Quranic recitations have attracted great attention from scholars throughout the ages. The recording of Quranic recitations, whether in special works, tafsir or hadith works, began in the early periods of Islamic history. This study aims to introduce Ibn al-Yazidi, Abu Abdurrahman al-Yazidi (d. 237 AH) and to examine his approach to presenting and guiding Quranic recitations in his book “Gharib Al-Qur’an and Tafsir”. The Yazidi family is famous in the field of Quranic recitations. At the forefront comes Abu Muhammad Yahya (...) bin al-Mubarak (d. 202 AH), the father of Abu Abdul Rahman Abdullah bin Yahya, the author of the book under study. Abu Muhammad has a special narration and interpretations in Quranic recitations. Abu Abdul Rahman narrated the recitation of Abu Amr bin Al-Ala (d. 145 AH) from his father Yahya and acquired Arabic knowledge from Farra (d. 207 AH). Ibn al-Yazidi wrote the book “Gharib Al-Qur’an and tefsir”, which is in the middle ranks among its peers, including the gharibul-Qur'an and the languages of the Quran. He revealed his preferences in recitations and explained their meanings and the differences between them. Ibn al-Yazidi also wrote his book before many of the famous books in Bayan al-Gharib and al-Kira'at. Ibn al-Yazidi, who acquired the recitation from his Yazidi father Yahya bin al-Mubarak (d. 202 AH), the owner of the famous recitation, did not stick to a single recitation in his book. Since the readings he confirmed or selected in his book are a mixture of mutawatir, famous and shaz readings, as we will see throughout our study, he did not mention this classification, which came late for his time. Similarly, regarding the strange words in Ibn al-Yazidi's book Gharib Al-Qur’an and tefsir, we see that sometimes he mentions some words in a different order in the verse or verses. Sometimes he presented the Qur'anic recitation with a verse that is not in place in the Qur'an. Because while explaining the strange words, he relied on interpreting the Qur'an with the Qur'an, so he mentioned another verse by saying "from him" or "from that" and presented the recitation in the verse. Ibn al-Yazidi was also interested in the languages mentioned in the Qur'an and their status in explaining, defining and guiding the Qur'anic recitations. Thus, Ibn al-Yazidi presented various readings in many places of the book, and became a reference that was used by Mekki ibn Abi Talib (d. 437 AH), Ibn al-Jawzi (d. 597 AH) and other writers in tafsir, garib al-Qur'an and readings. In the study, a scanning approach was followed to list the words mentioned by Ibn al-Yazidi in one or more of his readings, and a historical descriptive approach was followed to mention the life of Abu Abdul Rahman and to explain the importance of his book and its scientific value in the field of garib al-Qur'an and Qur'an readings. Later, in his work titled "Gharib Al-Qur’an and its Tafsir", an analytical approach was followed to explain Ibn al-Yazidi's sources and his approach to presenting and directing the readings. The study consists of an introduction, two sections, a conclusion and a bibliography. The introduction section includes the importance and methodology of the study. In the first part, Ibn al-Yazidi's introduction and the introduction of his book called Gharib Al-Qur’an and its Tafsir are given. In the second part, Ibn al-Yazidi's approach to presenting and guiding the recitations is presented. Then, the conclusion and sources. (shrink)

Les récits de vie constituent un corpus apprécié tant par la sociologie que par la sociolinguistique. Cet article vise à distinguer les présupposés épistémologiques de ces deux approches disciplinaires des récits de vie, et à dégager la spécificité de ce type de corpus. A une approche sociologique qui utilise les entretiens biographiques pour en extraire des données factuelles, s’oppose une interprétation des récits à partir de leur matérialité discursive. Partant du présupposé que les récits sont une re-construction linguistique du monde, (...) il s’agit suivant l’approche sociolinguistique d’opérer une analyse à la fois discursive et interactionnelle des récits de vie, en prenant en compte le contexte interactionnel dont ils sont issus. Une telle approche suppose une conception « ouverte » de la notion de corpus. (shrink)

