In lieu of an abstract, here is a brief excerpt of the content:Style and the Mole: Domestic Aesthetics in The Wind in the WillowsSeth Lerer (bio)Writing to her husband’s first illustrator, Graham Robertson, in 1931, Elspeth Grahame thanked him for the gift of his recently published memoirs. She called them “entrancing” and goes on to note: “The touch is so light yet so sure that whatever the subject the reading of it would be full of pleasure to any lover of (...) English style.”1 Lovers of English style would have been long familiar with Kenneth Grahame’s Wind in the Willows, originally published in 1908 and, by 1931, available in four different editions (a new one, illustrated by Ernest Shepard would soon appear in that year).2 A. A. Milne’s stage adaptation, Toad of Toad Hall, played to welcoming audiences in 1929, and Sir Arthur Quiller-Couch, perhaps that era’s greatest arbiter of English style, had ensconced Grahame with two selections in his Oxford Book of English Prose, published in 1925.3While The Wind in the Willows is about many things—the nature of friendship, the loss of English pastoral security, the temptations of fashion and fad—it is, first and foremost, an essay in aesthetics. Style governs each and every creature of its woods and mansions, from Mole’s quiet, gentlemanly domesticity to Toad’s manic, aristocratic shows. Style governs, too, the progress of its narrative, and throughout this book, Grahame explores techniques of pictorial description and devices of characterization that would come to epitomize what Elspeth could evoke as “English style.”4Though voiced decades after her husband’s major work had been completed, Elspeth’s judgment chimes with the ideals of the Edwardian aesthetic codified in Quiller-Couch’s anthology.5 Central to that aesthetic was a kind of effortless esprit, as well as an essential “Englishness” that rooted that esprit in local landscape and personal reminiscence. There remains something sweetly nostalgic about the Edwardian idiom, and Quiller-Couch makes clear that, even though his book may brim with “purple patches,” there is nonetheless a “subdued and hallowed emotion” to its selections: “a sense of wonderful history written silently in books and buildings, all [End Page 51] persuading that we are heirs of more spiritual wealth than, may be, we have surmised or hitherto begun to divine.”6 Some of those selections, he claims, hold “the core of true English gentility.” Others are, he reflects, full of “out-of-door matter.”7 He goes on to note that, when Wolfe crossed the St. Lawrence, he is reputed to have “murmured a stanza or two from Gray’s Elegy,” and Quiller-Couch himself has drawn on writers who, he claims, evoked “this imperishable land of ours revived.”8 Such sentiments could not have been far from the mind of Elspeth Grahame, who invites Graham Robertson to their home in the country in her letter of thanks:Do you ever go caring—or if by train we are within an hour of Paddington, and 5 minutes walk from the station here—in an old cottage next the church with a round village lock-up in the garden—so if you would ever propose yourself to come down & see us we should be so glad—and used as you are in Surrey to beauty-spots the river & trees are beautiful in summer-time, that is of course when there is any summer about which has not been the case this year.9The Grahames lived by what Quiller-Couch calls that “green and English country churchyard,” and in his anthology he calls attention to a selection from Charles Reade, “The English Skylark in Australia.” There, in an amazing, paragraph-long sentence, Reade epitomizes the ideals of local pastoralism, and his style—though readers today may find it overwrought—would provide a model for the criticism of Elspeth as well as the writing of her husband:Every time he checked his song to think of its theme, the green meadows, the quiet stealing streams, the clover he first soared from and the Spring he sang so well, a loud sigh from many a rough bosom, many a wild and wicked heart, told how tight the listeners had... (shrink)

The 11 original regions for organ allocation in the United States were determined by proximity between hospitals that provided deceased donors and transplant programs. As liver transplants became more successful and demand rose, livers became a scarce resource. A national system has been implemented to prioritize liver allocation according to disease severity, but the system still operates within the original procurement regions, some of which have significantly more deceased donor livers. Although each region prioritizes its sickest patients to be liver (...) transplant recipients, the sickest in less liver-scarce regions get transplants much sooner and are at far lower risk of death than the sickest in more liver-scarce regions. This has resulted in drastic and inequitable regional variation in preventable liver disease related death rate.A new region districting proposal – an eight district model – has been carefully designed to reduce geographic inequities, but is being fought by many transplant centers that face less scarcity under the current model. The arguments put forth against the new proposal, couched in terms of fairness and safety, will be examined to show that the new system is technologically feasible, will save more lives, and will not worsen socioeconomic disparity. While the new model is likely not perfect, it is a necessary step toward fair allocation. (shrink)

Two distinctions within the category of designators -- Further defining the central theses -- Structure and rigidity -- Structure and naming -- Interlude: interim review and a look ahead -- Referential uses of denoting expressions -- Complex referring expressions -- Summary, overview, and general morals.

