivability of nothingness taking propositional imagining to be the core of conceivability, claiming that we have no experience of nothingness in the relevant sense and are unable to imagine it. Finally, I suggest that a distinction should be made between everyday use of the term ‘nothing’, and the sense under discussion here. The inconceivability of nothingness applies only in the latter case. Given that nothingness is inconceivable, we have prima facie reason to suppose that the empty world is impossible. I conclude that given the failure of the subtraction argument and in light of my argument against metaphysical nihilism, that position should be rejected. (shrink)

There are strong reasons for assuming that Thomas Aquinas conceived of God’s existence in terms of logical necessity in a broad sense. Yet this seems to stand in some tension with the fact that he excludes the possibility of a priori arguments for the existence of God. One apparently attractive way of handling this tension is to use a two-dimensional framework inspired by Saul Kripke. Against this, this article demonstrates that a Kripke-inspired framework is inapt in this context because it (...) allows for the conceivability of God’s non-existence, thereby rendering his non-existence possible in some important, and for Aquinas inacceptable, sense. Drawing on David Chalmers, the article submits that the existence of God can only be necessary if God’s non-existence is ideally inconceivable. On the basis of Aquinas’ own understanding of God, however, the article argues further that God’s non-existence in fact is inconceivable. The alleged conceivability of God’s non-existence is ultimately due to our (human) inability to grasp the nature of being, whereas creatures who grasp the nature of being are unable to conceive of God’s non-existence. This removes God’s non-existence from the realm of relevant conceivability and, therefore, from the range of possible worlds. (shrink)

This article considers the relationships between the character of physical law in quantum theory and Bohr’s concept of complementarity, under the assumption of the unrepresentable and possibly inconceivable nature of quantum objects and processes, an assumption that may be seen as the most radical departure from realism currently available. Complementarity, the article argues, is a reflection of the fact that, as against classical physics or relativity, the behavior of quantum objects of the same type, say, all electrons, is not (...) governed by the same physical law in all contexts, specifically in complementary contexts. On the other hand, the mathematical formalism of quantum mechanics offers correct probabilistic or statistical predictions in all contexts, here, again, under the assumption that quantum objects themselves and their behavior are beyond representation or even conception. Bohr, in this connection, spoke of “an entirely new situation as regards the description of physical phenomena that, the notion of complementarity aims at characterizing.” The article also considers the relationships among complementarity, entanglement, and quantum information, by basing these relationships on this understanding of complementarity. (shrink)

The leading philosophers of science of the first half of the twentieth century had little use for the history of science. There are several possible explanations for this. One is that philosophers of science sometimes (knowingly or not) mimic the methodological habits and values of scientists. Many philosophers of science are motivated by admiration for the perceived rigor and intellectual hygiene of the exact sciences. Historical sense is not normally a cardinal virtue among physicists. Hence, those philosophers who take their (...) methodological cues from their scientific heroes are unlikely to think of philosophy as a historical discipline. Indeed, the idea of a close relationship between history and philosophy may have fallen into disrepute as a consequence of its association with idealist philosophers, of whom Hegel is the most notorious. Then there is Feyerabend's explanation, which is that the philosophy of science was transformed by the spectacular advances in formal logic which took place in the late nineteenth century. The development of modern formal logic made possible a range of hitherto inconceivable projects in the philosophy of science. The most radical of these was the positivist attempt to replace philosophy with the logical analysis of scientific language. Equally dependent on the new logic was Popper's attempt to explain the workings of empirical science using only deductive patterns of inference. According to Feyerabend, the philosophical projects engendered by the advances in formal logic came to dominate so thoroughly that everything else was marginalized (see feyerabend). It was not necessary for philosophers to know anything about the history of science, but they did have to be competent logicians: “As always maturity in a narrow domain means illiteracy elsewhere” (Feyerabend 1981, p. 20). (shrink)

