This paper describes a model of how musicians make decisions about performing notated music. The model builds on psychological theories of decision-making and was developed from empirical studies of Western art music performance that aimed to identify intuitive and deliberate processes of decision-making, a distinction consistent with dual-process theories of cognition. The model proposes that the proportion of intuitive (Type 1) and deliberate (Type 2) decision-making processes changes with increasing expertise and conceptualizes this change as movement along a continually narrowing (...) upward spiral where the primary axis signifies principal decision-making type and the vertical axis marks level of expertise. The model is intended to have implications for the development of expertise as described in two main phases. The first is movement from a primarily intuitive approach in the early stages of learning toward greater deliberation as analytical techniques are applied during practice. The second phase occurs as deliberate decisions gradually become automatic (procedural), increasing the role of intuitive processes. As a performer examines more issues or reconsiders decisions, the spiral motion toward the deliberate side and back to the intuitive is repeated indefinitely. With increasing expertise, the spiral tightens to signify greater control over decision type selection. The model draws on existing theories, particularly Evans’ (2011) Intervention Model of dual-process theories, Cognitive Continuum Theory Hammond et al. (1987), Hammond (2007), Baylor’s (2001) U-shaped model for the development of intuition by level of expertise. By theorizing how musical decision-making operates over time and with increasing expertise, this model could be used as a framework for future research in music performance studies and performance science more generally. (shrink)

Hussain claims that ethical consumers are subject to democratic requirements of morality, whereas ordinary price/quality consumers are exempt from these requirements. In this paper, we demonstrate that Hussain’s position is incoherent, does not follow from the arguments he offers for it, and entails a number of counterintuitive consequences.

ABSTRACT Schubert’s lied An die musik celebrates music’s capacity to transport the listener or performer into a better world. That capacity renders music utopian for it is this better world and the experience of its prefiguration that is the defining character of utopianism. This article explores the ways in which music may be distinctive in its utopian force, and thus suggests several approaches to researching the underdeveloped area of music and utopia. It draws particularly on Ernst Bloch’s analysis and (...) on work by Daniel Barenboim and Edward Said to argue that there are two distinct aspects to the ‘special case’ for music: abstraction or unutterability, and performance. Neither of these elements is straightforward, since neither is peculiar to music, although they are arguably present in music in distinct ways, rendering it qualitatively different from other forms of utopian expression. (shrink)

Recent research in cognitive and computational neuroscience portrays the neocortex as a hierarchically structured prediction machine. Several theorists have drawn on this research to challenge the traditional distinction between perception and cognition – specifically, to challenge the very idea that perception and cognition constitute useful kinds from the perspective of cognitive neuroscience. In place of this traditional taxonomy, such theorists advocate a unified inferential hierarchy subject to substantial bi-directional message passing. I outline the nature of this challenge and then raise (...) two objections to the cognitive architecture it proposes as a replacement: first, standard ways of characterising this inferential hierarchy are in tension with the representational reach of conceptual thought; second, there is compelling evidence that commonsense reasoning is structured around highly domain-specific intuitive theories that are difficult to situate within a single hierarchy. (shrink)

: In 2000, the Romanian journal Paideia published a series of essays to commemorate the fiftieth anniversary of the death of John Dewey. Three articles--by Peter Hlebowitsh, then the editor of Education and Culture; Daniel Tanner, then the president of the John Dewey Society; and William Schubert, past president of the JDS-- were prepared and translated into Romanian for publication. Paideia editor Nicolae Sacalis has contributed an article describing Dewey's influence in Romania. In "The Writings of John Dewey (...) in Romania: Policy and Pedagogy," Sacalis describes the interest in pragmatism of the Romanian intellectuals of the 1920s and 1930s and how Dewey's writings became important to the government's education leaders and school practitioners. Dewey's popularity was so great that a comprehensive overview of his work was published to honor and acknowledge his eightieth birthday. The writings of Dewey were silenced thereafter but not forgotten. His works reappeared in the 1970s for a new generation of Romanian educators, and since the 1989 revolution, his writings have received even greater popularity, leading to the commemoration of his death by Paideia. (shrink)

