A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft’s A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft’s thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as (...) Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book’s format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as “Painting,” “Music,” “Memory,” “Property and Appearance,” and “Rank and Luxury,” Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil—and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft’s approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now. (shrink)

A study of Marey, physician, physiologist, aviation researcher, and inventor, delineates his innovative work in chronophotography.

Kant en France n'est pas seulement un phénomène de réception: c'est l'histoire même de la philosophie française depuis le début du XIXe siècle. Et pourtant, quoi qu'on ait prétendu à ce sujet, il n'a jamais existé de néo-kantisme français. Cousin, Renouvier, Lachelier, Boutroux, Brunschvicg, Benda n'ont pas la même vision du kantisme. La manière dont ils s'approprient cette référence permet de tracer entre eux tantôt des points de rencontre, tantôt des lignes de clivages et d'opposition. Leur rapport à Kant nous (...) donne un éclairage remarquable sur leurs débats internes"--Back cover. (shrink)

The rise of modern science and the proclaimed 'death' of God in the nineteenth century led to a radical questioning of divine action and authorship - Bultmann's celebrated 'demythologizing'. Remythologizing Theology moves in another direction that begins by taking seriously the biblical accounts of God's speaking. It establishes divine communicative action as the formal and material principle of theology, and suggests that interpersonal dialogue, rather than impersonal causality, is the keystone of God's relationship with the world. This original contribution to (...) the theology of divine action and authorship develops a new vision of Christian theism. It also revisits several long-standing controversies such as the relations of God's sovereignty to human freedom, time to eternity, and suffering to love. Groundbreaking and thought-provoking, it brings theology into fruitful dialogue with philosophy, literary theory, and biblical studies"--Provided by publisher. (shrink)

ABSTRACTThis paper examines Thomas Aquinas’ and John Duns Scotus’ respective views on the action-passion identity thesis. This thesis, which goes back to Aristotle, states that when an agent causes a change in a patient, then the agent’s causing of the change is identical to the patient’s undergoing of said change. Action and passion are, on this view, one and the same change in the patient, albeit under two distinct descriptions. The first part of the paper considers Aquinas’ defence (...) of this thesis. The second part discusses Scotus’ attack on this thesis. As this paper shows, Scotus argues, against Aquinas and other scholastics, that action and passion are discrete entities inhering in two distinct bearers: action in the agent and passion in the patient. (shrink)

This unique book explores Nietzsche’s philosophy at the time of Dawn’s writing and discusses the modern relevance of themes such as fear, superstition, terror, and moral and religious fanaticism. The authors highlight Dawn’s links with key areas of philosophical inquiry, such as “the art of living well,” skepticism, and naturalism. The book begins by introducing Dawn and discussing how to read Nietzsche, his literary and philosophical influences, his relation to German philosophy, and his efforts to advance his ‘free spirit’ philosophy. (...) Subsequent discussions address a wide range of topics relevant to Dawn, including presumptions of customary morality, hatred of the self, free-minded thinking, and embracing science and the passion of knowledge. (shrink)

El propósito del presente artículo consiste en indagar las diferencias de fuerza que sostienen el aparato conceptual de la obra de Suely Rolnik, para pensar una poética de la resistencia pasiva. Para ello, se abordará primero un análisis de la tradición biopolítica para distinguir una tendencia inmanentista (Foucault, Agamben) de otra que vincula la vida con la alteridad (Butler, Coccia). A continuación, se leerá esta segunda tendencia desde la teoría de la performatividad después de la deconstrucción, para proponer una genealogía (...) de la fuerza vulnerable que se denominará speech passion theory. En fin, el artículo enmarca en esta genealogía la fuerza afirmativa de Rolnik, y piensa desde ella la tarea de la política y el arte como una práctica estética más allá de la institución del arte. (shrink)

