While there is extensive literature on both the expansion of human rights and solidarity movements, and on micro-solidarity and violent actions, here I ask what is the relationship between human rights, micro-solidarity and social action? Based on a case study of structured, face-to-face dialogue group encounters in the Israeli/Palestinian context, I draw on Randall Collins’s interaction ritual chain theory to demonstrate why emotional energy and the ritualization of historical narratives have very limited potential to translate into human rights-based (...) moral actions. Instead, I suggest, these encounters produce micro-solidarity that ascribes additional weight to ethnic categories, serving to polarize and homogenize groups along ethnic lines. (shrink)

In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary (...) events unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown. (shrink)

The paper is dealing with the foundation of the Division for German Literature and Language at the Hebrew University of Jerusalem from the point of view of its first head, Prof. Stéphane Mosès.

Excerpt from The Semitic Religions: Hebrew, Jewish, Christian, Moslem John croall, Esq., of Southfield, being deeply interested in the defence and maintenance of the doctrines of the Christian Religion, and desirous of increasing the religious literature of Scotland, instituted a Lectureship. The Lectures shall be delivered biennially in Edinburgh, Shall be not less than six in number, and shall be devoted to a consideration of the Evidences of Natural and Revealed Religion and the Doctrines of the Christian Religion. About (...) the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial CultureSpencer Hawkins (bio)Mufti, Aamir. Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial Culture. Princeton UP, NJ: Princeton, 2007. xv + 325 pp.Mufti’s comparison of the Jewish question and the Indian Partition invites readers to join building projects that delineate and then endanger minorities within nations. Literature about minorities speaks a language (...) deliberately distant from the national one. Minority status has little to do with population numbers for Aamir Mufti; instead it signifies [End Page 61] tential victimization through disproportional rights, since “minority is always potentially exile” (Mufti 13). This definition of minority suits his two examples—Jews in Germany and Muslims in India—since in the twentieth century both fledgling nations adopted forms of nationalism that regarded the lives of these minorities as contaminants to the purity of the emergent national body. The prologue catalogues the brutality in India that prompted Mufti to write this book. Among the horrors listed were the destruction of Babri Mosque at Ayodhya in 1992 and the videotaped gang rapes of Muslim women that became a widespread form of entertainment in India. While Mufti reads violence toward minorities as correlative with the rise of nationstates, he considers similarities and differences between nation building in the West and in the subcontinent. In both cases, the new establishment of political equality for citizens came along with the desire to pare down the number of officially recognized citizens. Muslim and Jewish minorities migrated to “minority” nations in the collapsing British Empire, in present-day Pakistan and Israel, respectively, during the respective formations of India and Germany. By founding nations on formerly British-occupied territory, minorities potentially would enjoy the role of nationalist majorities. This solution strikes Mufti as spreading the nationalist contagion onto the minority.The whole book lets literature mark broad cultural attitudes and phenomena. The first chapter observes incipient Jewish nationalism in a work by a British author, Daniel Deronda by George Eliot, who spent time in Germany and grew fascinated with the Jewish question while abroad. Her Britishness reinforces a pattern in Mufti’s schema: British powers facilitate the rise of nationalism among minorities in India and in Germany. Daniel Deronda comes at the tail end of a long discourse on Jews’ relation to Europe. The first of Mufti’s cases within canonical literature is the hope for tolerance and a dialogue of cultures, which G. E. Lessing allegorizes through a drama about Saladin, the Muslim sultan of Egypt and Syria, who learns to trust the eponymous Jewish merchant in Nathan the Wise. “Muslim” stands in for “Christian” since Nathan’s alienation is allegorical for the alienation of Jews in Lutheran Germany. Heinrich Heine weighs in on the advantages to assimilation in this period with his fragmentary novel The Rabbi from Bacherach, where religiously raised Jewish children feel comforted when they hear the Tale of the Nibelungen from Father Rhein, the personification of a river that figures generally for German national myth and, in Heine’s story, as a possible source of comfort for partially assimilated minorities. If we read literature as a barometer of cultural pressures, then the appeal of assimilation for European Jews declines in the late colonial nineteenth century when George Eliot inscribed religion into the “secular” discourse of national citizenship.Since the Israeli state is outside of the range of his argument, we leave the Jewish Question with George Eliot’s philo-Semitism in Daniel Deronda, where the only hope for European Jews is to become a nation and to occupy the Palestinian territory. Mufti compares the concerns of early Zionism and Pakistani nationalism side by side in chapter 2. Pakistani issues dominate chapters 3 to 5. In chapter 2, he launches the comparison with the parallel between Hebrew’s development as a national language to identify [End Page 62] Jews secularly and culturally, not just religiously, and Urdu’s transition from a vernacular language to a national language with the secular goal of creating a Pakistani culture freed from Hindi’s erstwhile predominance. When he depicts language choice as mimetic of specific cultural trends, Mufti indicates the shape of... (shrink)

Understanding Wisdom Literature: Conflict and Dissonance in the Hebrew Text. By David Penchansky. Grand Rapids, Mich.: William B. Eerdmans Publishing Co., 2012. Pp. xii + 120. $20.

