This book presents an alternative view of cosmopolitanism, citizenship and modernity in early 20th-century India through the multiple lenses of mysticism, travel, friendship, art, and politics.It makes a key intervention in the understanding of cosmopolitan modernity based on the lives and experiences of Rabindranath Tagore, Ananda Coomaraswamy, Sri Aurobindo, Mirra Alfassa, James Cousins, Paul Richard, Dilip Kumar Roy, and Taraknath Das. Using archival texts and photographs, Mohanty interrogates the ideas of tradition and modernity, the local and the global, (...) and Self and the world as integral to the conception of a cosmopolitan world order. The volume will interest scholars and students of modern Indian history, comparative literature, cultural studies, Indian philosophy, and South Asian studies and the general reader. (shrink)

The article dwells on the problem of Rakhmaninov’s art, style and poetics influence on the process of formation and development of national music cultures, national composer schools and some individual author’s styles of the former USSR. Three evolution stages of all national music cultures are determined: “preprofessional”, “professional” and the stage of “new music”. Two work concepts are introduced: a Rakhmaninov’s musical and style canon as an individual system including characteristic properties of the composer’s style and poetics, and a national (...) musical and style canon as a system of musical and expressive language principles typical for every musical culture and possessive of the national character. The signs representing the Rakhmaninov’s style are revealed and considered on the piano concerto genre. These two spheres outlined are disclosed in folklore and neofolklore conditions as the main evolution directions of the national musical thinking. The main principles of the Rakhmaninov’s and national canons interaction are singled out: adaptation corresponding to the early development stages of national music cultures (forlklore stage) and assimilation (by G. Golovinsky) characteristic for “new music” (neofollore stage). The problems are considered on the example of piano concertos by Z. Ismagilov, A. Khatchaturyan, A. Eshpay, R. Gazizov and some others. (shrink)

This special issue explores the significance of collectivism in modern and contemporary Japanese art. Japanese artists banded together throughout the twentieth century to work in collectives, reflecting and influencing each evolution of their culture. Illuminating the interplay between individual and community throughout Japan’s tumultuous century, the contributors to this issue examine both the practical internal operations of the collectives and the art that they produced. One contributor studies the art societies of prewar imperial Japan, whose juried art (...) salons defined a new _nihonga_ painting tradition. While recent scholarly work on art produced during World War II has tended to neglect the collectivist tradition, this issue covers wartime groups like the Art Unit for Promoting the Munitions Industry and the important questions they pose about the relationship between artists and the state. Art collectives in post-occupation Japan gained prominence working in the experimental vanguard of the global art scene in painting, sculpture, design, and intermedia projects. Adding a crucial dimension to the study of Japanese art and modernism, this issue explores how these groups attempted to accommodate the creative paradox of individualism within collectivism. _Contributors: Maki Kaneko, Kuroda Raiji, John Szostak, Miwako Tezuka, Ming Tiampo, Reiko Tomii, Alicia Volk, Midori Yoshimoto Reiko Tomii_ is an independent art historian and curator in New York. She is coauthor of _Xu Bing_. _Midori Yoshimoto_ is Associate Professor of Art History and curator of two galleries at New Jersey City University. She is the author of _Into Performance: Japanese Women Artists in New York_. (shrink)

Historically, the scientific method has been said to require proposing a theory, making a prediction of something not already known, testing the prediction, and giving up the theory (or substantially changing it) if it fails the test. A theory that leads to several successful predictions is more likely to be accepted than one that only explains what is already known but not understood. This process is widely treated as the conventional method of achieving scientific progress, and was used throughout the (...) twentieth century as the standard route to discovery and experimentation. But does science really work this way? In Making 20th Century Science, Stephen G. Brush discusses this question, as it relates to the development of science throughout the last century. Answering this question requires both a philosophically and historically scientific approach, and Brush blends the two in order to take a close look at how scientific methodology has developed. Several cases from the history of modern physical and biological science are examined, including Mendeleev's Periodic Law, Kekule's structure for benzene, the light-quantum hypothesis, quantum mechanics, chromosome theory, and natural selection. In general it is found that theories are accepted for a combination of successful predictions and better explanations of old facts. Making 20th Century Science is a large-scale historical look at the implementation of the scientific method, and how scientific theories come to be accepted. (shrink)

Arthur I. Miller is a historian of science whose approach has been strongly influenced by current work in cognitive science, and in this book he shows how the two fields might be fruitfully linked to yield new insights into the creative process.

