Predication is a central theme in Arabic logic that has undergone significant semantic transformation throughout history. This article explores the evolution of predication's scope and meaning across four successive stages. Rather than pinpointing specific historical moments—given that these transitions lack clearly defined beginnings or endings—the focus is on key propositions that enrich our understanding of predication, drawing on the classifications of thinkers such as Abū Naṣr al-Fārābī (d. 950), Athīr al-Dīn al-Abharī (d. 1262-65), Mullā Ṣadrā (d. 1635), and Muhammad Ḥusayn (...) Ṭabātabāʾī (d. 1981). The transition from the first to the second stage is characterized by the acceptance of natural propositions (ṭabīʿīya), while subsequent stages involve essential primary (dhātī awwalī) and stronger/weaker (ḥaqīqa-raqīqa) propositions. This progression illustrates a shift from expressing the properties of external objects to articulating the properties of concepts, ultimately culminating in the expression of identity between concepts and external entities. The four stages can be summarized as follows: (1) First-order predication; (2) Second-order predication; (3) Second-order identity; (4) First-order identity. (shrink)

Volume 37, Issue 1-2, March - June 2024, Page 69-73.

This paper sketches the antilogism of Christine Ladd-Franklin and historical advancement about antilogism, mainly constructs an axiomatic system Atl based on first-order logic with equality and the wholly-exclusion and not-wholly-exclusion relations abstracted from the algebra of Ladd-Franklin, with soundness and completeness of Atl proved, providing a simple and convenient tool on syllogistic reasoning. Atl depicts the empty class and the whole class differently from normal set theories, e.g. ZFC, revealing another perspective on sets and set theories. Two series of Dotterer (...) and the theorem proved by Russinoff are re-characterized in antilogistic formulas corresponding to the square of opposition and twenty-four moods of syllogism. Then the restricted equivalence between two forms of antilogism and minimal inconsistency is built up, implying the internal connection between antilogisms and minimal inconsistency and leaving two related conjectures not proved. Besides, this paper provides a new explanation for the reason why contrariety, subcontrariety, and subalternation and the nine special moods require the non-empty assumption. (shrink)

Volume 32, Issue 3, May 2024, Page 693-697.

This paper follows the implications of Gadamer’s hermeneutics after Truth and Method in which the forming of social life, and with it the idea of worldly understanding, receives greater attention. I argue that the emphasis in his later writings on worldly understanding draws less on the idea of the hermeneutic circle and problematic of the Geisteswissenschaften in which the concept of tradition is prominent than on the movement in language and the encounter with the other. As in the example of (...) translation, I argue that this movement has the character of passage from one place to another that holds within it an element of opacity. The development of this issue draws on a comparative analysis with the work of the Caribbean philosopher Édouard Glissant. From this analysis I show how Gadamer’s hermeneutics addresses the issue of understanding across cultures and in mixed cultures. (shrink)

Hans-Georg Gadamer argues that language is the medium of all understanding and thus that it is the medium through which we can reach understanding with one another. Yet many today are sceptical of this claim and worry that Gadamerian hermeneutics ignores at its own peril the limits of the particular discourses that people utilize to reach understanding with one another. I argue here that this criticism rests on the assumption that, for Gadamer, it is the semantic features of a language (...) alone that allow it to function as the medium for shared understanding. I argue that focusing solely on semantic agreement as the source of understanding ignores the role that mutual recognition plays in allowing language to serve as a medium for shared understanding. I turn to discussions in several of Gadamer’s later essays to examine how he conceives of the mutual recognition that is essential for communicative understanding. (shrink)

Primitivism about the direction of time is the thesis that the direction of time does not call for an explanation because it is a primitive posit in one’s ontology. In the literature, primitivism has generally come with a substantival view of time according to which time is an independent substance. In this paper, we defend a new primitivist approach to the direction of time—relational primitivism. According to it, time is primitively directed because change is primitive. By relying on Leibnizian relationalism, (...) we argue that a relational ontology of time must be able to distinguish between spatial relations and temporal relations to make sense of the distinction between variation and change. This distinction, however, requires the assumption of a primitive directionality of change, which ushers in the direction of time. Relational primitivism is attractive for those who want to avoid substantivalism about time but retain a primitive direction of time in a more parsimonious ontology. (shrink)