The logical treatment of the nature of religious belief (here I will concentrate on belief in Christianity) has been distorted by the acceptance of a false dilemma. On the one hand, many (e.g., Braithwaite, Hare) have placed the significance of religious belief entirely outside the realm of intellectual cognition. According to this view, religious statements do not express factual propositions: they are not made true or false by the ways things are. Religious belief consists in a certain attitude toward the (...) world, life, or other human beings, or in what sorts of things one values. On the other hand, others (such as Swinburne, 1981, Chapers 1 and 4) have taken religious belief to include (at least) being certain of the truth of particular factual religious propositions. The strength of a person's religious belief is identified with his degree of confidence in the truth of those propositions, measured by the "subjective probability" which those propositions have for that person. I propose a third alternative, according to which, (1) contrary to the first view, religious belief does involve a relation to factual religious propositions, such as that God exists, that Jesus was God and man, etc., -- propositions which are made true or false by the way things actually are -- but, (2) contrary to the second view, the strength of religious belief is measured, not by the degree of one's confidence1 in the truth of these propositions, but rather by the way in which the value or desirability to oneself of the various ways the world could be is affected by their including or not including the truth of these religious propositions. Thus, religious belief does consist in what one values or prizes, not in what.. (shrink)

Drawing on conservation of resources theory, this study examines the curvilinear relationship between harmonious and obsessive work passion and organizational citizenship behavior as well as the moderating effect of collectivistic values. Using 233 paired supervisor-employee responses from Russia, I found that harmonious work passion and OCB are positively related up to a point, after which higher levels of harmonious work passion are associated with declining OCB. The main curvilinear effect of obsessive work passion on OCB was (...) not significant. Collectivistic values were found to significantly interact with obsessive work passion but not harmonious work passion in the way they affect OCB. Employees who score high on collectivistic values tend to engage more in OCB than those who score low on collectivistic values. Interestingly, at low levels of collectivism, the inverted U-shaped curve illustrates the relations between obsessive passion and OCB changes into a U-shaped curve, suggesting that the highest engagement in OCB will no longer be observed at intermediate levels of obsessive work passion but rather at its lowest and highest levels. The findings contribute to work passion research and suggest that curvilinear rather than linear relationships may exist between work passion and work outcomes, which may account for the existing inconsistencies in the previous studies in regards to whether work passion-outcomes relationships are either positive or negative. (shrink)

Alternative schools are popular interventions for marginalized students, including students with disabilities, but little research has focused on professionals in these settings. Today, close to 11,000 public alternative schools or programs are believed to exist in the United States education system (Foley & Pang, 2006) and as many as one million students are currently attending alternative learning programs in the United States (Lehr, Tan, & Ysseldyke, 2009). While public alternative schools can vary from one another in many ways, they exist (...) to serve youth marginalized in traditional public settings. In this study, we explore the ways teachers, administrators, and nurses in alternative settings collaborate to support mentally healthy school environments for marginalized student populations. Drawing on the process of rationale development ( Hawley & Crowe, 2016 ; Hawley & Jordan, 2014 ; Shaver, 1977 ; Shaver & Strong, 1982) as rooted in social studies education, we explore the perceived purposes of these professionals as they work with some of the nation's most marginalized children. Through focus groups and one-on-one interviews, the data bridge social studies themes rooted in democracy and equity with special education themes of inclusiveness. This work offers insight into the rationales of teachers and professionals engaged in critical work, and provides a platform for helping professionals undergo the rationale development process. (shrink)

This article compares translation and commentary practices surrounding the texts associated with French feminism with those of contemporary French women philosophers more generally. Many of the latter, discussing the history of philosophy, ask questions such as “How do texts play against the means they supply themselves?” and “How are philosophical forces, and the institutions of commentary, countered, destabilized, deregulated?” Deutscher asks what institutional means are available to understand this work as innovative philosophy, and to what extent these projects can usefully (...) be analyzed as the gestures of women in philosophy. (shrink)

