The world has been going through the process of economical, political and cultural integration for a long time. At the end of the 20th century, the integration received a new meaning. In the world?s policy, sovereign countries were in conflict or collaborated earlier. A stricter hierarchy of economical and political power hubs is being established now. In such processes of globalization, differences in development, wealth and power arise, people are less safe, the sovereignity of national states is being violated. The (...) story of equality remains in the sense of disappearance of cultural differences in floods of non-cultural culture. It is difficult to talk about democracy when the world?s power is getting stronger and stronger. Is it possible to have a globalization which would not affect human rights, and which would not prevent people from taking care of truth, freedom and happiness? Svet se odavno ekonomski, politicki i kulturno objedinjuje. Krajem 20. veka je objedinjavanje dobilo novo znacenje. U svetskoj politici su se ranije podrazumevali sukobi ili saradnja suverenih drzava. Sada se uspostavlja sve cvrsca hijerarhija medju raznim ekonomskim i politickim sredistima moci. Kod ovakvog globalizovanja se razlike u razvijenosti, bogatstvu i snazi povecavaju, ljudi postaju sve manje bezbedni, a suverenost nacionalnih drzava se osipa. Prica o jednakosti ima smisla samo kao nestajanje kulturnih razlika u poplavi nekulturne kulture. O demokratiji je tesko govoriti uz sve cvrscu dominaciju svetske moci. Da li bi moglo da postoji globalizovanje koje ne bi ugrozavalo ljudska prava, koje ne bi sprecavalo ljude da brinu o istini, slobodi i sreci? PR Projekat Ministarstva nauke Republike Srbije, br. 179006. (shrink)

The last third of the twentieth century brought about cultural changes, including the rapid scientific progress and the informatization that began in the 1960s. Artists of this period, especially the progressive artists of New York, responded to the changes by integrating the digital reality and a new scientific understanding of the universe into their oeuvre. Such art projects were based on the pure data comprised of facts, instead of subjective ideas, and conveyed in a strongly reduced non-semiotic form. I define (...) this trend as informational art to describe a shift from the verbal, visual and conceptual cognition toward the data-oriented thinking. This pivotal moment in Western history has not been given enough scholarly attention yet. For this reason, the achievement of Walter De Maria and his colleagues in the placement of scientific principles at the foundation of contemporary art has not been fully appreciated. In my paper, I aim to highlight the role of informational art in the advancement of the modern scientifically based ›Weltanschauung‹. (shrink)

1. Sŏron -- 2. Ŭisik ŭi chonggyojŏk ch'ŭngmyŏn -- 3. Yŏng : Chŏng Yag-yong ŭi simnon -- 4. Yŏngch'e : Chŏng Yag-yong ŭi insŏngnon -- 5. 'Yŏngch'e' insŏngnon esŏ pon ch'ŏnin kwan'gye -- 6. Kyŏllon.

Chaos theory of the 1977 Nobel Prize laureate I. Prigogine allows to consider any religious system as a dissipative structure, the development of which corresponds to the leading characteristics of chaotic systems. It should be noted that dissipative structures are called systems whose activity creates chaos, which destroys the existing order and, at the same time, is the basis for the emergence of self-organization and higher-order order. Modern scientific studies have proved the universal nature of nonlinear systems, have shown that (...) isolated systems do not exist in the world at all - everything is interconnected. This fully applies to the development of religious systems. (shrink)

_Purpose_ of the research is to study the originality of interpretation of death in the lyrics of Ukrainian diaspora in Canada in the context of the opposition "foreign land – motherland", based on its existential development in philosophical anthropology and culture of the last two centuries. Its implementation presupposes, first of all, analysis of the forms of development and disclosure of the death motif by figurative and artistic means. _Theoretical basis__._ The author uses the well-founded tradition of interpreting the death (...) motif in philosophical literature of the last centuries, i.e. non-classical and modern philosophical thought. _Originality._ The present study is an attempt at systematization of the notions of death in Ukrainian poetry in Canada in the second half of the 20th century. It is based on the study of artistic texts and the worldview of Ukrainian emigrants. Appeal to the fiction of the Ukrainian Diaspora allows illustrating the originality of philosophical understanding of death in the context of the national culture. _Conclusions_. Reference to Ukrainian-Canadian poetry allows expanding the space of philosophical understanding of death in the form of figurative fiction. Concretizing the character of their interpretation of the motif of death, it is necessary to focus attention on its two basic forms of manifestation: existential, associated with living abroad, and sacrificial death for the benefit of the homeland. Thus, the motif of death occupies a significant place in the lyrics of representatives of the Ukrainian diaspora. The concept of human death is closely connected with the concept of life, which is concretized through their meaningful comprehension. This is a matter of interpretation of despair and loneliness motifs, as well as the illumination of the images of a foreign land, which is one of the features of emigrant literature in general. (shrink)

