Results for 'Abel Bicaba'

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  1. Soins de santé gratuits pour les uns, payants pour les autres : perceptions et stratégies d’adaptation dans le district de Boulsa (Burkina Faso).Alice Bila, Frank Bicaba, Cheick Tiendrebeogo, Abel Bicaba & Thomas Druetz - 2020 - Canadian Journal of Bioethics / Revue canadienne de bioéthique 3 (3):100-109.
    Background: While numerous studies have shown the positive impact of free healthcare policies, the ethical issues raised by these policies in low-income countries have received little attention. In Burkina Faso, in July 2016, user fees were removed at healthcare facilities for children under 59 months of age and for “mothers”, i.e., for reproductive care. These eligibility criteria are, reportedly, sometimes difficult to comprehend or to enforce. The purpose of this study is twofold: 1) to understand the perceptions and practices of (...)
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  2.  5
    Abel Bergaigne's Vedic religion.Abel Bergaigne - 1978 - Delhi: Motilal Banarsidass. Edited by Maurice Bloomfield.
  3.  77
    Go Social! Replies to Abell and Atencia-Linares.Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes & Diarmuid Costello - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):207-234.
    Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in the (...)
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  4.  73
    Reply to Currie’s and Gilmore’s comments on Abell’s Fiction: A Philosophical Analysis.Catharine Abell - 2022 - British Journal of Aesthetics 62 (2):195-204.
    The metaphysical question of what determines the contents of fictive utterances is closely related to the epistemological question of how audiences identify the.
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  5. Fiction: A Philosophical Analysis.Catharine Abell - 2020 - Oxford, UK: Oxford University Press.
    The aim of this book is to provide a unified solution to a wide range of philosophical problems raised by fiction. While some of these problems have been the focus of extensive philosophical debate, others have received insufficient attention. In particular, the epistemology of fiction has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, but there have been few attempts to explain how audiences identify their contents, (...)
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  6. Canny resemblance.Catharine Abell - 2009 - Philosophical Review 118 (2):183-223.
    Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current resemblance accounts succumb to (...)
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  7. Real patterns and indispensability.Abel Suñé & Manolo Martínez - 2021 - Synthese 198 (5):4315-4330.
    While scientific inquiry crucially relies on the extraction of patterns from data, we still have a far from perfect understanding of the metaphysics of patterns—and, in particular, of what makes a pattern real. In this paper we derive a criterion of real-patternhood from the notion of conditional Kolmogorov complexity. The resulting account belongs to the philosophical tradition, initiated by Dennett :27–51, 1991), that links real-patternhood to data compressibility, but is simpler and formally more perspicuous than other proposals previously defended in (...)
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  8. Art: What it Is and Why it Matters.Catharine Abell - 2011 - Philosophy and Phenomenological Research 85 (3):671-691.
    In this paper, I provide a descriptive definition of art that is able to accommodate the existence of bad art, while illuminating the value of good art. This, I argue, is something that existing definitions of art fail to do. I approach this task by providing an account according to which what makes something an artwork is the institutional process by which it is made. I argue that Searle’s account of institutions and institutional facts shows that the existence of all (...)
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  9. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended (...)
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  10. The Epistemic Value of Photographs.Catharine Abell - 2010 - In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford, GB: Oxford University Press.
    There is a variety of epistemic roles to which photographs are better suited than non-photographic pictures. Photographs provide more compelling evidence of the existence of the scenes they depict than non-photographic pictures. They are also better sources of information about features of those scenes that are easily overlooked. This chapter examines several different attempts to explain the distinctive epistemic value of photographs, and argues that none is adequate. It then proposes an alternative explanation of their epistemic value. The chapter argues (...)
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  11.  44
    Navigating the social world: Toward an integrated framework for evaluating self, individuals, and groups.Andrea E. Abele, Naomi Ellemers, Susan T. Fiske, Alex Koch & Vincent Yzerbyt - 2021 - Psychological Review 128 (2):290-314.