Jeffrey (1983) proposed a generalization of conditioning as a means of updating probability distributions when new evidence drives no event to certainty. His rule requires the stability of certain conditional probabilities through time. We tested this assumption (“invariance”) from the psychological point of view. In Experiment 1 participants offered probability estimates for events in Jeffrey’s candlelight example. Two further scenarios were investigated in Experiment 2, one in which invariance seems justified, the other in which it does not. Results were in (...) rough conformity to Jeffrey (1983)’s principle. (shrink)

Through imaginative engagement readers of fiction become, to an extraordinary extent, the narrator’s ‘children’: they often submit themselves to the narrator’s authority without reserve. But precisely because of that, readers are deeply at a loss when their trust is betrayed. This underscores a core function of fiction, namely to evoke emotional response in the reader. In this paper, we hypothesize how a reader’s imaginative engagement can be subjected to narrative frustration due to processing or moral complexity. The types of narrative (...) frustration we consider differ in terms of their sources, and their emotional and behavioral impacts on the reader. Here, we break down these frustrations into their component parts, in an effort to better characterize the different classes of frustrations. We propose that frustrations arise from different combinations of local uncertainty, moral clash and global uncertainty. These sources of frustration in turn explain the reader’s emotional response and their consequent reading behavior as they imaginatively engage with fiction. (shrink)

The topic of my dissertation is satire. This seems to excite many people, and over the past four years I have heard many variations of a similar refrain: “Oh, wow. You’re studying satire? That’s very topical. You must have a lot of material to work with.” There is a way in which this is true, though I suspect in a way that diverges from the way that most of my interlocutors believed. I suspect that the material they imagined me to (...) be working with was the output of Donald Trump, first a candidate for and now holder of the office of President of the United States. That is not the material I find interesting. More interesting to me is their statement. It evinces a number of beliefs that I find interesting, chief among them that Trump makes the current period particularly apt for satire, as if a doddery and incompetent ruling class is somehow a recent phenomenon. And I suspect that underneath this belief in the aptness of satire is a belief in the power of satire. Satire is somehow how people are going to strike back at the vice-governed fools who rule us. Those beliefs are the material I want to work with. This is my interest in satire, then: not so much what it is about satire that makes it powerful, but what is it about satire that makes people think it is powerful? And what is it about satire that makes people think it is powerful when there is pretty powerful evidence that it is not? Unfortunately, here is where I run into the problem that in a very important way I do not have a lot of material to work with. There is not an awful lot on satire within the analytic tradition: outside of a few references to satire, analytic discussions of satire are limited to two short articles. Accordingly, I have taken the task of my dissertation to be to create an account of satire that helps to bring forward why satire is a thing that people can imagine to be powerful, that they can imagine to be politically effective. My dissertation will effectively have two halves, one where I build my account and one where I begin to apply it. The purpose of applying my account, which will comprise the final two chapters, will not be to show its implications so much as how it can be used. My goal will not so much be to give definitive answers about the nature of satire, but rather to give a demonstration of how my account facilitates engaging questions about the role of satire in social and political context. (shrink)

Zygon®, Volume 57, Issue 1, Page 46-59, March 2022.

In _The Smile of Tragedy_, Daniel Ahern examines Nietzsche’s attitude toward what he called “the tragic age of the Greeks,” showing it to be the foundation not only for his attack upon the birth of philosophy during the Socratic era but also for his overall critique of Western culture. Through an interpretation of “Dionysian pessimism,” Ahern clarifies the ways in which Nietzsche sees ethics and aesthetics as inseparable and how their theoretical separation is at the root of Western nihilism. (...) Ahern explains why Nietzsche, in creating this precursor to a new aesthetics, rejects Aristotle’s medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which there can be no art. Ahern shows that Nietzsche saw the human body as the vessel through which virtue and art are possible, as the path to an interpretation of “selflessness,” as the means to determining an order of rank among human beings, and as the site where ethics and aesthetics coincide. (shrink)

Many of the problems that would be faced in setting up transnational institutions mirror problems that have already been addressed by appropriate institutional mechanisms in the establishment of the modern nation-state.