Virtue ethical inspired approaches to practical and professional ethics have long been endorsed across various disciplines. Journalistic ethics is no exception. Call such approaches Virtue Ethical Journalism (VEJ). Virtue ethics has also drawn considerable attention from the field of moral psychology, though not all of it is supportive. Among the critics, some take the view that character traits and virtues are not effective enough in guiding people’s behavior. As a result, they conclude that traits should be minimized in ethical thought. (...) Call this stronger view character skepticism. VEJ has taken character skepticism seriously. Many responses to character skepticism defending VEJ, however, raise similar points as those that defend a more general theory of virtue ethics from such skepticism. I argue, however, that such responses to character skepticism are not up to the task of defending VEJ. Accordingly, VEJ would benefit from novel responses to character skepticism or significant revision. (shrink)

This article offers a novel interpretation of enacted knowledge through the lens of Wang Yangming’s theory of the unity of knowledge and action. By framing Wang’s concept of knowledge within an enactive model, it advances a holistic perspective that integrates mind, body, and world, as well as knowledge and action, into a unified whole. To bridge historical analysis with contemporary philosophical discourse, this article engages in dialogue with Harvey Lederman’s introspective model, offering a complementary framework that, together, provides a more (...) precise and comprehensive understanding of Wang’s philosophy. Moving beyond Lederman’s dichotomy of correspondence and identity, I introduce a third interpretation of ‘unity’: the Continuum Thesis. This interpretation places a more fundamental focus on the original condition of moral knowledge, presenting it as a singular entity that inherently integrates the distinct aspects of knowledge and action. By asserting that ‘action just is knowledge’, Wang indeed affirmed their original unity. (shrink)

Frege’s Begriffsschrift account of modality involves both a negative and a positive claim. The negative claim is that modal notions are logically insignificant; the positive claim is that modals convey a ‘hint’ (Wink) as to the speaker’s grounds for judgement. This paper is about Frege’s positive claim, which has not received much attention. I explain in detail the Fregean notion of hinting and how to distinguish hints from conceptual contents, and I argue that Frege’s two-dimensional account of modal talk is (...) supported by various observations. However, it also seems clear that Frege’s account cannot be the whole story. (shrink)

Bourdieu’s thought is disturbing. Provocative. Scandalous even, at least for those who do not easily tolerate the unmitigated truth about the social. Nonetheless his ideas, among the most important and innovative of our time, are here to stay. This thought has taken form in the course of a career and through works on diverse subjects that have constructed a far-reaching analytical model of social life, which the author calls more readily an anthropology rather than a sociology. In their totality, they (...) constitute today an original and powerful proposal to explain human practices. In the face of criticisms commonly leveled at Bourdieu’s thought (notably the charge that it reduces everything to a single schematic model), it is important to identify the spirit of his enterprise. Early on, it is true, his thought drew on a few fundamental concepts—the trilogy habitus, field (champ), practice (pratique)—to which it constantly returned, and followed a clearly defined trajectory. At the same time, however, he continually reformulated, adapted, and refined his analytical model, depending on the operations to which he subjected new objects of inquiry. The regenerative and transformative force of his thought was supported by two convictions. First, that there being nothing more vain than theory for theory’s sake, it is preferable that theoretical production originate in the study of concrete and occasionally very specific cases. Second, that in order to escape stereotypical classifications, boundaries separating disciplines are best transgressed, thereby favoring new constructions of the object of inquiry. (shrink)

American distance running legend Steve Prefontaine – ‘Pre’ – claimed that he was an artist and that his races were works of art. In this article, I examine and defend Pre’s claims. Using Robert Stecker’s definition of art as a guide, I argue that a race can be a work of art – specifically, performance art. I then argue that Pre’s 3,000 m American record race at the 1972 Bislett Games in Oslo, Norway, and his 5,000 m final at the (...) 1972 Munich Olympics illustrate his view of himself as an artist and are works of art in Stecker’s sense of achieving excellence in fulfilling an artistic function. (shrink)

Explores some steps toward non-assimilative encounters in the "global village.".

