"The Philosophical Imaginary teaches us how to read philosophy afresh. Focusing on central, but often undiscussed, images, Le Doeuff's patient, perspicacious, and always brilliant readings show us how to uncover the political unconscious at work in great philosophy. Le Doeuff's contribution to philosophy and feminism is unequalled. This book is a classic.".

"The Philosophical Imaginary teaches us how to read philosophy afresh. Focusing on central, but often undiscussed, images, Le Doeuff's patient, perspicacious, and always brilliant readings show us how to uncover the political unconscious at work in great philosophy. Le Doeuff's contribution to philosophy and feminism is unequalled. This book is a classic.".

Preface: The Shameful face of Philosophy In fact, Socrates talks about laden asses, blacksmiths, cobblers and tanners1 Whether one looks for a ...

Examines how violence has been conceptually and rhetorically put to use in continental social theory.

The paper builds on the postulate of “myths we live by,” which shape our imaginative life (and hence our social expectations), but which are also open to reflective study and reinvention. It applies this principle, in particular, to the concepts of love and vulnerability. We are accustomed to think of the condition of vulnerability in an objectifying and distancing way, as something that affects the bearers of specific (disadvantaged) social identities. Against this picture, which can serve as a pretext for (...) paternalist and controlling attitudes to the groups in question – notably to women – Anderson urges us to reimagine our vulnerability as a condition not merely of exposure to violence but of openness to mutual affection, love, and friendship. Hegel’s celebrated image of the owl of Minerva, which takes wing only with the coming of dusk, suggests an association of (philosophical) wisdom with negativity – with the experience of death or loss. Anderson, by contrast, proposes an alternative and more hopeful image of the dawn of enlightenment, in the guise of new ethical dispositions shaped by an emancipatory (and so, no longer an oppressive or sexist) conception of our capacity for love. Her main interlocutors or influences in this piece are Judith Butler (who contributes the idea of a “relational ontology”), Michèle Le Doeuff, and Mary Midgley. (shrink)

Review essay of Ann V. Murphy, Violence and the Philosophical Imaginary.

Le Dœuff investigated the philosophical imaginary primarily of classical philosophy, but her discussion about the philosophical image is open enough to allow an extension into the contrasting area of contemporary analytic philosophy. The flexibility of her method will be demonstrated first by attention to the function of specific images in analytic philosophy. Further possibilities of her method will be displayed by a reading of the general ‘imaginary’ of analytic philosophy —a system that I shall call the (...) ‘analytic imaginary’. (shrink)

lntroduction Imaginary and Images M philosophical imaginary refers to both the capacity to imagine and the stock of images philosophers use. ...

A collaborative article by the Editorial Collective of Social Imaginaries. Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that Castoriadis, Ricoeur, and Taylor have articulated the (...) most important theoretical frameworks for understanding social imaginaries, although the field as a whole remains heterogeneous. We further argue that the notion of social imaginaries draws on the modern understanding of the imagination as authentically creative. We contend that an elaboration of social imaginaries involves a significant, qualitative shift in the understanding of societies as collectively and politically-instituted formations that are irreducible to inter-subjectivity or systemic logics. After marking out the contours of the field and recounting a philosophical history of the imagination, the essay turns to debates on social imaginaries in more concrete contexts, specifically political-economic imaginaries, the ecological imaginary, multiple modernities and their inter-civilisational encounters. The social imaginaries field imparts powerful messages for the human sciences and wider publics. In particular, social imaginaries hold significant implications for ontological, phenomenological and philosophical anthropological questions; for the cultural, social, and political horizons of contemporary worlds; and for ecological and economic phenomena. The essay concludes with the argument that social imaginaries as a paradigm-in-the-making offers valuable means by which movements towards social change can be elucidated as well providing an open horizon for the critiques of existing social practices. (shrink)

Moira Gatens investigates the ways in which differently sexed bodies can occupy the same social or political space. Representations of sexual difference have unacknowledged philosophical roots which cannot be dismissed as a superficial bias on the part of the philosopher, nor removed without destroying the coherence of the philosophical system concerned. The deep structural bias against women extends beyond metaphysics and its effects are felt in epistemology, moral, social and political theory. The idea of sexual difference is contextualised (...) in _Imaginary Bodies_ and traced through the history of philosophy. Using her work on Spinoza, Gatens develops alternative conceptions of power, new ways of conceiving women's embodiment and their legal, political and ethical status. (shrink)

Hippogriffs and unicorns have a fixed role in philosophical reflection: they serve as interchangeable examples of fictional objects. The purpose of this article is to show that there are many different forms of imaginary objects and that drawing a taxonomy of these objects actually means rethinking the relation that binds imaginative products to our world – a relation that is far from being univocal.

