Augustine's Confessions is one of the most influential and most innovative works of Latin literature. Written in the author's early forties in the last years of the fourth century AD, they reflect on his life and on the activity of remembering and interpreting a life. Books I–IV are concerned with infancy and learning to talk, school days, sexual desire and adolescent rebellion, intense friendships and intellectual exploration. Augustine evolves and analyses his past with all the resources of the reading (...) which shaped his mind: Virgil and Cicero, Neoplatonism and the Bible. This edition, which aims to be usable by students who are new to Augustine, alerts readers to the verbal echoes and allusions of Augustine's brilliant and varied Latin, and explains his theological and philosophical questioning of what God is and what it is to be human. (shrink)

A new interpretation of the first six books of Augustine's Confessions, emphasizing the importance of Christianity rather than Neoplatonism.

In this work, the printed Greek confession books are subjected to extensive analysis for the very first time. These books, which appeared at the beginning of the 17th century in the orthodox East, enjoyed unprecedented popularity in their time. This work focuses on analyzing the origins of these confession books and their sources, within the context of church policy. Through new findings, which radically revise the knowledge accrued through previous research, it makes an essential contribution to research on the history (...) of Orthodoxy under Ottoman rule. (shrink)

This reappraisal of the middle section of Augustine's Confessions covers the period of Augustine's conversion to Christianity. The author argues against the prevailing Neoplatonic interpretation of Augustine.

This volume picks up where Vaught's Journey toward God in Augustine's Confessions: Books I-VI concluded. The three chapters of this present work follow the Confessions' three central books, looking at Augustine's Neoplatonic moment of ecstasy, his conversion to Christianity in the Milanese garden, and the shared vision with his mother Monica in the house at Ostia. Very much appreciated in Vaught's approach here is his insistence that Augustine never intended to present these experiences as exclusively his own, but (...) rather as "archetypical expressions" of what occurs whenever any human soul comes upon the divine. The method employed throughout helpfully analyzes these major events within the Confessions in terms of chronological development, how Augustine engages or is engaged by those around him, and those encounters with God which shape a soul's story. (shrink)

This article focuses on the unresolved scholarly question of how Confessiones, book 10 should be interpreted, proposing a new explanation as to how and why the second half of book 10 is critically important to this text. Emphasizing important relations between the introductory chapters and the second half of book 10, the article revisits Augustine’s treatment of ambitio saeculi, interpreted as a state of will, with which author Augustine continues to struggle, even during his act of confessing (...) publicly (i.e., in composing the book 10 text for publication). As a corruption of the motive behind his act of public confession, ambitio saeculi threatens to undermine the moral integrity of this same act. After Augustine recognizes that he cannot solve this moral flaw, he despairs and considers abandoning his human audience, and so, the very publication of his text. However, he is made newly capable of remaining, as confessant, before his readership, through a new, deeper conversion. This conversion to a new humility is given in and through the confessant’s participation in the eucharistic sacrament, which provides a hopeful resolution to his ambitio saeculi. (shrink)

A Manichaean Prayer and Confession Book. Edited and translated by Nicholas Sims-Williams, with introduction by John Sheldon and codicology by Zsuzsanna Gulácsi. Corpus Fontium Manichaeorum, Series Iranica, vol. 1. Turnhout: Brepols, 2022. Pp. xxvi + 195. €100.

Lucas, Brian Review(s) of: Religious confession privilege and the common law, by Keith Thompson (Leiden: Matinus Nijhoff Publishers, 2011), pp.395, E135.00.

"Confessions of a Frigid Man: A Philosopher’s Journey into the Hidden Layers of Men’s Sexuality" is the translation of a Japanese 2005 bestseller, "Kanjinai Otoko." Soon after the publication, this book stirred controversy over the nature of male sexuality, male “frigidity,” and its connection to the “Lolita complex.” Today, this work is considered a classic in Japanese men’s studies. The most striking feature of this book is that it was written from the author’s first-person perspective. The author (...) is a professor who teaches philosophy and ethics at a university in Japan, and in this book he talks about his own sexual fetishism, his feeling of emptiness after ejaculation, and his huge obsession with young girls and their developing female bodies. He undertakes a philosophical investigation of how and why sexuality took such a form within a person who had grown up as a “normal,” heterosexual man. This may be the first case in which a philosopher delves deep into his own sexuality and poses an ambitious hypothesis about the formation of male “frigid” sexuality, which might actually be shared by many “normal” men in our society in a hidden way. Reading this book, female readers will come to know, for the first time, some hidden aspects of male sexuality which men have skillfully submerged in a deep layer of their psyches. (shrink)

