I defend an alternative theory of conversational implicatures that does without Grice's notion of making‐as‐if‐to‐say. This theory characterises conversationally implicating that p as a way to mean that p by saying that q or by saying nothing. Cases that Grice's theory cannot capture are captured, and cases that Grice's theory misdescribes are correctly described. A distinction between conversational implicatures and pragmatic inferences from what speakers express is required, as well as a non‐implicature treatment of figurative speech.

According to a family of metasemantics for demonstratives called intentionalism, the intentions of speakers determine the reference of demonstratives. And according to a sub-family I call proximal intentions (PI) intentionalism, the intention that determines reference is one that occupies a certain place—the proximal one—in a structure of intentions. PI intentionalism is thought to make correct predictions about reference where less sophisticated forms of intentionalism make the wrong predictions. In this article I argue that this is an illusion: PI intentionalism also (...) suffers from predictive inadequacy. In Sect. 1, I present the problem of predictive inadequacy for intentionalism and an ad hoc response to it. In Sect. 2, I sketch a version of PI intentionalism that aims to provide the most principled response to this problem. In Sect. 3, I explain why PI intentionalism cannot solve the problem after all. In Sect. 4, I indicate where I think metasemanticists should go next. (shrink)

In recent decades, the analysis of phraseology has made use of the exploration of large corpora as a source of quantitative information about language. This paper intends to present the main lines of work in progress based on this empirical approach to linguistic analysis. In particular, we focus our attention on some problems relating to the morpho-syntactic annotation of corpora. The CORIS/CODIS corpus of contemporary written Italian, developed at CILTA – University of Bologna (Rossini Favretti 2000; Rossini Favretti, Tamburini, (...) De Santis in press), is a synchronic 100-million-word corpus and is being lemmatised and annotated with part-of-speech (POS) tags, in order to increase the quantity of information and improve data retrieval procedures (Tamburini 2000). The aim of POS tagging is to assign each lexical unit to the appropriate word class. Usually the set of tags is pre-established by the linguist, who uses his/her competence to identify the different word classes. The very first experiments we made revealed how the traditional part-of-speech distinctions in Italian (generally based on morphological and semantic criteria) are often inadequate to represent the syntactic features of words in context. It is worth noting that the uncertainties in categorisation contained in Italian grammars and dictionaries reflect a growing difficulty as they move from fundamental linguistic classes, such as nouns and verbs, to more complex classes, such as adverbs, pronouns, prepositions and conjunctions. This latter class, that groups together elements traditionally used to express connections between sentences, appears inadequate when describing cohesive relations in Italian. This phenomenon actually seems to involve other elements traditionally assigned to different classes, such as adverbs, pronouns and interjections. Recent studies proposed the class of ‘connectives’, grouping all words that, apart from their traditional word class, have the function of connecting phrases and contributing to textual cohesion. From this point of view, conjunctions can be considered as part of phrasal connectives, that can in turn be included in the wider category of textual connectives. The aim of this study is to identify elements that can be included in the class of phrasal connectives, using quantitative methods. According to Shannon and Weaver’s (1949) observation that words are linked by dependent probabilities, corroborated by Halliday’s (1991) argument that the grammatical “system” (in Firth’s sense of the term) is essentially probabilistic, quantitative data are introduced in order to provide evidence of relative frequencies. Section 2 presents a description of word-class categorisation from the point of view of grammars and dictionaries arguing that the traditional category of conjunctions is inadequate for capturing the notion of phrasal connective. Section 3 examines the notion of ‘connective’ and suggests a truth-function interpretation of connective behaviour. Section 4 describes the quantitative methods proposed for analysing the distributional properties of lexical units, and section 5 comments on the results obtained by applying such methods drawing some provisional conclusions. (shrink)

Este trabajo tiene como objetivo comentar algunas prohibiciones del padre Miguel Ángel de Tamburini y del padre Francisco Retz explicando los conceptos fundamentales de dichas prohibiciones a través de un método analítico y relacionándolos posteriormente bajo un método sintético con los argumentos presentados. Esto último permitirá realizar una reconstrucción de las prohibiciones cuyo ensamble se consolidará en argumentos breves. Asimismo, evaluar cuáles pueden ser las causas o los fundamentos que subyacen en las prohibiciones mismas, es decir, evaluar las causas (...) de su veto. Finalmente, determinar las implicaciones filosóficas de las prohibiciones desde Descartes, Leibniz y Spinoza y sus correspondientes visiones de la Creación, la voluntad, el determinismo y el principio de individuación. (shrink)