This is a reflection on the gift of beauty and the passion of being in light of the fact that today we often meet an ambiguous attitude to beauty. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us. Bland beauty seems to be the death of originality. How then be open at all to beauty as gift? In fact, we often are disturbed paradoxically by beauty: both (...) taken out of ourselves, hence disquieted, yet awakened to our being at home with beauty. Beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away; we are more truly there with the beautiful yet taken outside of ourselves: both at home with ourselves and not at home, in being beyond ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. Our being disarmed by the beautiful I hold to be in tune with our being as marked most deeply by what I call a primal ‘porosity’ to being. Beauty sensuously communicates in and through this awakened porosity. We are a patience of being before we are an endeavour to be. In modern aesthetics and culture, originating receptivity tends to be downplayed as a depreciation of our claims to creative power. The predominant stress often falls on human autonomy, such that we love only what we construct ourselves, not what we receive. By contrast, I argue there is something of the godsend in what is truly beautiful. This might not be a fashionable way of talking but the vocation of the philosopher is not to be fashionable but to be true. (shrink)

The paper discusses the problem of self-sacrifice as posed by Derrida in Foi et Savior and by Schiller in the Theosophie des Julius. Whereas Derrida understands self-sacrifice as an act of violence against oneself in order not to subject others to violence, Schiller rightly insists that one must distinguish between egotistical and altruistic self-sacrifice. But even this doesn't go far enough: Altruistic self-sacrifice is different from suffering death as the consequence of an entirely unselfish love. Whoever loses his life out (...) of love does not give it up for others, whether selfishly or unselfishly. He loves the other—to death. Such a death is not a sacrifice. It results from a passion of love, not an act of violence against oneself. (shrink)

‘Of all the difficulties which impede the progress of thought and the formation of well- grounded opinions on life and social arrangements’, wrote John Stuart Mill around 150 years ago, ‘the greatest is now the unspeakable ignorance and inattention of mankind in respect of the influences which form character’. Aristotle is never far in the background of Mill’s moral and political philosophy, a presence weightier than Jeremy Bentham’s in the foreground. That this is often overlooked is not only because thinkers (...) tend to be pigeonholed into a single school and Mill eschews the language of virtue. It is also because moral and political philosophers did not heed Mill’s words and continued for over a century to pay very little attention to the nature and development of character. (shrink)

There are several great biographies of Wollstonecraft out there and a growing number of books discussing her works. Sylvana Tomaselli’s book is neither and both: as an intellectual biography, it dr...

