Results for 'Color space'

970 found
Order:
  1. Color, space, and figure in Locke: An interpretation of the Molyneux problem.Laura Berchielli - 2002 - Journal of the History of Philosophy 40 (1):47-65.
    Laura Berchielli - Color, Space and Figure in Locke: An Interpretation of the Molyneux Problem - Journal of the History of Philosophy 40:1 Journal of the History of Philosophy 40.1 47-65 Color, Space, and Figure in Locke: An Interpretation of the Molyneux Problem Laura Berchielli THIS IS HOW LOCKE, in the second edition of his Essay Concerning Human Understanding , introduces a question that had been suggested to him in a letter from William Molyneux: . . (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  2.  42
    Which colour space(s) is Shepard talking about?Lieven Decock & Jaap van Brakel - 2001 - Behavioral and Brain Sciences 24 (4):661-662.
    Contra Shepard we argue, first, that his presentation of a three-dimensional representational (psychological or phenomenal) colour space is at odds with many results in colour science, and, second, that there is insufficient evidence for Shepard's stronger claim that the three-dimensionality of colour perception has resulted from natural selection, moulded by the particulars of the solar spectrum and its variations. [Shepard].
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  3.  56
    Color spaces and color order systems, a primer.Rolf Kuehni - 2010 - In Jonathan Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. Bradford.
    This chapter discusses the ordering of color percepts, and starts by presenting an overview of the critical issues surrounding the topic and by examining the relationship between stimuli and percepts. Certain types of variability were found by experimental psychology in the relationship between stimulus and response as a result of observation conditions. In the twentieth century, the view that the normal human color-vision system has a standard implementation and that all perceptual data are appropriately treated with normal statistical (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  4. Is color space curved? A common model for color-normal and color-deficient observers.Galina V. Paramei & David L. Bimler - 2001 - In Werner Backhaus (ed.), Neuronal Coding of Perceptual Systems. World Scientific. pp. 102--105.
     
    Export citation  
     
    Bookmark  
  5. Delving deeper into color space.Yasmina Jraissati & Igor Douven - 2018 - I-Perception 9 (4):1-27.
    So far, color-naming studies have relied on a rather limited set of color stimuli. Most importantly, stimuli have been largely limited to highly saturated colors. Because of this, little is known about how people categorize less saturated colors and, more generally, about the structure of color categories as they extend across all dimensions of color space. This article presents the results from a large Internet-based color-naming study that involved color stimuli ranging across all (...)
    Direct download  
     
    Export citation  
     
    Bookmark   3 citations  
  6.  57
    Four-dimensional color space.E. N. Sokolov - 1997 - Behavioral and Brain Sciences 20 (2):207-208.
    Multidimensional scaling of subjective color differences has shown that color stimuli are located on a hypersphere in four-dimensional space. The semantic space of color names is isomorphic with perceptual color space. A spherical four-dimensional space revealed in monkeys and fish suggests the primacy of common neuronal basis.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  7.  28
    Mapping the Color Space of Saccadic Selectivity in Visual Search.Yun Xu, Emily C. Higgins, Mei Xiao & Marc Pomplun - 2007 - Cognitive Science 31 (5):877-887.
    Color coding is used to guide attention in computer displays for such critical tasks as baggage screening or air traffic control. It has been shown that a display object attracts more attention if its color is more similar to the color for which one is searching. However, what does similar precisely mean? Can we predict the amount of attention that a display color will receive during a search for a given target color? To tackle this (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8. The Phenomenal Color 'Space' is not a Space.Lieven Decock - 2002 - In Barbara Saunders & Van Jaap Brakel (eds.), Theories, Technologies, Instrumentalities of Color: Anthropological and Historiographic Perspectives. Upa. pp. 343-351.
    No categories
     