Este artículo se propone realizar un análisis histórico, filosófico y político de la concepción del comunismo de Jean-Luc Nancy (1940-2021). Con ese fin, se toma como referencia una serie de textos del autor, publicados entre 1986 y 2021, donde la cuestión del comunismo es abordada en relación con temáticas tales como el totalitarismo, la comunidad, lo común, la literatura, la democracia y la civilización capitalista. A lo largo del trabajo se indaga el desarrollo de su planteo hasta el momento en (...) que alcanza su forma más o menos definitiva, a mediados de la década del 2000, en el marco del debate sobre “la Idea del comunismo” (Alain Badiou). La interpretación de la posición que Nancy adopta en este debate de alcance internacional desemboca en los dos principales aportes del artículo. En primer lugar, la caracterización de una comprensión ontológica o existencial del comunismo que se diferencia radicalmente de otros posicionamientos actuales y que no registra antecedentes dentro de las tradiciones teóricas comunistas. En segundo lugar, la identificación de un umbral en el pensamiento de Nancy, y por extensión en el pensamiento contemporáneo, donde el sentido del “comunismo”, como la exigencia de otorgar un valor inestimable a cada existencia, se comunica con la búsqueda de otro “espíritu” para nuestro tiempo. (shrink)

The authors examined how a perceiver’s identification of a target person’s actions covaries with attributions of mind to the target. The authors found in Study 1 that the attribution of intentionality and cognition to a target was associated with identifying the target’s action in terms of high-level effects rather than low-level details. In Study 2, both action identification and mind attribution were greater for a liked target, and in Study 3, they were reduced for a target suffering misfortune. In Study (...) 4, it was again found that action identification and mind attribution were greater for a liked target, but like that for the self or a liked other, positive actions were identified at higher levels than negative actions, with the reverse being true for disliked others. In Study 5, the authors found that instructing participants to adopt the target’s perspective did not affect mind attribution but did lead to higher level identifications of the.. (shrink)

Worlds Apart is concerned with one of the new futures of anthropology, namely the advances in technologies which r eate an imagination of new global and local forms. It also analyses studies of the consumption of these forms and attempts to go beyond the assumptions that consumption either localises or fails to effect global forms and images. Several of the chapters are written by anthropologists who have specialised in material culture studies and who examine the new forms, especially television and (...) mass commodities, as well as some new uses of older forms, such as the body. The book also considers the ways in which people are increasingly not the primary creators of these images but have become secondary consumers. (shrink)

Resumo: O presente artigo tem por objetivo apresentar o tema da corrupção, a partir da filosofia política de Enrique Dussel. No marco dos movimentos críticos que emergem no chamado Sul Global, a produção teórica de Dussel busca desenvolver uma estrutura que possibilite a crítica ao que denomina como fetichização do poder. Esse conteúdo é abordado como fundamento da corrupção das instituições que, despercebido pela tradição filosófica moderna, implica uma teoria política que legitima o poder corrompido. Na argumentação aqui concretizada, será (...) exposta a arquitetônica da política dusseliana, distinguindo os conceitos de potentia e potestas. Estes, por sua vez, permitem a diferenciação entre o uso delegado do poder e a execução corrompida do poder. Em seguida, será explicitado o movimento que Dussel assume da crítica de Marx à economia política, para, então, indicar o conteúdo material a partir do qual a constituição crítica de uma nova teoria política deve ser desenvolvida - inspirado em experiências políticas latino-americanas.: The purpose of this article is to present the theme of corruption, based on Enrique Dussel’s political philosophy. Under the scope of the critical movements that emerge in the so-called Global South, Dussel’s theoretical production aims to develop a structure that makes it possible to criticize what he calls the fetishization of power. The fetishization of power is presented as a foundation for the corruption of institutions that, unnoticed by the modern philosophical tradition, implies a political theory that legitimizes corrupted power. In our argument, we will expose the architecture of Dusselian politics, distinguishing the concepts of potentia and potestas. These concepts, in turn, allow for the differentiation between the delegated use of power and the corrupt execution of power. Then, we will make explicit the movement that Dussel assumes from Marx’s critique of political economy to indicate the material content from which the critical constitution of a new political theory must be developed - content that is inspired by Latin American political experiences. (shrink)

. Between 1833 and 1835, Victor Cousin and F.W.J. Schelling engaged in an “amical but serious critique” of each other’s philosophies. I argue that, despite perceptions to the contrary, key to this exchange is a common vision of an atypical, speculative empiricism. That is, against the grain of most commentaries, I contend that there are significant similarities between Cousin’s and Schelling’s philosophies of the early 1830s—similarities that converge on the possibility of a post-Kantian speculative empiricism, which they respectively dub metaphysical (...) psychology or a priori empiricism. (shrink)