In the summer of 1991, the first issue of the Israeli journal Teoria Ubikoret published an essay of mine on Anton Shammas, a Palestinian citizen of Israel, who wrote the Hebrew novel Arabeskot .1 In this essay I traced Shammas's subversion of the Jewish ethnocentrism of the Hebrew literary canon.2 Shammas's novel reveals how the Hebrew canon in Israel, in the guise of the apparently neutral term Hebrew Literature, which only apparently bases itself on the Hebrew language as (...) the common literary language of Jews and Arabs, has in fact imposed an exclusionary policy. That is, in order to enter its realm, those who write in Hebrew must be Jewish. Shammas, I argued, sought to de-Judaize the Hebrew language and turn it into a language shared by all Israelis, Jews and Arabs alike.Now, twenty years later, Teoria Ubikoret has published a different essay of mine, this time on Tuvya haholev , Dan Miron's Hebrew translation of the great Yiddish writer Shalom Aleichem's novel Tevye der Milhiker. I claim that while Miron's Hebrew indeed Hebraicizes Aleichem's Yiddish, it also moves in the opposite direction; it Yiddishizes Hebrew, giving Yiddish a prominent presence in the Hebrew translation and thus decentering Israeli subjectivity and undermining the cohesive force of Hebrew.3 · 1. See Anton Shammas, Arabeskot ; trans.Vivien Eden under the title Arabesques.· 2. See Hannan Hever, “Ivrit be-eto shel aravi,” Teoria Ubikoret 1 : 23–38, “Hebrew in an Israeli Arab Hand: Six Miniatures on Anton Shammas's Arabesques,” The Nature and Context of Minority Discourse, ed. Abdul R. JanMohamed and David Lloyd , pp. 264–93, andProducing the Modern Hebrew Canon: Nation Building and Minority Discourse , pp. 175–204.· 3. See Hever, “Tuvia haholev beivrit,” review of Tuvya Haholev by Shalom Aleichem, trans. Dan Miron,Teoria Ubikoret 36 : 227–30. (shrink)

Three monographs published between 2012 and 2015 are considered here, in particular concerning their treatment of the so-called Chaoskampf myth in the Hebrew Bible and in the ancient Near East. The first two, by Gregory Mobley and Bernard Batto, still hold to the traditional Gunkelian approach to this subject and think that the Chaoskampf motif of Enūma elish is behind Gen. 1 and hence that creation is the result of conflict. While Mobley’s view is more ideological and theological, Batto focuses (...) more on the literary and religious aspects of this myth, referring to it as a “Combat Myth.” However, as the title of the third monograph shows, Debra Ballentine limits herself to discussing only the conflict myth, mainly that in Ugaritic and Hebrew texts, and avoids the use of the term “chaos.” She follows David Tsumura and Rebecca Watson in accepting that there is no connection between these storm images and the creation motif, either in the ancient Near East—except for Enūma elish—or in the Bible. Focusing on the Chaoskampf mythology and its relationship with the biblical traditions, one can observe sharp differences among the three authors. (shrink)

Ethnophilosophy, although glorified by some African philosophers, remains a problem in our undertakings in African philosophy. In its infancy, the problem revolved around the call for a total decolonization of African thought and philosophy, which eventually led to the proliferation of a vast array of mostly descriptive literature about the cultural views and practices of the African, sold to us as not only philosophy but genuine African philosophy. In more recent times, due to the growing development of African philosophy, (...) this drive towards description is gradually waning and from its dying flames, a new and more subtle problem has arisen. This problem lays in the call by most African philosophers, to make philosophy done in Africa to be more African in nature, the methodology and/or logic of African philosophy becomes a narrow discourse which is based on the dogma of descriptive story telling of ethnophilosophy. This is the problem which this essay seeks to address. Thus I shall in this essay, expose the myth of ethnophilosophy and thereafter suggest that African philosophy builds its foundation on criticality rather than ethnophilosophy. As an addendum to this, it is also suggested here that the narrow nature of the false descriptive methodology of mainstream African philosophy be at the very least, de-emphasised. I shall employ conversationalism as the method of my inquiry. Keywords : Ethnophilosophy, myth, African philosophy, conversationalism, conversational school. (shrink)

In The Philosophy of Hebrew Scripture, Yoram Hazony suggests that it is part of Rabbinic tradition that in the Akedah, Abraham never intended to sacrifice Isaac. In a recent paper, Sam Lebens argued that in making this claim, Hazony is misrepresenting Rabbinic tradition. In this paper, I show that Hazony can concede to Lebens’s argument and still have something interesting to say about the Akedah, namely, that it provides an opportunity to reflect on what might happen when a ‘Shepherd’ is (...) commanded by God to violate what they understand to be a principle of natural law. (shrink)

From the Greek satyr to the American Mickey Mouse and from the Chinese dragon to the Egyptian Sphinx, animals and animal/humans have come throughhuman imagination into myth, legend and story. This combination or fusion of animal and human in literature presents a double signification. At the same time that our attention goes to the animality of the human, we may also entertain the humanity of the animal. Besides blending of physical and psychological characteristics, these ancient and modern characters of (...) world texts may embed authentic experiences of communion or communication between humans and animals. The texts may be understood as signifying the limits of both the human and the animal and the possibility of the humanimal. Humanimality signifies the fusion of human and animal which dissolves the ordinary dualism of human subject and animal object and allows for intersubjectivity unmarked by specific biological limitations. This kind of intersubjectivity occurs in the contact of communication and is often an occasion for awe on the part of the human if not of the animal. We may understand such awesome communication as imitation, non-verbal cooperation, and as teaching and learning. Three poems by the author, reproduced in the Appendix, “The Ravens Fly Yet,” “Neighbors,” and “The Lesson,” provide the literary fields in which humanimal phenomena may appear. (shrink)

In Paradise Wild, David Oates addresses this and many other provocative questions as he explores the persistent myth of Eden from several different angles. As a lifelong mountaineer and reader of nature literature, as a scholar, as a descendant of naturalist William Bartram, and as a gay ex-Baptist who took to the mountains to test his masculinity, Oates has thought deeply about how nature and culture interact in our lives and about the contemporary debate over wilderness and environment. (...) Paradise Wild brings all these elements together in a lively, genre-hopping book that will move readers emotionally and intellectually, at the same time that it contributes to the ongoing debate in scholarly and environmental circles over the meaning of "nature" and "wilderness." Paradise Wild tells stories, explores major scholarship and literature of nature, and analyzes how the misapplied myth of Eden has mired Americans in a hopeless "Paradise Lost" mentality that belies the true, ever-present wildness in our lives. Oates argues that mourning for a lost paradise is a dead end that cannot help us combat the real damage we're doing to ourselves and the rest of the world. He proposes a healthy re-mythologizing of the Eden story as a way of celebrating "wildness" -- the Eden in each moment and in each cell, that cannot be lost. His book is about welcoming that wildness into the midst of daily life. This bold and original work will appeal to general readers as well as to scholars and students with an interest in environmental literature and philosophy, nature writing, cultural studies, and queer studies. (shrink)