On sait que, selon Rousseau, la voix de la conscience se prononce dans l'instant et ratifie immédiatement le bien que la raison lui présente. La corruption tenace que fortifie le progrès des connaissances, le tumulte des conversations ou des spectacles empêchent cependant l'homme moderne d'écouter sa conscience, au moment où la société requiert son engagement: l'actualité des rapports corrompus qui enserrent l'individu prend le pas sur la présence en son coeur des impératifs moraux. C'est la rajson pour laquelle la philosophie (...) morale de Rousseau ne peut nullement se dispenser d'une théorie de la mémoire: celle-ci permet de dégager le dictamen de la conscience des passions passagères qui nous asservissent aux contemporains; elle dégage l'horizon d'une liberté authentique et d'une responsabilité qui fait toute la permanence de la personne, au regard de l'immortalité de l'âme. En somme, nous montrons ici qu'aux yeux de Rousseau, la réforme s'accomplit dans un récit de cor version. (shrink)

Abstrack In this study, the subject of preference, its conceptual field and its historical process, as well as the methods of determining and choosing different readings of mutawatir recitation imâms are discussed. The different phrasing of the Qur'an began from the revelation period of the revelation. It is seen that there were some discussions about the different readings of the Qur'an among the Companions in the early period, albeit a little. These different recitations of some of the Companions, who see (...) their own reading better or who are not aware of their friends' readings, are the Prophet's. The fact that they took them to the Prophet indicates this. As a matter of fact, Allah's command to "read whatever is easy from the Qur'an" (Muzzammil, 73/20) and the hadith of the Messenger of Allah "read whatever is easy from it", together with the different reading license, also implicate his preference. Arab tribes who used different dialects from the Quraysh dialect during the Medina period and those who converted to Islam from other non-Arab nations faced some difficulties in pronouncing and understanding the Qur'an, which was revealed in the Quraysh dialect. Wanting to solve this serious problem, Hz. Prophet was given the permission to read with seven letters, the differences in recitation began to be seen. The concepts of preference and elder refer to the practices of the imams of recitation in the process of creating their own recitations together with their proofs, which they chose from among the recitations of their predecessors. In the science of hujjat, the most used concepts, along with other concepts, are the concepts of old age, preference and need. Ihticaj is a concept that expresses choosing one among different recitations by citing evidences and proofs. As a matter of fact, when the works of the recitation scholars on this subject are examined, it is seen that the imâms made their choices by citing evidence from the Qur'an, Sunnah, Mushafs and language rules regarding the differences in recitation. In the science of recitation, some other concepts such as ulema, especially proof, and illet and evidence were also used. Whether it is the Qurra that stands out in the field of natural recitation, or the imams of mutawatir recitation, they have formed their preferences by bringing evidence from verses, sunnah, mushaf, saned and language in line with the criteria of sound recitation. (shrink)