Alain Finkelkraut has interrogated contemporary Jewish identity in terms of how a Jew reckons with the heavy impact of the Holocaust and in fact with the entire history of the Jewish people. Finkelkraut takes issue with Sartre's 1947 essay, Anti-Semite and Jew, not for its content but the effect that it has had on him. "Let there be no misunderstanding: I am not attacking the book that Sartre wrote on the Jewish problem," asserts the author in a footnote (JI 17, (...) my translation). Instead, he shows how the philosopher aids in the creation of what Finkelkraut terms "the imaginary Jew." He compares this process of fossilization to Genet's treatment in Saint Genet. Finkelkraut's metaphoric language captures the pernicious effects that the public act of naming and thus essentializing can have on a person or group of people. (shrink)

This reflection on the topic of emancipation stems from an ongoing project in tune with a wider development in pragmatic philosophy. Specifically, the project aims to piece together some of the consequences of pragmatism’s reconstruction of the tradition of philosophical inquiry, from the angle of human imagination. More recently this project has taken a different direction, in light of our critical situation under intensifying anti-democratic forces in the US, but also in many parliamentary democracies. Emancipation from forces that undermine (...) democratic transformation is arguably a goal that anyone gathering under the banner of pragmatism shares. The use of the pronoun ‘our’ in modifying ‘critical situation’ above is intended. It points to the scope of the problem. The problematic situation of ‘intensifying anti-democratic forces’ that sets the agenda for pragmatic inquiry is most aptly termed ‘neoliberal global hegemony’. Neoliberalism is a much-used technical term and its meaning is hotly contested. For the purposes of this paper, then, I would like to lift out several features common to almost all parties in the contest to provide a definition. This description will then be employed for the purposes of determining the character of the contemporary social context in which emancipatory practices take place. Second, by tying this description of the ‘background’ of our practices to the primacy of practical reason thesis, and specifically the role of imagination in practical reason, the pragmatic conception of agency comes into relief. A pragmatic conception of this social context of agency, the contemporary neoliberal imaginary, contributes to articulating prospects for emancipatory practice in a non-abstract sense. An example of experimentalist democratic practices of emancipation responding to crises generated by neoliberal practices is provided by recent efforts in worker co-operatives in Argentina. (shrink)

By “case,” I mean a proxy for some state of affairs, event, sequence of events, or other fact. A case may be as short as a phrase (“a promise to your dying grandfather”) or (in principle, at least) longer than War and Peace. A case may consist of words (as in the typical philosophical example) or have a more dramatic form, such as a movie, stage performance, or computer simulation. Imaginary cases plainly have an important role in contemporary (...) ethics, especially in applied or practical ethics. This paper is a systematic critique of imaginary cases in ethics (what Kant would have called a “prolegomenon” to their use). There are two main parts. The first explains what it is to imagine a case and what limits there are to what can be imagined. The limits of imagination are, in general, determined by the purpose to which the case is to be put. The second part distinguishes nine uses of imaginary cases: rhetorical; probative (subdivided into counterexample, proof of possibility, and pattern-proving); and heuristic (subdivided into illustrative, experiment in theory, insight-sharpening, commitment-mapping, and exploring reasoning process). Some of these uses are (more or less) unobjectionable (whether the particular case succeeds or fails in its objective) but some require special care or outright avoidance. I give examples of how philosophers and other ethicists would be better off if they were more cautious in their use of imaginary cases (including some classic examples, such as Nozick’s book thruster and Thompson’s famous violinist). This paper is especially concerned with the use of imaginary cases in contemporary defenses of torture. (shrink)

