Differing worldviews give interdisciplinary work value. However, these same differences are the primary hurdle to productive communication between disciplines. Here, we argue that philosophical issues of metaphysics and epistemology subserve many of the differences in language, methods and motivation that plague interdisciplinary fields like educational neuroscience. Researchers attempting interdisciplinary work may be unaware that issues of philosophy are intimately tied to the way research is performed and evaluated in different fields. As such, a lack of explicit discussion about these assumptions (...) leads to many conflicts in interdisciplinary work that masquerade as more superficial issues. To illustrate, we investigate how philosophical assumptions about the mind may influence researchers in educational neuroscience. The methods employed by researchers in this field are shaped by their metaphysical beliefs, and arguments around these issues can threaten accepted disciplinary ontologies. Additionally, how a researcher understands reduction in the special sciences and how they place their colleagues in this ontology constrains the scope of interdisciplinary projects. In encouraging researchers to explicitly discuss the philosophical assumptions underlying their research we hope to alleviate some of the conflict and establish realistic expectations for collaborative projects. (shrink)

As the world moves into the 21st century, business managers face new and daunting challenges to their legitimacy. Those who run the world’s 72,0000 multinational firms and their 828,000 subsidiaries face special difficulties.1 These firms constitute a global economy that has produced much that is useful, including wondrous technologies and great wealth for many. Nevertheless, one in five of the world’s six billion people lives in extreme poverty, surviving on less than $1 a day. Half the world lives on less (...) than $2. In spite of roughly $1 trillion that has been spent to fight poverty around the globe in the last 50 years and vastly increased trade and investment, most people in Latin America, the Middle East and Central Asia are poorer today than they were ten years ago, and most Africans were better off 40 years ago.2 Environmental degradation increases, as do disease and violations of human rights. Unreasonable as it may be to blame business for the world’s ills, the blame sticks, because the ills — like multinationals — transcend national boundaries and are in many ways beyond the power of existing governments to affect. And global government has yet to evolve. Furthermore, the governments of many countries lack either the will or the ability to reduce poverty within their jurisdictions, meaning that if MNCs do not do it, it won’t be done.3 In addition to the undesirable costs of the globalisation they have helped to create, managers are concerned also with the greed, crime and scandal in their own ranks. So it is appropriate to help them inspect the assumptions that have been used to justify their power and authority, and to consider whether those assumptions need renovation. This I shall do in Part I of this essay. In Part II I shall seek a historical perspective, because in many ways the criticism of business and globalisation today echoes the debate in the 1930s about which economic system was best, communism, socialism or capitalism. Capitalism, we suppose, has won, but if so, what is it? Is it the same everywhere — in China, Japan, Europe, Mexico, the United States, and elsewhere? If not, is the very word not misleading? (shrink)

An account, systematically presented, of Plato's views on the subjects covered in the author's earlier books-ethics, aesthetics and philosophy of education--with only passing mention of Platonic logic, epistemology and metaphysics. The Platonic views are set against the views of Plato's Greek predecessors, and a final chapter discusses "Plato and Modern Philosophy." Mr. Lodge writes engagingly, but somewhat informally too; his book is intended more as an essay in appreciation than as a work of philosophical interpretation.--V. C. C.

The cosmological argument for God’s existence has a long history, but perhaps the most influential version of it has been the argument from contingency. This is the version that Frederick Copleston pressed upon Bertrand Russell in their famous debate about God’s existence in 1948 (printed in Russell’s 1957 Why I am not a Christian). Russell’s lodges three objections to the Thomistic argument.