Although John Black Grant (1890-1962) is well known among historians of public health and an older generation of public health practitioners, he has not received the wider recognition that he deserves, especially as the solutions that he proposed to public health problems some 70 to 80 years ago still apply. Several factors inhibited Grant from being recognized as a public health leader. To begin with, the general policy of the Rockefeller Foundation's International Health Division (IHD), where he worked for more (...) than 40 years (1917-62), was that its employees should keep a low profile and not advertise their accomplishments. More importantly, the Foundation itself was unsure of Grant's place in their history, as .. (shrink)

What my article attempts to articulate is the role of literature in constructing, ́inventinga national identities that are the base for the claims of a nationís existence. To achieve this, I first provide a short definition of the concepts of nation-building and na- tional identity. I argue that literature is an important tool in the process of building a nation and creating a national identity. I further focus on the writings of Chinua Achebe, a 20th Century (...) Nigerian author, in an attempt to exemplify the theory of literature as tool in nation building. I argue that, through the use of legends, mythic histories, and folklore, literature suc- ceeds in creating patterns of meaning and in contextualizing the issues of national identity. These patterns and contexts enable and undergird the cultural values that enable the reconstruction of national identity. Achebeís writings are part of a large sphere of practices meant to recover and reconstruct a Nigerian national identity and through this, build a nation. (shrink)

In a time of political, epistemic and aesthetic revolutions, early 18th-century Britain saw the emergence of a public discourse of common sense which had a lasting influence on cliched concepts of cultural identity. By retracing the compensatory impulses of common sense discourse and highlighting the role of literary texts in its formation and dissemination, this study challenges the received view of Augustan England as a mere Age of Reason.".

Preface -- I. WELCOME TO THE WAR -- Introduction -- The war of the worldviews -- Who will be God? -- II. WORLDVIEWS IN PHILOSOPHY -- Introduction -- Thomas Aquinas -- The first battle front -- René Descartes -- John Locke -- Jean-Jacques Rousseau -- Karl Marx -- Ralph Waldo Emerson -- The second battle front -- Jeremy Bentham -- Charles Darwin -- Friedrich Nietzsche -- John Dewey -- Jean-Paul Sartre -- III. WORLDVIEWS IN LITERATURE -- Introduction -- The (...) third battle front -- William Shakespeare -- Nathaniel Hawthorne -- Mark Twain -- Ernest Hemingway & John Steinbeck -- IV. WORLDVIEWS IN CULTURE -- Pandora's machine -- Glossary -- List of images. (shrink)

In the national religious studies there was a tendency to know the origins of national spirituality. Such treatment is required by all those processes that take place in the cultural and religious plane of our country. Religious scholars are working to find their own original manifestations of Ukrainian spirituality, while at the same time seeking identification with a particular tradition. This is precisely the task of finding the national content of Ukrainian spiritual heritage. Let's try to do this on the (...) example of Ukrainian Orthodox preaching culture - a phenomenon that originated in the seventeenth century and had its continuation in several generations of Ukrainian preachers. (shrink)

Workers often have a complex relationship with the technologies they use in the workoplace, and many influences can affect that relationship. This is well demonstrated in the story of unionized painters who, at the turn of this century, were sufferingfrom occupational lead poisoning because the paints of the day used lead as their primary pigment. At the beginning of the study period, the painters were fairly passive about the disease, having accepted it as a hazard of the job. By (...) the middle of the 1920's, however, the painters' union was fighting aggressively to remove lead from their work environments and to make employers take some responsiblilty for work-related health care needs. No single event or person brought this change about. Instead, it was the coalescence of several influences that convinced the painters that occupational lead poisoning was something they should fight against. (shrink)

In this essay, I argue that Derrida cannot pursue the question of being/following unless he thinks through the question of sexual difference posed by figures of little girls in philosophical texts and in literature, specifically as posed by Lewis Carroll's Alice whom Derrida references in L'animal que donc je suis. At stake in thinking being after animals after Alice is the thought of an other than fraternal following, a way of being-with and inheriting from (other than human) others that (...) calls for an account of development that is not dictated by a normative autotelic and sacrificial logic. I argue that Derrida's dissociation of himself and his cat from Alice and her cat(s) in L'animal que donc je suis causes him to risk repeating the closed, teleological gestures philosophers like Kant and Hegel perpetuate in their accounts of human development. The more sweeping conclusion towards which this essay points is the claim that the domestication of girls and their subjection to familial fates in narratives and the reduction of development to teleology more generally, require the sacrifice and forgetting of ‘nature’, including animals, so that the fates of girls and ‘nature’ are intertwined in the context of projects of human world-building and home-making. (shrink)

Includes: Gunther Anders, "Victims of Aggression"; Hannah Arendt, "From the Life of the Mind; " Ernst Bloch, "On Fine Arts in the Machine Age, From "The ...