To the extent of contesting visions of AI technology, both utopian and dystopian views of AI and humanoid technology resonate particular assumption of human subjectivity originated from modern enlightenment philosophy (i.e., Descartes, Kant). Accordingly, the series of transhumanism including Kurzweil, Moravec and Harrari envision evolution of human capability through the advancement of AI technology while assuming human subjectivities based on Cartesian dualism. As transhumanism is critically viewed by diverse perspectives including from philosophical, technological, cultural and religious stand points, post-humanism (...) address issues of human subjectivities and human/environmental relations with regard to evolution of AI technology. This article delves into media representation of futurist vision of AI technology in different regions in the world. Em(dis)bodiment of AI and humanoids in Hollywood and Asian SF (science fiction) films, for example, resonates philosophical and cultural debates between transhumanism and posthumanism. This article addresses theoretical discussions in relation to the development of AI technology and design of humanoid by comparing liberal views of human subjectivities (i.e., Descartes and Kant) with critical views against it (i.e., Heidegger and Foucault). The issues of cultural diversity in relation to the development of AI technology is particularly highlighted by introducing theories of non-Western scholarship and examining distinctive media representation of AI in the East and the West. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} Ioan Petru Culianu has written a book about the emergence of modern science and religious behavior starting from the Aristotelian concept of phantasia. An essential premise for discussing problems of modern cultural and religious importance is the proper understanding of memory and philosophical grounds for such concepts as memory (...) and recollection. Aristotelianism has been repeatedly mentioned as a main source of memory concepts, along with Plato, later Roman tradition and then mediaeval reconsiderations of Aristotelian texts. In my study I am following in parallel both Aristotle’s theory of memory and imagination and modern theories concerning Aristotelian epistemology and build arguments for the thesis that modern theories concerning the importance of induction in Aristotle’s epistemology miss an important link, namely, the key function of memory techniques for understanding the whole of Aristotle’s theory of knowledge. Memory is the domain of technique or art ( techne ) but not the grounding site for science. Truth and false are not an issue for Aristotle’s theory of knowledge because sensibility and theoretical intellect cannot be false. Memory, imagination and recollection as functions of an intermediary link are the most fluid and uncontrollable parts of the cognitive psyche, as they function as necessary bridges from corporeal sensitive knowledge to intellectual formal understanding. Memory is still corporeal as a function but delivers images for the intellectual activity. The whole process of knowledge depends on such a fluid and non rigorous function. Aristotle suggests natural memory can be pointed as the very cause for imperfection of knowledge. Human being is thus an insolvable epistemic duality since science needs memory but memory itself is rather the object of custom, art and technique. Science and religion have, according to such Aristotelian premise, a necessary common imaginary. (shrink)

Bioart is a form of hybrid artistico-scientific practices in contemporary art that involve the use of bio-materials (such as living cells, tissues, organisms) and scientific techniques, protocols, and tools. Bioart-works embody vulnerability (intrinsic to all beings) and depend on (bio)technologies that allow these creations to come into being, endure and flourish but also discipline them. This article focuses on ‘semi-living’ sculptures by The Tissue Culture and Art Project (TC&A). TC&A’s artworks consist of bioengineered mammal tissues grown over biopolymer scaffoldings of (...) different shapes and require sterile conditions of a bioreactor and constant care in order to survive. The article explores how bioart-works are always already intertwined with multiple (bio)technologies and techniques of care and labour, forming specific feminist technoecologies that challenge conventional bioscientific and cultural imaginaries of embodiment and the relation between physis and techné. TC&A’s sculptures expose life as the non/living: the processual enmeshment of the organic and inorganic, living and non-living, and growth and decay. The article argues that thinking with and through the feminist technoecologies of bioart mobilises philosophical inventiveness: not only does it problematise the entwinement of technology and biomatter and of culture and nature, but it also prompts us to rethink the ontology of life. (shrink)

What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer this question, Goehr combines philosophical and historical methods of enquiry. She describes how the concept of a musical work emerged as late as 1800, and how it subsequently defined the norms, expectations, and behavior characteristic of classical musical practice. Out of the historical thesis, Goehr draws philosophical conclusions (...) about the normative functions of concepts and ideals. She also addresses current debates amongst conductors, early-music performers, and avant-gardists. (shrink)

The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary , Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us. Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, (...) Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world. A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes I magination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics. Cover Image: Bronze Bowl with Lace , Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde. (shrink)