The validity of the prayer which is accepted as the most basic worship of Islam has been tied to a set of rules. These rules which must be followed before and during the prayer are called conditions and pillars in the fiqh language. The recitation performed while standing during the prayer is one of the most significant of these rules and is accepted one of the pillars of the prayer. Therefore, in order for the prayer to be valid, it is (...) required to make enough recitations. If it is not done, the prayer is considered invalid. For this reason, the topic of recitation in prayer has been discussed in detail by the jurists, and different opinions have been submitted what, when and how much to recite. The jurists have suggested three basic views on this issue. Ḥanafīs have stated that a person who follows the imām in prayer should not recite, and they have accepted the recitation of ma’mūm as makruh regardless of whether the recitation is loud or silent. The Shāfiʿīs who uphold the opposite view of the Ḥanafīs have said that the ma’mūm have to recite in all the prayers in which the qirā'āt is loud and silent, and that it is obligatory for the ma’mūm to recite. According to Shāfiʿīs the prayer of a ma’mūm without recitation is not valid. Malikīs and Ḥanbalīs who have explained their opinions by taking into account that the recitation is loud and silent have stated that the ma’mūm should recite during prayers in which the recitation is silent. In the prayers where the recitation is loud the Ḥanbalīs have said that the ma’mūm should recite when the imām takes a break from recitation, while the Malikīs have said that the recitation is not required for the ma’mūm. However the jurists of both sects have not considered that the recitation is obligatory to ma’mūm. And they have acknowledged that the prayer of the ma’mūm was valid even if he has not recite. There is intra-sectarian disagreement in all of these three basic views which are presented as the general opinion of the sects. Although we are talking about the intra-sectarian disagreement, it is understood that the jurists except the Ḥanafīs have determined their views on the recitation of the ma’mūm within the context of whether the ma’mūm hear or do not hear the recitation of the imām. It can be said that this understanding is at the basis of the views put forward by the Shāfiʿīs who take into account that the recitation is loud and silent about the ma’mūm’s recitation of the sūrat after the Fātiḥa. Likewise it is possible to say that this understanding is at the basis of the perceptives brought forward by the Malikī and Ḥanbalī jurists about the prayers in which the recitation is sound. The jurists who expressed different opinions about the recitation of the ma’mūm similarly brought evidence from the Qurʾān, the Sunnah, opinions of the Companions and qiyās to justify their views. Although the jurists have grounded their views on similar evidence, they have reached different conclusions. The reason for this difference it can be shown that the direction of the verse (āyat) to be taken as evidence, their different approaches when evaluating the narrations transmitted from the Prophet (pbuh) and the fact that the arguments of qiyās are different. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Trois récits utopiques classiques: Gabriel de Foigny, La Terre Australe connue; Denis Veiras, Histoire des Sévarambes; Bernard de Fontenelle, Histoire des Ajaoïens ed. by Jean-Michel RacaultAndrew CremerJean-Michel Racault, ed. Trois récits utopiques classiques: Gabriel de Foigny, La Terre Australe connue; Denis Veiras, Histoire des Sévarambes; Bernard de Fontenelle, Histoire des Ajaoïens. Saint-Denis (La Réunion): Presses Universitaires Indianocéaniques. 2020. 539 pp., illus. Paperback, €16. ISBN: 978 2 490596 24 (...) 9.M. Jean-Michel Racault, Emeritus Professor of the University of La Réunion and general editor of the Œuvres complètes of Bernardin de Saint-Pierre in progress under the Classiques Garnier imprint, is an acknowledged expert in utopian studies, and works edited and presented by him in this field will be justly welcomed with keen interest and appreciation. It inspires confidence [End Page 168] that this edition should be the fruit of many years’ study and find its origins in his two theses of 1981 and 1987 and articles of 1991, 2003, and 2010 (21 n. 21). The blurb announces this volume as bringing together “three major works of political thought of the end of the seventeenth century representative of ‘Louis XIV utopias,’” a label that could be supposed to imply an anti-absolutist outlook in the three writers. But Racault argues that the idea, as put forward by the late Myriam Yardeni in her 1980 study Utopie et révolte sous Louis XIV, that these classical utopias express revolt against the monarchy of Louis XIV should be treated in a nuanced way, even with serious reservations (7, 217–18).Racault writes with impressive depth and clarity and makes a superb guide, yet it by no means follows that these works are easy to interpret. Indeed, part of his achievement is to show they may not be so and to offer evidence to suggest that they may invite “multiple possible readings.” The blurb gives fair warning of irony, ambiguity, and contradictoriness, and states that the utopia of these experimental fictions can be inverted to become an “anti-utopia.” As Racault observes with admirable honesty in his preface, “Ambivalence, uncertainty, and a sense of complexity are in fact characteristics of these utopias, in which one sometimes has the impression that the author develops lines of thought that are ideologically incompatible and does not know himself on which side he stands” (19). Racault exemplifies this paradox by reference to Foigny’s hero, “a Pascalian libertin as well as a Christian deist” (19–20). One might be allowed to object that this is to offer the reader who seeks it no clear utopian vision, and that such ambiguity leads to confusion worse confounded; indeed, I am tempted to wonder if ambiguity here reveals subtlety of thought less than a mere lack of perspicuity. Racault makes the highly important point that a similar duality “penetrates the accounts of Veiras and Fontenelle and prevents one from seeing them as simple preludes to Enlightenment thought” (20). Two more vigorous quotations may suffice to convey the flavor of this argument of duality: “the deism of La Terre Australe connue can also be read as a critique of deism, the [...] democratic humanism of the Histoire des Ajaoïens includes a utilitarian system of colonial domination” (21). Again, “the ‘heliocratic’ Sevarambian system inspired by the empire of the Incas after Garcilaso de la Vega [?1501–36] is essentially a theocratic absolutism in the end not much different from the monarchy of Louis XIV. Ajao, on the other hand, has no monarchy, and no ministers” (460). As to this variety between the texts, another indication is that Foigny’s land is anarchical (but [End Page 169] well ordered!), whereas Veiras’s can be understood as embracing certain policies of Colbert (236 and n. 14, 292 and n. 46), to whose protégé Pierre-Paul Riquet, baron de Bonrepos (1609–80), Veiras’s account is dedicated (231–34, 306–7).This substantial but not overlong volume is tastefully adorned with attractive covers and five splendid and richly annotated plates of maps illustrating the subject of the “Imaginary Voyage” or “Extraordinary Voyage,” a term used in a... (shrink)

