Within the author’s long-term project of updating John Rawls’s paradigm of “political liberalism” to a historical context different from the original one, this paper focuses on how political liberalism can help us understand populism and help liberal democracy survive the populist upsurge. In the first section, political liberalism is argued to be of help in directing our attention to three constitutive aspects of all sorts of populism: the conflation of “the people” with the electorate and the electorate with the nation, (...) the attribution of constituent power to the electorate, and a penchant for so-called “justified intolerance.” In the second section, enfeebled democracies and postliberal democracies are discussed as two distinctly dangerous outcomes of populist contagion. Finally, in the third section the containment of populism is argued to require targeting the socioeconomic factors undergirding the populist upsurge and the jettisoni... (shrink)

We prove that the determinacy of all Lipschitz games, the determinacy of all Wadge games, and the semi-linear ordering principle for Lipschitz maps are all equivalent.

Measurement is widely applied because its results are assumed to be more reliable than opinions and guesses, but this reliability is sometimes justified in a stereotyped way. After a critical analysis of such stereotypes, a structural characterization of measurement is proposed, as partly empirical and partly theoretical process, by showing that it is in fact the structure of the process that guarantees the reliability of its results. On this basis the role and the structure of background knowledge in measurement and (...) the justification of the conditions of object-relatedness ("objectivity") and subject-independence ("intersubjectivity") of measurement are specifically discussed. (shrink)

In 2011, van Dijck and Fias described a positional SNARC effect: the SPoARC. To-be-remembered items presented centrally on a screen seemed to acquire a left-to-right spatial dimension. If confirmed, this spatialization could be crucial for immediate memory theories. However, given the intricate links between visual and spatial dimensions, this effect could be due to the visual presentation, which could have probed the left-to-right direction of reading/writing. To allow a generalization of this effect, we adapted van Dijck and Fias's task using (...) an auditory version of Sternberg's paradigm. Lists of five consonants were auditorily presented at a rate of 3 s/item. A SPoARC effect was observed. The consequences are discussed first from an immediate memory perspective, putting forward the view that order could be coded through spatialization, and then in terms of similarities between SPoARC and SNARC. (shrink)

Most model checking techniques for security protocols make a number of simplifying assumptions on the protocol and/or on its execution environment that greatly complicate or even prevent their applicability in some important cases. For instance, most techniques assume that communication between honest principals is controlled by a Dolev-Yao intruder, i.e. a malicious agent capable to overhear, divert, and fake messages. Yet we might be interested in establishing the security of a protocol that relies on a less unsecure channel (e.g. a (...) confidential channel provided by some other protocol sitting lower in the protocol stack). In this paper we propose a general model for security protocols based on the set-rewriting formalism that, coupled with the use of LTL, allows for the specification of assumptions on principals and communication channels as well as of complex security properties that are normally not handled by state-of-the-art security protocol analysers. By using our approach we have been able to formalise all the assumptions required by the ASW protocol for optimistic fair exchange and some of its key security properties. Besides the previously reported attacks on the protocol, we report a new attack on a patched version of the protocol. (shrink)

Wittgenstein has written a great number of remarks relevant to aesthetical issues: he has questioned the relation between aesthetics and psychology as well as the status of our norms of judgment; he has drawn philosophers attention to such topics as aspect-seeing and aspect-dawning, and has brought insights into the nature of our aesthetic reactions. The examination of this wide range of topics is far from being completed, and the purpose of this book is to contribute to such completion. It gathers (...) both papers discussing some of Wittgenstein s most provocative and intriguing statements on aesthetics, and papers bringing out their implications for art critic and art history, as well as their significance to epistemology and to the study of human mind.". (shrink)

Massive amounts of data are collected and stored on a routine basis in virtually all domains of human activities. Such data are potentially useful to biomedicine. Yet, access to data for research purposes is hindered by the fact that different kinds of individual-patient data reside in disparate, unlinked silos. We propose that data cooperatives can promote much needed data aggregation and consequently accelerate research and its clinical translation. Data cooperatives enable direct control over personal data, as well as more democratic (...) governance of data pools. This model can realize a specific kind of data economy whereby citizens and communities are empowered to steer data use according to their motivations, preferences, and concerns. Policy makers can promote this model by recognizing citizens’ rights to access and to obtain a copy of their own data, and by funding distributed data infrastructures piloting new data aggregation models. (shrink)