    Export citation  
     
    Bookmark   2 citations  
  9.  65
    The inverted colour space of vampires.Karel Kranda - 1999 - Behavioral and Brain Sciences 22 (6):959-959.
    Palmer's attempt to dust off Locke's construct of “inverted spectrum” is discussed here to examine its plausibility. Perceptual inversion could be fulfilled by adopting the notion of “inverted trichromacy” rather than by the proposed existence of “red-green reversed trichromats.” Although the former alternative conforms to a hypothetical world of vampires, it fails to conform to the realities of genetics and neuroscience.
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark  
  10.  64
    Colors and color spaces.Brian P. McLaughlin - 2000 - In The Proceedings of the Twentieth World Congress of Philosophy, Volume 5: Epistemology. Charlottesville: Philosophy Documentation Center. pp. 83-89.
    Sensory qualities are objective properties; indeed, on the evidence, they are physical properties. However, what makes a physical property the sensory quality it is is its relationship to sensory experiences of perceivers. For instance, the redness of a surface is a physical property of the surface; what makes that physical property surface red is the fact that it disposes surfaces to look red to appropriate visual perceivers in appropriate viewing circumstances. What it is like for something to look red—that is, (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  11.  15
    The Euclidean nature of color space.Jozef Cohen & Thomas P. Friden - 1975 - Bulletin of the Psychonomic Society 5 (2):159-161.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  12. Perspectives on colour space.Koenderink & van Dorn - 2003 - In Rainer Mausfeld & Dieter Heyer (eds.), Colour Perception: Mind and the Physical World. Oxford University Press.
     
    Export citation  
     
    Bookmark   1 citation  
  13.  14
    Helmholtz and the geometry of color space: gestation and development of Helmholtz’s line element.Giulio Peruzzi & Valentina Roberti - 2023 - Archive for History of Exact Sciences 77 (2):201-220.
    Modern color science finds its birth in the middle of the nineteenth century. Among the chief architects of the new color theory, the name of the polymath Hermann von Helmholtz stands out. A keen experimenter and profound expert of the latest developments of the fields of physiological optics, psychophysics, and geometry, he exploited his transdisciplinary knowledge to define the first non-Euclidean line element in color space, i.e., a three-dimensional mathematical model used to describe color differences (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  14.  90
    Why asymmetries in color space cannot save functionalism.Jonathan Cohen - 1999 - Behavioral and Brain Sciences 22 (6):950-950.
    Palmer's strategy of saving functionalism by constraining spectrum inversions cannot succeed because (1) there remain many nontrivial transformations not ruled out by Palmer's constraints, and (2) the constraints involved are due to the contingent makeup of our visual systems, and are therefore not available for use by functionalists.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  15.  53
    What is a colour space?Jules Davidoff - 1992 - Behavioral and Brain Sciences 15 (1):34-35.
  16.  23
    Wild Red: Synesthesia, Deuteranomaly, and Euclidean Color Space.Rawb Leon-Carlyle - 2019 - Chiasmi International 21:355-368.
    In a promising working note to the Visible and Invisible, Merleau-Ponty proposes that we understand Being according to topological space – relations of proximity, distance, and envelopment – and move away from an image of Being based on homogeneous, inert Euclidean space. With reference to treatments of cross-sensory perception, color-blindness, and the concept of quale or qualia, I seek to rehearse this shift from Euclidean to topological Being by illustrating how modern science confines color itself to (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  17.  58
    Newton's colour circle and Palmer's “normal” colour space.Gábor A. Zemplén - 2004 - Behavioral and Brain Sciences 27 (1):166-168.
    Taking the real Newtonian colour circle – and not the one Palmer depicts as Newton's – we don't have to wait 300 years for Palmer to say no to the Lockean aperçu about the inverted spectrum. One of the aims of this historical detour is to show that one's commitment about the “topology” of the colour space greatly affects Palmer's argument.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  18.  45
    What in the world determines the structure of color space?Roger N. Shepard - 1992 - Behavioral and Brain Sciences 15 (1):50-51.
  19. Quality-Space Functionalism about Color.Jacob Berger - 2021 - Journal of Philosophy 118 (3):138-164.
    I motivate and defend a previously underdeveloped functionalist account of the metaphysics of color, a view that I call ‘quality-space functionalism’ about color. Although other theorists have proposed varieties of color functionalism, this view differs from such accounts insofar as it identifies and individuates colors by their relative locations within a particular kind of so-called ‘quality space’ that reflects creatures’ capacities to discriminate visually among stimuli. My arguments for this view of color are abductive: (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  20.  52
    Colour categorization and the space between perception and language.Don Dedrick - 1997 - Behavioral and Brain Sciences 20 (2):187-188.
    We need to reconsider and reconceive the path that will take us from innate perceptual saliencies to basic colour language. There is a space between the perceptual and the linguistic levels that needs to be filled by an account of the rules that people use to generate relatively stable reference classes in a social context.
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  21. Comparative color vision: Quality space and visual ecology.Evan Thompson - 2000 - In Color Perception: Philosophical, Psychological, Artistic, and Computational Perspectives. New York: Oxford University Press.
     