The seven volumes of Nietzsche translated to Hebrew by Israel Eldad 91910-1996) in the 1960's and 1970's established him as a major Israeli scholar of Nietzsche. Not only was Eldad a brilliant translator, he was also an innovative commentator. His instructive reading of Nietzsche made a decisive contribution to the propogation of Nietzschean discourse in Israel. As one of the leaders of LEHI, the Hebrew underground against the British before the founding of the Sate of Israeli, Eldad was (...) considered a radical intellectual of the Israeli right and had a Messianic vision of the future of Israel. His outlook was influenced deeply by the Nietzschean Lebensphilosophie. In this article I will trace the role of Nietzsche in Eldad's political biography, Messianic philosophy and intellectual enterprise.Die von ihm in den 1960er und 1970er Jahren ins Hebräische übersetzten sieben Bände von Nietzsche haben Israel Eldad zu einem der wichtigsten israelischen Nietzscheforscher gemacht. Nicht nur als brillanter Übersetzer und innovativer Kommentator, sondern auch durch seine erhellende Nietzschelektüre leistete er einen entscheidenden Beitrag zur intensivierung des Nietzschediskurses in Israel. Als einer der führer der LEHI, des hebräischen Untergrundkampfes gegen die Briten vor der Gründung des israelischen Staates, wurde Eldad als ein radikaler Intellektueller der israelischen Rechten angeschen und hatte eine messianische Vision für die Zukunft Israels. Seine Sichtweise wurde von der Lebensphilosophie Nietzsches stark beeinflusst. In diesem Beitrag wird der Rolle Nietzsches in Eldads politischer Biographie, messiansischer Philosophie und intellektuellen Unternchmungen nachgegangen. (shrink)

Books reviewed:James D. G. Dunn and John W. Rogerson, Eerdmans Commentary on the BibleYairah Amit, Reading Biblical Narratives. Literary Criticism and the Hebrew BibleThomas L. Leclerc, Yahweh is Exalted in Justice: Solidarity and Conflict in IsaiahNuria Calduch‐Benages, Joan Ferrer, and Jan Liesen, La sabiduría del Escriba/Wisdom of the Scribe: Diplomatic Edition of the Syriac Version of the Book of Ben Sira according to Codex Ambrosianus, with Translations in Spanish and EnglishSidnie White Crawford and Leonard J. Greenspoon, The Book of Esther (...) in Modern ResearchPaolo Sacchi, The History of the Second Temple PeriodMary E. Mills, Biblical Morality. Moral Perspectives in Old Testament NarrativesRichard Swinburne, The Resurrection of God IncarnateH. Benedict Green, Matthew, Poet of the BeatitudesC. K. Barrett, On Paul. Essays on His Life, Work and Influence in the Early ChurchMichael D. Goulder, Paul and the Competing Mission in CorinthByron R. McCane, Roll Back the Stone: Death and Burial in the World of JesusMagnus Zetterholm, The Formation of Christianity in Antioch: A Social‐Scientific Approach to the Separation between Judaism and ChristianityDale V. Irvin and Scott W. Sunquist, History of the World Christian Movement, Volume I: Earliest Christianity to 1453Francis Clark, The ‘Gregorian’ Dialogues and the Origins of Benedictine MonasticismMichael Frassetto, The Year 1000: Religious and Social Response to the Turning of the First MillenniumPatrick Nold, Pope John XXII and his Franciscan Cardinal: Bertrand de la Tour and the Apostolic Poverty ControversyTeresa P. Reed, Shadows of Mary: Reading the Virgin Mary in Medieval TextsMichael D. Bailey, Battling Demons: Witchcraft, Heresy, and Reforma in the Late Middle AgesColm Lennon, An Irish Prisoner of Conscience of the Tudor Era: Archbishop Richard Creagh of Armagh, 1523–86Judith S. Graham, Puritan Family Life: The Diary of Samuel SewallCrawford Gribben, The Puritan Millennium. Literature and Theology, 1550‐1682M. Feingold, Jesuit Science And The Republic of LettersRobert Bireley, The Jesuits And The Thirty Years War: Kings, Courts, and ConfessorsTorkel Brekke, Makers of Modern Indian Religion in the Late Nineteenth CenturyP. Koslowski, The Concept of God, the Origin of the World, and the Image of the Human in the World ReligionsPeter Koslowski, The Origin and the Overcoming of Evil and Suffering in the World ReligionsJ. H. Laenen, Jewish Mysticism: An IntroductionBarbara Bowe, Biblical Foundations of Spirituality: Touching a Finger to the FlameThomas G. Weinandy and Daniel A. Keating, The Theology of St Cyril of Alexandria. A Critical AppreciationJames D. G. Dunn, Jesus Remembered: Christianity in the Making, Volume 1Daniel W. Hardy, Finding the Church: The Dynamic Truth of AnglicanismS. Mark Heim, The Depth of the Riches: A Trinitarian Theology of Religious EndsJohn Webster, Word and Church. Essays in Christian DogmaticsAlister E. McGrath, A Scientific Theology. Volume 1: NatureJames Alison, On Being LikedMichael J. Langford, A Liberal Theology for the Twenty‐First Century: A Passion for ReasonGuy Mansini and James G. Hart, Ethics and Theological Disclosures:The Thought of Robert SokolowskiMark A. Wrathall, Religion After MetaphysicsGerd Van Riel, Pleasure and the Good Life: Plato, Aristotle, and the NeoplatonistsNomy Arpaly, Unprincipled Virtue: An Inquiry into Moral AgencyGernot Böhme, Ethics in Context: The Art of Dealing with Serious QuestionsErica Appelros, God in the Act of Reference: Debating Religious Realism and Non‐RealismMark C. Murphy, Natural Law and Practical RationalityRichard Brian Davis, The Metaphysics of Theism and ModalityJ. Brower and K. Guilfoy, The Cambridge Companion to AbelardBrian Davies, Thomas Aquinas: Contemporary Philosophical PerspectivesStephen J. Pope, The Ethics of AquinasKevin White and Romanus Cessario, On The Virtues John CapreolusSteven Shakespeare, Kierkegaard, Language and the Reality of GodSusan M. Felch and Paul J. Contino, Bakhtin and Religion: A Feeling for FaithRuth Coates, Christianity in Bakhtin: God and the Exiled AuthorDavid Michael Levin, The Philosopher's Gaze: Modernity in the Shadows of EnlightenmentCharles Guignon and David R. Hiley, Richard RortyCelia E. Deane‐Drummond, Biology and Theology TodayOswaldo de Rivero, The Myth of Development: The Non‐Viable Economies of the 21st Century. (shrink)