According to Gilbert Ryle, improvisation is a basic feature of ordinary action. In this paper, we take this idea seriously. Action is improvisation, in that it is situated: It is shaped by attentive responses to environmental circumstances. This is a crucial aspect of agency. However, it is neglected by causal theories of action (Bratman; Mele) and only partially addressed by Thompson’s process-oriented theory. By resorting to Kant’s theory of judgment, we argue for understanding action performance in terms of improvisational shaping (...) of action in situ. The focus on improvisation points to a situated kind of practical rationality entailing the reciprocal shaping of intention and action instead of the ordinary instrumental kind of rationality of action as unidirectionally determined by intention. (shrink)

Il saggio si propone di approfondire due tendenze tipiche della musica contemporanea: la prima è il Minimalismo, movimento rappresentato da musicisti come La Monte Young, Philip Glass and Steve Reich, la seconda è la rave music (come la techno), caratteristica della popular culture nell’era postmoderna. Attraverso il pensiero di Adorno, e a partire dalla sua analisi dialettica del dualismo Schönberg-Stravinskij, il saggio propone una comprensione filosofica di concetti come “ripetizione” e “trascendenza”; l’assenza dello “sviluppo” in gran parte della produzione musicale (...) degli ultimi decenni, nella popular music quanto nella musica colta, dimostra una dispersione del soggetto e dell’individuo, smarrito all’interno di un “eterno ritorno” della struttura ritmica che può essere ricompreso nei termini di un “eterno ritorno dell’identico” e non nei termini di un “eterno ritorno della possibilità”; in quest’ottica, a venire sacrificata è anche la dimensione della trascendenza, che non a caso viene ricercata spesso nell’esotismo dei culti orientali o nel consumo di sostanze stupefacenti. L’insistenza nel Minimalismo della ripetizione come unica ed estrema categoria di riferimento e norma estetica, produrrà infatti nel corso degli ultimi anni una dicotomia apparentemente contraddittoria, ma che invece esprime la medesima matrice logica: da un lato l’invasamento edonistico del beat elettronico della musica dance elettronica, dall’altro la proposta commerciale della produzione industriale della musica pop. Non è un caso che proprio il Minimalismo sia sfociato in entrambe queste due tendenze, mostrandosi come la cifra comune originaria, traducendosi nella musica rave o nella musica rock. (shrink)

The article examines some of the consequences of the migration of musical works in cyberspace, particularly with regard to their ways of being and the ways in which we listen to them. Streaming is interpreted as the last stage in the expansion of a phenomenon that arose with the advent of phonography, namely, the ubiquity and availability of the works. A new development consists in the production of musical units in modular terms: works can consist of independent parts, which can (...) be replaced or constituted, in an order that depends on the user, taking inspiration from the model of the playlist. The diffusion of works on the web has also facilitated the development of the remix practice, changing listening standards and generating new conceptual conflicts concerning the identity of the works. The web weakens the distinction between the medium of communication and the medium of recording. It also favors the formation of new cognitive dispositions and generates more flexible and interactive ways of listening, generally different from those implicated in the era of the disc. (shrink)

This article reconstructs and systematically assesses Else’s Voigtländer’s theory of self-feelings. In the first section, I introduce the reader to the basic ideas of this theory by supporting the exegetical claim that the notion of self-feeling encompasses two distinct kinds of experiences: (i) a subject’s long-standing and enduring self-feeling, which is innate and biologically grounded, should be distinguished from (ii) the plurality of episodic self-feelings (or self-conscious emotions) this subject can experience. In the second section, I focus on the particular (...) class of self-feelings that Voigtländer labels as “inauthentic:” these are feelings where the evaluation of the self depends on the evaluations that others have about the self. After elaborating on the morally and epistemically negative connotation Voitgländer attaches to the notion of a feeling’s “inauthenticity,” I reject the generality of her claim in the third section: some social self-feelings are not inauthentic. (shrink)

