Results for ' light flash'

956 found
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  1.  26
    Counting repeated light flashes as a function of their number, their rate of presentation, and retinal location stimulated.D. M. Forsyth & A. Chapanis - 1958 - Journal of Experimental Psychology 56 (5):385.
  2.  23
    Guessing Strategies, Aging, and Bias Effects in Perceptual Identification.Leah L. Light & Robert F. Kennison - 1995 - Consciousness and Cognition 5 (4):463-499.
    In the typical single-stimulus perceptual identification task, accuracy is improved by prior study of test words, a repetition priming benefit. There is also a cost, inasmuch as previously studied words are likely to be produced as responses if the test word is orthographically similar but not identical to a studied word. In two-alternative forced-choice perceptual identification, a test word is flashed and followed by two alternatives, one of which is the correct response. When the two alternatives are orthographically similar, test (...)
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  3.  13
    Operant conditioning of the skin resistance response with different intensities of light flashes.William A. Greene & Harry G. Wirth - 1974 - Bulletin of the Psychonomic Society 4 (3):177-179.
  4.  17
    Lighting up gap junction channels in a flash.W. Howard Evans & Patricia E. M. Martin - 2002 - Bioessays 24 (10):876-880.
    Gap junction intercellular communication channels permit the exchange of small regulatory molecules and ions between neighbouring cells and coordinate cellular activity in diverse tissue and organ systems. These channels have short half‐lives and complex assembly and degradation pathways. Much of the recent work elucidating gap junction biogenesis has featured the use of connexins (Cx), the constituent proteins of gap junctions, tagged with reporter proteins such as Green Fluorescent Protein (GFP) and has illuminated the dynamics of channel assembly in live cells (...)
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  5.  33
    Effects of brief flashes of light upon the course of dark adaptation.David A. Grant & Frederick A. Mote - 1949 - Journal of Experimental Psychology 39 (5):610.
  6.  21
    Conspicuity of flashing light signals of different frequency and duration.Siegfried J. Gerathewohl - 1954 - Journal of Experimental Psychology 48 (4):247.
  7.  19
    Flash nonfiction: Light/questioning.Lauren Ila Misiaszek - 2022 - Educational Philosophy and Theory 54 (13):2165-2166.
    Glowing (MacLure, 2010; Pitt & Moss, 2019): the imagined silences that might be threaded throughout the SI pieces, introduced in Greg Misiaszek’s tour de force.How do the silences connect, what mig...
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  8. FLASH—A superluminal communicator based upon a new kind of quantum measurement.Nick Herbert - 1982 - Foundations of Physics 12 (12):1171-1179.
    The FLASH communicator consists of an apparatus which can distinguish between plane unpolarized (PUP) and circularly unpolarized (CUP) light plus a simple EPR arrangement. FLASH exploits the peculiar properties of “measurements of the Third Kind.” One purpose of this article is to focus attention on the operation of idealized laser gain tubes at the one-photon limit.
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  9.  25
    Subjective brightness in relation to flash rate and the light-dark ratio.S. H. Bartley - 1938 - Journal of Experimental Psychology 23 (3):313.
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  10.  40
    Visual backward masking by a flash of light: A study of U-shaped detection functions.Alan L. Stewart & Dean G. Purcell - 1974 - Journal of Experimental Psychology 103 (3):553.
  11.  15
    The shortest perceptible time-interval between two flashes of light.Knight Dunlap - 1915 - Psychological Review 22 (3):226-250.
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  12.  4
    Nikon Creative Lighting System Digital Field Guide.J. Dennis Thomas - 2009 - Wiley.
    A full-color, go-anywhere guide to Nikon's entire array of creative lighting possibilities Nikon's Creative Lighting System is like having a low-cost, wireless, studio lighting system that's portable enough to fit into a camera bag. Although the possibilities are endless and exciting, setting up, synchronizing the equipment, and determining lighting ratios can be a bit overwhelming. Luckily, this Digital Field Guide has been completely updated to shed some light on the situation! Beginning with the basic functions of the Nikon SB-900, (...)
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  13.  23
    Dark Light: Utopia and the Question of Relative Surplus Population.Antonis Balasopoulos - 2016 - Utopian Studies 27 (3):615-629.