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable (...) presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

In book 5 of his historically controversial autobiography, the _Confessions_, Jean-Jacques Rousseau describes his involvement in a perfectly harmonious ménage à trois centered around the charming Mme. de Warens. Despite his assertions to the contrary, however, the text indicates that Rousseau harbored jealous feelings and banked on Mme. de Warens's passion for music to gain an edge over his rival, Claude Anet. But Rousseau's apparently sincere denial of jealous feelings and lost hold over Mme. de Warens's romantic imagination after (...) Anet's sudden death might have been related to the philosophical life, which often demands and imposes solitude. (shrink)

"I confess — I took virtually every picture in this book with my compact camera!" Pros like Rick Sammon make their living with top-of-the-line dSLR cameras.

In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive (...) but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. (shrink)

This discussion of Stanley Hauerwas’Hannah's Child examines the implications of the book for the disciplines of historical and doctrinal theology. Locating the success of theological biography and autobiography in its description of God in relation to lived human existence, the article considers certain points of contact between Hannah's Child and St Augustine's Confessions. Building from this description of the task of theological autobiography, the article makes three points for historical and doctrinal theology arising from Hannah's Child: first that (...) historical theology is primarily a theological discipline; second that it is significant and important, nevertheless, for historical theology to retain its historical accidence; third that doctrine involves teaching and learning the Christian faith and is thereby of ethical significance. (shrink)

Confessions of Love: The Ambiguities of Greek Eros and Latin Caritas, edited by Craig J. N. de Paulo, Senior Editor, et al. American University Studies Series, vol. 7: Theology and Religion. New York: Peter Lang Publishers, 2011. Details: Collection of scholarly essays on love. Distinguished contributors include Roland Teske, S.J., Phillip Cary, Leonid Rudntyzky, Bernhardt Blumenthal, et al.

This important new book examines in some detail the law relating to confessions, unlawful evidence, and the 'right to silence' in the police station. The author also looks at the principles which lie behind this branch of the law. As well as his close examination of the English position, the author also looks at alternative approaches taken by Scottish, Irish, Australian, Canadian, and American legal systems. There is no other book written in English which gives such systematic (...) treatment to this subject. (shrink)

In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive (...) but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. (shrink)

In this infectiously exciting book, Bryan Magee tells the story of his own discovery of philosophy and not only makes it come alive but shows its relevance to daily life. Magee is the Carl Sagan of philosophy, the great popularizer of the subject, and author of a major new introductory history, The Story of Philosophy. Confessions follows the course of Magee's life, exploring philosophers and ideas as he himself encountered them, introducing all the great figures and their ideas, (...) from the pre-Socratics to Bertrand Russell and Karl Popper, including Wittgenstein, Kant, Nietzsche, and Schopenhauer, rationalism, utilitarianism, empiricism, and existentialism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Confessions of a Poisoner, Written by HerselfGail K. Hart (bio)Confessions of a Poisoner, Written by Herself. Translated and introduced by Raleigh Whitinger and Diana Spokiene. New York: MLA, 2009. xliii + 196 pp. $12.95.Confessions of a Poisoner is an epistolary, autobiographical novel, first published anonymously in German as Bekenntnisse einer Giftmischerin in 1803. Lurid accounts of sex, incest, murder, and other crimes contributed to its (...) status as a sensational document in its day, especially in light of the illicit activities of the Countess Charlotte Ursinus, who was arrested and prosecuted for multiple poisonings allegedly committed between 1779 and 1803. Readers were eager for details of the countess's affairs and crimes, and the novel can indeed be read as an account, perhaps her account, of a very busy life of iniquity.The book is extremely engaging, and absorbing because our autobiographical narrator has unusually acute insight into human affairs and human character. From early youth, she finds pleasure in the art of seeming and she is proud of the skill with which she reads those who have something to offer her. Indeed the book could double as a seminar in social manipulation as the narrator negotiates her culture's obstacles to women's self-fulfillment. One is often reminded of George Lillo's murderous Millwood from The London Merchant, who in 1731 made the observation:It is a general maxim among the knowing part of mankind that a woman without virtue, like a man without honor or honesty, is capable of any action, though never [End Page 68] so vile. And yet what pains will they not take, what arts not use, to seduce us from our innocence and make us contemptible and wicked, even in their own opinions?(I:3)The narrator of Poisoner, though she might agree with Millwood, sees her part in the vile actions as both determined and chosen. The early steps of corruption were abetted by passion (incited with some calculation by early lovers) but also by the education she received, which she describes as being more masculine than feminine. Her father's failure to guide and restrain her thirst for knowledge has apparently left her with the ambitions of a conquerer and the social duties of an aristocratic woman—and, as Countess Orsina would have it, where men use daggers, women use poison. Yet she also accepts responsibility for all that she has done, quite convinced that most of it was wrong. The moral philosophy of the piece is somewhat peculiar, but she strives in the space of the one long letter that makes up the book to give an honest account of her duplicitous deeds.This intriguing life story also has significant scholarly value, and the editors/translators, Raleigh Whitinger and Diana Spokiene, have appended an excellent introduction that examines the poisoner's confessions as a document of its time. Our narrator is both wise and well-educated, and she discourses frequently on contemporary literature and philosophy, inserting herself into a variety of cultural debates. For example, her opinions on the value of Richardson's novels for the education and protection of young woman—that Richardson's ideals of virtue are delusional and therefore dangerous—run counter to prevailing wisdom on what young ladies should read. Her struggles with Kant and critical philosophy, which, she claims, diminished her pulchritude, are also instructive. Additionally, the editors make a very convincing case for the authorship of Friederike Helene Unger, whose husband was the publisher, and whose other works bear certain strong resemblances to the prose and the ideas of Poisoner.All of this excitement and knowledge comes to us in a supremely lucid and readable translation. I rarely read fiction in translation without being regularly reminded in some way of the translator. One sees an odd word, puzzles out a sentence and thinks about how one might have done that differently—and one gets distracted. That is not the case with this text, and this is especially surprising because the original German is that "of an era both culturally and historically distant" (xxvii). Whitinger and Spokiene have done a superb job of resurrecting a forgotten German text, embedding it in... (shrink)