Literary theory, newly conscious of its own historicism, has recently turned its attention to the history of interpretation. For midrash, this attention has arrived none too soon. The activity of Biblical interpretation as practiced by the sages of early Rabbinic Judaism in late antiquity, midrash has long been known to Western scholars, but mainly as either an exegetical curiosity or a source to be mined for facts about the Jewish background of early Christianity. The perspective of literary theory has placed (...) midrash in a decidedly new light. The very nature of midrash has now come to epitomize precisely that order of literary discourse to which much critical writing has recently aspired, a discourse that avoids the dichotomized opposition of literature versus commentary and instead resides in the dense shuttle space between text and interpreter. In the hermeneutical techniques of midrash, critics have found especially attractive the sense of interpretation as play rather than as explication, the use of commentary as a means of extending a text’s meanings rather than as a mere forum for the arbitration of original authorial intention. Some theoreticians have gone so far as to invoke midrash as a precursor, in a spiritual if not a historical sense, to more recent post-structuralist literary theory, in particular to deconstruction with its critique of logocentrism and the metaphysics of presence David Stern is assistant professor of medieval Hebrew literature in the department of Oriental Studies at the University of Pennsylvania. He is the author of Parables in Midrash: The Intersection of Narrative and Exegesis in Rabbinic Literature and coauthor, with Mark Jay Mirsky, of Rabbinic Fantasies: Imaginative Narratives from Classical and Medieval Hebrew Literature. (shrink)

From the Greek satyr to the American Mickey Mouse and from the Chinese dragon to the Egyptian Sphinx, animals and animal/humans have come throughhuman imagination into myth, legend and story. This combination or fusion of animal and human in literature presents a double signification. At the same time that our attention goes to the animality of the human, we may also entertain the human(al)ity of the animal. Besides blending of physical and psychological characteristics, these ancient and modern characters of (...) world texts may embed authentic experiences of communion or communication between humans and animals. The texts may be understood as signifying the limits of both the human and the animal and the possibility of the humanimal. Humanimality signifies the fusion of human and animal which dissolves the ordinary dualism of human subject and animal object and allows for intersubjectivity unmarked by specific biological limitations. This kind of intersubjectivity occurs in the contact of communication and is often an occasion for awe on the part of the human if not of the animal. We may understand such awesome communication as imitation, non-verbal cooperation, and as teaching and learning. Three poems by the author, reproduced in the Appendix, “The Ravens Fly Yet,” “Neighbors,” and “The Lesson,” provide the literary fields in which humanimal phenomena may appear. (shrink)