    Export citation  
     
    Bookmark   13 citations  
  22.  16
    Indoor Color and Space Humanized Design Based on Emotional Needs.Yunkai Xu & Shan Wu - 2022 - Frontiers in Psychology 13.
    The increase in emotional consumption reflects the increased emotional appeal of people in modern life. As a place for people’s daily life and consumption, the indoor environment has been regarded as a symbol of quality of life and esthetic taste. The purpose of this paper is to study how to analyze and study the color factor and space humanization in interior design based on emotional needs, and describe the neural network. This paper puts forward the problem of emotional (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  23.  60
    The Space of Colour and the Colour of Space.Andrea van Doorn & Jan Koenderink - 2022 - Gestalt Theory 44 (1-2):27-40.
    Summary In the visual arts, the constructions of the spatial and chromatic structures of pictures can hardly be separated from each other. The phenomenological approach from the perspective of the arts provides an independent and worthwhile approach to the topic of colour and space. We address some matters of composition in design and, to some extent, in naturalistic painting. The phenomenological approach from the perspective of the arts reveals various topics that invite further investigation by the means of generic (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  24.  30
    Colour, Pattern, Space and Time in Art Perception: Two Case Studies.Christopher Linden, Stefanie De Winter & Johan Wagemans - 2022 - Gestalt Theory 44 (1-2):7-26.
    Summary Colour and space are pervasive topics in both perception and art. This article investigates the role of colour and pattern in relation to space and time in the art works by two artists: Frank Stella, a well-known Post-War American abstract painter, and Pieter Vermeersch, an emerging Belgian abstract painter, representing a contemporary trend to break the barriers between artistic disciplines. While Stella adheres to the Modernist logic of non-illusionistic, non-spatial, non-referential art as object, perceived instantaneously, Vermeersch explores (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  25. Color Ontology and Color Science.Jonathan Cohen & Mohan Matthen (eds.) - 2010 - Bradford.
    Philosophers and scientists have long speculated about the nature of color. Atomists such as Democritus thought color to be "conventional," not real; Galileo and other key figures of the Scientific Revolution thought that it was an erroneous projection of our own sensations onto external objects. More recently, philosophers have enriched the debate about color by aligning the most advanced color science with the most sophisticated methods of analytical philosophy. In this volume, leading scientists and philosophers examine (...)
  26. Color may be the phenomenal dual aspect of two-state quantum systems in a mixed state.Tal Hendel - manuscript
    Panmicropsychism is the view that the fundamental physical ingredients of our universe are also its fundamental phenomenal ingredients. Since there is only a limited number of fundamental physical ingredients, panmicropsychism seems to imply that there exists only a small set (palette) of basic phenomenal qualities. How does this limited palette of basic phenomenal qualities give rise to our rich set of experiences? This is known as ‘the palette problem’. One class of solutions to this problem, large-palette solutions, simply denies that (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  27. "The Colour Out of Space": Lovecraft on Induction.Kieran Setiya - 2021 - Philosophy and Literature 45 (1):39-54.
    Argues for a reading of H. P. Lovecraft’s 1927 short story, "The Colour out of Space," as an affective response to the problem of induction. Lovecraft weighs the meaning of our epistemic frailty, drawing on George Santayana’s "Scepticism and Animal Faith." His writing elicits inductive vertigo, the fear that our concepts fail to carve nature at the joints.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  28.  50
    Color Charts, Esthetics, and Subjective Randomness.Yasmine B. Sanderson - 2012 - Cognitive Science 36 (1):142-149.
    Color charts, or grids of evenly spaced multicolored dots or squares, appear in the work of modern artists and designers. Often the artist/designer distributes the many colors in a way that could be described as “random,” that is, without an obvious pattern. We conduct a statistical analysis of 125 “random-looking” art and design color charts and show that they differ significantly from truly random color charts in the average distance between adjacent colors. We argue that this attribute (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  29. On the reality (and diversity) of objective colors: How color‐qualia space is a map of reflectance‐profile space.Paul Churchland - 2007 - Philosophy of Science 74 (2):119-149.
    How, if at all, does the internal structure of human phenomenological color space map onto the internal structure of objective reflectance‐profile space, in such a fashion as to provide a useful and accurate representation of that objective feature space? A prominent argument (due to Hardin, among others) proposes to eliminate colors as real, objective properties of objects, on grounds that nothing in the external world (and especially not surface‐reflectance‐profiles) answers to the well‐known and quite determinate internal (...)
    Direct download (9 more)  
     
