In pre-Columbian times, the Zenu Indians established drainage systems in the wetlands of the Colombian Caribbean that enabled them to exploit this rich ecosystem in a sustained manner. Modern inhabitants of the region are, however, exposed to a regimen of periodic flooding that limits their productive activities. In addition, they are surrounded by large cattle ranches that occupy almost all the land and are responsible for the disappearance of forests that sustain the wild fauna. These peasants employ a classification (...) system for the fauna that favors the criterion of habitat over that of morphology to distinguish categories of animals. Secondary forest animals inspire carnival dances, folk tales, poetry, and songs, while insects and other invertebrates are barely represented in the oral tradition. Fishing provides the principal source of protein for many families, but there are no mechanisms to control the use of large nets that exhaust the resource. The capture of reptiles such as iguanas, turtles, and crocodilians is intensive and is not based on studies that determine the state of the populations and the impact of hunting activities. The author draws attention to the need to take into account local representations of animals in programs aimed at conserving the wetlands and their fauna. She discusses the popular nomenclature, knowledge, attitudes, and beliefs regarding the fauna of a wetland region of the Colombian Caribbean to assist in the design of programs for the sustainable exploitation of the resources of this ecosystem, vital to the survival of local fishermen and peasants. (shrink)

With the aim of slowing down the processes of cultural folklorization which aggravate the situation in which his fellow islanders are stagnating, Edouard Glissant cultivates an archipelago rhetoric, prioritizes poetics of diversity and takes a heuristic approach which allows him to report on the true history of Caribbean people. This is how he urges them to recover their collective memory, exalts their own culture and takes charge of their future, far from fakelore and any form of depersonalization.

The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican intellectuals, a close identificatory connection to primitivist sensibility, elsewhere their attitude to such supposed examples of (...) primitivism as African-American poetry and Caribbean folklore is extremely distanced and rather patronizing. Moreover, their claims to an ‘authentic’ relation to primitive culture, especially where this is defined as African, are complicated by the fact that they have to rely on European ethnographic sources in order to make these claims; and the writing in Tropiques shows them grappling with this contradiction. (shrink)

The figure of the tracée is significant for Ménil’s understanding of spatio-temporality, an understanding upon which rest, so this essay argues, his concepts of critique, poetic knowledge, and literary form. The argument takes as its starting point the work Ménil did to conceptualize history as the poesis of recuperation. In doing so, the essay argues for a renewed understanding of Ménil’s contribution to Caribbean philosophy as a whole. One of the most important components of this contribution, the essay claims, (...) is the manner in which Ménil shifts the focus from how linguistic and cultural identity forms in the Antilles to how history appears. What this means is that Ménil works to displace the centrality of folklore and orality to the construction of Antillean identity in order to imagine how Antillean culture comes also to be expressed non-discursively. In Ménil’s work, this displacement occurs primarily by his re-thinking the relationship of architecture to literature. Re-thinking this relationship entails for Ménil recuperating the traces of an Antillean “past passed over,” which unexpectedly appear in both architectural structures and literary works. Paying attention to this particular and peculiar intellectual focus in Ménil’s work, this essay ultimately reconsiders the roles played by both discursive and non-discursive arts in the constitution of a decolonized aesthetics in the Antilles. (shrink)

The folklore studies scholar, such as Dorson (1976, Folklore and fakelore: Essays toward the discipline of folk studies, Harvard: Harvard University Press), was emphatic about the distinction between folklore and ‘fake lore’, one being authentic and the other as invented by the popular industry; however, he paradoxically maintained interest in the contemporariness of folklore. This was a paradox since the contemporariness of folklore is largely, and usually, due to intersections of folk with popular and political. (...) Nevertheless, the emphasis on contemporariness was a harbinger of discussion on the potential dynamics of folklore, and everything buried therein, including value orientation. This essay is guided by the observations emerging from folklore studies, socio-cultural anthropology and performance studies in order to get into a specific case of Bihu, a folk performance inclusive of songs, dance, attires and instruments inter alia in Assam, in the northeast of India. The curious case of Bihu in flux divulges dynamics of value orientation and intersections of identity politics, in the wake of the contemporariness of folklore. (shrink)

Taking a set of central issues from ancient Greek medicine and biology, this book studies firstly, the interaction between scientific theorising and folklore or popular assumptions; secondly, the ideological character of scientific inquiry. Topics of interest in the philosphy and sociology of science illuminated here include the relationship between primitive thought and early science, the roles of the consensus on the scientific community, tradition and the authority of the written text, in the development of science.