Books reviewed:Victor H. Matthews, Bernard M. Levinson and Tikva Frymer‐Kensky, Gender and Law in the Hebrew Bible and the Ancient Near EastNeil Asher Silberman and David B. Small, The Archaeology of Israel: Constructing the Past, Interpreting the PresentErich S. Gruen, Heritage and Hellenism: The Reinvention of Jewish TraditionBrenda Deen Schildgen, Power and Prejudice: The Reception of the Gospel of MarkDavid C. Sim, The Gospel of Matthew and Christian Judaism: The History and Social Setting of the Matthean CommunityAllan D. Fitzgerald, (...) Augustine Through the Ages: An EncyclopediaLionel R. Wickham, Hilary of Poitiers: Conflicts of Conscience and Law in the Fourth‐Century ChurchAidan Nichols, The Word Has Been Abroad: A Guide Through Balthasar's AestheticsAidan Nichols, No Bloodless Myth: A Guide Through Balthasar's DramaticsPaul Avis, God and the Creative Imagination: Metaphor, Symbol and Myth in Religion and TheologyGarrett Green, Imagining God: Theology and the Religious ImaginationL. William Countryman, The Poetic Imagination: An Anglican Spiritual TraditionRaphael Gallagher and Seán Cannon, Seán O'Riordan, A Theologian of Development: Selected EssaysJames Alison, The Joy of Being Wrong: Original Sin Through Easter EyesPeter Byrne, The Moral Interpretation of ReligionBrian Davies, Philosophy of Religion: A Guide to the SubjectGrace M. Jantzen, Becoming Divine: Towards a Feminist Philosophy of ReligionKeith E. Yandell, Philosophy of Religion: A Contemporary IntroductionLouis Dupré, Religious Mystery and Rational Reflection: Excursions in the Phenomenology and Philosophy of ReligionMichael E. Allsopp, Ethics and the Catechism of the Catholic ChurchCharles E. Curran, The Catholic Moral Tradition Today: A SynthesisBernard Hoose, Christian Ethics: An IntroductionPaul Goodliff, Care in a Confused Climate: Pastoral Care and Postmodern CultureSouzy Dracopoulou, Ethics and Values in Health Care ManagementMichael Parker, Ethics and Community in the Health Care ProfessionsHans Küng and Walter Jens, A Dignified Dying: A Plea for Personal ResponsibilityRobin Gill, Euthanasia and the ChurchesGerald Dworkin, R. G. Frey and Sissela Bok, Euthanasia and Physician‐Assisted SuicideCaroline Dunn, Ethical Issues in Mental IllnessDavid Smith, Life and Morality: Contemporary Medico‐Moral IssuesGilbert C. Meilaender, Body, Soul and BioethicsDavid E. Cooper and Joy A. Palmer, Spirit of the EnvironmentJ. Milburn Thompson, Justice and Peace: A Christian PrimerMaura M. Ryan and Todd David Whitmore, The Challenge of Global Stewardship: Roman Catholic ResponsesCelia Deane‐Drummond, Theology and Biotechnology: Implications for a New ScienceJohn O'Neill, The Market: Ethics, Knowledge and PoliticsErika Rummel, The Humanist–Scholastic Debate in the Renaissance and the ReformationInger Ekrem, Minna Skafte Jensen and Egil Kraggerud, Reformation and Latin Literature in Northern EuropeM. C. Questier, Newsletters from the Archpresbyterate of George BirkheadJeffrey von Arx, Varieties of UltramontanismFrank J. Coppa, Controversial Concordats: The Vatican's Relations with Napoleon, Mussolini and HitlerA. J. Hoover, God, Britain and Hitler in World War II: The View of the British Clergy, 1939–;1945Pierre Blet, Pius XII and the Second World War according to the Archives of the VaticanPeter Harrison, The Bible, Protestantism and the Rise of Natural ScienceMichael P. Hornsby‐Smith, Catholics in England, 1950–2000: Historical and Sociological PerspectivesCarol K. Coburn and Martha Smith, Spirited Lives: How Nuns Shaped Catholic Culture and American Life, 1836–1920Robert E. Burns, Being Catholic, Being American: The Notre Dame Story, 1842–1934Paul C. Gutjahr, An American Bible: A History of the Good Book in the United States, 1777–1880Harriet A. Harris, Fundamentalism and EvangelicalsJeffrey Richards, Scott Wilson and Linda Woodhead,Diana: The Making of a Media Saint. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Erictho and Demogorgon: Poetry against Metaphysics DAVID QUINT Epic without the gods? The Roman poet Lucan (39–65 ce) created a secular counter-epic inside classical epic, removing the genre’s usual pantheon of Olympian deities and replacing them with Fortune. His Bellum civile (titled De bello civili in manuscripts, alternately titled Pharsalia) a poem about the conflict between Julius Caesar and Pompey, thereby delegitimizes the emperors who succeeded the dying (...) Roman republic, including Nero, the reigning emperor of Lucan’s day.1 They are not part of a divine plan: no such plan has ever existed. In an epic where the gods are silent or refuse to speak, Pompey’s son, Sextus, anxious to know the future, has to seek other means. In Book 6, he consults the Thessalian witch Erictho about the outcome of the approaching battle in Pharsalia. She reanimates the corpse of a dead soldier on Pompey’s republican side and makes it talk (BC 6.419–830).2 Lucan’s scene of necromancy gave birth to a major antimetaphysical strain in the European literary tradition. Among others, Dante, Cervantes, Marlowe, Spenser, Goethe, and Shelley confronted this episode of the Pharsalia and pondered its implications. Erictho’s magic is a figure for poetic making itself. It turns the supernatural into theater— the divine machinery of epic exposed as a deus ex machina— and these authors’ responses to Erictho will shift from epic into dramatic forms. In place of the gods, in place of the epic visit to the underworld, particularly in place of and in response to Aeneas’s trip to the realm of the dead arion 28.2 fall 2020 2 erictho and demogorgon in the corresponding Book 6 of the Aeneid, Lucan presents Erictho’s macabre performance: human witchcraft and intimations of an alternate, eerie numen residing in the earth, a force of nature. Subsequent readers would give this latter power a name: Demogorgon.3 Lucan links republicanism and freedom to a kind of atheism and to historical contingency. He unmasks and strips the props of religion from Caesarism and monarchy. (In vain for the poet: Lucan was forced to commit suicide in 65 ce, after he was implicated in the failed Pisonian conspiracy against Nero.) Lucan desacralizes poetry itself, which here confesses its limits, which are the limits of human mortality, even as Erictho seems, however briefly, to overcome them. No, poetry cannot literally raise the dead: it is a magic trick that makes the words on the page form into images, take life, and speak to us. Lucan answers the criticisms the philosopher and theologian make to poetry by openly acknowledging the false bottom of the hat from which poetry pulls its rabbits. It has no access to a real bottom, an underworld beyond death; it is all representation.4 The philosopher and the theologian may be poets no less than he is, but they do not want to know it, too busy, perhaps, in supporting tyranny over human minds and bodies. Plato and Augustine are two such critics on either historical side of Lucan, and they help us to understand the stakes of the Roman poet’s project. Both were dissatisfied with literature and they wanted to be something more than the great rhetoricians that they were. In the Symposium, Plato demystifies the archetypal myth of poetry, the singing of Orpheus that sought to bring Eurydice back from death: the gods sent Orpheus away from Hades empty-handed and showed him the mere shadow [eidolon] of the woman he had come to seek: Eurydice herself they would not let him take, because he seemed, like the mere minstrel that he was, to be a lukewarm lover, lacking the courage to die as Alcestis died for love, and choosing rather to scheme his way, living, into Hades. And it was for this that the gods doomed him, and doomed him justly, David Quint 3 to meet his death at the hands of women. (179d)5 Behind the words of his shallowly sentimental speaker Phaedrus we can detect Plato’s familiar hostility to poetry, his objection in Book 10 of the Republic that the poet merely imitates the appearances of things and is... (shrink)

In this collection of provocative essays, historians and literary theorists assess the influence of Michel Foucault, particularly his History of Sexuality, on the study of classics. Foucault's famous work presents a bold theory of sexuality for both ancient and modern times, and yet until now it has remained under-explored and insufficiently analyzed. By bringing together the historical knowledge, philological skills, and theoretical perspectives of a wide range of scholars, this collection enables the reader to explore Foucault's model of Greek culture (...) and see how well his interpretation accounts for the full range of evidence from Greece and Rome. Not only do the essays bring to light the assumptions, ideas, and practices that constituted the intimate lives of men and women in the ancient Mediterranean world, but they also demonstrate the importance of the History of Sexuality for fields as diverse as Greco-Roman antiquity, women's history, cultural studies, philosophy, and modern sexuality. The essays include "Situating The History of Sexuality" (the editors), "Taking the Sex Out of Sexuality: Foucault's Failed History" (Joel Black), "Incipit Philosophia" (Alain Vizier), "The Subject in Antiquity after Foucault" (Page duBois), "This Myth Which Is Not One: Construction of Discourse in Plato's Symposium" (Jeffrey S. Carnes), "Foucault's History of Sexuality: A Useful Theory for Women?" (Amy Richlin), "Catullan Consciousness, the 'Care of the Self,' and the Force of the Negative in History" (Paul Allen Miller), "Reversals of Platonic Love in Petronius' Satyricon" (Daniel B. McGlathery), and an essay from Dislocating Masculinity (Lin Foxhall). (shrink)