In her book, Goehr defends two claims which surely generate controversy. She argues that for several reasons, no analytic method for defining musical works is viable, and no musical works existed before circa 1800. For Goehr, analysis fails in the attempt to capture the pure ontological character of musical works, to account for their mode of existence in terms of abstracta or relata, or to discover their alleged ahistorical identity conditions. The main reason most analyses fail, according to Goehr, is (...) because the development of a coherent ontological theory is accomplished at the expense of accommodating our precritical intuitions. She argues that neither Nelson Goodman's extentionalist [[sic]] account nor Jerrold Levinson's intentionalist [[sic]] account successfully establish an equilibrium between theory and practice--between what can be logically and clearly stated about musical works and what is actually thought about them. The failure to establish such an equilibrium derives from the impossibility of analytic philosophers to offer clear grounds for resolving whether any given purported condition for the identity of a musical work marks something essential to the musical work's existence. For example, Levinson's desideratum that aesthetic qualities are essential properties of musical works is countered by Goodman's claim that aesthetic qualities merely refer to the evaluative qualities of musical works and not to the identity of musical works. Such a dispute, Goehr argues, is irresolvable. (shrink)

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated--and long overdue--study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries (...) explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time--Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum--as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher. (shrink)

This book collects 12 previously untranslated lectures by Castoriadis from 1982 to 1983. Castoriadis focuses on the interconnection between philosophy and democracy and the way both emerge within a self-critical imaginary already in development in the work of early Greek poets and Presocratic philosophers. Displaying both mastery of the relevant scholarship and original interpretation, he reveals the birth of a society that would place its highest value in calling itself and its institutions into question. He argues that this spirit (...) would develop directly into the twin signatures of the Greek world, namely radical philosophy, on the one hand, and radical democratic practices, on the other. Like no previous interpreter, Castoriadis allows us to feel the existential need, already present in the earliest Greek thinkers, to question the significance of human existence and to share in shaping its meaning. The Greeks not only did this, he argues, they also began the equally important work of establishing the institutions to support such a project"-- Back cover. (shrink)

The existence of imagination and imaginative perceptions in cognitive system of human being is a topic all philosophers agree about it, but they disagree about the explanation the way the individual alquire imaginary forms as well as the nature of imagination and imaginative perceptions. Ibn Sina considers human soul as having various faculties and considers the imaginative faculty as an intermediate stage in the actualization and acquisition of perceptual forms. In his different books he propounds arguments for the material (...) nature of imagination and in consequence of imaginal forms, but apparently such arguments are based on the principles of Islamic tradition, because he ultimately changes his position and in his "Mubahithat" offers a detailed argument on the abstract nature of imagination and imagnitive perceptions, although he finds it difficut to justify such a notion on the basis of prepatetic principles. His saying on the different degrees of intellect, immortality of souls, children's souls and immortal souls on the stage of material intellect is justifiable with belief in the abstract nature of imagination and perceptual forms. Suhravardi refuses to accept the multiple inner faculties of Ibn Sina, and refers all faculties to an entity and regards these faculties as a shadow of what is in the Nur Esphahbad. For the explanation of acquisition of imaginative perception, he resorts to imaginal world and suspended ideas. (shrink)

This volume combines rigorous empirical and theoretical analyses with political engagement to look beyond reductive short-hands that ignore the historical evolution and varieties of Islamic doctrine and that deny the complexities of Muslim societies' encounters with modernity itself. Are Islam and democracy compatible? Can we shed the language of 'Islam vs. the West' for new political imaginaries? The authors analyze struggles over political legitimacy since the Arab Spring and the rise of Al Qaeda and ISIS in their historical and political (...) complexity across the MENA (Middle East and North Africa) region. Distinguishing multiculturalism from interculturalism and understanding multiple modernities, philosophers in the volume tease out the complexities of civilizational encounters. The volume also shows how the Paris massacres or the Danish caricature controversy do not remain confined to Europe but influence struggles and confrontations within Muslim societies. Gender and Islam are addressed from a comparative perspective bringing into conversation not only the experience of different Muslim countries with Islamic law but also by analysing Jewish family law. (shrink)