In the discussion of global ethics, philosophical ethics risks losing its distinct theoretical horizons. This predicament arises primarily from philosophy's failure to anchor its own object and to provide a rational basis for global justice from within its current confined theoretical paradigm. Against this background, this paper will first prioritize global co-existence as the primary concern of global ethics, then propose ontological co-existence justice as its foundational principle, and finally argue that the normative validity of co-existence justice is predicated on (...) the nations fulfilling the critical requirements of modern civilization, namely, the advancement of individual freedom. (shrink)

Comparative political theory is at best an embryonic and marginalized endeavor. As practiced in most Western universities, the study of political theory generally involves a rehearsal of the canon of Western political thought from Plato to Marx. Only rarely are practitioners of political thought willing (and professionally encouraged) to transgress the canon and thereby the cultural boundaries of North America and Europe in the direction of genuine comparative investigation. Border Crossings presents an effort to remedy this situation, fully launching a (...) new era in political theory. Thirteen scholars from around the world examine the various political traditions of West, South, and East Asia and engage in a reflective cross-cultural discussion that belies the assumptions of an Asian "essence" and of an unbridgeable gulf between West and non-West. The denial of essential differences does not, however, amount to an endorsement of essential sameness. As viewed and as practiced by contributors to this ground-breaking volume, comparative political theorizing must steer a course between uniformity and radical separation--this is the path of "border crossings.". (shrink)

While the story of Stanislav Petrov – the Soviet Lieutenant Colonel who likely saved the world from nuclear holocaust in 1983 – is often trotted out to advocate for the view that human beings ought to be kept “in the loop” of automated weapons’ responses, I argue that the episode in fact belies this reading. By attending more closely to the features of this event – to Petrov’s professional background, to his familiarity with the warning system, and to his decisions (...) to defy his protocol – it becomes clear that Petrov was not seamlessly working “in his loop,” but reassessing it entirely. I claim that this exhibits a paradox intrinsic to all automated loops: namely, that their optimum function in fact rests on unforeseen human interventions that cannot be reliably codified ex ante, that is, that good judgment cannot simply be “programmed into” their protocols. This dependence, moreover, reveals automation’s ineluctable need for virtue ethics – not in the usual sense (whereby ethics deliberates about, say, possible damages and loss of life), but in the sense that ethical judgment, rightly understood, entails the reassessment of all of the conditions surrounding a decision, including whether a protocol should be followed at all. (shrink)

The work of Arnout Geulincx (1624?1669), a Flemish Cartesian that developed a highly curious ?parallelistic? view on the universe, shows striking prima facie resemblances to Stoicism. Should we label Geulincx a reinventor of Stoic tenets, albeit within a strict Cartesian theoretical framework? To answer this question, my contribution begins by discussing relevant aspects of Stoicism and by introducing the ?existential? philosophy of Geulincx, whose metaphysical views on man brought him to adopt an ethics based upon absolute obedience and humility. It (...) will discuss Geulincx's own views on the Stoics and, finally, compare Geulincx's philosophy with the Stoic world view. The main argument will be that, despite a deep affinity and many parallels, one crucial difference remains, as the dualism any true Cartesian metaphysics implies has important consequences for Geulincx's ethics in general and for his view on man in particular. As we will see, man plays a very peculiar role in the cosmic drama that we call the ?universe? (shrink)

This paper argues that Hans Blumenberg’s theory illuminates a novel interpretation of the phenomenological concept of the lifeworld—as a world sustained by myths and their receptions. This paper combines two central themes in Blumenberg’s philosophy: his interpretation of Edmund Husserl and his aesthetics, especially his theory of the novel and of myth. My claim to originality is to offer a mythology of the lifeworld with the help of one of Blumenberg’s less-known texts, “Wirklichkeitsbegriff und Wirkungspotential des Mythos.” In the first (...) part, I will examine a crucial aspect in Blumenberg’s reading of Husserl’s notion of the lifeworld, namely the unorthodox view that the lifeworld, as the foundation for sciences and their logos, itself has no need to resort to language. To put it mythically: the lifeworld is an expressionless state of naivety. To support this deconstructive reading, I will then turn to Blumenberg’s theory of the novel. As has been noticed by Blumenberg and his colleagues, the underlying meaning structure of the novel, or its “concept of reality,” has a typically modern character, and largely overlaps with the phenomenological idea of the world and lifeworld. However, in the second part, I will radicalize Blumenberg’s discussions about reality, and show that the novelistic reality can never fully supersede that of myth. Mythology has a persistent existence, and, in Blumenberg’s argument, the history of mythical reception reveals a perpetual movement of human struggle against terror. In this Blumenbergian philosophy of mythology, a new image of the lifeworld presents itself, a world made by the myth-telling humans, by their active and aesthetic use of words, instead of slumbers of naivety. (shrink)