Study on the philosophy of Cārvāka, classical Indian materialist.

-- v. 4. Tshad ma rig pa -- v. 5. Dbu ma -- v. 6. Mdzod ʼdul.

Many different writers have employed what might be termed the ‘existence criterion’ when offering realist analyses of perception. In all these realist accounts, a basic argument may be detected. If any experience—e.g. the having of either a sensory or a mental image—is to be a form of perceiving, then the statement reporting that experience must satisfy a condition which applies to all perceiving-statements. Any putative perceptual statement of the form ‘S perceives x’ must entail a statement to the effect that (...) x, or some y, does exist as a public perceptual object in S’s perceptual range. For example, my statement ‘I see Peter’ will be a proper perceptual statement only if Peter is a public perceptual object now in my line of vision, or only if I take some other public perceptual object now in my line of vision to be Peter. Statements about our having images of things, this basic argument continues, cannot satisfy this condition. The object imaged —e.g. Peter—is not always present in the subject’s perceptual range at the time of the imaging, and the subject does not necessarily take a public perceptual object in his perceptual range to be that object. Hence, any statement reporting our imaging something must be false if it is construed as a report of a perceiving. (shrink)

We do not usually draw conclusions and summarize the results of our round table meetings. The speakers share their ideas, divergent viewpoints are discussed, and a certain level of approach to the problems under discussion is formulated. Therefore, today I will also not attempt to draw a conclusion.

T︠S︡ivilizat︠s︡ionnai︠a︡ sushchnostʹ sovremennogo obrazovanii︠a︡ -- Sot︠s︡ialʹno-kulʹturnoe vzaimodeĭstvie kak osnova pedagogicheskogo sotvorchestva v situat︠s︡ii t︠s︡ivilizat︠s︡ionnykh preobrazovaniĭ -- Nat︠s︡ionalʹnai︠a︡ sistema obrazovanii︠a︡ Belarusi v ėpokhu tekhnogennoĭ t︠s︡ivilizat︠s︡ii i unifikat︠s︡ii kulʹtur.

Urielʹ Dakosta.--Filosofskai︠a︡ sistema Spinozy.--Sot︠s︡ialʹnai︠a︡ ėtika Mabli i Morelli.--Zhak Nėzhon i ego ateizm.--K voprosu o politicheskikh vzgli︠a︡dakh Zh.-B. Robinė.--"Sot︠s︡ialʹnai︠a︡ sistema" Golʹbakha i ee russkiĭ perevodchik XVIII v.--Tragedii︠a︡ russkogo materializma XVIII v. (filosofskie vzgli︠a︡dy A. N. Radishcheva).--I. P. Pnin i ego mesto v istorii russkoĭ obshchestvennoĭ mysli.--Filosofskie vzgli︠a︡dy dekabrista I︠A︡kushkina.

L. Vervoort claims to have found a model which “can violate the Bell inequality and reproduce the quantum statistics, even if it is based on local dynamics only”. This claim is false. The proposed model contains global elements. The physics behind the model is local, but would not allow the explanation of violations of Bell inequalities for space-like separated events, if superluminal causal influences are forbidden. To use it for this purpose, one has to introduce a preferred frame where information (...) can be send faster than light. As a cause of the misunderstanding we identify the unfortunate convention to use “local” as a synonym for Einstein-local, so that theories which are local in every physically relevant sense have to be named “non-local”, and argue that this convention should be abandoned. (shrink)