Set of studies of various movements and developments in 20th century philosophy in which Nicholas Rescher was involved as a participant.

Among the most striking aspects of modern literature—expecially of modern German literature—are its frequent references to a notion called ‘reality’. The philosophical question this raises, ‘What is reality?’, is to one side of this enquiry, and so is the question whether or not this is a sensible question: this essay is intended as a contribution not to philosophy but to its connections with literary history and criticism. My present purpose, which determines my procedure, is to outline the various (...) closely related meanings of the word ‘Wirklichkeit’ throughout its very long history; to describe the polarization of meanings which occurred in the course of the nineteenth century, and Nietzsche's part in making the new polarity available to his literary heirs; to illustrate the way German literature became involved in this process in the first decade of our century; and, finally, to point to some of its political implications. My argument is part of a much larger topic, one that is not confined either to the German-speaking countries or indeed to literature. The topic, the ideologizing of ‘ reality ’, is relevant to all modern cultures. The present paper offers no more than a sketch of this development in one cultural area of our world. (shrink)

Predenville discusses the historical, artistic, and critical contexts in which painting has taken a realist turn. Color illustrations.

The recent debate over Intelligent Design provides an opportunity to examine the pervasiveness and the meaning of Darwinian thinking in modern culture. The latest incarnation of a century-old critique of evolution, ID infuriated critics as a disease of scientific illiteracy. However, examining the debate as cultural history of science suggests that the IDers were not ignorant or stupid, but rather shrewd and disingenuous. They wielded scientific data as a rhetorical weapon, not as truth but as text, to be (...) bent to one's moral purpose—which in their case was an attack on science itself. In contrast to the scientific critics, I view ID as a symptom, a boil on the neck of a social body infected with anxiety over cultural Darwinism. Though the courts seem to have effectively lanced ID, the infection remains. In an age of Darwinian psychiatry, Darwinian business, Darwinian literature criticism, and even Darwinian anti-Darwinism, some boundary checks on cultural Darwinism would be salutary—not for advancing a conservative political agenda as the ID folks seek to do, but simply for reconciling a faith in reason with a rejection of biological determinism. (shrink)

This article considers some of the late-Victorian and Edwardian influences on the popular historian, Sir Arthur Bryant in the 20th century. It emphasises Bryant's role in strengthening patriotism and English national identity in the unpropitious circumstances of interwar and postwar Britain. The article examines his conservative cast of mind, one he communicated through best-selling histories and prolific journalism. It emphasises his increasing distance from organised Conservatism after the Second World War and the sympathy he attracted in some quarters (...) of the Labour movement at the end of his life, as well as earlier on. However, it concludes that Bryant is a vital link between the late-19th century ‘moment’ of Englishness and its recent revival among Conservative thinkers, publicists and politicians. (shrink)

Name der Zeitschrift: Der Islam Jahrgang: 91 Heft: 2 Seiten: 341-359.

Name der Zeitschrift: Der Islam Jahrgang: 93 Heft: 2 Seiten: 614-617.

Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and (...) shifting meanings of the term. Beginning with the Platonic doctrine of imitation, they chart the concept's appropriation and significance in the aesthetic theories of Aristotle, Molière, Shakespeare, Racine, Diderot, Lessing, and Rousseau. They examine the status of mimesis in the nineteenth-century novel and its reworking by such modern thinkers as Benjamin, Adorno, and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, their work suggests the continuing value of mimetic theory and will prove essential reading for scholars and students of literature, theater, and the visual arts. (shrink)

Looking out of the window of a speeding car, receiving photographs of Earth from outer space, watching the flickering images of the TV screen, scrolling through a text, zooming in on a location in Google Earth, or sending images via mobile ...

In the research on the Early Modern Period distributed among various disciplines – history, religion, philosophy, law, literature –, there is no doubt that Samuel Pufendorf (1632–1694) was one of the outstanding representatives of modern, secular natural law, whose work had an impact over a century that can hardly be overestimated. When did the research development associated with Pufendorf’s name begin? The article examines this question from the perspective of history of science using the example of the jurisprudence (...) dissertation of Hans Welzel (1904–1977), which appeared in a partial print in the DVjs in 1931. (shrink)