    To articulate the past historically … means to seize hold of a memory as it flashes up at a moment of danger.On the face of it, the quincentennial of Thomas More’s Utopia arrives at a time dramatically inappropriate for celebrations of the actuality of its vision. Consider what seems to be a new stage in the long global economic crisis, just as much as it is an indication of the intensification of imperialist aggression following in its wake: the dramatic swelling (...)
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  14.  24
    Monoptic and dichoptic visual masking by patterns and flashes.Peter H. Schiller - 1965 - Journal of Experimental Psychology 69 (2):193.
  15.  13
    To Photograph Darkness: The History of Underground and Flash Photography.Chris Howes - 1989 - Southern Illinois University Press.
    This book traces the history and techniques of underground photography, from the first pictures taken in the catacombs beneath Paris to the pyramids of Egypt, from American caves to Cornish tin mines. The opening chapters are concerned with the earliest experiments to record images without the aid of the sun in the 1860s. Innovative photographers have since used techniques ranging from limelight, Bengal fire, arc lights, and even magnesium mixed with gunpowder to specially designed electronic flashguns and powder burners. Ten (...)
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  16.  13
    An elegant and learned discourse of the light of nature.Nathanael Culverwel - 1971 - [Toronto]: University of Toronto Press.
    "Culverwell's Discourse of the Light of Nature, composed in a period of religious and political unheaval, and delivered as lectures to Cambridge students in 1646, is an imaginative statement of the teachings of Christian humanism concerning the nature and limits of human reason and the related concepts of natural and divine law. Culverwell has much in common with the Cambridge Platonists, sharing with them a spiritual home at Emmanuel College; yet his thought is grounded in the scholasticism of Aquinas (...)
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  17.  29
    Words of Light: Theses on the Photography of History.Eduardo Cadava - 1997 - Princeton University Press.
    Focusing on Walter Benjamin's discussions of the flashes and images of history, this book argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of Benjamin's ...
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  18. Eureka moment as divine spark in the light of direct experience with the Spirit and nature.Victor Christianto & Florentin Smarandache - manuscript
    In the ancient world, the Greeks believed that all great insights came from one of nine muses, divine sisters who brought inspiration to mere mortals. In the modern world, few people still believe in the muses, but we all still love to hear stories of sudden inspiration. Like Newton and the apple, or Archimedes and the bathtub (both another type of myth), we’re eager to hear and to share stories about flashes of insight. But what does it take to be (...)
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  19.  63
    Hypnosis and hemispheric asymmetry.Peter L. N. Naish - 2010 - Consciousness and Cognition 19 (1):230-234.
    Participants of low and high hypnotic susceptibility were tested on a temporal order judgement task, both with and without hypnosis. Judgements were made of the order of presentation of light flashes appearing in first one hemi-field then the other. There were differences in the inter-stimulus intervals required accurately to report the order, depending upon which hemi-field led. This asymmetry was most marked in hypnotically susceptible participants and reversed when they were hypnotised. This implies not only that brain activity changes (...)
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  20.  22
    Retroactive adjustment of perceived time.Minal Patel & Maria Chait - 2011 - Cognition 119 (1):125-130.
    Accurately timing acoustic events in dynamic scenes is fundamental to scene analysis. To detect events in busy scenes, listeners must often identify a change in the pattern of ongoing fluctuation, resulting in many ubiquitous events being detected later than when they occurred. This raises the question of how delayed detection time affects the manner in which such events are perceived relative to other events in the environment. To model these situations, we use sequences of tone-pips with a time-frequency pattern that (...)
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  21. Two Black boxes: A fable.Daniel C. Dennett - 1992
    Once upon a time, there were two large black boxes, A and B, connected by a long insulated copper wire. On box A there were two buttons, marked *a* and *b*, and on box B there were three lights, red, green, and amber. Scientists studying the behavior of the boxes had observed that whenever you pushed the *a* button on box A, the red light flashed briefly on box B, and whenever you pushed the *b* button on box A, (...)
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  22.  33
    Body temperature and temporal acuity.James F. O'Hanlon, James J. McGrath & Michael E. McCauley - 1974 - Journal of Experimental Psychology 102 (5):788.