This handsomely produced volume contains 22 contributions from international scholars, which were originally presented at the 2000 Conference of the International Society for Phenomenology, Fine Arts, & Aesthetics. The papers center around the theme of gardens and include a wide range of topics of interest to phenomenologists but also, perhaps, to gardeners with a philosophical bent. A sampling of topics: Leonardo's Annunciation Hortus Conclusus and its reflexive intent; hatha yoga--a phenomenological experience of nature; the Chinese attempt to miniaturize the world (...) in gardens; conflating and compressing time in commodified space and architecture; constructing the deconstructive landscape (the ruin aesthetic); and a phenomenological-anthropological aproach to Zen gardens. The volume is lightly indexed by name (mostly philosophers). Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sick with PassionAlfred LouchOpera: Desire, Disease, Death, by Linda and Michael Hutcheon; xvi & 294 pp. Lincoln: University of Nebraska Press, 1996, $40.00.IDriving east from the Auvergne you may chance upon La Chaise-Dieu, a charming village where a very acceptable cafe confronts the fortress-like Abbatiale de St Robert across the village square. The church itself is an imposing monument to the ephemeral glory of the Avignon Pope Clement VI, (...) but its most extraordinary feature is a fresco in the aisle to the left of the choir. Called the Danse Macabre, it depicts death as a sequence of skeletons, each of which beckons, pleads with, consoles, or compels its many victims—young and old, rich and poor, exalted or mean—toward their inevitable end. At times the skeleton’s posture is sinister and threatening, at others, as with children, it seems to turn away, as if to shield them from its fearful aspect. The skeletons seem to catch the movement of a single dancer as they select one partner after another, taking the life of each in a graceful though ghastly movement.The fresco depicts the Black Death—art inspired by disease and contagion. But even if you were as innocent of history as the typical American tourists you would confront in the fresco the undeniable image of death, and the caprice of its visitation, a thought contrasting strangely with the enduring granite of the church. Your experience may be enriched by history and lead you to moralize on the contrast [End Page 155] between the pomp and grandeur of the papal builder and the fresco’s depiction of the vanity of human wishes. But it would be a jarring note if some know-it-all in the company of viewers were to lecture for all to hear on the transmission and symptoms of pasteurella pestis. That is another story, and an interesting one, but not here and now.And so it is, if not so abrasively, with a recent book by Linda and Michael Hutcheon on desire, disease, and death in opera. They hope to shed new light, by combining literary analysis and the medical theory of disease and contagion, on the themes and purposes of opera, or certain operas anyway. Somehow the passages on mycobacterium tuberculosis, treponema pallidum, and vibrio cholerae, together with graphic descriptions of the symptoms caused by these micro-organisms, and an accompanying photograph of syphilitic gummæ seem intrusive, just as talk about the etiology and the pathology of the plague strikes a discordant note as we look upon the Danse Macabre in wonder and fear. The Hutcheons, a husband and wife team who practice, respectively, medicine and literary criticism, tell the reader they are opera lovers. I hope their affection is not prompted only by infection.But why shouldn’t medicine and its history be relevant to literary, artistic, or musical creation? Think here of a question Wittgenstein asks in Zettel (paragraph 610): “Why should there not be a psychological regularity to which no physiological regularity corresponds? If this upsets our concept of causality then it is high time it was upset.” He did not mean to say that it would not be surprising if someone talked and acted and looked like a person but turned out to have an empty skull. But he did mean surely that talk about human projects and emotions is complete as it stands; what is going on in the neurons and what busy microbes are doing are other stories. Literature is about human projects, the skill or clumsiness with which they are pursued, the responses to success and failure, achievement and frustration. Opera, which, ever since someone had the idea of putting story to song, raided literary invention for its subject matter, is the same. Heroes and villains may of course be expected to be vulnerable to the various vicissitudes of life. Diseases may lay them low, as well as passing trains. But disease enters their stories to delay or frustrate or put period to their projects, not as new characters on the stage. If you read about the death of Ivan Illych and come away dissatisfied because Tolstoy failed to identify the... (shrink)

Expanded edition with new chapters and updates to the translation and bibliography. Borges cites innumerable authors in the pages making up his life’s work, and innumerable authors have cited and continue to cite him. More than a figure, then, the quotation is an integral part of the fabric of his writing, a fabric made anew by each reading and each re-citation it undergoes, in the never-ending throes of a work-in-progress. Block de Behar makes of this reading a plea for the (...) very art of communication; a practice that takes community not in the totalized and totalizable soil of pre-established definitions or essences, but on the ineluctable repetitions that constitute language as such, and that guarantee the expansiveness—through etymological coincidences of meaning, through historical contagions, through translinguistic sharings of particular experiences—of a certain index of universality. This edition includes a new introduction by the author and three entirely new chapters, as well as updated images and corrections to the original translation. Lisa Block de Behar is Professor of Communications at the Universidad de la República in Montevideo, Uruguay and is a renowned Jorge Luis Borges scholar. William Egginton is Andrew W. Mellon Professor in the Humanities and Chair of the Department of German and Romance Languages and Literatures at Johns Hopkins University. He is the author of several books, including In Defense of Religious Moderation. Christopher RayAlexander is a graduate student and language instructor in the Department of German and Romance Languages and Literatures at Johns Hopkins University. (shrink)

This article proposes to address the relationship between philosophy and politics through the 5th-4th Century's intellectual debate on ethics and politics in Athens. A debate which takes place in the wake of the rise of a new individuality, marked by the discovery of the tragicity of the soul. What stands out in this debate is the redefinition of a philopolitical stand in all its historical ambiguity and ethical idealism. Aristophanes, Thucydides, Euripides, Gorgias and, obviously, Plato himself are striving to define (...) the possibility of the encounter between philosophy and the city, public and private, justice and interests, individual and community. The Platonic solution for the problem reveals complexity and articulation typical of his thought: the philosopher that shelters himself from the storm behind an academic wall is the same who "in order for himself not to seem nothing but words" sails towards the uncertain Syracusan project. (shrink)