Ideas of love within religion are usually driven by one of two mythologies – either a personal God who commands love or a mystical God of ineffable love – but both are inadequate for motivating love of neighbour. The first tends towards legalism and the second offers no cognitive guidance. The situation is further complicated by there being different understandings of love of neighbour in the various Abrahamic religions, as exemplified in the approaches of two philosophers, Søren Kierkegaard and Emmanuel (...) Levinas. A better approach is therefore to explore actual practices of love in everyday life, and to discover how love might be performed openly and creatively. One such practice is recognition of vulnerability, and this too is often driven by a mythology, in this case one marked by fear, and by a violence either imposed or avoided. One paradigmatic example is the vulnerability felt by speakers, especially women, in front of an audience. A turning from wilful ignorance of vulnerability and a turning to reliance on collective work, modelled on an awareness of mutual vulnerability and openness to the unknown, will help to change our philosophical and social imaginary. The dark myth of vulnerability can be transformed into finding opportunities in vulnerability for openness to affection and so to an enhancement of life. It is only from the perspective of this new imaginary, and from everyday practices of it, that the double love-command – love of God and love of neighbour – will function as any kind of common ground between religions. (shrink)

This volume examines the entire logical and philosophical production of Nikolai A. Vasil’ev, studying his life and activities as a historian and man of letters. Readers will gain a comprehensive understanding of this influential Russian logician, philosopher, psychologist, and poet. The author frames Vasil’ev’s work within its historical and cultural context. He takes into consideration both the situation of logic in Russia and the state of logic in Western Europe, from the end of the 19th century to the beginning (...) of the 20th. Following this, the book considers the attempts to develop non-Aristotelian logics or ideas that present affinities with imaginary logic. It then looks at the contribution of traditional logic in elaborating non-classical ideas. This logic allows the author to deal with incomplete objects just as imaginary logic does with contradictory ones. Both logics are objects of interesting analysis by modern researchers. (shrink)

In a calculation involving imaginary numbers, we begin with real numbers that represent concrete measures and we end up with numbers that are equally real, but in the course of the operation we find ourselves walking “as if on a bridge that stands on no piles”. How is that possible? How does that work? And what is involved in the as-if stance that this metaphor introduces so beautifully? These are questions that bother Törless deeply. And that Törless is bothered (...) by such questions is a central question for any reader of Törless. Here I offer my interpretation, along with a reconstruction of the philosophical intuition that lies behind it all. (shrink)

This chapter examines the imagination, its relationship to “common sense,” and its recent development in the notion of the social imaginary in Western philosophy and the contributions Miki Kiyoshi and Nakamura Yūjirō can make in this regard. I trace the historical evolution of the notion of the productive imagination from its seeds in Aristotle through Kant and into the social imagination or imaginary as bearing on our collective being-in-the-world, with semantic and ontological significance, in Paul Ricoeur, Cornelius Castoriadis, (...) and Charles Taylor. The two Japanese philosophers, when brought into dialogue with the above contemporary Western thinkers, can contribute to this recent development of the imagination’s creativity into the collective sphere. Miki shows a connection between the imagination and a certain form-formlessness dynamic he inherits from Nishida. Nakamura in turn points to a connection between imagination and place via his development of the Aristotelian notion of common sense. Both have implications on how we understand the social imaginary. (shrink)

The work argues that engaging Africa's cultural and epistemic resources as social imaginaries, and not as metaphysical or ontological “essences,” could help practitioners of African philosophy overcome the cluster of shortcomings and undesirable features associated with “ethnophilosophy.” A number of points are outlined to buttress this claim. First, the framework of social imaginaries does not operate with the false assumption that Africa's cultural forms and epistemic resources are static and immutable. Second, this framework does not lend itself to sweeping generalizations (...) about Africa or large swathes of it. Third, the framework of social imaginaries remedies ethnophilosophy's problem of collectivism. Fourth, unlike ethnophilosophy, it does not romanticize and canonize a supposedly “idyllic” African past, which militates against a realistic and forward‐looking philosophizing. Finally, with the framework of social imaginaries, Africa's indigenous cultural and epistemic resources become amenable to being engaged with critical philosophical rigor. This not only enhances their potential for cross‐cultural philosophical conversation but also enhances their usefulness for addressing current sociopolitical issues affecting Africa. The discussion in this paper somewhat touches upon the question of method in African philosophy, using the ethnophilosophy problem to navigate the vast gamut of issues involved. (shrink)

This paper is about the ?Imaginary Logic? developed by the Russian logician Nicholas Vasil'év between about 1910 and 1913, a logic that is often claimed to be a forerunner of different sorts of modern nonclassical logics. The paper describes the content of that logic (not by trying to interpret it in modern logic, as some commentators have done, but by describing it in its own terms). It then looks at the philosophical underpinnings of the logic. Finally, in the (...) light of the preceding, it discusses Vasil?év's place in the history of logic. (shrink)