This study deals with the ontological background reference of religious experience in general, and it aimed to demonstrate how our existential condition of finitude is imposed to understand the most varied forms of manifestations of religious phenomena that arise in the contemporary world. Thus, we will start from the distinction between a hermeneutic-phenomenological conception of the religious experience in its essence and the empirical approaches on its diverse concrete configurations. In the end, we will try to point out that the (...) possibilities of apprehension of religious phenomena in general lack an existential element that is essentially constitutive for us, namely, the condition of the precariousness of the finite being faced with the opening of meaning that exceeds it in its horizon of transcendence. As general contribution, this way of understanding must foreclose every claim to make absolute a background meaning that should remain open as the most radical condition of possibility for the religious phenomena. (shrink)

Em termos gerais, o artigo investiga as potencialidades e limites do discurso filosófico sobre música a partir do pensamento de Arthur Schopenhauer. Mais especificamente, pretende-se plausibilizar a tese de que a filosofia da música de Schopenhauer, por operar de maneira autoconsciente no terreno da analogia e por se compreender como uma metafísica robusta da música, é um espaço privilegiado para se estudar a natureza mesma da estética filosófica. Para tal, o artigo oferece uma reconstrução panorâmica tanto das principais linhas de (...) força do seu sistema quanto de sua estética, para enfim interrogar a fundamentação de seus procedimentos de elaboração conceitual a partir de desdobramentos da estética e teoria musicais do século XX. (shrink)

This study presents a dualist account of the nature of human action, dualist in a modest sense in that it defends the claim that actions involve the physical and the mental and cannot be interpreted in functionalist ways.

Current medical and legal literature generally favors a definition of death based on total cessation of brain functioning. It does not, however, supply the reasoning for this recommendation. None of the arguments for whole-brain death is convincing; there exists, however, a satisfactory rationale for identifying death with cortical death. Policymakers should refrain from endorsing any of these arguments, focussing instead on the pragmatic tasks involved in guiding medical care at the end of life.

Daniel, Michael E Review(s) of: Australians and the Christian god: An historical study, by Hugh Jackson, (Preston: Mosaic Press, 2013), pp.209, $37.95.

This chapter contains sections titled: I. II. III. IV. V. VI.

In this essay I argue that Reinhold Niebuhr's ethics of self-restraint, though promising, is based on an incomplete and imprecise moral psychology. Although Niebuhr claims that reason cannot provide a sufficient grounding to motivate self-restraint, he does not disclose which human capacity might serve this purpose. I suggest that we can address this oversight by strengthening Niebuhr's tentative embrace of David Hume, and by developing a concept of the emotions in order to explain how human beings can cultivate a stable (...) inclination to self-restraint. This project is informed by and in the service of feminist critiques of Niebuhr and social concerns. (shrink)

Religion und Geschlecht sind zentrale Wissenskategorien für die Entwicklung und Ausprägung jüdischer Identität in ihrer Selbst- und Fremdwahrnehmung. Gemäß Pierre Bourdieu lassen sich entsprechende Prozesse der Identitätsbildung als Habitualisierung verstehen, an welcher auch Jugendliteratur einen Anteil haben kann. Der Artikel legt anhand der Jugendromane Bella und das Mädchen aus dem Schtetl (2015) und Dunkles Gold (2019) exemplarisch dar, mit welchen Methoden und Fragestellungen Geschlechtlichkeit und geschlechtlich markierte Sozialisationsangebote innerhalb religionsaffiner Kontexte jüdischer Jugendliteratur untersucht werden können.

The tendency theory of causation and its use in ontological engineering is described.

This chapter explores the notion of territory in the works of both Gilles Deleuze and Martin Heidegger. It examines whether race and its minor theatre want a dwelling place and investigates whether there is a political potential within the body without organs which offers a resistance to the homely conception of dwelling. It provides a contextualisation of this future theatre in the Deleuzo-Guattarian project of minor literature as a whole and questions the practicality of the schizo-stroll and the BWO. It (...) also discusses the notion of Heideggerian deterritorialisation. (shrink)

Consciously attempting not to think about something is a mental control strategy known as thought suppression. This strategy can be successful under certain conditions, but it often promotes an increase in the accessibility of the thought to consciousness, and along with this, a number of ironic processes and unwanted effects.