Cet article mobilise la notion d’« approche transactionnelle », empruntée à John Dewey et Arthur Bentley, pour nous inviter à concevoir les images circulant sur nos réseaux électroniques au-delà des représentations dont elles sont porteuses à la surface des écrans. Comprendre leur dynamique implique de prendre en compte les multiples couches dont elles se composent, depuis la matérialité des flux électriques, à travers les strates de langages-machine, les protocoles de transfert ou le design des interfaces. L’image que nous identifions (...) et isolons dans ses traits figuraux apparaît comme un leurre cachant les implications multiples des transactions dont elle résulte – et qu’il faut apprendre à repérer pour en déjouer certaines illusions. (shrink)

Aforizmy dli︠a︡ usvoenii︠a︡ zhiteĭskoĭ mudrosti -- O fizionomike -- O zhenshchinakh -- K uchenii︠u︡ o stradanii︠a︡kh mira -- V dopolnenie k ėtike -- O kritike, suzhdenii, odobrenii i slave -- Ob uchenosti i uchenykh -- O samostoi︠a︡telʹnom myshlenii.

Excerpt from Kants Naturphilosophie als Grundlage Seines Systems Die vorliegende Arbeit uber die kantische Naturphilosophie war ursprunglich in Aussicht genommen als erstes Kapitel einer Darstellung der deutschen Naturphilosophie seit Kam. Der Grund, warum sie zu einem selbstandigen Werke angeschwollen ist, liegt darin, weil ich bei genauerem Studium des Philosophen fand, man habe das naturphilosophische Element in den Schriften Kants bisher bei weitem unterschatzt und insbesondere seinen Bemuhungen um eine dynamische Theorie der Materie lange nicht diejenige Bedeutung zugeschrieben, die ihnen sowohl (...) in Hinsicht auf die Richtung, welche die kantische Gedankenentwickelung genommen hat, wie fur die eigentumliche Ausbildung dieser Gedanken im Einzelnen thatsachlich beizumessen ist. Man hat den Philosophen nach seiner theoretischen Seite fast lediglich als den Begrunder der modernen Erkenntnistheorie gewurdigt und dabei ubersehen, wie seine ganze Erkenntnistheorie aus naturphilosophischen Erwagungen hervorgegangen und oft in den wichtigsten Punkten von ihnen bestimmt worden ist. Die vorliegende Arbeit schopft nun bei der Hochflut der philosophischen Litteratur, die sich mit Kant beschaftigt, ihre Daseinsberechtigung vor allem daraus, dafs sie die gesamte theoretische Philosophie Kants unter dem Gesichtspunkte der Naturphilosophie betrachtet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.". (shrink)

There is a considerable sub-literature, stretching back over 35 years, addressed to the question: Precisely which general terms ought to be classified as rigid designators? More fundamentally: What should we take the criterion for rigidity to be, for general terms? The aim of this paper is to give new grounds for the old view that if a general term designates the same kind in all possible worlds, then it should be classified as a rigid designator. The new grounds in question (...) have to do with excavating the connection between rigid designation and semantic structure. Other original contributions of the present work consist in developing responses to some objections to this approach to rigid designation. (shrink)

How do we appreciate a work of art? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Arthur Shimamura takes findings from psychological and brain sciences to address ways of understanding our aesthetic responses.

Intended for those interested in Kant's contribution to philosophy, this volume provides an overview of Kant's arguments concerning central issues in metaphysics and ethics.

We prove three theorems which show that it is relatively consistent for any strong cardinal κ to be fully Laver indestructible under κ-directed closed forcing.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.