Mereological atomism is the thesis that everything is ultimately composed of atomic parts, i.e., parts without proper parts. Typically, this thesis is characterized by an axiom stating that everything has atomic parts. The present paper argues that the success of this standard characterization depends on how the notions of sum and composition are defined. In particular, we put forward a novel definition of mereological sum that: (i) is not equivalent to existing definitions in the literature, if no strong decomposition principle (...) is assumed; (ii) can be used to argue that the standard characterization of atomism fails, because having atomic parts is not sufficient to be a sum of atoms; and (iii) provides a purely mereological distinction between structured and unstructured wholes, contributing to the ongoing debate on this crucial topic. (shrink)

The aim of this work is to identify and analyze a set of challenges that are likely to be encountered when one embarks on fieldwork in linguistic communities that feature small, young, and/or non-standard languages with a goal to elicit big sets of rich data. For each challenge, we (i) explain its nature and implications, (ii) offer one or more examples of how it is manifested in actual linguistic communities, and (iii) where possible, offer recommendations for addressing it effectively. Our (...) list of challenges involves static characteristics (e.g., absence of orthographic conventions and how it affects data collection), dynamic processes (e.g., speed of language change in small languages and how it affects longitudinal collection of big amounts of data), and interactive relations between non-dynamic features that are nevertheless subject to potentially rapid change (e.g., absence of standardized assessment tools or estimates for psycholinguistic variables). The identified challenges represent the domains of data collection and handling, participant recruitment, and experimental design. Among other issues, we discuss population limits and degree of power, inter- and intraspeaker variation, absence of metalanguage and its implications for the process of eliciting acceptability judgments, and challenges that arise from absence of local funding, conflicting regulations in relation to privacy issues, and exporting large samples of data across countries. Finally, the ten experimental challenges presented cover a broad typological spectrum, encompassing both spoken and sign, extant and nearly extinct languages. (shrink)

The paper defends that it is possible to offer a Kantian argument for justifying the introduction of Universal Basic Income (UBI). It first briefly presents Philippe van Parijs’ argument for UBI based on the concept of real freedom for all. In doing so, it will focus on its general structure and central insight, without entering too much into other issues like the economic feasibility of UBI. It second briefly presents Kant’s concept of external freedom and especially focuses on some of (...) its components to assess whether there is some closeness to van Parijs’ concept of real freedom. It further considers whether UBI is not only compatible with a Kantian position, but can be justified from such a position because it represents a tool for concretely realizing external freedom as presented in the _Doctrine of Right_ and for attaining the ethical ideal of virtuosity presented in the _Doctrine of Virtue_. (shrink)

The American Journal of Bioethics, Volume 12, Issue 10, Page 20-22, October 2012.

In this article, Honneth’s Freedom’s Right is discussed with the intent to assess its potential for offering a view of justice, grounded in social freedom, more adequate than the theories of justic...

A Física, desde Aristóteles, perguntou se sobre a noção de tempo. Guilherme de Ockham, ao tratar do assunto, critica a concepção desenvolvida por seus predecessores, fundamentada em uma leitura ontológica, enquanto ele opta por uma leitura baseada na empiria, o que o leva a considerar o tempo como um ente de razão. Com isso, abre caminho para submeter as categorias da temporalidade à análise lingüística.

In a scientific context such as ours, a true understanding of faith needs a correct approach to its relationship with science. Defending religious belief in the modern age dominated by scientific learning is the main preoccupation expressed by Pope Benedict XVI in some of his own speeches. Tackling this task means changing the nature of our ideas on both science and faith. The belief in God is compatible with science, only if we demarcate the limits of the scientific discourse. The (...) idea that science is the framework for all kinds of cultural inquiry proves incorrect and represents a considerable risk for humanity. Moreover, a naturalist approach cannot respond to the exigency of finding a more profound meaning in natural reality. (shrink)