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  12. Is Mental Privacy a Component of Personal Identity?Abel Wajnerman Paz - 2021 - Frontiers in Human Neuroscience 15:773441.
    One of the most prominent ethical concerns regarding emerging neurotechnologies is mental privacy. This is the idea that we should have control over access to our neural data and to the information about our mental processes and states that can be obtained by analyzing it. A key issue is whether this information needs more stringent protection than other kinds of personal information. I will articulate and support the view, underlying recent regulatory frameworks, that mental privacy requires a special treatment because (...)
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  13.  62
    Facets of the Fundamental Content Dimensions: Agency with Competence and Assertiveness—Communion with Warmth and Morality.Andrea E. Abele, Nicole Hauke, Kim Peters, Eva Louvet, Aleksandra Szymkow & Yanping Duan - 2016 - Frontiers in Psychology 7.
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  14.  29
    (1 other version)Nietzsche: Die Dynamik der Willen Zur Macht Und Die Ewige Wiederkehr.Günter Abel - 1984 - New York: De Gruyter.
    Friedrich Nietzsche has emerged as one of the most important and influential modern philosophers. For several decades, the book series Monographien und Texte zur Nietzsche-Forschung has set the agenda in a rapidly growing and changing field of Nietzsche scholarship. The scope of the series is interdisciplinary and international in orientation reflects the entire spectrum of research on Nietzsche, from philosophy to literary studies and political theory. The series publishes monographs and edited volumes that undergo a strict peer-review process. The book (...)
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  15. Pictorial implicature.Catharine Abell - 2005 - Journal of Aesthetics and Art Criticism 63 (1):55–66.
    It is generally recognised that an adequate resemblance-based account of depiction must specify some standard of correctness which explains how a picture’s content differs from the content we would attribute to it purely on the basis of resemblance. For example, an adequate standard should explain why stick figure drawings do not depict emaciated beings with gargantuan heads. Most attempts to specify a standard of correctness appeal to the intentions of the picture’s maker. However, I argue that the most detailed such (...)
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  16. A unified approach to split scope.Klaus Abels & Luisa Martí - 2010 - Natural Language Semantics 18 (4):435-470.
    The goal of this paper is to propose a unified approach to the split scope readings of negative indefinites, comparative quantifiers, and numerals. There are two main observations that justify this approach. First, split scope shows the same kinds of restrictions across these different quantifiers. Second, split scope always involves low existential force. In our approach, following Sauerland, natural language determiner quantifiers are quantifiers over choice functions, of type <<,t>,t>. In split readings, the quantifier over choice functions scopes above other (...)
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  17. Cinema as a representational art.Catharine Abell - 2010 - British Journal of Aesthetics 50 (3):273-286.
    In this paper, I develop a unified account of cinematic representation as primary depiction. On this account, cinematic representation is a distinctive form of depiction, unique in its capacity to depict temporal properties. I then explore the consequences of this account for the much-contested question of whether cinema is an independent representational art form. I show that it is, and that Scruton’s argument to the contrary relies on an erroneous conception of cinematic representation. CiteULike Connotea Del.icio.us What's this?
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  18.  72
    An efficient coding approach to the debate on grounded cognition.Abel Wajnerman Paz - 2018 - Synthese 195 (12):5245-5269.
    The debate between the amodal and the grounded views of cognition seems to be stuck. Their only substantial disagreement is about the vehicle or format of concepts. Amodal theorists reject the grounded claim that concepts are couched in the same modality-specific format as representations in sensory systems. The problem is that there is no clear characterization of format or its neural correlate. In order to make the disagreement empirically meaningful and move forward in the discussion we need a neurocognitive criterion (...)
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  19. Pictorial realism.Catharine Abell - 2007 - Australasian Journal of Philosophy 85 (1):1 – 17.
    I propose a number of criteria for the adequacy of an account of pictorial realism. Such an account must: explain the epistemic significance of realistic pictures; explain why accuracy and detail are salient to realism; be consistent with an accurate account of depiction; and explain the features of pictorial realism. I identify six features of pictorial realism. I then propose an account of realism as a measure of the information pictures provide about how their objects would look, were one to (...)