ABSTRACTIn this commentary I suggest that a comparative investigation of Ancient psychological notions may contribute to Professor Lloyd's project of understanding the role that analogy plays in human reasoning. In particular, I propose that the Greek notion of imagination may serve as a starting point. I argue that, because in Platonic and Aristotelian thought the ultimate object of knowledge is form, thinkers working in this paradigm were obliged to introduce a faculty mediating between the senses and the intellect. This is (...) the imagination. Some of the problems associated with Greek conceptions of imagination carry over to the use of analogy. I suggest that because Chinese thought had a very different approach to images and a different approach to the object of knowledge, they did not need to forge a conception of a specific faculty of imagination and were thus in a position to exploit analogies in a way which was rather different from Greeks. (shrink)

Chaos and Cosmos offers a new and unique interpretation of Argentine essayist and fiction writer Jorge Luis Borges as a thinker of what continental twentieth century political theory called the political. While not a political writer in the traditional sense, Borges was indeed an author whose response to the advent of totalitarianism, in particular in its Nazi form, generated the most experimental, insightful, and rigorous short fiction and non-fiction political interrogation. -/- As is well known, Borges’ writing went beyond originality; (...) it created a genre of its own, and the Borgesian style is not limited to form. This Borgesian style fundamentally relates to how his response to the advent of totalitarianism led to sharp and philosophically sophisticated interrogations-in-fiction of the political, understood in this book as related to three main distinctive dimensions: that of the question of the forms of society, that of the relationship between the imaginary and the real, and that of the relationship between the same and the other. -/- Chaos and Cosmos introduces the reader to Borges as an experimental writer, as an Argentine citizen, as a thinker of global political phenomena, and as a South American Pragmatist. The book also makes incursions in a political theorizing of its own, intertwining an interpretation of Borges’ essays and fiction pieces from the 1930s and 1940s with the central concerns of philosophers and political thinkers such as William James, Maurice Merleau-Ponty, Hannah Arendt, Claude Lefort, Michael Foucault, Richard Rorty, and Judith Butler. (shrink)

'Pataphysics: The Poetics of an Imaginary Science is a survey that attempts to describe a hypothetic philosophy--the avant-garde pseudo-science imagined by Alfred Jarry. 'Pataphysics is a supplement to metaphysics, accenting it, then replacing it, in order to create a philosophic alternative, whose discipline can study cases, not of conception, but of exception: variance , alliance , and deviance . 'Pataphysics synthesizes the romantic schism between a literal, scientized discourse and a figural, poeticized discourse, and my thesis suggests that this (...) revision of the signifier "science" by 'pataphysics is symptomatic of a postmodern transition in science from a paradigm of absolutism to a paralogy of relativism. Structured as a descriptive explication, which emphasizes a theoretical perspective, this survey is divided into five chapters: the first chapter recounts the history of the conflict between science and poetry ; the second chapter examines the avant-garde pseudo-science of 'pataphysics itself ; and finally, the last three chapters discuss the influence of 'pataphysics upon the poetics of its subsequent successors . While my thesis focuses upon theories of textual poetics rather than poetry itself , my thesis does nevertheless strive to be as conceptually encyclopedic as 'pataphysics itself: instead of normalizing 'pataphysics within one theoretical perspective, this survey alludes intermittently to 'pataphysical enterprises that constitute exceptions to such a genealogy of Jarryites. What is at stake is the status of poetry in a world of science. How might poetry reclaim its own viable truth? How might science benefit from its own poetic irony? For the postmodern condition, such questions have already opened up a novel space for speculative imagination; hence, this survey presents itself as a kind of primer for a future of possible research. (shrink)

The philosophical relevance of experimental psychology is hard to dispute. Much more controversial is the so‐called negative program's critique of armchair philosophical methodology, in particular the reliance on ‘intuitions’ about thought experiments. This chapter responds to that critique. It argues that, since the negative program has been forced to extend the category of intuition to ordinary judgments about real‐life cases, the critique is in immediate danger of generating into global scepticism, because all human judgments turn out to depend (...) on intuitions. Recently, some proponents of the negative program have tried to demarcate the target of their critique more narrowly. However, their attempts are still far too indiscriminate, and over‐generate scepticism. Nevertheless, once experimental philosophy has refined its own methodology, it may contribute to the refinement of the methodology of mainstream philosophy, by filtering out the effects of cognitive bias, although it offers no prospect of doing without judgments on real or imaginary cases. (shrink)