Reflecting the profound influence he continues to exert on popular consciousness, _Camus_ examines the complete body of works of French author and philosopher Albert Camus, providing a comprehensive analysis of Camus’ most important works—most notably _The Myth of Sisyphus_, _The Stranger_, _The Fall_, _The Plague_, and _The Rebel_—within the framework of his basic ethical orientation. Makes Camus’ concerns clear in terms that will resonate with contemporary readers Reveals the unity and integrity of Camus’ writings and political activities Discusses Camus’ ongoing (...) relevance by showing how he prefigures many postmodern positions in philosophy, literature, and politics. (shrink)

This poetical study of water ranges from classical myth and literature to modern physics and microbiology. Because water exists in three forms or phases—liquid, solid, and gas—each needs its own constellation of ideas. Its subtle movement is the hidden source of question, questioner, and the phenomenon of life. Its power is transformation, the unspoken theme of the book.

This Article discusses the first steps of Israeli copyright law, dating it back to Ottoman times, which is earlier than thus far discussed in the literature. The account provides an early case of legal globalization through colonialism. The imposition of copyright law in Palestine enables us to observe the difficulties of applying an uninvited legal transplant and to trace its dynamics. The discussion queries the fate of copyright law in Mandate Palestine from two perspectives. First, the Colonial-Imperial point (...) of view: I ask why the British government imposed copyright law in the newly administered territory only a month after the establishment of the civil administration in 1920 and then replaced it in 1924. The answers are to be found in the general imperial agenda, its Palestine agenda, as well as the nature of copyright and the personal background of those involved. Second, from the local point of view, I trace the first steps of copyright law within the Hebrew community and especially within the literary circle in the 1920s. The local needs of the literary field concerned the author-publisher relationship, attribution, the integrity of the work and international transactions. However, the answers to these problems were not found in the law but rather in private ordering, namely contracts and social norms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Genres in Dialogue: Plato and the Construct of PhilosophyDavid EngelAndrea Wilson Nightingale. Genres in Dialogue: Plato and the Construct of Philosophy. Cambridge: Cambridge University Press, 1995. xiv + 222 pp. Cloth, $57.95.The old saw "Everybody's a comedian" has its counterpart in contemporary academia: "Everybody's a philosopher." Biologists. Psychologists. Linguists. Physicists. Anthropologists. Historians. Even jurists. Many scholars of comparative literature, English, and history can be heard describing what (...) they do, not as literary criticism or history, but as "philosophy." One may even wonder whether we need philosophy departments anymore. Philosophy's private domain has shrunk from what it was under Aristotle (just about every subject short of wagon repair) to its present emaciated condition: it can claim almost nothing for itself alone. The other disciplines have encroached upon it bit by bit. This book is a timely contribution to an important current issue: what is philosophy, [End Page 316] and what does it have to offer? Nightingale argues that Plato faced similar questions. Rhetoricians, tragedians, and comedians all peddled what they had to say as wise (sophon), while dismissing other claims and pursuits as foolishness or worse. Against them and their respective discourses Plato proposed a new candidate: philosophia.Prior to Plato, philosophia meant just "intellectual cultivation." According to Nightingale, it was Plato who made it into a full-blown discipline--or, as she says, invented the discourse. As a way of privileging philosophia (in Plato's new sense of the word) above rival discourses, he parodied them. Nightingale's claims about the parody of other genres and Plato's privileging of philosophia are novel, insightful, and very persuasive. Perhaps it is overstatement to credit Plato with inventing philosophy, but that hardly diminishes the overall impression of this fine book's main arguments.Among Plato's contemporaries, the foremost challenger for the title "practitioner (and teacher) of sophia" was Isocrates. Nightingale uses his Antidosis to show that (1) Isocrates wanted to claim philosophia for himself, and (2) his version of philosophia was significantly different from Plato's. She concludes that the term was still a subject of genuine contention: its meaning mattered to both Plato and Isocrates. As Isocrates advocates rhetorike as philosophia, Plato argues that philosophy is both different from rhetoric and better than rhetoric. Rhetoric aims, ultimately, at public utility as the public perceives that utility, and rhetoric's value is gauged only by the political influence of those who practice it. Plato rejects that entire value system. At bottom it is also the value system of the other genres which, as Nightingale persuasively shows, Plato also parodies.Plato's "parody" (Nightingale's use of the word is broad, but unexceptionable) is "a device for defining and privileging his own pursuits" (59). Moving from rhetoric to tragedy, she considers Gorgias' echoes of Euripides' Antiope. Plato's parody of tragedy subtly criticizes tragedy qua discourse. The tragedian is "ignorant of truth... imitating appearances... gratifying the multitude... fostering the inferior part of the soul," that is, he is precisely what the philosopher is not (67). Socrates and Callicles evoke Euripidean characters: respectively, Amphion (who advocates a private life devoted to the liberal arts) and Zethus (who argues for a life of political activity) (69-70). Plato's unambiguous allusions to Antiope juxtapose not only Socrates and Callicles (and, through them, two irreconcilable views of what philosophy is) but also the tragic hero and the philosophical one (72-73). Plato's "life of the mind for its own sake" orientation wins, ultimately, in both comparisons. Furthermore, just as Amphion's arguments fail to persuade Zethus in Antiope but are eventually vindicated by Hermes' appearance at the play's conclusion, so too Socrates' arguments fail to convince Callicles, and Gorgias' concluding underworld myth parallels Antiope's deus ex machina: affirmation that the view which had been rejected (Amphion's and Socrates') was right, after all (87-88). [End Page 317]Nightingale then examines encomium. Publicly performed epitaphioi and their fictive counterparts (e.g., Menexenus) influenced one another, and the techniques of the encomium, although salient in that genre, occurred elsewhere, including deliberative and forensic situations. In her view, Plato's concern is not narrowly with encomium... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 122.3 (2001) 445-447 [Access article in PDF] Ian Kidd, ed. and trans. Posidonius. Vol. 3: The Translation of the Fragments. Cambridge: Cambridge University Press, 1999. 414 pp. Cloth, £50.00. The third volume of Kidd's Posidonius is billed as a translation, but it is much more than that. It is the capstone of the edition, the culmination of a lifetime of work, and the most useful (...) entrée into Posidonius' life, writings, and thought.Posidonius of Apamea, the respected Stoic philosopher of the late second and early first century B.C., and a voluminous author in an extraordinary number of fields of learning, suffered a strange fate at the hand of modern scholars. His writings, like those of many other ancient writers, were lost; and in the late nineteenth and early twentieth centuries, when the references to other lost authors were being carefully culled from surviving ancient literature and collected into critical editions of "fragments," Posidonius was largely overlooked. F. Jacoby collected references to his historical and geographical works (1926), but no one paid the same attention to his philosophical writings. Instead, a search for supposed echoes and adaptations in authors who knew, or may have known, him produced a stream of tantalizing but contradictory constructs. This continued even after J. F. Dobson sounded the alarm in 1918 about a growing "Posidonius myth." In 1936 Ludwig Edelstein attempted to halt what he regarded as ungrounded speculation by outlining what can be known from references in which Posidonius is explicitly named. He subsequently began collecting such references for publication. When Edelstein died twenty-nine years later with the task still unfinished, Ian Kidd was asked to complete the job. This he did, in what has become a monumental three-volume work, running to over eighteen hundred pages. It began with a complete edition of testimonia and fragments in 1972 (volume 1), followed by a commentary of nearly one thousand pages in 1988 (volume 2), and now finally a translation. Though it is, technically speaking, the third volume in the series, it is the best place for most readers to begin their study of Posidonius.The volume opens with a lucid summary of Posidonius' life and thought, one of the best in English. Kidd originally wrote it for a German handbook, Philosophen der Antike, volume 2 (ed. F. Ricken, Stuttgart, 1996), and now makes it available in English translation. The translations of the fragments and testimonia are accurate and highly readable, as we have come to expect from Kidd. Both scholars and Greekless readers will welcome them, because many of the sources are unfamiliar and some have never been translated into English or are difficult to interpret. Kidd's translation embodies the considered judgment of someone who has immersed himself in the texts of Posidonius for more than thirty years. Finally, each text is prefaced by an account of the context in which the reference occurs and an assessment of the extent, content, and historical background of its embedded Posidonian material.It is this ensemble of introductory survey, prefaces, and translations that makes the volume so useful. Fragments, whether they are quotations, paraphrases, [End Page 445] or interpretations (friendly or hostile), have no meaning except within an interpretive context. For each such fragment it is now recognized that there are two primary contexts: the text and creative imagination of the lost author who inspired it, and the text and imagination of the extant author who refers to that now lost text. When Edelstein began collecting the so-called fragments, the collection that Kidd completed in 1972, the goal of any collection of fragments was to reveal something about the first of the two contexts, namely, the text and thought of the lost author. The typical strategy was to extract the lost author's text (or at least his ideas) from the quoting author's text, in which it was presumably embedded, discarding all portions of text except those expressly attributed to the lost author. Since then it has become evident, as Kidd noted in volume 2 (ix... (shrink)