    Export citation  
     
    Bookmark   29 citations  
  30.  86
    Colour and Pictorial Representation.A. Lee - 2005 - British Journal of Aesthetics 45 (1):49-63.
    I argue that naturalistic pictures provide a guide and a justification for our concept of colour. The crucial relation between pictures and colours is to be brought out, not by reference to the ‘internal’ relations between colours (for example, what differentiates green from red), but by considering how colours are differentiated from the wider range of visually discriminable qualities. Naturalistic pictures effect such a differentiation by simulating colour-like qualities such as gold, amber, and blond, while requiring nothing beyond the three-dimensional (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  31.  60
    Colour: An exosomatic organ?B. A. C. Saunders & J. van Brakel - 1997 - Behavioral and Brain Sciences 20 (2):212-220.
    Sections R1 to R3 attempt to take the sting out of hostile commentaries. Sections R4 to R5 engage Berlin and Kay and the World Color Survey to correct the record. Section R6 begins the formulation of a new theory of colour as an engineering project with a technological developmental trajectory. It is recommended that the colour space be abandoned.
    Direct download (9 more)  
     
    Export citation  
     
    Bookmark   55 citations  
  32. Universals in color naming and memory.Eleanor R. Heider - 1972 - Journal of Experimental Psychology 93 (1):10.
  33.  21
    What Color Is Your Anger? Assessing Color-Emotion Pairings in English Speakers.Jennifer Marie Binzak Fugate & Courtny L. Franco - 2019 - Frontiers in Psychology 10.
    Do English-speakers think about anger as “red” and sadness as “blue”? Some theories of emotion suggests that color(s) - like other biologically-derived signals- should be reliably paired with an emotion, and that colors should differentiate across emotions. We assessed consistency and specificity for color-emotion pairings among English-speaking adults. In study 1, participants (n = 73) completed an online survey in which they could select up to three colors from 23 colored swatches (varying hue, saturation, and light) for each (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  34.  84
    Simple colours.Nicholas Nathan - 1986 - Philosophy 61 (July):345-353.
    [Colour is king in our innate quality space, but undistinguished in cosmic circles.] Most philosophers would agree with at least the second half of Quine's dictum. It is indeed on the general view wrong to believe that, as qualities, colours are extra-mentally actual in even the humblest role. Mind-independent material things have on the general view powers to cause sensations of red or blue, but if, in [sensations of red or blue], [red] and [blue] name qualities, we are not (...)
    Direct download (11 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  35. Indeterminate perception and colour relationism.Brian Cutter - 2019 - Analysis 79 (1):25-34.
    One of the most important objections to sense data theory comes from the phenomenon of indeterminate perception, as when an object in the periphery of one’s visual field looks red without looking to have any determinate shade of red. As sense data are supposed to have precisely the properties that sensibly appear to us, sense data theory evidently has the implausible consequence that a sense datum can have a determinable property without having any of its determinates. In this article, I (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  36.  13
    The Helmholtz legacy in color metrics: Schrödinger’s color theory.Valentina Roberti & Giulio Peruzzi - 2023 - Archive for History of Exact Sciences 77 (6):615-635.
    This study is a continuation of the authors’ previous work entitled “Helmholtz and the geometry of color space: gestation and development of Helmholtz’s line element” (Peruzzi and Roberti in Arch Hist Exact Sci.https://doi.org/10.1007/s00407-023-00304-2, 2023), which provides an account of the first metrically significant model of color space proposed by the German polymath Hermann von Helmholtz in 1891–1892. Helmholtz’s Riemannian line element for three-dimensional color space laid the foundation for all subsequent studies in the field (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  37. (1 other version)Color Geometry - Or Color Grammar?Denis Seron - forthcoming - Meinong Studies.
    This article discusses some difficulties of the theory of color propounded by Meinong in his Re-marks on the Color Solid and the Mixture Law of 1903. First, I argue that Meinong’s geometrical approach faces at least three sets of difficulties related to the following assumptions: colors pos-sess a “nature” that can be grasped through intuition; they are separated from each other by continua in color space; there are an infinite number of a priori relations between colors. (...)
    No categories
     