The history of evolution is a history of development from less to more complex organisms. This growth in complexity of organisms goes hand in hand with a concurrent growth in complexity of environments and of organism-environment relations. It is a concern with this latter aspect of evolutionary development that motivates the present paper. We begin by outlining a theory of organism-environment relations. We then show that the theory can be applied to a range of different sorts of cases, both biological (...) and non-biological, in which objects are lodged or housed within specific environments, or niches. Biological science is interested in types—for example in genotypes, phenotypes, and environment types—in regularities that can serve as the basis for the formulation of laws or general principles. Types, however, can exist only through their corresponding tokens. Our theory of token environments is meant to plug this gap and to provide a first step towards a general theory of causally relevant spatial volumes. (shrink)

In recent decades, recourse to notions of human dignity has increased extensively within the field of bioethics. In particular, the notion has been utilised in arguments that seek to constrain a variety of biotechnological endeavours, examples of which include human cloning and transhumanism. In this regard, transhumanism is frequently described as an affront to human dignity in a manner that appears to be aimed at halting the possibility of further debate. The efficacy of the concept of human dignity has itself, (...) however, been questioned. Criticisms include its ambiguous nature and thus the lack of adequate definition by those who utilise it, its supposedly religious undertones as well as the fact that it may be used to argue for diametrically opposing positions within the same argument, due to the existence of distinct and conflicting interpretations. In this paper, I briefly discuss the aims of the transhumanist movement and explicate the concept of human dignity in order to assess one of the most renowned dignity arguments that has been lodged against transhumanism, namely, the argument of the bioconservative thinker Leon Kass. In addition, I discuss the counter-argument of the transhumanist Nick Bostrom. These findings have implications for the concept’s efficacy to adjudicate the complex ethical conundrums posed, not only by transhumanism, but in the bioethics arena in general. (shrink)

This chapter looks at six arguments against Tensism. They are, equivalently, arguments for Anti‐Tensism. The arguments are of three basic kinds: those that argue that Tensism is incoherent or mysterious, those that argue that it is in irresolvable conflict with modern science, and those that fault Tensism for its unexplainable or brute necessities. The chapter considers the objection that Tensism cannot sensibly account for the rate of the flow of time. It shows in which a variety of objections based on (...) Truthmaker Theory are lodged against various versions of Tensism. The chapter looks at science, especially Einstein's theory of relativity, as the basis for an argument against Tensism. It concerns additional philosophical objections to Tensism and then considers epistemological problems for Tensism; and McTaggart's argument that Tensism is self‐contradictory. The chapter explores the number of brute necessities for which Tensism can provide no simple explanation. (shrink)

Teravih namazının dört rekâtlık bölümlerinin farklı makamlardan tilavetle kılınması ile aralarında uygun ilahi ve salavatların okunması şeklindeki cami musikisi uygulaması teravih tertibi adıyla anılmaktadır. Tarihi süreciyle ilgili detaylı bilgi bulunmasa da özellikle son yüzyılda Ramazan ayının her gecesi için seçilmiş ilahilerin yer aldığı birkaç derleme kaleme alınmıştır. Bu çalışmada Kasımpaşa Mevlevîhânesi dervişlerinden Edirneli Ömer Efendi tarafından 1889’da hazırlanan, bugün Milli Kütüphane Yazmalar Koleksiyonu’nda A-1258 numarada kayıtlı, Ramazân-ı Şerîfe Mahsûs Âyîn-i Şerîf Mecmûası değerlendirilecektir. Mecmuanın diğer tertiplerden farkı, repertuvarın ağırlıklı olarak Mevlevî (...) âyinlerinden seçilen pasajlardan oluşmasıdır. Yirmi altı gece için hazırlanan mecmuanın girişinde bir fihrist yer almaktadır. İlerleyen sayfalarda her gece için seçilen âyin pasajları ve az sayıdaki ilahinin güfteleri yazılmıştır. Çalışmada öncelikle mecmuanın yapısı, düzeni ve kullanımı analiz edilmiştir. Ardından pasajlarının hangi Mevlevî âyinlerine ait olduğu tespit edilerek mecmuanın repertuvarı ortaya konmuştur. Buradan hareketle ilgili mecmua ile sonraki teravihe mahsus ilahi derlemelerinin mukayesesi yapılarak teravih tertibinde ortaya çıkan çeşitlilik tartışılmıştır. (shrink)