The paper focuses on the complex relations between aesthetics and phenomenology as they show themselves within the core locus of their interplay—the realm of the visible and the invisible. To do so, the paper examines a specific case study, a Rembrandt painting—A Woman Bathing in a Stream (1654)—through which the discussion illuminates the interconnected and inseparable relationship between aesthetics and phenomenology in relation to Merleau-Ponty’s ontology of the visible and the invisible. The reading addresses both dimensions of the visible: the (...) essential intersubjective aspect of life and its complex visual representation in art. To achieve this, the paper first explores Merleau-Ponty’s late aesthetic ontology—a phenomenology that perceives the aesthetic realm, particularly the visible domain, as originating from human corporeal existence, thereby redefining the act of seeing and the concepts of the visible and the invisible; I show the manner in which invisible elements permeate our visual experience in the Rembrandt painting and in seeing as such. The paper also reveals the unique ontological role of painting and the painter in unveiling the aesthetic world, and in guiding the philosopher toward a vision that true philosophy—phenomenology—must embrace. The paper concludes by rethinking the significance of aesthetics, and especially, the arts, to phenomenological thought, and the necessity of phenomenology to aesthetic thought. (shrink)

In this essay, I will examine Henri Maldiney’s phenomenological aesthetics, focusing on his claim that “art is the truth of the sensible.” This claim is presented by Maldiney in the context of a two-fold critique of Husserl’s and Heidegger’s respective attempts to phenomenologically elucidate the experience of artworks. According to Maldiney, both Husserl and Heidegger fail to recognize what he, following Erwin Straus, terms the “pathic” moment of sense experience, which is also the key moment of the aesthetic reception of (...) art. Drawing on this concept of the pathic and its way of engaging what Maldiney calls the “transpassibility” of receptivity, I argue that his phenomenology of art can be viewed as an attempt to bring together the two senses of the aesthetic in the Kantian sense, namely as an aesthetics of sense experience and as an aesthetics of art, from within the domain of sensibility itself. I develop this idea by turning to Maldiney’s notion of rhythm and examining how he thinks that it can be applied to the visual arts. Ultimately, I suggest that Maldiney’s aesthetics imbues art with ontological significance, since he takes the rhythmic presence of artworks to be a sensuous manifestation of the rhythmic ground of the world’s constitution. The truth of art, in this sense, is a revelation of the ontological functioning of rhythm. (shrink)

Since Donald Davidson issued his challenge to anticausalism in 1963, most philosophers have espoused the view that our actions are causally explained by the reasons why we do them. This Davidsonian consensus, however, rests on a faulty argument. Davidson’s challenge has been met, in more than one way, by anticausalists such as C. Ginet, G. Wilson, and S. Sehon. Hence I endeavor to support causalism with a stronger argument. Our actions are correlated with our motivating reasons; to wit, we often (...) do what we have reason to do. In yet other words, we are often rational. Our frequent rationality is easily explained if causalism is correct, but looks like a staggering coincidence otherwise. Anticausalism thus appears to be ill-equipped to account for the very existence of rational behavior, and so far no attempts in this direction have succeeded. (shrink)

Some self-knowledge must be arrived at by the subject herself, rather than being transmitted by another’s testimony. Yet in many cases the subject interacts with an expert in part because she is likely to have the relevant knowledge of their mind. This raises a question: what is the expert’s knowledge like that there are barriers to simply transmitting it by testimony? I argue that the expert’s knowledge is, in some circumstances, proleptic, referring to attitudes the subject would hold were she (...) to reflect in certain ways. The expert’s knowledge cannot be transmitted by testimony because self-knowledge cannot be proleptic. (shrink)

Debunking arguments against both moral and mathematical realism have been pressed, based on the claim that our moral and mathematical beliefs are insensitive to the moral/mathematical facts. In the mathematical case, I argue that the role of Hume’s Principle as a conceptual truth speaks against the debunkers’ claim that it is intelligible to imagine the facts about numbers being otherwise while our evolved responses remain the same. Analogously, I argue, the conceptual supervenience of the moral on the natural speaks presents (...) a difficulty for the debunker’s claim that, had the moral facts been otherwise, our evolved moral beliefs would have remained the same. (shrink)

Volume 11, Issue 1-2, January–December 2024.