  23.  28
    The effect of delay upon the duplication of short temporal intervals.W. J. Kowalski - 1943 - Journal of Experimental Psychology 33 (3):239.
  24.  64
    Are we closer to free market eugenics? The crispr controversy.Ted Peters - 2019 - Zygon 54 (1):7-13.
    Might the 2018 birth of two designer babies in China write the opening paragraph for the next chapter in the history of eugenics? The worldwide scientific community has tacitly put a moratorium on human clinical application of CRISPR gene editing, waiting until unknown risks can become known. But this ethical agreement has been breached, and calls are now being heard for more rigorous regulations. Perhaps religious and spiritual leaders can join the bioethical chant: the yellow light of caution is (...)
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  25.  35
    Of dialogues and seeds.Kenneth M. Sayre - 1997 - Philosophy and Literature 21 (1):167-178.
    In lieu of an abstract, here is a brief excerpt of the content:Of Dialogues and SeedsKenneth SeeskinPlato’s Literary Garden: How to Read a Platonic Dialogue, by Kenneth M. Sayre; xxiii & 292 pp. Notre Dame: University of Notre Dame Press, 1995, $34.95.One of the best known paradoxes in the Platonic corpus occurs in the Seventh Letter (341), when Plato says that he has never written about the problems which concern him and never will. His reason: “This knowledge can never be (...)
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  26.  8
    Democratic Indignation.Nick Bromell - 2013 - Political Theory 41 (2):285-311.
    This essay argues that black Americans writing from outside or at the margins of the democratic polity shed important light on the nature of human dignity and on the political emotion that offers—to oneself and to others—the surest proof of the existence of such dignity: indignation. I focus in particular on four insights of this body of black American political thought: that the presumption of dignity is the basis on which citizenship is conferred, while its denial is the justification (...)
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  27. The Attending Mind.Jesse Prinz - 2022 - Philosophical Review 131 (3):390-393.
    Over the last decade, attention has crawled from out of the shadows into the philosophical limelight with several important books and widely read articles. Carolyn Dicey Jennings has been a key player in the attention revolution, actively publishing in the area and promoting awareness. This book was much anticipated by insiders and does not disappoint. It is in no way redundant with respect to other recent monographs, covering both a different range of material and developing novel positions throughout. The book (...)
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  28.  31
    Stories We Tell After Orlando.Francesca T. Royster - 2018 - Feminist Studies 44 (2):503.
    In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 44, no. 2. © 2018 by Francesca T. Royster 503 Francesca T. Royster Stories We Tell After Orlando We are in Laila’s backyard for a Sunday barbecue, a cool and windy Chicago June day that immediately followed one of the very hottest days so far this year. My partner Annie and I have brought our fouryear -old daughter Cece and her best friend Gilda to the barbecue, (...)
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  29.  94
    Philosophy of science for science communication in twenty-two questions.Gregor Betz & David Lanius - 2020 - In Annette Leßmöllmann, Marcelo Dascal & Thomas Gloning (eds.), Science Communication. pp. 3-28.
    Philosophy of science attempts to reconstruct science as a rational cognitive enterprise. In doing so, it depicts a normative ideal of knowledge acquisition and does not primarily seek to describe actual scientific practice in an empirically adequate way. A comprehensive picture of what good science consists in may serve as a standard against which we evaluate and criticize actual scientific practices. Such a normative picture may also explain why it is reasonable for us to trust scientists – to the extent (...)
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  30.  35
    The Ethics of Uncovering Something Else in Histoire(s) du cinema.Jiewon Baek - 2014 - Journal of French and Francophone Philosophy 22 (1):40-60.