A distinguished wise man, Emil Cioran, with whom I share a country of birth and the thought that follows, said once that the two most interesting things in life are gossip and metaphysics. I can hardly think of a more self evident and enjoyable truth, if wisely construed. This volume combines the two pleasures, for it is an exercise in the metaphysics of wise gossip, of how we make sense of each other, and how, as a result we interpret, explain, (...) rationalize and evaluate our representations and actions. The body of wisdom which allows us to do all this is currently currently called folk or common sense psychology. I will also call it psychofolklore or the folklore of the mind. (shrink)

The article characterizes post-folklore as a cultural phenomenon of the network society and defines various aspects of its functioning − sociocommunicative, cultural and psychological. The research methodology consisted of a set of basic approaches, principles and methods of scientific research. To achieve the goal, a set of general scientific and special methods was used, including the methods of logical analysis, problemchronological, generalization, synthesis, induction, and analogy.Research results. It has been proven that post-folkloric creativity is important for the development of (...) social communications, as it promotes the exchange of information between users of social networks, conveys people’s knowledge, moods, feelings, and emotions. In the cultural aspect, the works of post-folklore appear as cultural heritage of modern urbanized society and are represented by various types and genres. From the point of view of psychology, post-folklore has an impact on individual and social consciousness, on the development of cognitive processes, etc. The emergence of post-folklore in the field of education is separately mentioned, which indicates its important importance for the formation of the worldview of school youth.Conclusions. Today post-folklore is the subject of scientific research as a phenomenon of mass culture and network society, as a means of social communication, as a phenomenon that has an impact on public and individual consciousness and is gradually being established in the field of education. In the era of accelerated development of information and communication technologies, everyone has the opportunity to become a collector or author of post-folkloric creativity. Further research is planned to be carried out in the direction of studying the prospects for the development of post-folklore in Ukrainian and foreign cultures. (shrink)

Games, festivals, folklore, a derivation of them, and artistic expression are manifestations of symbolic invention. To compare them is to bring out the differences in the order of the symbolic production and have, as a consequence, a differentiated perception of the way they function. It is also to put them into a perspective of filial relationship. In fact, a genealogy appears with the processes that regulate the passage from one to the other of these means of expression. Through the (...) successive dissipation of structural stabilizations that are in turn play, festival and folklore, a generative order of complexity is established of which art, with its dynamics open to all expressive invention, is the end result. Finally, it is to discover at the end of the process the literary text, conceived as a work of art, surrounded by expression and preceded by it, appearing from then on according to one of the precepts of the theory of the text, as a production “of society and history” and as issuing from the social phenomenon in its entirety. “I am not only undertaking a study of a sociology of games,” wrote Roger Caillois. “My idea is to lay the foundations for a sociology beginning with games.” We would say of a sociology in which we would be permitted to glimpse the achievement of the task of explaining the entire social phenomenon itself. (shrink)

El autor discurre sobre la historia y esencia del arte, y su relación con las demás manifestaciones del saber humano.

Popular Traditions, Folklore and Politics The article studies how the "language" of folk traditions and folklore continues to be a tried-and-tested means for the representation and propagation of political concepts and ideas. The author notes transformations in the significance of folklore and folk traditions in historically changing both political and socio-cultural contexts. Attention is drawn to the significance of folklore in the nation-forming thinking of the 19th century, the place of honour accorded to it as an (...) expression of the working people during the period of socialism, and its contradictory perception in the post-socialist context today. (shrink)

This article explores how Paul Féval’s work integrates and transforms Breton legends and popular beliefs to shape a distinctive imaginary novel. Féval, born in Rennes in 1816, was influenced by the oral traditions of his native region. He drew on this rich cultural heritage to create works combining fantasy, the marvellous and romanticism, such as La Femme blanche des marais, Les Belles-de-nuit and La Fée des Grèves. These stories illustrate a hybrid between elements of authentic folklore and literary reinterpretations (...) influenced by European Romanticism. Féval is particularly interested in legendary female figures linked to water and the Other World, such as the White Woman of the Marshes, a spectre protecting the Malestroit family, and the Belles-de-nuit, ghosts mourning their tragic fate. These characters do more than simply enrich the poetic background: they play an active part in the plot and crystallise the introduction of the modern marvellous, where the supernatural emerges in a realistic setting, provoking fascination and turmoil. The novelist also explores the figure of the fairy, as in La Fée des Grèves, where this romantic aquatic creature, both protective and ambiguous, crosses symbolic thresholds between life and death, land and sea. The fairy, often associated with natural forces and sometimes Christianised, reflects the Breton imagination in constant transformation. This article also highlights the way in which Féval uses legends to meet the expectations of a wider audience, eager for a marvellous story that is accessible and rooted in geographical and historical reality. This process includes adapting traditional stories to make them compatible with the serial novel, a genre that values intrigue and mystery. Finally, this article highlights the ideological function of these stories: to re-enchant a modern world perceived as disenchanted by industrialisation and the rise of materialism. The reworked legends thus become a narrative and poetic tool enabling Féval to celebrate a past imbued with spirituality and mystery, while at the same time criticising a society in the throes of change. (shrink)

In this article, the aim is to explore Lebanese folklore through proverbs and to demonstrate how the dynamic field of imagination behind concise oral statements influences contemporary society and anchors, in the collective thinking of several generations, the values of a community, whether they are well-founded or not. Although Lebanese society is patriarchal, men are often depicted as beasts, frequently domestic and specifically as draft animals. The parody, satire, and humor that generally characterize proverbs feed into the images that (...) circulate in the collective unconscious. Durand's theriomorphic symbolism and its resulting ramifications, while referring to Bourdieu's “male domination,” highlight customs and traditions that devalue women and represent them as inferior beings or even as the embodiment of evil on earth. As one facet of folklore, these popular expressions sometimes originate from mythical, biblical, or traditional stories that are the result of beliefs and rituals passed down through centuries. (shrink)