This article analyzes the treatment of music in Buddhist monastic life through the rules on music in Buddhist canon law within the six extant traditions, which are preserved in Chinese, Tibetan, Pāli, and fragmentary Sanskrit manuscripts. These texts distinguish and differentiate instrumental and vocal music, presenting song, dance, and instrumental music as a triad and further subdividing vocal music into reciting, chanting, and singing. The performance and consumption of singing is strictly prohibited. Regulations on chanting and recitation are mutually exclusive (...) and context dependent. Chanting is required on two occasions: when one praises the Buddha’s virtues and when one performs the Tridaṇḍaka ritual. Chanting is prohibited on three other occasions: when one recites the Prātimokṣasūtra and other ordinary Buddhist texts, and when one preaches Dharma. These regulations demonstrate that text and context are decisive in determining what forms of vocal music are appropriate in Buddhist practice. The use of embellished chanting is reserved for performing rituals whose primary goal is to please divine recipients but must be prohibited when clear articulation is expected for educating the audience. Given that making or consuming vocal music is not a criminal offense, yet is strictly regulated, I argue that the establishment of Buddhist canon law was compelled by a pressing demand to demarcate and maintain a social boundary between the Buddhist monastic order and the lay community of adherents. (shrink)

The cycle of Avicennan recitals.--Translation of the Persian commentary on the recital of Ḥayy ibn Yaqẓān.

This text studies the corporeality of attentive reading. It relies and builds upon philosopher Jean-Luc Nancy’s suggestion that there is, each time, arecitative voicewithin the heart of our advancement through a textual body. This text examines the intriguing figure of recitative voice by paying attention to two bodily variations of reading: reading aloud and reading silently. Nancy’s recitative voice, as a sonorous, resonant, oral, buccal and vocal notion, can help us in explicating how our bodies condition our experiences of reading, (...) yet ultimately he remains rather implicit on how we advance through textual bodies. This short text argues that we can explicate the bodily weight implicit to reading, if we interpreted it as a recitative act. When we read aloud, our experience of a text consists of an advancement of our conjoined gaze and voice through the letters, words and sentences making up our text; when we read silently, our closed and silent mouth is still conjoined with our advancing gaze, advancing as desirous for speech and with words already grasped, even when no words are folded in (or with) exhaled warm air. (shrink)

À partir d’un livre, La Visite, écrit par le plasticien Alexandre-Takuya Katô, l’article entend interroger, à partir de l’exemple du tokonoma (une alcôve de la maison japonaise traditionnelle destinée à abriter des œuvres d’art), les formes de spatialité propres aux dispositifs en usage dans les arts plastiques dont le tokonoma est un emblème. Cette démarche permet d’articuler dispositif, récit et spatialité. Pour mener à bien l’analyse, le cadre analytique est emprunté à l’écriture – et donc à la différance – (...) telle que Jacques Derrida l’a définie. (shrink)

Cet ouvrage collectif, qui rassemble onze contributions, est issu d’un colloque international organisé en 2012 et faisant suite à des ateliers de travail et des journées d’études, réalisés au sein du centre de recherche d’Anthropologie et d’Histoire des Mondes Anciens (AnHiMA). Le cadre de la réflexion est posé dès l’introduction par les deux responsables scientifiques de la publication, C. Calame et P. Ellinger. Les mythes grecs n’existent que dans la forme esthétique (poétique ou iconograph...