    In lieu of an abstract, here is the essay's opening paragraph: Marguerite Duras prefaces the second edition of Le navire night , from which an excerpt is cited above, by explaining that after writing the story of a man named J.M., everything came too late, including the realization of the film version of Le navire night. Once the event has been written and the common night of history been closed up, did she have the right to flash a (...) into the darkness to go back and see? The only seeing through cinema that was possible, she continues, was to film the failure, the disaster of the film. But how does one film the failure of realizing a film adaptation of a written text, which itself was transcribed from an oral re-telling of a story, which itself was adapted from memory? The event already took place – writing, “this history here” –, leaving cinema to film what never took place, namely, the film itself. As Jean-Luc Godard confirms in a chapter titled Seul le cinéma in Histoire du cinéma, not only in the form of his project as a whole but also more explicitly in one shot that positions two close-up photographs of his face with the sound of Paul Hindemith’s “Funeral Music” and this text: “Faire une description précise de ce qui n’a jamais eu lieu est le travail de l’historien.” Describing the rise of the film Le navire night from its disastrous death, Duras writes: “On a mis la caméra à l’envers et on a filmé ce qui entrait dedans, de la nuit, de l’air, des projecteurs, des routes, des visages aussi.” The camera turned upside-down, or in the other sense, inside-out, Duras films the entrance of the exterior, a sort of a Levinasian visage. The question no longer is one of having the right but of the duty to re-write history, as is insinuated by the reference to “The Critic as Artist” written across one of the photographs mentioned above, which is again a gesture of Godard’s positioning himself as the critic whose role Oscar Wilde defined: “The one duty we owe to history is to rewrite it.”. (shrink)
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  31.  29
    Missing link in firefly bioluminescence revealed: NO regulation of photocyte respiration.Michael D. Greenfield - 2001 - Bioessays 23 (11):992-995.
    Summary Sexual communication in most species of fireflies is a male±female dialogue of precisely timed flashes of bioluminescent light. The biochemical reactions underlying firefly bioluminescence have been known for 30 years and are now exploited in biomedical assays and other commercial applications. Several aspects of flash regulation are also understood: flash rhythm is controlled by a central pattern generator, and individual flashes are neurally triggered, with octopamine serving as the transmitter. The molecular oxygen needed by the biochemical (...)
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  32.  78
    Brainwashing the cybernetic spectator: The Ipcress File, 1960s cinematic spectacle and the sciences of mind.Marcia Holmes - 2017 - History of the Human Sciences 30 (3):3-24.
    This article argues that the mid-1960s saw a dramatic shift in how ‘brainwashing’ was popularly imagined, reflecting Anglo-American developments in the sciences of mind as well as shifts in mass media culture. The 1965 British film The Ipcress File provides a rich case for exploring these interconnections between mind control, mind science and media, as it exemplifies the era’s innovations for depicting ‘brainwashing’ on screen: the film’s protagonist is subjected to flashing lights and electronic music, pulsating to the ‘rhythm of (...)
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  33. Consciousness Explained.George Johnson - unknown
    Wielding his philosophical razor, William of Ockham declared, in the early 14th century, that in slicing the world into categories, thou shalt not multiply entities needlessly. He might have been pleased when, half a millennium later, James Clerk Maxwell helped tidy things up by writing the equations that show magnetism and electricity as perpendicular shadows cast by light beams, radio waves, X-rays and other forms of what we now call electromagnetic radiation. Einstein did Maxwell one better by equating mass (...)
     
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  34.  14
    Four Poems.Yuri Andrukhovych, John Hennessy & Ostap Kin - 2022 - Common Knowledge 28 (3):347-351.
    Color FilmAs if from darkness, from gloom, from nothing —this moment is sewn through us like a thread —from above our shoulders — from primeval night —a shining river. A flying light.Onto the screen, onto a white calm,onto a cloth, onto the ground of spatial fields,it flies through the eyeless dark,it's as voluminous as seed or salt.And in this theater, where light's been banished,where even streetlight fades away completely,other light channels vibrate,and reflections wander through the eye.The curtains (...)
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  35.  20
    Conrad's Reply to Kierkegaard.Jerry S. Clegg - 1988 - Philosophy and Literature 12 (2):280-289.
    In lieu of an abstract, here is a brief excerpt of the content:CONRAD'S REPLY TO KIERKEGAARD by Jerry S. Clegg Varied answers to a fixed question have often guided interpretations of Conrad's novella, Heart ofDarkness. Who, that question has been, was Conrad's model for the enigmatic colonial official he calls Kurtz? Hannah Arendt has speculated that it was Carl Peters, an early explorer of east Africa.1 Norman Sherry has picked Arthur Hodister, a Belgian officer, as his candidate.2 Ian Watt has (...)
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  36.  33
    Pluralistic Conceptualizations of Empathy.Mark Fagiano - 2016 - Journal of Speculative Philosophy 30 (1):27-44.