In which a scientist searches for an empirical explanation for phenomenal experience, spurred by his instinctual belief that life is meaningful. What links conscious experience of pain, joy, color, and smell to bioelectrical activity in the brain? How can anything physical give rise to nonphysical, subjective, conscious states? Christof Koch has devoted much of his career to bridging the seemingly unbridgeable gap between the physics of the brain and phenomenal experience. This engaging book--part scientific overview, part memoir, part futurist (...) speculation--describes Koch's search for an empirical explanation for consciousness. Koch recounts not only the birth of the modern science of consciousness but also the subterranean motivation for his quest--his instinctual belief that life is meaningful. Koch describes his own groundbreaking work with Francis Crick in the 1990s and 2000s and the gradual emergence of consciousness as a legitimate topic for scientific investigation. Present at this paradigm shift were Koch and a handful of colleagues, including Ned Block, David Chalmers, Stanislas Dehaene, Giulio Tononi, Wolf Singer, and others. Aiding and abetting it were new techniques to listen in on the activity of individual nerve cells, clinical studies, and brain-imaging technologies that allowed safe and noninvasive study of the human brain in action. Koch gives us stories from the front lines of modern research into the neurobiology of consciousness as well as his own reflections on a variety of topics, including the distinction between attention and awareness, the unconscious, how neurons respond to Homer Simpson, the physics and biology of free will, dogs, Der Ring des Nibelungen, sentient machines, the loss of his belief in a personal God, and sadness. All of them are signposts in the pursuit of his life's work--to uncover the roots of consciousness. (shrink)

These essays, along with several manuscripts published here for the first time, offer a more complete and highly defined picture than ever before of one of the ...

The Confessions recounts Augustine 's successful search for God. But Augustine worries that one cannot search for God if one does not already know God. That version of the paradox of inquiry dominates and structures Confessions 1–10. I draw connections between the dramatic opening lines of book 1 and the climactic discussion in book 10.26–38 and argue that the latter discussion contains Augustine 's resolution of the paradox of inquiry as it applies to the special case (...) of searching for God. I claim that he develops a model, relying on the universal human experience of joy and truth, that identifies a starting point that is common to all human beings, is sufficient for guiding a successful search for God, and avoids commitment to recollection of experiences prior to birth. The model is crucial to Augustine 's rejection of traditional Platonist views about recollection. (shrink)

Delivered at the Collège de France between January and March 1980, the lectures entitled On the Government of the Living (Du gouvernement des vivants) seem to be the missing piece in the Foucauldian puzzle. Still unpublished, those eleven lectures were intended to set the theoretical foundation for the book announced as the fourth and last volume of the History of Sexuality, under the title Confessions of the Flesh (Les aveux de la chair). This book, however, was never (...) published, despite the fact that his editor described it as the keystone for the entire History of Sexuality.1 The value of Michel…. (shrink)