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  20. (1 other version)Comics and Genre.Catharine Abell - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed as means of addressing (...)
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  21.  45
    Groove: an aesthetic of measured time.Mark Abel - 2014 - Boston: Brill.
    What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time, Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm - groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Drawing on materialist interpretations of art and culture, Mark Abel engages (...)
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  22.  81
    Bewußtsein - Sprache - Natur. Nietzsches Philosophie des Geistes.Günter Abel - 2001 - Nietzsche Studien 30 (1):1-43.
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  23.  51
    The Aesthetic Value of Film.Abel B. Franco - 2023 - The Journal of Aesthetic Education 57 (2):36-53.
    Abstract:I defend that the distinctive object of our aesthetic evaluation of films is the full emotional experience, taken as a unified whole, that we go through as we watch a film and that I call the viewer's film emotional life. The aesthetic value itself—the positive quality we perceive in the experience of having had a certain film emotional life—is in the significance we experience in that film emotional life insofar as it contributes to the discovery and the exploration of the (...)
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  24. The climate emergency: Reality bites!Chris Abel - 2024 - Architectural Research Quarterly 27 (4):357-361.
    This updated essay expands on the author's analysis of the complex social and psychological reasons for the inadequate response to the climate emergency. Recent reports by climate scientists quoted in the article suggest that the pace of climate change has already reached the point of irreversibility, triggering multiple tipping points with catastrophic implications for the future of life on this planet. Yet climate change denial, which as the author explains, takes many forms itself, both aggressive and passive, remains common at (...)
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  25. Philosophical Perspectives on Depiction.Catharine Abell & Katerina Bantinaki (eds.) - 2010 - Oxford, GB: Oxford University Press.
    This volume of specially written essays by leading philosophers offers to set the agenda for the philosophy of depiction.
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  26.  85
    Our Everyday Aesthetic Evaluations of Architecture.Abel B. Franco - 2019 - British Journal of Aesthetics 59 (4):393-412.
    I argue that our everyday evaluations of architecture are primarily evaluations of spaces and, in particular, of their inhabitability— that is, whether they serve or can serve to the realization of our individual ideal of life. Inhabitability is not only a functional criterion but an aesthetic one as well. It is aesthetic insofar as the evaluations about inhabitability include evaluations about the quality of the experience of actually doing something in —or simply occupying—a particular space. This aesthetic aspect of our (...)
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  27.  36
    How do we remember public events? Pioneering a new area of everyday memory research.Magdalena Abel & Dorthe Berntsen - 2021 - Cognition 214 (C):104745.
  28. Against Depictive Conventionalism.Catharine Abell - 2005 - American Philosophical Quarterly 42 (3):185 - 197.
    In this paper, I discuss the influential view that depiction, like language, depends on arbitrary conventions. I argue that this view, however it is elaborated, is false. Any adequate account of depiction must be consistent with the distinctive features of depiction. One such feature is depictive generativity. I argue that, to be consistent with depictive generativity, conventionalism must hold that depiction depends on conventions for the depiction of basic properties of a picture’s object. I then argue that two considerations jointly (...)
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  29.  24
    Zeichen der Wirklichkeit.Günter Abel - 2002 - Deutsche Zeitschrift für Philosophie 50 (4).
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  30. Lewis Carroll's visual logic.Francine F. Abeles - 2007 - History and Philosophy of Logic 28 (1):1-17.
    John Venn and Charles L. Dodgson (Lewis Carroll) created systems of logic diagrams capable of representing classes (sets) and their relations in the form of propositions. Each is a proof method for syllogisms, and Carroll's is a sound and complete system. For a large number of sets, Carroll diagrams are easier to draw because of their self-similarity and algorithmic construction. This regularity makes it easier to locate and thereby to erase cells corresponding with classes destroyed by the premises of an (...)