Drawing on accounts from interviews with white women, this article explores the production of narratives of the self. It suggests that the story produced of the self is not inevitable and may revolve around notions of sameness and difference that, in turn, depend on the positionality of individuals in terms of normative discourses of `race', class and gender. Sally can be seen to be reciting the process of subjection in the way she creates herself as the subject of a narrative, (...) using tropes of difference and sameness to explain who she is and who she is not. However, for the others, the norms and conventions of lifestory do not conform with their experiences of subjection. This is because, in the case of Madeleine, she does not experience an easily retold sense of herself, while Deborah appears to want to present herself as so inevitable and conforming to dominant norms that there is no story to tell. (shrink)

Ce texte propose un court compte rendu d’un livre publié par les Presses de l’Université du Québec intitulé : Récits de professeurs d’université à mi-carrière. Si c’était à refaire… Il porte aussi un regard critique de nature éthique sur son contenu.

Selon Damásio, le moi conscient se crée à partir de la capacité du cerveau à raconter, c’est-à-dire à transformer en récit les signaux et messages produits par ses diverses couches. Les mythes donnent au monde une cohérence significative qui provient de l’organisation des éléments que ses récits produisent. Les rapports au monde de toutes les espèces vivantes sont contenus dans les limites de leurs possibilités phylogénétiques qui résultent déjà d’une relation continuée pendant des millions d’années. La capacité humaine de (...) créer des récits sur le réel doit intégrer ces éléments phylogénétiques qui se manifestent même dans les parties non conscientes du cerveau intégrées pourtant dans le récit qui construit un moi. Ce dépôt venu du fond des âges est une des causes de l’excès de sens que nous poursuivons toujours et qui est, au niveau de l’imaginaire « premier » la voix de ce fonds dans ces rapports avec le texte du monde. Un récit est ainsi une façon de donner à voir l’invisible, et cette invisibilité produit un excès de sens qui cherche toujours à se manifester. Il est marqué par les cohérences et consistances des images de cet imaginaire premier qui médiatise toujours nos relations au monde et aux autres, et auquel s’ajoute les cohérences des imaginaires « seconds » des individus et des cultures. According to Damásio, the self-conscious arises from the ability of the brain to tell, i.e. turn into a story the signals and messages produced by its various layers. Myths give the world a significant consistency that comes from the organization of the elements produced by its stories. The relationships of all living species with the world are contained within the limits of their phylogenetic opportunities resulting from a relationship continued for millions of years. The human ability to create stories about reality must incorporate these phylogenetic elements into the narrative that builds self-awareness. This unknown repository coming from the depths of time is one of the causes of the excess of meaning that we always pursue and is, at the level of the basic imaginary, one that Gilbert Durand considered the heritage of sapiens, the voice of these assets in their links with the text of the world. A narrative is thus a means of seeing the invisible, and this invisibility produces an excess of meaning which always seeks to manifest itself. It is marked by the coherence and consistency of the images of this basic imaginary which always mediates our relationship to the world and to others, and to which is added the coherences of the secondary imaginary coming from individuals and cultures. (shrink)

Our contribution is part of the REMILAS project, a research on interactions between asylum seekers and health professionals, with or without interpreters. Here we observe the emergence, expected or not by professionals, of snippets of migration narratives. Our study combines multimodal analysis of interactions (Sidnell & Stivers, 2012) with a critical sociolinguistic perspective (Boutet & Heller, 2007) so as to inform the development of training methods. Our empirical focus will be on interactional moments where the doctor, searching for the information (...) needed to write an expert medical certificate, repeatedly urges the applicant to make certain responses required in it. (shrink)