Western modernity was born with a revolution of limits. Western man, who has become the creator of his own destiny, has identified freedom with a conscious and systematic violation of the given conditions, with a future that constantly transcends the present. This modern condition is thus characterised by the fact that it is limited by boundaries that are mobile and can change. From this observation arises the paradoxical situation that growth today is inconceivable if it is not linked to (...) a scenario of scarcity, in contrast to premodern theological views based instead on the abundance of creation, the original richness of the world. Inspired by this vision of a sustainable world, ecological thinking today is immediately associated with a language of finitude. Degrowth, self-limitation, and resource efficiency, these are all terms associated with a universalist model of progress that seems to know no limits. This article argues that the world is doomed to its own inevitable end if sustainability is understood from the perspective of an economically sustainable future defined by the limits of capitalist management. If, on the other hand, we step out of this impoverished and economic perspective of the concept of limit and the condition of finitude, then we open ourselves to an ecocosmic perspective that understands the world as part of a cosmic diversity that cannot be contained within a more or less extended totality of resources. In this article, being finite is understood ecologically as being a non-self-sufficient part of the interrelated possibilities of worldmaking, not as an element of a set of individuals or things. (shrink)

It has often been thought that there is a special difficulty involved in conceiving of one’s own death. It is easy to think that, while one can easily conceive of, and acknowledge, the death of another person, one cannot ever conceive of what it is for oneself to die. Various things have been inferred from this. The most extreme inference is that one’s own death, or, to be more precise, one’s own non-existence, is actually impossible, since what is inconceivable (...) is impossible. One might also try to infer that one’s existence had no beginning either, although this view is less popular. But even if one does not embrace such extravagant conclusions, conceiving of one’s own ceasing-to-be can easily seem to present a great difficulty. Some existentialist writers and theologians influenced by existentialism have made great play of the supposed mystery. Paul Edwards writes of the temptation to think of death as “existence in a dark, impenetrable abode,” as if non-existence, or the absence of experience, were in fact a peculiar kind of experience which presents us with a great mystery. On this view, even when we conceive of the death of others, we cannot grasp the essential mystery. As Heidegger puts it: “And even if, by thus Being there alongside, it were possible and feasible for us to make plain to ourselves ‘psychologically’ the dying of Others, this would by no means let us grasp the way-to-be which we would then have in mind—namely, coming-to-an-end. We are asking about the ontological meaning of the dying of the person who dies, as a possibility-of-Being which belongs to his Being. We are not asking about the way in which the deceased has Dasein-with or is still-a-Dasein with those who are left behind.” One might make a similar point as follows: I cannot observe my own passing from the world, and observe the world’s continued existence. Once I cease to exist, then “my world” finishes. Wittgenstein writes in the Tractatus: “The world is my world”—and while there is a way in which this is obviously false, it captures much of the intuition under discussion. (shrink)

In this article I argue that phenomenal intentionality fundamentally consists in a horizonality structure, rather than in a relation to a representational content or the determination of accuracy conditions. I provide a distinctive modal model of intentionality that conceives of phenomenal intentionality as the enjoyment of a plus ultra that points beyond what is actual. The directedness of intentionality on the world, thus, consists in “pointing ahead” to possibilities. The principal difficulty for the modal model is logical: the most (...) obvious way of implementing such a structure results in an analogue of Russell’s paradox. However, this paradox can be avoided by fine-tuning the modal logic deployed in this setting. This way of fine-tuning the logic ultimately amounts to intuitive benefits. For, it captures the intensional character of intentionality, since the way that our mental states refer to things is conception-dependent. Moreover, the way I interpret the modal model leads to a conception of intentionality as a feature of dynamic, diachronic patterns in the way that mental acts subjectively appear, rather than as a synchronic property. We ought to think of intentionality as fundamentally a temporal, subjective determination. In a generalization on Sellars’ approach to concepts, I hold that phenomenally intentional mental presentations involve modal laws and are inconceivable without them. (shrink)