The study of opera art at the turn of the 18th–19th centuries is currently a topical research. At the beginning of the 19th century, many cardinal changes took place in the field of vocal performance: new types of singing voices and dramatic roles were formed, the manner of ornamentation of parts underwent changes. Many works of domestic and foreign musicologists are mainly devoted to the study of the operatic performance of tenors, basses, contraltos and sopranos. Occasionally, they mention the baritones (...) of the Verdi period, and the period of the birth of the baritone role, unfortunately, remains unexplored. The subject of this study is the operatic and vocal work of the Italian baritone Antonio Tamburini. The object of the study is the baritone roles created for the singer. The theoretical and methodological basis of the study was the works of modern domestic and foreign musicologists devoted to the art of vocal masters of the early 19th century, reviews of Tamburini's contemporary music critics and his creative biography. The novelty of the study lies in the identification of causal relationships between the performance of the singer and the evolutionary processes that occurred in the opera art of the early 19th century. The main conclusion of the study is to identify the role of Tamburini in the formation of the role of the baritone. (shrink)

The subject of this study is the opera art of the early 19th century. The object of the study is the work of the first operatic baritones of that period. The period of the era of early romanticism is covered in the works of Russian and foreign musicologists O.V. Zhestkova, L.A. Sadykova, A.V. Denisova, I.P. Drach, A.E. Hoffmann, E.R. Simonova, S.V. Reshetnikova, A. Jacobshagen, D. Marek, J. Potter, J. Stark, S. Caruselli, J. Riggs, J. Rosselli and many others. However, the (...) above-mentioned works are mainly devoted to the study of operatic performance by tenors and sopranos. The issues of the formation of performing traditions and the roles of baritones of the early 19th century were not considered in them. Thus, the period of origin of this voice type has remained poorly studied, which indicates the novelty of this research. The relevance of the study is due to the interest of modern performers in the repertoire of the first baritones, including Antonio Tamburini, Luigi Zamboni and others. And also the lack of knowledge of the evolutionary processes that occurred in baritone art at the beginning of the 19th century. In this work, historical and theoretical research methods predominate. The conclusions of this study are as follows: the work of the first baritones of the early 19th century is characterized, the main aspects of their performing creativity are identified and the roles in which they performed are indicated. (shrink)

The problem of justifying legal punishment has been at the heart of legal and social philosophy from the very earliest recorded philosophical texts. However, despite several hundred years of debate, philosophers have not reached agreement about how legal punishment can be morally justified. That is the central issue addressed by the contributors to this volume. All of the essays collected here have been published in the highly respected journal Philosophy & Public Affairs. Taken together, they offer not only significant proposals (...) for improving established theories of punishment and compelling arguments against long-held positions, but also ori-ginal and important answers to the question, "How is punishment to be justified?"Part I of this collection, "Justifications of Punishment," examines how any practice of punishment can be morally justified. Contributors include Jeffrie G. Murphy, Alan H. Goldman, Warren Quinn, C. S. Nino, and Jean Hampton. The papers in Part II, "Problems of Punishment," address more specific issues arising in established theories. The authors are Martha C. Nussbaum, Michael Davis, and A. John Simmons. In the final section, "Capital Punishment," contributors discuss the justifiability of capital punishment, one of the most debated philosophical topics of this century. Essayists include David A. Conway, Jeffrey H. Reiman, Stephen Nathanson, and Ernest van den Haag. (shrink)

The scope and importance of the present work is manifest even to a casual glance; the actual heights of scholarly penetration and disinterestedness to which it rises can only be appreciated by the detailed examination of its text. From this latter examination, it readily appears that we are confronted with no ad hoc construction, no work cut, so to say, to fit a present need, however valid and cogent; but a work reflecting a near lifetime of application and animated by (...) a relentless devotion to documentary truth. For this reason, any account of it must, in simple justice, begin with a brief historical notice of the work itself. (shrink)

I am now sitting in La Antigua, Guatemala. It's 6:00 a.m. Ancient church bells compete with their clanging. Some with a clear ringing, others of dead metal. For centuries this tiny town of some 20 square blocks was the very center of Christianity in the "new" world. Its philosophy was brought to this place, lock, stock, and barrel. And, from here it was funneled south to Peru and north to Mexico. Not a philosophy of "liberation." Just ask the Maya who (...) remain. (shrink)

Condensed metrical version of Śaṅkarācārya's Śārīrakamīmāṃsābhāṣya, Advaita Vedanta commentary on Bādarāyaṇa's Brahmasūtra; includes Sārasaṅgraha supercommentary of Madhusūdana Sarasvatī.