In this paper, I critically examine Berys Gaut’s proposals regarding ethical criticism, that is, regarding the question of whether, and if so how, an ethical evaluation of a work of art can be considered amongst the determinants of the work’s value as art. I critically examine Gaut’s proposed taxonomy on the possible positions on the ethical criticism question as well as his own influential answer to such question: ethicism. My critique focuses on one missing element, I argue, in Gaut’s overall (...) approach and in ethicism as he formulates and defends it: reference to artistic categorization and to the aims and commitments artworks have in virtue of the artistic categories they belong to. I show how reference to artistic categorization facilitates the generation of a more fine-grained taxonomy of positions than the one Gaut proposes. Such taxonomy makes it possible to distinguish between two very different types of positions within what Gaut dubs ‘contextualism’: what I call limited or restricted ethicism and particularism. As an application of this more fine-grained taxonomy, I show how Noël Carroll’s ‘moderate moralism’, which Gaut convincingly claims to be incomplete, need not reduce to either ethicism or contextualism as Gaut claims: the view can also be completed in the direction of a limited or restricted ethicism. As for Gaut’s own proposal, surprisingly it itself proves to have leanings towards particularism, in so far as it delegates the question of the artistic (or aesthetic) relevance of ethical features to case-by-case decisions. Again, reference to artistic categorization would offer Gaut grounds to be less sceptical on the possibility of finding general philosophical principles governing the relevance of ethical features to artistic worth. Further, lack of reference to artistic categorization can be shown to affect Gaut’s claims within all three the arguments he puts forward in defence of ethicism—the moral beauty, the cognitive, and the merited-response argument. I show such claims to be ill founded when not implausible. (shrink)

Recent literature on emotional participation in narratives witnesses a contrast between those who emphasize the role of readers and spectators of narratives as participants and those who emphasize their role as mere onlookers. The former refer to notions like identification, empathy, and what Richard Wollheim calls «central imagining». The latter criticize the idea of identification, and use notions like sympathy and Wollheim’s «acentral imagining». I claim this debate to be vitiated by simplistic accounts of identification and empathy, a lack of (...) attention for the relationships between self- and other-oriented emotions, a misinterpretation of Wollheim’s central/acentral distinction in relation to another distinction suggested by him, that between «iconic» and «non-iconic» imagining. I defend an understanding – different from Wollheim’s correctly interpreted one – of these two distinctions and maintain the importance of iconic and central imaginings to the interpretation and appreciation of narratives. (shrink)

Résumé La critique éthique considère que la valeur éthique d’une œuvre d’art affecte sa valeur artistique. Elle s’intéresse ordinairement à la valeur éthique du point de vue que l’œuvre adopte, ou à celui des effets qu’elles produisent, mais ne considère guère celle du processus de production de l’œuvre. Or celui-ci peut intéresser l’éthique comme lorsqu’une toile est réalisée en laissant des poissons rouges enduits de peinture agoniser et s’agiter sur une toile. C’est précisément de la valeur éthique des procédés utilisés (...) dont il est ici question. L’auteur défend un moralisme des moyens, selon lequel le jugement éthique des procédés a une place légitime dans l’évaluation artistique, et formule deux versions compatibles de cette position : la thèse esthétique et la thèse artistique. (shrink)

In 2020, with the outbreak of the COVID-19 pandemic, academics and scientists began to question the triage criteria for allocating insufficient healthcare resources, trying to ethically justify the answer to the question, Who should receive medical care first? In this article, I will argue that even if we apply triage criteria, we won't be able to avoid the violation of human dignity or of the right to life and to health care. I will then suggest that, maybe, the real ethical (...) triage dilemma lies not in the question, Who should receive medical care first? but in the question, How are we to decide who should receive medical care first? (shrink)

[Two notions of humanity and the judgment argument for human rights].

How is it possible, for those who were not “under that sky of blood”, to speak about the Shoah without outraging again, even involuntarily, millions of victims?What are we speaking of, when we mention the Shoah? Starting from these two questions, the paper approaches Treblinka, the biggest factory of “pure” death set up by the Aktion Reinhard, with the purpose of understanding, through the words of Yitzhak Arad, a survivor who became a historian, and those of other witnesses, dead or (...) alive, interviewed by Claude Lanzmann, the reality of the concentration camps. (shrink)

Striedter's book offers precious insight into the comparative neuroanatomy of vertebrate brains, but it stops short of addressing what their evolution is all about: how effectively neural networks process information important for survival. To understand the principles of brain evolution, neuroanatomy needs to be combined not only with genetics, neurophysiology, and ethology, but also with quantitative network analyses.