The emerging contours of global philosophy are being shaped by worldwide exchanges, diverse methods and approaches, the diminution of cultural hegemony, and expanded access to philosophical discussion. But globally intentioned scholars whose formative intellectual preparation is Anglo-European may be unaware of the role played by the imaginary in suppressing ideas and values that differ from one's root tradition. This essay uses a model of the Western philosophical imaginary taken from French researcher Michèle Le Doeuff, and draws (...) connections between Le Doeuff's attempts to expose and interrupt the Western imaginary and the efforts of philosophers who wish to cross geographical and cultural boundaries. It is argued that Le Doeuff's critical approach has much to offer those who wish to cultivate a more receptive and supple philosophical sensibility—a global sensibility—and that this approach can be complemented by a horizontal practice adapted from Mahāyāna Buddhist sources. The purpose of this essay is to promote continuing dialogue about how best to realize the promise of globalization in philosophical practice. (shrink)

Le philosophe russe Nicolai Vasiliev est connu en tant que précurseur des logiques essentiellement non-classiques, c'est-à-dire de logiques qui diffèrent de la logique classique par l'abandon de principes qui sont corrects en logique classique. La gamme de telles logiques couvre la logique intuitionniste, la logique plurivalente, la logique paraconsistante et les logiques de la pertinence. Dans la première partie de ce texte, j'analyse brièvement les vues de Vasiliev, à savoir sa « logique imaginaire », qu'il présente comme une nouvelle logique (...) non-aristotélicienne. Dans les sections suivantes je discute l'impact des approches de Vasiliev sur la logique du consentement. Ici, les idées essentiellement non-classiques de Vasiliev seront reliées à des logiques non- essentiellement non-classiques, qui ne constituent pas une révision de la logique classique, mais étendent sa puissance expressive. (shrink)

Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh perspective to the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining (...) the difference between the imaginal and the imaginary, locating the imaginal's root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginal's critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politics' current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language. (shrink)

Both Husserl and Sartre speak of quasi-presence in their descriptions of the lived experience of imagination, and for both philosophers, accounting for quasi-presence means developing an account of the hyle proper to imagination. Guided by the perspective of fulfillment, Husserl’s theory of imaginary quasi-presence goes through three stages. Having experimented first with a depiction-model and then a perception-model, Husserl’s mature theory appeals to his innovative conception of inner consciousness. This elegant account nevertheless fails to do justice to the facticity (...) and bodily involvement of our imaginary experience. Sartre’s theory of analogon, based on his conception of imaginary quasi-presence as ‘magical’ self-affection, embodies important insights on these issues. Kinesthetic sensations and feelings are the modes in which we make use of own body to possess and be possessed by the imaginary object, thus lending it a semblance of bodily presence. (shrink)

This chapter examines the imagination, its relationship to “common sense,” and its recent development in the notion of the social imaginary in Western philosophy and the contributions Miki Kiyoshi and Nakamura Yūjirō can make in this regard. I trace the historical evolution of the notion of the productive imagination from its seeds in Aristotle through Kant and into the social imagination or imaginary as bearing on our collective being-in-the-world, with semantic and ontological significance, in Paul Ricoeur, Cornelius Castoriadis, (...) and Charles Taylor. The two Japanese philosophers, when brought into dialogue with the above contemporary Western thinkers, can contribute to this recent development of the imagination’s creativity into the collective sphere. Miki shows a connection between the imagination and a certain form-formlessness dynamic he inherits from Nishida. Nakamura in turn points to a connection between imagination and place via his development of the Aristotelian notion of common sense. Both have implications on how we understand the social imaginary. (shrink)