Michel Serres a su détecter en l’homme un incoercible besoin de récit pour exister : ces contes, ces mythes, ces histoires qui peuplent et nourrissent l’imaginaire, stimulent la raison, et apaisent les tensions. Conteur, écrivain, il a su combiner en lui la double dimension du « styliste et du grammairien ». Tous ses ouvrages l’attestent. Platon reste la toile de fond d’un type d’écriture où se mêlent, dans l’harmonie, le récit et la démonstration. Philosophe des reliures, non des (...) coupures, Michel Serres a mis au jour la vertu du récit, petit ou grand, d’unir ce qui, sans lui, demeurerait sans consistance, épars, ou, sans doute, muet. (shrink)

Dans son chapitre, Ignace Haaz analyse la pratique littéraire depuis son poste d’observation d’éditeur. Traditionnellement, la publication scientifique est le fruit d’un processus rigoureux de recherche, de vérification et de validation par les pairs. Cependant, avec la capacité de l’IA à générer de manière autonome des textes cohérents et détaillés, il devient plus difficile de distinguer les travaux véritablement innovants de ceux qui ne sont que des répliques ou des compilations automatisées de travaux existants. Comment garantir que l’utilisation de l’IA (...) ne conduira pas à une érosion de la rigueur linguistique ? Pour l’auteur de ce chapitre, une automatisation de la production scientifique poserait des questions cruciales sur l’authenticité et l’originalité du contenu d’un manuscrit. (shrink)

alain locke's version of pragmatism, critical pragmatism, provides a way to see how a philosophy contributes resources for the abused, subjugated, and humiliated facing existential crisis and impossible odds of relief. That is, it provides reasoning methods, terms, words, depictions, explanations, queries, dispositions, spirit, and conceptual categories as resources. I will argue that a viable philosophy should provide resources and reasoning methods that make the management of abjection and existential crisis viable, given impossible odds of relief; it should be encoded (...) with, among other features, the sort of spirit needed to recite a Preface to a Twenty Volume Suicide Note,1 that is, a philosophic orientation... (shrink)

À partir du constat selon lequel la conversion est une pratique nouvelle dans les Églises issues de la tradition luthéro-reformée en contexte africain, nous nous interrogeons sur les leçons que les Églises et les théologiens d’Afrique peuvent tirer de ce changement. En effet, les Églises issues des missions chrétiennes occidentales ont traditionnellement renouvelé leurs effectifs par transmission intra-familiale. Or, des personnes accèdent désormais à ces Églises par choix personnel, comme c’est le cas dans d’autres types d’Églises avec la possibilité de (...) migration confessionnelle. Pour tirer les leçons de ce phénomène, nous analysons divers récits de conversion en contexte africain afin d’établir les modalités de la pratique de conversion d’une part, et d’autre part ses implications sur les pratiques pastorales de manière générale (homilétique, liturgie, missiologie, accompagnement pastoral, catéchèse, etc.). (shrink)

An Intelligent Tutoring System (ITS) is a computer system that offers an instant, adapted instruction and customized feedback to students without human teacher interference. Reciting "Tajweed" the Holy Quran in the appropriate way is very important for all Muslims and is obligatory in Islamic devotions such as prayers. In this paper, the researchers introduce an intelligent tutoring system for teaching Reciting "Tajweed". Our "Tajweed" tutoring system is limited to "Tafkhim and Tarqiq in TAJWEED" the Holy Quran, Rewaya: Hafs from ‘Aasem. (...) The system was evaluated by reciting teachers and students, and the results were auspicious. (shrink)

Résumé Comme poète et comme romancière, Ingeborg Bachmann a tenté de confronter le langage à ses limites à la suite de Ludwig Wittgenstein. Sa lecture permet à Gargani de réfléchir philosophiquement au langage et à la connaissance et ainsi de découvrir l’utopie d’un « nouveau langage ».