impermissibly favorable to Jews? -- Humanist origins -- Humanism at court -- Discovery of Hebrew -- Johannes Pfefferkorn and the campaign against Jews -- Who saved the Jewish books? -- Inquisition -- Trial at Rome and the Christian debates -- The Luther affair -- As if the first martyr of Hebrew letters.

Plato’s programme for establishing his ideal state involved propagating two foundation myths for it, described by Socrates as a “noble lie”, which were designed to persuade its citizens to embrace the classes of society to which they had been assigned, and their roles within them, contentedly and in harmony with their fellow citizens. Because most citizens were judged incapable of understanding the truth about the most important matters, the rulers of the ideal state were authorised to tell them whatever stories, (...) true or false, would induce them to behave well. Advocates of the management of corporate culture similarly emphasise the potency of story-telling and myth-making in inducing employees to adopt the beliefs, values and assumptions that corporate leaders consider desirable for both corporate performance and employee wellbeing. There are similarities between Plato’s programme for his ideal state and the programmes recommended by advocates of the management of corporate culture. There are also similarities between them in the ethical questions that they raise. Do corporate leaders have the moral authority to shape people’s beliefs, values and assumptions in the ways that these programmes entail? Are the outcomes to which those programmes lead really beneficial for all those who are affected by them? Even assuming that those outcomes are beneficial, how likely are the strategies proposed for realising them to be successful? Literature that explores these ethical issues is sparse, and this paper argues that it is doubtful whether any of these questions can be answered decidedly in the affirmative. (shrink)