    Imagine you are driving up a long and winding road in the mountains. It is nighttime; there are no streetlights or traffic lights, no moon illuminating the sky, and barely shining through a few clouds, the faint, flickering stars above grant you only a fraction of light to see the path ahead. The quiet, serene scene of this moonless, cool night coupled with the sweet scent of pine reminds you of the wonders and beauty of nature. Then, unexpectedly, as (...)
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  37.  38
    Democratic Indignation: Black American Thought and the Politics of Dignity.Nick Bromell - 2013 - Political Theory 41 (2):0090591712470627.
    This essay argues that black Americans writing from outside or at the margins of the democratic polity shed important light on the nature of human dignity and on the political emotion that offers—to oneself and to others—the surest proof of the existence of such dignity: indignation. I focus in particular on four insights of this body of black American political thought: that the presumption of dignity is the basis on which citizenship is conferred, while its denial is the justification (...)
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  38.  20
    Spontaneous localization theories with a particle ontology.Valia Allori - 2020 - In Valia Allori, Angelo Bassi, Detlef Duerr & Nino Zanghi (eds.), Do Wave Functions Jump? Perspectives on the Work of GianCarlo Ghirardi. Springer. pp. 73-93.
    Spontaneous localization theory is a quantum theory proposed by GianCarlo Ghirardi, together with Alberto Rimini and Tullio Weber in 1986. However, soon it became clear to Ghirardi that his work was more than just one theory: he actually developed a framework, a family of theories in which the wavefunction jumps, but where the ontology of the theory is underdetermined. After acknowledging that the wavefunction did not provide a satisfactory ontology, he assumed that matter was described by a continuous matter density (...)
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  39.  5
    Digital Portrait Photography for Dummies.Doug Sahlin - 2009 - For Dummies.
    A full-color guide to the art of digital portrait photography Portrait photography entails taking posed photographs of individuals or set scenery and is the most common photo style among the most novice photography hobbyist to the most advanced photographer. With this easy-to-understand guide, bestselling author and professional photographer Doug Sahlin walks you through the best techniques for getting professional-quality digital portraits. Packed with hundreds of full-color photos and screen shots, this book discusses best practices for taking formal portraits, wedding photos, (...)
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  40.  20
    Spring Fishing Song, Prehistoric Paros.John Eric Hamel - 2021 - Arion 28 (3):43-44.
    In lieu of an abstract, here is a brief excerpt of the content:Spring Fishing Song, Prehistoric Paros JOHN ERIC HAMEL Come, tuna, iridescent whorl, Spin color through our rain-locked sea. Come, scatter winter’s smoke and spitting hail, The brazier’s headache, days of coiling clay, The endless shuttle. Let the restless needle be. Come, return the sea to life. The days of winter card our limbs to rope. Restore the muscle with your flesh, unfurl The cold’s crushing boredom into the sun. (...)
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  41.  66
    The task of the name: A reply to Carol Poster.Jason Helms - 2008 - Philosophy and Rhetoric 41 (3):pp. 278-287.
    In lieu of an abstract, here is a brief excerpt of the content:The Task of the Name: A Reply to Carol PosterJason HelmsIn the fields with which we are concerned, knowledge comes only in lightning flashes. The text is the long roll of thunder that follows.—Walter Benjamin, Arcades N1, 1 (1999)Logos, in whose lighting they come and go, remains concealed from them, and forgotten.—Martin Heidegger, “Aletheia” (1975, 122)One of the first things learned in the most rudimentary attempt at stargazing is (...)
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  42.  10
    Attis at Large. Catullus & Anna Jackson - 2019 - Arion 27 (2):127-134.
    In lieu of an abstract, here is a brief excerpt of the content:Attis at Large CATULLUS (Translated by Anna Jackson) And so Attis, seasick, heart sore, having left so terribly fast, with a pause, a leap, a landing, galliambically arrived in the shady regions, wood-clothed, in the goddessy depths of dark in a rage, a grief, a wild mood, having come so terribly far, and himself, still him, he tore off, with a flint, all his manly parts— so that she (...)
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  43.  35
    Begetting the New: The Marrow of Originality as Discovered from the Making of Shakespeare's Romeo and Juliet: Part 2. Creation Demystified.Armen E. Petrosyan - 2020 - Journal of Aesthetic Education 54 (2):94-112.