Noruz, the new year in the Iranian world, corresponds to the spring equinox. The rites and festivities to which this festival gives rise in Iran are described here. But celebrating the new year on a fixed date according to a solar calendar is opposed to the customs of the Muslim world governed by a lunar calendar. The custom of the festival is all the more called into question when the spring equinox and its joyous manifestations correspond to a ritual of (...) mourning, as was the case in 2006. The celebration of Noruz was also prohibited under the Soviet Union and one of the first steps taken by the new Middle Eastern republics was its re-establishment. In Turkey, this popular festival by the Kurds and Alevis was the subject of a reinterpretation, enhancing the patriotic spirit. (shrink)

En este artículo se presenta el guión de una conferencia que Roberto Lehmann-Nitsche, pocos años después de radicarse en la Argentina, desarrolló en 1901 acerca del folklore mapuche. La intervención se realizó a solicitud de la Deutschen Frauen Verein, una asociación de mujeres alemanas con sede en la ciudad de Buenos Aires, y abordó aspectos teóricos sobre esta disciplina, entonces en expansión, desde la perspectiva germana. Además, realizó una catalogación de los materiales empíricos documentados por este antropólogo durante los (...) primeros años de su residencia en el país. El texto original, hasta el momento inédito, se entrega en su versión en alemán y en traducción al español. En la presentación se proporciona un análisis que permite reconocer cómo en esta intervención se integran apreciaciones que Lehmann-Nitsche también sostuvo en posteriores publicaciones científicas y de divulgación por él realizadas. Como se sabe, su producción en el campo del folklore comprendió dos vertientes: por un lado, el folklore criollo y por otro, el devenido de arte verbal y tradiciones de los pueblos indígenas preexistentes, en especial textos correspondientes a géneros narrativos y adivinanzas en las lenguas propias y en castellano. En relación con este último aspecto, se retoman aportes de autores filiados en la tradición germana a fin de indicar afinidades y vínculos, con algunos americanistas que eran sus contemporáneos. (shrink)

Folklore in Buddhist and Jaina Literatures. An account of the life of the common people as reflected in Pali, Prakrit and Apabhramsa works. Sures Chandra Banerji. Bibliotheca, Indo-Buddhica 37, Delhi 1987. xv, 120 pp. Rs 130.

A narrative collage of ancient and contemporary storytelling, modern theory, and personal reflection. This title examines the nature of oral culture, its embodied nature, its connection to place, and its use of metaphor, laughter, ethnicity, and intergenerational conversation to create unique kinds of interactions and learning.

Examining the establishment of Christianity as a major world religion, Jewish nationalism and the myths and customs of pre-historic Egypt, the volumes in this mini-set, originally published between 1924 and 1929 include work by Winifred Holtby, Edward B Powley and H F Scott Stokes.

The beginnings of modern Romanian culture coincide with the discovery of folk literature. The first to benefit from this true “revelation,” around the middle of the last century, were two of the most authentic representatives of Romanian romanticism: Vasile Alecsandri and Alecu Russo. However, the earliest manifesto of Romanian romanticism was not very explicit in its treatment of the subject, because others who participated in the current—especially Mihail Kogălniceanu and Nicolae Bălcescu— were primarily historians. In 1840 the contensts of Dacia (...) literară, a magazine edited by them, gave literary status to heroic events that had entered into Romanian history; second place was reserved for the beauty of the Romanian countryside; the picturesque and the poetic content of the traditions held by the people who had lived this history and animated this countryside were only third in importance. Now, the term “traditions” could be applied in the same way to different artistic expressions: dance, music or literature. (shrink)

Place-lore, which has been systematically collected and archived in Estonia since the 19th century, is a part of various national, communal and institutional practices. Until now, Estonian researchers have resorted to conceptualizing place-lore from the perspective of archival texts, and the focus has been on collecting and archiving the material. At the same time, theoretical study of place-lore has remained in the background. In the article I approach place-lore from the perspective of ecosemiotics and suggest a new definition of place-lore (...) that is based on semiotic relations these narratives have with the environment they represent. Outlining different ways of how vernacular tradition and the environment it represents are semiotically related, and analysing the ways in which these relations are expressed in place-related folklore allows seeing how place-lore can be defined through (1) localizability, (2) representation of the characteristics of a place, and (3) manifestation of place experience. Defining place-lore and presenting the preliminary conceptual tools is much needed in practical collection work and archiving and serves as an important prerequisite for studying the place-related folklore in the context of contemporary challenges, such as changing textual practices, cultural disruptions, and environmental crisis. Examples are drawn from folklore associated with mires, specifically from narratives about the Kakerdaja Bog in northern Estonia. (shrink)