In this article, it is often pointed out to a more specific area by using the term Ṣūfi art on the basis of the aforementioned understanding. Thus, an analytic approach is adopted along with the usage of deductive method, and a layer of meaning is tried to be established through criticism and analysis. Firstly, a basic framework was constructed by mentioning the origins of Ṣūfi art. Then the attention was drawn to the sacredness included in Ṣūfi art in terms of (...) its historical frame and ontological structure. It is asserted that Ṣūfi art is based on four basic arguments: beauty, creativity, transcendence, and imagination. Ṣūfis considered art as an activity of beauty and the expressive power of it. Relying on the basic motive that Allah is the Greatest Artist, the Ṣūfis believe that the beauty of their art is a manifestation of Divine Names. They saw art as an expression of manifestation and unveiling. The Ṣūfis, who deemed the world in terms of Divine Beauty (Jamāl), witnessed the manifestations of the Divine Attribute of Beauty in all things; as a result of this witnessing, the masterpieces of Islamic art came into existence. It is the sapiental and the gnostic outlook that underlies this success of the Ṣūfi orders (tariqa) in Islamic history. In Ṣūfism, the perfection (kamāl) presupposes the beauty (jamāl); and each beauty presupposes also the perfection. Therefore, it is not possible to distinguish beauty from perfection in the Ṣūfi art. The sense of loving the beauty is so strong for them that they have tried to reflect the perfect beauty they witness in their works of art, to give an external presence to the phenomenon of beauty and to make the spiritual reality visible that is innate within their beings. Ṣūfism is in a sense an effort to seek beauty. It has been an endless longing to seek, search and witness The All Beauty, that is God Himself. The effort to search for Divine Beauty is sometimes revealed by tune, and sometimes by harmonious words or by a single line. Then, they turn into music, poetry, calligraphy and illumination. According to the maxim stating “There is a path from heart to heart”, these works were transmitted from one generation to another, ensuring the continuity of this Divine tune. Despite the fact that Ṣūfi works make no pretensions to be art as such, they were widely accepted, influenced the masses and gained appreciation in that they were created by people with a sincere heart, intimate sentiments and a deep world of contemplation. The second stage of the gnostic dimension in Islamic arts has been tried to be expounded through the ultimate goal of Ṣūfi art. In Ṣūfi tradition, the aesthetics and sensitivity of art attract attention at every opportunity, but the Ṣūfis did not consider art as their main aim. For them, art denotes only a means. Ṣūfis, who appeal to the eyes, ears and mind with the artistic forms, endeavoured to permeate to the hearts with the spiritual atmosphere provided. With their performances, exuberance and success in different branches of fine arts, they mobilized the aesthetic sentiments in each person's nature and ensured that the human pleasure become accorded with the divine pleasure. Focusing on the sapiential and gnostic dimension of Islamic arts, the basic principles of Ṣūfi art are emphasized as the third stage. It is also suggested that these principles also have a religious content are marked with religious style, have a strong sense of sacredness, possess generality and the peculiarity, have symbolic and representative aspects, are based on symbolism and have traditional characteristics, their style of expression is based on revelation, and are not intended to provoke carnal desires. As to the fourth remarkable factor within the sapiential and gnostic dimension of Islamic art, the Ṣūfi worldview behind the mentioned artistic works is given. As to the fifth remarkable factor in the gnostic dimension of Islamic arts, the thought behind the world of art sustained in the dervish lodges (tekke) is discussed. These dervish lodges were emphasized as the most important places where the beautiful word, beautiful sound and beautiful line converge and these lodges were evaluated as the kitchen where the fine arts were prepared and as the boiler where the arts are cooked. It is due to these features that each of the dervish lodges in Ottoman Empire became a kind of education and fine arts centre. In these lodges, many musicians, composers, poets, illuminators, bookbinders, carvers, engravers and marbling masters were trained. While the dervishes in the dervish lodges exhibited their own unique works of art, they also carried out the requirements of their spiritual trainings (sayru sulūk). (shrink)