    To the memory of my mother ErnaShakespeare saw in the beauty and passion of young hearts "the irradiating glory of sunlight and starlight in a dark world." In contrast to Arthur Brooke, the dramatist shows not the omnipotence of merciless and inexorable fate but an inextinguishable image of "light, every form and manifestation of it: the sun, moon, stars, fire, lightning, the flash of gunpowder, and the reflected light of beauty and of love." All these are opposed (...)
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  44. I Think Therefore I Persist.Matt Duncan - 2015 - Australasian Journal of Philosophy 93 (4):740-756.
    Suppose that you're lying in bed. You just woke up. But you're alert. Your mind is clear and you have no distractions. As you lie there, you think to yourself, ‘2 + 2 = 4.’ The thought just pops into your head. But, wanting to be sure of your mathematical insight, you once again think ‘2 + 2 = 4’, this time really meditating on your thought. Now suppose that you're sitting in an empty movie theatre. The lighting is normal (...)
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  45.  5
    The Philosophical Theology of John Duns Scotus by Allan B. Wolter, O.F.M.Joseph M. Incandela - 1991 - The Thomist 55 (3):517-522.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 517 she does on these issues; this is hardly the case. And lastly she fails to discern that some feminist christology does not spring from a love for Jesus and what he has done through his cross and resurrection; rather, Jesus is merely used (and thus abused) to further a theological and political agenda. [Men obviously are not immune from this either.] Despite my disagreements with some (...)
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  46.  16
    Digital Sports Photography: Take Winning Shots Every Time.Serge Timacheff & David Karlins - 2005 - Wiley.
    You can freeze that one moment in time Sports photography gets you up close and personal with the action you crave, the athletes you idolize, or the activities that make memories for your children. It also provides plenty of frustration for amateurs and professionals alike. How do you shoot on a rainy day? What about the crowd at the finish line? Can you capture the tension as the ball trembles on the rim? You can, with the professional advice these experts (...)
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  47.  7
    Canon Speedlite System Digital Field Guide.Brian McLernon - 2009 - Wiley.
    Detailed coverage of Canon's four speedlite-580EX II, 430 EX II, 220 EX and the new 270 EX-built exclusively for Canon DSLRs If you use a digital SLR camera, then you understand just how critical it is to have a capable flash. Canon Speedlite shines a whole new light on taking photos with a Canon DSLR. This full-color, in-depth guide takes you beyond the standard manual that accompanies the Speedlite and shows you the types of settings you can use (...)
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  48.  49
    A picture is a patchwork of color laid out in a private space in which lie flat imitations of life.David Socher - 2007 - Journal of Aesthetic Education 41 (1):105-112.
    In lieu of an abstract, here is a brief excerpt of the content:A Picture Is a Patchwork of Color Laid Out in a Private Space in Which Lie Flat Imitations of LifeDavid Socher, Independent ScholarThe fish to be fried has an ontological head, an epistemic belly, and an aesthetic tail.1 A picture is a patchwork of color laid out in a private space in which lie flat imitations of life. Such a patchwork constitutes a make-believe visual field. I roll out (...)
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  49.  8
    Digital Travel Photography Digital Field Guide.David D. Busch - 2006 - Wiley.
    Your digital camera is the perfect travel companion. You don't need to pack extra film, worry about airport scanners, budget for processing costs, or wait until you get home to learn whether you got that once-in-a-lifetime shot. Tuck this book in beside your Frommer's travel guide and you'll have everything you need for fantastic photos-how to watch for the right opportunity, compose the picture, work with lighting-even how to edit and upload from the road. * Learn what you must take (...)
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  50.  27
    Tamqvam figmentvm hominis: Ammianus, constantius II and the portrayal of imperial ritual.Richard Flower - 2015 - Classical Quarterly 65 (2):822-835.
    Constantius, as though the Temple of Janus had been closed and all enemies had been laid low, was longing to visit Rome and, following the death of Magnentius, to hold a triumph, without a victory title and after shedding Roman blood. For he did not himself defeat any belligerent nation or learn that any had been defeated through the courage of his commanders, nor did he add anything to the empire, and in dangerous circumstances he was never seen to lead (...)
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