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  31.  36
    Descartes’ Dog: a Clock with Passions?Abel B. Franco - 2018 - Philosophia 46 (1):101-130.
    Although much has been written on Descartes’ thought on animals, not so much has originated in, or has taken full account of, Descartes’ views on emotions. I explore here the extent to which the latter can contribute to the debate on whether he embraced, and to which extent, the doctrine of the bête machine. I first try to show that Descartes’ views on emotions can help offer new support to the skeptical position without necessarily creating new tensions with other central (...)
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  32.  26
    Exercise Addiction in Practitioners of Endurance Sports: A Literature Review.Abel Nogueira, Olga Molinero, Alfonso Salguero & Sara Márquez - 2018 - Frontiers in Psychology 9.
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  33.  56
    A Defense of an Amodal Number System.Abel Wajnerman Paz - 2018 - Philosophies 3 (2):13.
    It has been argued that the approximate number system (ANS) constitutes a problem for the grounded approach to cognition because it implies that some conceptual tasks are performed by non-perceptual systems. The ANS is considered non-perceptual mainly because it processes stimuli from different modalities. Jones (2015) has recently argued that this system has many features (such as being modular) which are characteristic of sensory systems. Additionally, he affirms that traditional sensory systems also process inputs from different modalities. This suggests that (...)
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  34.  9
    Zeichen der Wirklichkeit.Günter Abel - 2004 - Frankfurt am Main: Suhrkamp.
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  35. On outlining the shape of depiction.Catharine Abell - 2005 - Ratio 18 (1):27–38.
    In this paper, I discuss the account of depiction proposed by Robert Hopkins in his book Picture, Image and Experience. I first briefly summarise Hopkins’s account, according to which we experience depictions as resembling their objects in respect of outline shape. I then ask whether Hopkins’s account can perform the explanatory tasks required of an adequate account of depiction. I argue that there are at least two reasons for which Hopkins’s account of depiction is inadequate. Firstly, the notion of outline (...)
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  36. Internal and external pictures.Catherine Abell & Gregory Currie - 1999 - Philosophical Psychology 12 (4):429-445.
    What do pictures and mental images have in common? The contemporary tendency to reject mental picture theories of imagery suggests that the answer is: not much. We show that pictures and visual imagery have something important in common. They both contribute to mental simulations: pictures as inputs and mental images as outputs. But we reject the idea that mental images involve mental pictures, and we use simulation theory to strengthen the anti-pictorialist's case. Along the way we try to account for (...)
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  37.  26
    Social interactions can simultaneously enhance and distort memories: Evidence from a collaborative recognition task.Magdalena Abel & Karl-Heinz T. Bäuml - 2020 - Cognition 200 (C):104254.
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  38.  46
    La philosophie scientifique de M. Duhem.Abel Rey - 1904 - Revue de Métaphysique et de Morale 12 (4):699 - 744.
  39.  27
    Manuscritos Filosóficos Coloniales conservados en el Archivo Nacional Histórico de Santiago de Chile / Colonial Philosophical Manuscripts Preserved in the National Historical Archive of Santiago de Chile. Abel Aravena Zamora.Abel Aravena Zamora - 2015 - Revista Española de Filosofía Medieval 22:289.
    Our knowledge about colonial philosophical manuscripts preserved in the «Fondo Antiguo» and «Fondo Varios» at the National Historical Archive is limited almost exclusively to its listing and location. In some cases, there is a very brief description of the contents, identification of their philosophical tendency and some information about their authors. In order to expand our knowledge about them, we have tried here, on the one hand, to provide a more detailed description of the contents of the works, and, on (...)
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  40.  16
    What is an Explanandum?Reuben Abel - 2017 - Pacific Philosophical Quarterly 63 (1):86-92.
  41.  58
    A mechanistic perspective on canonical neural computation.Abel Wajnerman Paz - 2017 - Philosophical Psychology 30 (3):209-230.