Certains écrivains contemporains choisissent de raconter leur vie ou un épisode de leur vie de manière originale, délaissant ainsi l’autobiographie traditionnelle ainsi que la plus récente autofiction. Cette originalité peut résider dans des choix énonciatifs déconcertants (Annie Ernaux, Les Années, Michel Rostain, Le Fils, Régis Jauffret, Lacrimosa, Daniel Pennac, Le Journal d’un corps) et/ou dans l’inscription même de la démarche d’écriture dans le texte : l’auteur raconte sa vie passée et l’écriture du récit que nous lisons (Les Années, Delphine (...) de Vigan, Rien ne s’oppose à la nuit). Cette narration inattendue a pour conséquence de refléter un lien particulier entre le passé raconté et le présent de l’écriture, car là où l’autobiographie traditionnelle permettait un clair départ entre le temps raconté et le temps de la narration, on mesure ici combien le passé s’écrit à l’aune du présent de l’écriture. Cette mise en abîme de l’écriture montre comment elle participe de la quête identitaire qui est au cœur de tout récit autobiographique. Les écrivains sont à la recherche d’une forme qui leur permettra d’approcher au plus près leur vérité ou au moins de tenter de l’approcher, et ils rendent compte de cette recherche. (shrink)

L'évolution de la clinique psychiatrique a mis au centre de ses recherches l'écoute et la parole du patient. Cependant le plus souvent la parole échoit dans les discours et l'écoute se décentre vers la vérification des a priori théo­riques. L'empathie ou les règlements qui incitent le clinicien à mettre le patient au centre de ses préoccupations apportent confort et sécurité mais ratent la rencontre clinique qui échoit dans le relationnel. Une relation n'est pas une rencontre. Le contexte de...

Cet article se propose explorer le cas de l’« architecte-historien », terme par lequel je désigne un architecte prenant lui-même en charge son histoire. Ainsi, quelle est la signification, pour un architecte, d’une telle prise en charge de l’interprétation de son œuvre? Aldo Rossi, en 1981, publie A Scientific Autobiography, livre qui constitue une enquête sur les sources de sa propre création. Mon intention dans cet article est de déchiffrer et de comprendre la position de la notion d’introspection dans la (...) réflexion d’Aldo Rossi. Un des objectifs de ma contribution est de montrer quelle est la signification de cette introspection pour le domaine de l’architecture. Dans l’épigraphe de son autobiographie, Rossi pose la question suivante : « Dès lors, à quoi ai-je pu aspirer dans mon métier? » (Rossi, 1988 [1981a] : 5). Cette interrogation montre sa volonté de mettre en question ou au moins d’examiner son apport à la connaissance et à la pratique architecturales. La réponse qu’il propose à sa propre question est la suivante : « [C]ertes à peu de choses, vu que la possibilité de réaliser de grandes choses est historiquement forclose. » (Rossi, 1988 [1981a] : 5). (shrink)

Résumé Depuis la Place (1983), Annie Ernaux a tourné le dos à la fiction pour se consacrer à des récits factuels, témoignant de l’expérience du transfuge de classe. Pour ce faire, elle recourt à des modèles explicatifs venus des sciences sociales. Cet article propose d’examiner l’éthique narrative propre à cette posture de témoin, à travers deux options formelles qui l’incarnent : d’abord, une énonciation « transpersonnelle », ensuite la mise au point d’une « écriture plate ».

Karl Marx est censé avoir livré au monde une science nouvelle, le " socialisme scientifique ". Cette science démontrait la fatalité de l'effondrement prochain du mode de production capitaliste et, dans la foulée, d'une révolution qui conduirait l'humanité au collectivisme et puis au communisme. Cette thèse a soutenu l'espérance militante pendant plus d'un siècle en dépit des polémiques interminables qui l'ont accompagnée. Marc Angenot a choisi de prendre à bras le corps les Grands récits militants de toutes natures des XIXe (...) et XXe siècles ; il repense la question du " socialisme scientifique " en reconstituant l'histoire de la légitimation des remèdes ultimes aux maux sociaux, remontant aux prophètes romantiques fondateurs de " religions de l'humanité ". Il immerge le marxisme et les socialismes révolutionnaires dans cet ensemble idéologique de longue durée et il les fait voir et fait voir le problème de la légitimation politique sous une perspective neuve. Exploitant des données largement ignorées ou oubliées de nos jours, il provoque des confrontations inattendues, réfute des idées toutes faites et montre des enchaînements qui renouvellent l'histoire des idéologies modernes. (shrink)