    Export citation  
     
    Bookmark   1 citation  
  38.  58
    Color relations and the power of complexity.C. L. Hardin - 1999 - Behavioral and Brain Sciences 22 (6):953-954.
    Color -order systems highlight certain features of color phenomenology while neglecting others. It is misleading to speak as if there were a single “psychological color space” that might be described by a rather simple formal structure. Criticisms of functionalism based on multiple realizations of a too-simple formal description of chromatic pheno-menal relations thus miss the mark. It is quite implausible that a functional system representing the full complexity of human color phenomenology should be realizable by (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  39.  50
    Explaining Color Term Typology With an Evolutionary Model.Mike Dowman - 2007 - Cognitive Science 31 (1):99-132.
    An expression-induction model was used to simulate the evolution of basic color terms to test Berlin and Kay's (1969) hypothesis that the typological patterns observed in basic color term systems are produced by a process of cultural evolution under the influence of biases resulting from the special properties of universal focal colors. Ten agents were simulated, each of which could learn color term denotations by generalizing from examples using Bayesian inference, and for which universal focal red, yellow, (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  40. The disunity of color.Mohan Matthen - 1999 - Philosophical Review 108 (1):47-84.
    What is color? What is color vision? Most philosophers answer by reference to humans: to human color qualia, or to the environmental properties or "quality spaces" perceived by humans. It is argued, with reference to empirical findings concerning comparative color vision and the evolution of color vision, that all such attempts are mistaken. An adequate definition of color vision must eschew reference to its outputs in the human cognition and refer only to inputs: (...) vision consists in the use of wavelength discrimination in the construction of visual representations. A color quality is one that is generated from such processing. (shrink)
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark   81 citations  
  41. The trajectory of color.B. A. C. Saunders & Jaap Van Brakel - 2002 - Perspectives on Science 10 (3):302-355.
    : According to a consensus of psycho-physiological and philosophical theories, color sensations (or qualia) are generated in a cerebral "space" fed from photon-photoreceptor interaction (producing "metamers") in the retina of the eye. The resulting "space" has three dimensions: hue (or chroma), saturation (or "purity"), and brightness (lightness, value or intensity) and (in some versions) is further structured by primitive or landmark "colors"—usually four, or six (when white and black are added to red, yellow, green and blue). It (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  42.  93
    Constraints on Colour Category Formation.Yasmina Jraissati, Elley Wakui, Lieven Decock & Igor Douven - 2012 - International Studies in the Philosophy of Science 26 (2):171-196.
    This article addresses two questions related to colour categorization, to wit, the question what a colour category is, and the question how we identify colour categories. We reject both the relativist and universalist answers to these questions. Instead, we suggest that colour categories can be identified with the help of the criterion of psychological saliency, which can be operationalized by means of consistency and consensus measures. We further argue that colour categories can be defined as well-structured entities that optimally partition (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  43. How Does Colour Experience Represent the World?Adam Pautz - 2017 - In Derek Brown & Fiona Macpherson (eds.), Routledge Handbook of Philosophy of Colour. New York: Routledge.
    Many favor representationalism about color experience. To a first approximation, this view holds that experiencing is like believing. In particular, like believing, experiencing is a matter of representing the world to be a certain way. Once you view color experience along these lines, you face a big question: do our color experiences represent the world as it really is? For instance, suppose you see a tomato. Representationalists claim that having an experience with this sensory character is necessarily (...)
    Direct download  
     