    Although it has been argued that mechanistic explanation is compatible with abstraction, there are still doubts about whether mechanism can account for the explanatory power of significant abstract models in computational neuroscience. Chirimuuta has recently claimed that models describing canonical neural computations must be evaluated using a non-mechanistic framework. I defend two claims regarding these models. First, I argue that their prevailing neurocognitive interpretation is mechanistic. Additionally, a criterion recently proposed by Levy and Bechtel to legitimize mechanistic abstract models, and (...)
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  42. Hugh MacColl and Lewis Carroll: Crosscurrents in geometry and logic.Francine F. Abeles & Amirouche Moktefi - 2011 - Philosophia Scientiae 15:55-76.
    Dans une lettre adressée à Bertrand Russell, le 17 mai 1905, Hugh MacColl raconte avoir abandonné l’étude de la logique après 1884, pendant près de treize ans, et explique que ce fut la lecture de l’ouvrage de Lewis Carroll, Symbolic Logic (1896), qui ralluma le vieux feu qu’il croyait éteint. Dès lors, il publie de nombreux articles contenant certaines de ses innovations majeures en logique. L’objet de cet article est de discuter la familiarité de MacColl et son appréciation du travail (...)
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  43.  8
    Interpretationswelten: Gegenwartsphilosophie jenseits von Essentialismus und Relativismus.Günter Abel - 1993 - Suhrkamp Publishers.
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  44.  98
    Avempace, Projectile Motion, and Impetus Theory.Abel B. Franco - 2003 - Journal of the History of Ideas 64 (4):521-546.
    This paper provides a historical reevaluation of the originality and implications of Avempace's critique of Aristotle's causal explanation of the motion of projectiles. It also offers a serious revision of the place which has usually been assigned to Avempace in the history of science. The views regarding projectiles defended in Avempace's Arabic commentary are in sharp opposition to the anti-Aristotelian Avempace that was known in the Medieval West through Averroes. Avempace's commentary reveals only a moderate critic of Aristotle, a critic (...)
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  45.  78
    Printmaking as an Art.Catharine Abell - 2015 - Journal of Aesthetics and Art Criticism 73 (1):23-30.
    Many forms of printmaking involve drawing or painting onto a plate to produce a matrix and then producing prints from that matrix by mechanical processes. One might be skeptical about the artistic significance of such prints, on the basis that only the process of drawing or painting the matrix enables printmakers to exercise intentional control over the features of the resultant prints. This might lead one to think that such forms of printmaking lack artistic significance independent of drawing and painting. (...)
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  46.  51
    Rethinking Epistemology, Volume 2.Günter Abel & James Conant (eds.) - 2012 - Berlin, Germany: De Gruyter.
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  47.  30
    Pursuit of communal values in an agentic manner: a way to happiness?Andrea E. Abele - 2014 - Frontiers in Psychology 5.
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  48. The Extended Self: Architecture, Memes and Minds.Chris Abel - 2014 - Manchester: Manchester University Press.
    In his wide-ranging study of architecture and cultural evolution, Chris Abel argues that, despite progress in sustainable development and design, resistance to changing personal and social identities shaped by a technology-based and energy-hungry culture is impeding efforts to avert drastic climate change. The book traces the roots of that culture to the coevolution of Homo sapiens and technology, from the first use of tools as artificial extensions of the human body to the motorized cities spreading around the world, whose (...)
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  49.  69
    Verstehen I and Verstehen II.Theodore Abel - 1975 - Theory and Decision 6 (1):99-102.
  50.  65
    Lewis Carroll's Formal Logic.Francine Abeles - 2005 - History and Philosophy of Logic 26 (1):33-46.
    Charles L. Dodgson's reputation as a significant figure in nineteenth-century logic was firmly established when the philosopher and historian of philosophy William Warren Bartley, III published Dodgson's ?lost? book of logic, Part II of Symbolic Logic, in 1977. Bartley's commentary and annotations confirm that Dodgson was a superb technical innovator. In this paper, I closely examine Dodgson's methods and their evolution in the two parts of Symbolic Logic to clarify and justify Bartley's claims. Then, using more recent publications and unpublished (...)
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