8 found
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  1.  10
    A Comparison of the Affectiva iMotions Facial Expression Analysis Software With EMG for Identifying Facial Expressions of Emotion.Louisa Kulke, Dennis Feyerabend & Annekathrin Schacht - 2020 - Frontiers in Psychology 11.
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  2.  28
    Classification of dynamic facial expressions of emotion presented briefly.Guillermo Recio, Annekathrin Schacht & Werner Sommer - 2013 - Cognition and Emotion 27 (8):1486-1494.
  3.  44
    Hot Speech and Exploding Bombs: Autonomic Arousal During Emotion Classification of Prosodic Utterances and Affective Sounds.Rebecca Jürgens, Julia Fischer & Annekathrin Schacht - 2018 - Frontiers in Psychology 9:333767.
    Emotional expressions provide strong signals in social interactions and can function as emotion inducers in a perceiver. Although speech provides one of the most important channels for human communication, its physiological correlates, such as activations of the autonomous nervous system (ANS) while listening to spoken utterances, have received far less attention than in other domains of emotion processing. Our study aimed at filling this gap by investigating autonomic activation in response to spoken utterances that were embedded into larger semantic contexts. (...)
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  4.  15
    “Finding an Emotional Face” Revisited: Differences in Own-Age Bias and the Happiness Superiority Effect in Children and Young Adults.Andras N. Zsido, Nikolett Arato, Virag Ihasz, Julia Basler, Timea Matuz-Budai, Orsolya Inhof, Annekathrin Schacht, Beatrix Labadi & Carlos M. Coelho - 2021 - Frontiers in Psychology 12.
    People seem to differ in their visual search performance involving emotionally expressive faces when these expressions are seen on faces of others close to their age compared to faces of non-peers, known as the own-age bias. This study sought to compare search advantages in angry and happy faces detected on faces of adults and children on a pool of children and adults. The goals of this study were to examine the developmental trajectory of expression recognition and examine the development of (...)
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  5.  29
    Gender Differences in the Recognition of Vocal Emotions.Adi Lausen & Annekathrin Schacht - 2018 - Frontiers in Psychology 9:359771.
    The conflicting findings from the few studies conducted with regard to gender differences in the recognition of vocal expressions of emotion have left the exact nature of these differences unclear. Several investigators have argued that a comprehensive understanding of gender differences in vocal emotion recognition can only be achieved by replicating these studies while accounting for influential factors such as stimulus type, gender-balanced samples, number of encoders, decoders, and emotional categories. This study aimed to account for these factors by investigating (...)
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  6.  25
    Get out of here, quick! Problems with transparent labels on glass doors.Annika Boldt, Birgit Stürmer, Robert Gaschler, Annekathrin Schacht & Werner Sommer - 2013 - Journal of Experimental Psychology: Applied 19 (3):241.
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  7.  28
    Measuring the speed of recognising facially expressed emotions.Andrea Hildebrandt, Annekathrin Schacht, Werner Sommer & Oliver Wilhelm - 2012 - Cognition and Emotion 26 (4):650-666.
    Faces are highly salient objects for humans, providing identity- and emotion-related information—basic cues for mastering social interactions. Despite extensive research on the recognition of facia...
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  8.  13
    From incoherence to mirth: neuro-cognitive processing of garden-path jokes.Bastian Mayerhofer & Annekathrin Schacht - 2015 - Frontiers in Psychology 6:109298.
    In so-called garden-path jokes, an initial semantic representation is violated, and semantic revision reestablishes a coherent representation. 48 jokes were manipulated in three conditions: (i) a coherent ending, (ii) a joke ending, and (iii) a discourse-incoherent ending. A reading times study ( N = 24) and three studies with recordings of ERP and pupil changes ( N = 21, 24, and 24, respectively) supported the hypothesized cognitive processes. Jokes showed increased reading times of the final word compared to coherent endings. (...)
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