    Export citation  
     
    Bookmark   7 citations  
  44.  13
    Wittgenstein on Color.Jonathan Westphal - 2017 - In Hans-Johann Glock & John Hyman (eds.), A Companion to Wittgenstein. Chichester, West Sussex, UK: Wiley-Blackwell. pp. 533–544.
    In the very early Notebooks 1914‐1916, Ludwig Wittgenstein's principal interests were in logic, but his remarks are scattered through with occasional observations or sequences of observations about epistemology, solipsism, life, and other metaphysical subjects. The Tractatus was published in 1921. Here, as in the Notebooks, Wittgenstein is convinced that there must be elementary propositions, propositions that cannot be analyzed, because they are not composed by applying truth functions to other propositions. The metaphysical structure of the Tractatus began to disintegrate, however, (...)
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  45.  68
    Measuring Graded Membership: The Case of Color.Igor Douven, Sylvia Wenmackers, Yasmina Jraissati & Lieven Decock - 2017 - Cognitive Science 41 (3):686-722.
    This paper considers Kamp and Partee's account of graded membership within a conceptual spaces framework and puts the account to the test in the domain of colors. Three experiments are reported that are meant to determine, on the one hand, the regions in color space where the typical instances of blue and green are located and, on the other hand, the degrees of blueness/greenness of various shades in the blue–green region as judged by human observers. From the locations (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   18 citations  
  46.  76
    Space, Color, Sense Perception and the Epistemology of Logic.Dallas Willard - 1989 - The Monist 72 (1):117-133.
    Metaphysical and epistemological commitments seem to determine the course of research in the field of logic as well as its theoretical interpretation. What we take the objects of logical investigation to be determines our views on how they are to be known, and our view of the possible types of knowledge in turn places restrictions on what kinds of things those objects could be. Perhaps it is true that logical studies can be pursued to great lengths without indulging in general (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  47.  17
    Editorial: Color and Space in Perception and Art.Branka Spehar & Tiziano Agostini - 2022 - Gestalt Theory 44 (1-2):1-6.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  48.  56
    Synaesthetic perception of colour and visual space in a blind subject: An fMRI case study.Valentina Niccolai, Tessa M. van Leeuwen, Colin Blakemore & Petra Stoerig - 2012 - Consciousness and Cognition 21 (2):889-899.
    In spatial sequence synaesthesia ordinal stimuli are perceived as arranged in peripersonal space. Using fMRI, we examined the neural bases of SSS and colour synaesthesia for spoken words in a late-blind synaesthete, JF. He reported days of the week and months of the year as both coloured and spatially ordered in peripersonal space; parts of the days and festivities of the year were spatially ordered but uncoloured. Words that denote time-units and triggered no concurrents were used in a (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  49. (2 other versions)Color and the inverted spectrum.David R. Hilbert & Mark Eli Kalderon - 2000 - In Steven Davis (ed.), Vancouver Studies in Cognitive Science. New York: Oxford University Press. pp. 187-214.
    If you trained someone to emit a particular sound at the sight of something red, another at the sight of something yellow, and so on for other colors, still he would not yet be describing objects by their colors. Though he might be a help to us in giving a description. A description is a representation of a distribution in a space (in that of time, for instance).
    Direct download  
     
    Export citation  
     
    Bookmark   41 citations  
  50.  54
    Thresholds for color discrimination in English and Korean speakers.Debi Roberson, J. Richard Hanley & Hyensou Pak - 2009 - Cognition 112 (3):482-487.
    Categorical perception (CP) is said to occur when a continuum of equally spaced physical changes is perceived as unequally spaced as a function of category membership (Harnad, S. (Ed.) (1987). Psychophysical and cognitive aspects of categorical perception: A critical overview. Cambridge: Cambridge University Press). A common suggestion is that CP for color arises because perception is qualitatively distorted when we learn to categorize a dimension. Contrary to this view, we here report that English speakers show no evidence of lowered (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   20 citations  
1 — 50 / 970