Cornelius Castoriadis understood history as a self-creating order. In turn, he elaborated history in two directions: as the political project of autonomy, and as the ontological modality of the social-historical. On his account, history as self-creation was only possible through the interplay of social (or political) imaginaries and social doing. Although social imaginaries are readily situated within the non-subjective field, non-subjective modes of doing have been less explored. Yet non-subjective contexts are integral to both the “doing” and “imaginary” dimensions (...) of the human condition, and form the preconditions for concrete varieties of social and political action and politics (as la politique), more generally. The present paper begins to clear a path to reflect on social doing in its non-subjective aspects; as such, it is preparatory rather than programmatic. After briefly reviewing the field of “social imaginaries”, it reflects on Castoriadis’s elaboration of “praxis” and “teukhein”. It then considers Johann Arnason’s culturological reconfiguration of Castoriadis’s approach, and Jan Patočka’s asubjective phenomenology of the movement of human existence as different ways of engaging with the problematic of doing, instituting society and political imaginaries. Despite a gradual subordination of “doing” to “signification” in Castoriadis’s philosophical elaborations, “social doing” as a non-subjective modality does not disappear altogether from his thought – especially and explicitly in respect to the phenomenon of instituting society as a political project – and remains a point of recurring intrusion into his more explicit theoretical concerns. (shrink)

Cornelius Castoriadis made a significant and distinctive contribution to the development of the notion of the dialectic of control. In the first instance, Castoriadis formulated an important reconceptualization and restatement of the Marxist conception of the central contradiction of capitalism. He argued that capitalism depended on the creativity of workers while excluding them from effective control. Similarly, Castoriadis sought to extend the Marxist analysis of those tendencies present within the structuration of the labour process that may prefigure a socialist reorganization (...) of production. Castoriadis’s analyses of capitalism during the phase of his involvement with Socialism or Barbarism are likewise informed by his assessment of state socialist regimes. In particular, this assessment provided important insights into the modalities of control in modern society and the complications of transcending forms of institutional domination in modernity. It will be argued that some of the distinctive intentions of Castoriadis’s later elucidation of the social imaginary can be traced to his interpretation of bureaucratic capitalism and that this is evident in his subsequent accounts of the capitalist imaginary. In his later theory, Castoriadis interprets the problem of the dialectic of control in terms of the relationship between instituting and instituted society. Castoriadis’s analysis of capitalism during the period of Socialism or Barbarism will be situated in the wider debates over capitalism at that time. Similarly, Castoriadis’s departure from some of the philosophical sources that influenced the development of the notion of the dialectic of control will be explored. (shrink)

In this article, I unravel how my artistic research, focusing on the sonic spectrum, can reflect on interspecies perception and communication within the Aquatocene, an era marked by humanity’s deep involvement with aquatic environments. I coined the term Aquatocene to describe the state of waters in the Anthropocene. Through an interdisciplinary blending of art, science and technology, I examine the philosophical and methodological frameworks driving my artistic practice. With projects like Aquatocene and Atlantic Tales, I am to reimagine interspecies (...) relationships while reflecting on life’s interconnectedness in aquatic realms. My work echoes that of artists Kat Austen, Kasia Molga, B. R. Shailesh and Marco Barotti, who also address environmental issues. Our shared mission is to foster dialogue, raise awareness and inspire action in response to ecological challenges. I suggest we need to reconsider how artists and researchers illuminate our relationship with the natural world, both above and beneath the waves. Through interdisciplinary collaboration, within my art practice, I navigate in the Aquatocene with reverence, humility and responsibility towards the myriad coexisting species. With this text, I aim to guide readers through my projects, sharing the theoretical and practical processes that explore multispecies sensory perception and communication in a (geo)political pursuit of love – an empathetic strategy to refine coexistence through sonic presence. (shrink)

Many educational studies reference ideology, imaginary, and myth constructs represented in programs of study, textbooks, and school rituals. In the fields of history, civic, and social studies education, for example, many scholars frequently employ these terms to examine mythic groundings of particular nationalisms entwined with the ways in which we perceive history and citizenship education. However, the lack of philosophical clarity about these concepts raises some crucial questions: in what ways should we distinguish these often overlapping key terms? (...) How might they be put into relation for the purposes of researching such and engaging these terms pedagogically? To respond to these questions, I seek to outline the characteristics of and entwined relationships among ideology, subject, imaginary, and myth by engaging key influential scholarly and historical works. With the considerations of these characteristics and relationship, I attempt to add more precision to the conceptual bases crucial to elucidate unequal relations of power in curricula and schooling practices addressed across many fields constituting educational studies. In doing so, I hope that this groundwork provides curriculum scholars and teachers with meaningful ways to deliberate and employ these key concepts in the contexts of educational research and everyday schooling practices. (shrink)

Jonardon Ganeri’s recent book – henceforth, ‘Virtual Subjects’ – is an intriguing introduction to some aspects of the philosophical thought of Fernando Pessoa.