In this paper, we explore the links between emotions and creativity. Building on what we perceive as key examples, we distinguish instrumental and constitutive senses in which emotions can be creative. Emotions are instrumentally creative when they sustain novel and valuable thought processes aiming at maintaining or modifying a given emotional situation. They are constitutively creative when they function as essential parts of value understanding and when they come to carve and sometimes change the evaluative landscape. Despite their alleged passivity (...) and rigidity, we claim, emotions sometimes manifest the kind of skillfulness that creativity presupposes. (shrink)

Different researchers from psychology and neuroscience state that navigation involves the manipulation of cognitive maps and graphs. In this paper, I will argue that navigating – specifically, journey planning – can be conceived as a process of practical reasoning. First, I will argue that journey planning constitutes a case of means-end reasoning involving inferences with cartographic representations. Then, I will argue that the output of journey planning functions as an instrumental belief in means-end reasoning. More specifically, journey planning can deliver (...) an instrumental rule that plays a normative role in spatial cognition. This approach motivates a pluralist conception of practical reasoning, stating that inferences might run through different representational formats and processes. (shrink)

This paper aims to pay tribute to Figal’s comprehensive and innovative analysis of the artwork and beauty, while challenging both his realist position on the immediacy of meaning and his monist stance that reduces sublimity to beauty. To enquire into the origin of aesthetic feelings and sense, and thus, to break the hermeneutic circle, we first trace the origin of this reduction to the reception of Burke’s concept of the sublime by Mendelssohn and Kant. We then recur to Husserl and (...) Dufrenne to trace the origin of the sense of the feeling of sublimity in the realm of affectivity or sensuousness. This genesis takes place in passive experience, where we identify an excess of sensuous sense over categorial meaning that is constitutive of the affective sense that our bodily sensations give to hyletic material. It is argued that this sensuous excess evokes a sublime experience in the phenomenological sense, involving an affective and disruptive bodily experience and an endless process of sense formation. Affective or sensuous sense is thus an event that irreversibly affects the bodily surface. To elucidate this phenomenon, we draw on the theoretical framework of Breton and Bataille, positing it as a form-transgressive ‘convulsive’ sublime, which we then illustrate in the architectural works of Tschumi and Eisenman. In short, we have retrieved the origin of aesthetic experience and redefined the feeling of the sublime as a phenomenological ‘convulsive’ sublimity. (shrink)

Marxist Philosophy: A Bibliographical Guide.

Doing Philosophy provides a practical guide to studying philosophy for undergraduate students. The book presents strategies for developing the necessary skills that will allow students to get the most out of this fascinating subject. It examines what it means to think, read, discuss and write philosophically, giving advice on: Reading and analysing philosophical texts Preparing for and participating in seminars Choosing essay topics Constructing arguments and avoiding plagiarism Using libraries, the internet and other resources Technical terms, forms of expression and (...) logical notation The second edition is fully revised and expanded throughout, packed with practical exercises, useful examples and fully up-to-date resources. It also features for the first time a full companion website with additional resources and a range of pedagogical tools and activities designed for students and lecturers to use both in the classroom and in seminar preparation. Concise and accessible, Doing Philosophy equips the student with the tools needed to successfully engage in discussing, reading and writing philosophy. (shrink)

La philosophie allemande classique fut la première à philosopher sur la philosophie et, notamment, à discerner que, en dépit de sa visée universaliste, cosmopolitique, de discours sur l'homme en général, la philosophie était conditionnée par son contexte culturel particulier dans son effort même de négation de celui-ci.

Philosophy, the ?love of wisdom”, is the product of our endless fascination and curiosity about the world ? the child of wonder.

Philosophy in 50 Milestone Moments" is a lively, accessible, and thought-provoking introduction to philosophy.

_Ancient Philosophy: A Companion to the Core Readings_ is designed as an approachable guide to the most important and influential works of ancient philosophy. The book begins with a brief overview of ancient Greek mythology and the pre-Socratic philosophers. It then examines a number of the most important works from Plato and Aristotle, including _Euthyphro_, _Meno_, _Republic_, the _Categories_, the _Physics_, and the _Nicomachean Ethics_, before concluding with a brief look at Hellenistic philosophy and the origins of Neoplatonism. Readers who (...) might otherwise struggle with the original texts will find an exceedingly helpful guide in Stumpf’s clear explanations and analyses. Numerous diagrams and images are provided to aid in comprehension. (shrink)