W wyniku przemian społecznych w wielu krajach demokratycznych, a zwłaszcza w Stanach Zjednoczonych jako kolebce demokracji, dostrzega się zmiany nie tylko ideowe, ale i obrazu samego społeczeństwa, podkreślając choćby zmiany tradycyjnych cnót mieszczańskich społeczeństwa kapitalistycznego. W tym kontekście warto więc zauważyć, ze wszelkie przeobrażenia i „nowinki" odbywają się na bazie poszanowania podstawowych zasad systemu, tj. demokracji, wolnego rynku oraz wyraźnej dominacji drogi ewolucyjnej, a nie rewolucyjnej, co dla czytelnika polskiego może stanowić pozytywny aspekt wychowawczy. W niniejszym studium teoretyczne koncepcje filozoficzne (...) filozofów Johna Rawlsa i George'a C. Lodge'a są zestawione z działalnością polityka praktyka Johna Fitzgeralda Kennedy’ego, który choć nie jest filozofem teoretykiem, to jednak należy do głównych przedstawicieli tzw. liberalizmu jakościowego. Jego pozycja w życiu społeczno-politycznym Stanów Zjednoczonych Ameryki Północnej umożliwiła spopularyzowanie tego nurtu liberalnego w życiu publicznym społeczeństwa amerykańskiego. (shrink)

Callicott’s basic mistake in his much regretted paper ”Animal Liberation: A Triangular Affair” is to think of the anthropocentric, zoocentric, and biocentric perspectives as mutually exclusive alternatives. An environmental ethics requires, instead, a polycentric perspective that accommodates and does justice to all three positions in question. I explain the polycentric perspective in terms of an analogy derived from the pioneering work of Canadian philosopher Rupert C. Lodge and distinguish it from both pragmatism and moral pluralism.

A school of idealism: meditatio laici, by J. Cappon.--Beati possidentes, by R. M. Wenley.--Moral validity: a study in Platonism, by R. C. Lodge.--Plato and the poet's eidōla, by A. S. Ferguson.--Some reflections on Aristotle's theory of tragedy, by G. S. Brett.--The function of the phantasm in St. Thomas Aquinas, by H. Carr.--The development of the psychology of Maine de Biran, by N. J. Symons.--A plea for eclecticism, by H. W. Wright.--Some present-day tendencies in philosophy, by J. M. MacEachran.--Evolution and (...) personality, J. G. Hume.--Emergent realism, by J. Muirhead.--Bibliography of publications by Dr. John Watson (p. 343-346). (shrink)

HALLETT C and WAGNER L. Nursing Inquiry 2011; 18: 359–368 Promoting the health of Europeans in a rapidly changing world: a historical study of the implementation of World Health Organisation policies by the Nursing and Midwifery Unit, European Regional Office, 1970–2003The World Health Organisation (WHO) was inaugurated in 1948. Formed in a period of post‐war devastation, WHO aimed to develop and meet goals that would rebuild the health of shattered populations. The historical study reported here examined the work of the (...) Nursing and Midwifery Unit (NMU) of WHO’s European Regional Office during the later part of the twentieth century. The study examined archive sources lodged at the NMU archive. The sources included manuscripts relating to important NMU initiatives, reports and papers published by WHO, and a range of secondary sources. The study identified three main driving forces in the work of the NMU of the European Regional Office of WHO. One of the strongest of these was a drive to develop and promote the nursing profession within the countries of the European Region. The second was the promulgation and implementation of the positive public health strategies of WHO, particularly its ‘38 Targets for Health for All by the Year 2000’. The third focussed on securing equity across the European continent and on promoting the development of the nursing professions in poorer and less‐developed countries. The study concludes that the nursing professions in European states grew in strength and influence, and that the health of populations improved throughout the continent between 1970 and 2003. It discusses the extent to which the role of the NMU in these advances may have been significant. (shrink)

Games occupy a unique and valuable place in our lives. Game designers do not simply create worlds; they design temporary selves. Game designers set what our motivations are in the game and what our abilities will be. Thus: games are the art form of agency. By working in the artistic medium of agency, games can offer a distinctive aesthetic value. They support aesthetic experiences of deciding and doing. -/- And the fact that we play games shows something remarkable about us. (...) Our agency is more fluid than we might have thought. In playing a game, we take on temporary ends; we submerge ourselves temporarily in an alternate agency. Games turn out to be a vessel for communicating different modes of agency, for writing them down and storing them. Games create an archive of agencies. And playing games is how we familiarize ourselves with different modes of agency, which helps us develop our capacity to fluidly change our own style of agency. (shrink)