The article analyses recent English publications in Cartesian studies that deal with two problems: (1) the problem of the intrinsic coherence of Descartes’s doctrine of the real distinction and interaction between mind and body and (2) the problem of the consistency of this doctrine with the causal principle formulated in the Third Meditation. The principle at issue is alternatively interpreted by different Cartesian scholars either as the Hierarchy Principle, that the cause should be at least as perfect as its effects, (...) or the Containment Principle, that the cause should contain all there is in its effects. The author argues that Descartes’s claim (in his argument against the scholastic doctrine of substantial forms) that it is inconceivable how things of different natures can interact does not conflict with the acknowledgement of interaction between things of different natures in the case of soul and body. The case is made that Cartesian mind-body interaction can agree with both the Hierarchy Principle and the Containment Principle, because the Principle is about total and efficient cause, whereas in the interaction, mental and brain states are only partial (and plausibly, in the case of brains states, occasional) causes. In particular, in the case of the causality in the brain-to-mind direction, the mind is conditioned by brain states to form the corresponding specific ideas on the basis of its innate general ideas of movements, forms, colours, etc. Eventually, for Descartes, the most natural way to deal with worries about the possibility of mind-brain interaction is to rely on God’s omnipotence, which certainly enables Him to arrange for such interaction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dewey and the Aesthetic Unconscious: The Vital Depths of Experience by Bethany HenningPentti MäättänenBethany Henning Dewey and the Aesthetic Unconscious: The Vital Depths of Experience London: Lexington Books, 2022. 182 pp. incl. indexBethany Henning examines Dewey's conception of aesthetic experience by looking for connections to several trends and traditions. Henning relates pragmatism to Freudian psychoanalysis, feminism, wisdom from esoteric sources, erotic drive, and religion. "In the American thought (...) that we have surveyed thus far, the aesthetic, the religious, and the ethical stand as completions and realizations of one another" (p. 25). This variety of viewpoints is no doubt interesting and potentially fruitful, but there is a danger that the result may remain somewhat sporadic.One of the traditional problems and tasks in philosophy is to explain how the world is experienced as an organized, bounded whole. How are the various sensations and ideas of them related to each other? On what ground can we experience these relations between ideas? Henning refers to William James and says that these relations are directly experienced, we feel them (p. 46). According to Henning there is a unique force responsible for this, and it "can only be a kind of noncognitive, preverbal awareness, and for Dewey, it can only be the qualitative immediacy that is known to us only in aesthetic experience" (p. 25). How can we experience these relations? Here Henning appeals to Jonathan Edwards (1703–1758) who provided his own view of habits, which account for "the relations between ideas by relating them through their spatiotemporal contiguity, causality, or through resemblances" (p. 21; italics in the original). This is how the American mind was firmly set on a theoretical path that distinguishes it from "the European conception" (ibid.).This is a surprising claim, indeed. Here is what David Hume has to say about the connexion or association of ideas: "The qualities, from [End Page 369] which this association arises, and by which the mind is after this manner convey'd from one idea to another, are three, viz. RESEMBLANCE, CONTIGUITY in time or place, and CAUSE and EFFECT."1 It is quite inconceivable how this simple relabeling of Hume's principles of association as habits might have any effect on any theoretical path, especially on the emergence of pragmatism. Edwards wrote decades before Charles Peirce entered the scene. Edwards' habit is just a new name for old European ideas. It is obvious that Hume's principles of association, which deal with internal mental processes, have not much to do with Peircean habits of action, which are about overt bodily action in the world where we meet also hard facts involving brute force, muscular effort, and resistance.The starting point of Henning's analysis is immediate qualitative experience, affective sensual awareness, which also prefigures and is the ground of signification (p. 107). Qualitative immediacy is felt, had, and undergone. There is a need to experience the world as meaningful, to move from that world as had and undergone to the world as known. Knowledge about this immediate experience becomes possible with the emergence of mind, when "situations, in their qualitative tone, are also socially significant so that interactions are aided by the mediation of symbols" (p. 88). We can give names to qualitatively different feelings. This knowledge is different from qualitative immediacy in that it is discursive, cognitive, and syntactical (p. 38). But how does this kind of knowledge emerge? What is the origin of names and symbols? What is the notion of meaning applied here? According to Henning, meaning "must be felt, had and undergone, in a way that is primarily qualitative rather than primarily cognitive" (p. 107). There is also "erotic need for meaningful connection" (p. 113). Further, Henning appeals to Julia Kristeva's semiotic theory, but Peirce's semiotics is not mentioned. An explicit definition of meaning would be in place here, especially as Peirce and Dewey have one to offer.According to Peirce, "what a thing means is simply what habits it involves" (CP 5.400).2 Note that there are no restrictions on this. If it is a linguistic expression, then we have Ludwig Wittgenstein's language games... (shrink)

In his Concept of Nature Whitehead gives the following definition of the term “co-presence”: I call two event-particles which on some or other system of measurement are in the same instantaneous space ‘co-present’ event-particles. Then it is possible that A and B may be co-present, and that A and C may be co-present, but that B and C may not be co-present. For example, at some inconceivable distance from us there are events co-present with us now and also co-present (...) with the birth of Queen Victoria. If A and B are co-present there will be some systems in which A precedes B and some in which B precedes A. Also there can be no velocity quick enough to carry a material particle from A to B or from B to A. (shrink)