We examine one of the well-known mathematical works of Abraham bar Ḥiyya: Ḥibbur ha-Meshiḥah ve-ha-Tishboret, written between 1116 and 1145, which is one of the first extant mathematical manuscripts in Hebrew. In the secondary literature about this work, two main theses have been presented: the first is that one Urtext exists; the second is that two recensions were written—a shorter, more practical one, and a longer, more scientific one. Critically comparing the eight known copies of the Ḥibbur, we show (...) that contrary to these two theses, one should adopt a fluid model of textual transmission for the various manuscripts of the Ḥibbur, because neither of these two theses can account fully for the changes among the various manuscripts. We hence offer to concentrate on the typology of the variations among the various manuscripts, dealing with macro-changes (such as omissions or additions of proofs, additional appendices or a reorganization of the text itself), and micro-changes (such as textual and pictorial variants). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Michael Levin ROUSSEAU'S CURSE Pretext Rousseau is the author of a text he called his Confessions. ' But neither a text nor a confession can exist without a reader, or an other. Like it or not, we readers are participants in the rite of Rousseau's confessions. Do we have anything to confess? When the reading of a confession uncovers the spelling of a curse, so that the (...) self-accused author appears to accuse his readers, the discoverers of the curse can no longer pretend their neutrality and innocence. In fact, the detectives must assume the identity of the accused. In such a special case, then, the inevitable work of textual interpretation magically doubles as the story of a mysteriously elusive "crime" and its final, or anyway presumed detection. But, as in the very best of such stories, neither the skillfully executed crime nor its invisible author—if indeed these terms denote anything at all—need be what they seem. So perhaps the only thing we can say for sure here is that the spelling of the curse is the curse of spelling. And this puts us on the track of a mystery as ancient as the art of writing itself—a mystery whose story the scholars of hermeneutics have thus far preferred to ignore. The mystery I have in mind is the secret affinity between writing and death. A careful hermeneutic approach to Plato's critique of writing, however, may give us a crucial clue. For what binds written language to the power of death is its role in mourning, its incarnation in the form of shadows: black configurations of shadows placed for visibility against the white of the paper. In Plato's Myth of the Cave, the crime of writing is dimly adumbrated. Writing is idolatry, worship of false images, shadows. Rousseau's Confessions, written near the end of his life in the shadow of death, does not escape the shadows of doubt and suspicion which we, his readers, having discovered our own selves inscribed into the darkness of the text, cannot easily refrain from casting. But as soon as we recognize in the shapes of these shadows a suspicion for which 76 David Michael Levin77 we are responsible, we must confess our fatal complicity in the closing of the hermeneutical circle. Commentary on the Text If Rousseau's Confessions does not read like the typical memoir, neither does it read like the typical confession. A final twist awaits us. We read with a certain innocence, or faith, not prepared for the transitive conclusion: the text, as it happens, will bequeath a monstrous and impossible burden. What is the reader to do? How could it be that this man, who seemed to honor us, and won our trust with the candor of his revelations, should so boldly, by one cross conceit, vanish, only to leave us double-crossed and within a labyrinth which, as he would have us believe, we ourselves have wrought? What are we to make of his work? At first, the Confessions appears to be a work of light: with dazzling clarity of mind and courage no less prismatic, Rousseau proposes to take his readers into the gloomy chasms of his soul. "My purpose," he declares, "is to display to my kind a portrait in every way true to nature, and the man I shall portray is myself" (p. 17). That this, however, is not the whole of his intention, we learn through a neighboring sentence. For he says: "Let the last trumpet sound when it will, I shall come forward with this work in my hand, to present myself before my Sovereign Judge, and proclaim aloud: 'Here is what I have done'..." (p. 17). And yet, even this does not fully disclose his design, since he concedes, somewhat later, that "it is as if, feeling my life escaping from me, I were trying to recapture it at its beginnings" (p. 31). But in the end, as in the beginning, darkness and light are one. And indeed, deep into the Seventh Book, we see that the author's light does begin to dim, and that he no longer speaks with much assurance. Nor is... (shrink)

These eighty-seven memoirs, anecdotes, and informal recollections by a broad range of reporters reflect both the reality and the myths surrounding this legendary figure. Together, they cover the entire span of Nietzsche's life and yield new insights into Nietzsche as a thinker and as a commentator on his times, recounting his views on religion, philosophy, women, literature, arts, and some of the great thinkers and historical figures.

The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with (...) authors such as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others. (shrink)

Plato's Bedroom is a book for people who want to be better at falling in love and being in love, with all the ecstasies and dangers erotic life can bring. It is also an inviting book for readers who are intellectually playful and up for a challenge, written with verve, and full of stories thoughtful persons will find to be mirrors of their own erotic selves. Drawing on Greek myth, Plato, Shakespeare, and a wide range of modern literature and (...) movies, the book gets Aphrodite talking with the young lovers in A Midsummer Night's Dream, and lets us listen in on Woody Allen arguing with Othello. The author's account of how we seek, fear, avoid, and sometimes destroy love, is astonishingly fresh and engaging. Throughout its pages, one hears the voice of an engaging teacher and the conversation of a wise friend. In short, this is a work of practical philosophy, not scholarship, though only a scholar could have written it. It invites readers into a deep appreciation of timeless ancient wisdom through reflecting on their own powers for love and their susceptibility to desire. A distinctive feature of the book is the interweaving of two guiding threads in Plato's conception of erotic experience: androgyny, that is, the integration of masculine and feminine; and creativity, in both a sexual and a spiritual sense. These two aspects of Plato's erotic vision, androgyny and creativity, lead readers to a sense of grateful wonder and sacred awe at our own erotic powers. Our natural experience of romantic love, articulated so well by Plato, points toward a more explicitly religious interpretation of love's commitments and pleasures. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ancient and Modern HermeneuticsDavid HalliburtonAncient and Modern Hermeneutics, by Gerald L. Bruns; xii & 318 pp. New Haven: Yale University Press, 1992, $37.50.Modern hermeneutics, Bruns explains, has mainly gone in two directions. One is toward the transcendental ground-swells of Husserl, who remains committed to idealities, as exemplified in geometry. The second direction, taken by Heidegger, Gadamer, and Bruns (not to mention Sartre, Merleau-Ponty, Levinas, and the Pragmatists) hews (...) to the worldly rootedness of understanding; here each and all enjoy the capacity to comprehend—if not perfectly, at least perfectly well.Bruns divides his admirable opus into two large sections. Part One, on the Ancients, consists of essays on Socrates, Thucydides, the Hebrew Bible, allegory, the Jewish Midrash, and what may be broadly viewed as a correlative Islamaic text. He argues that Socrates’ ironic inclinations are not forensic ploys but manifestations of an authentic ontological disposition. (This ontological motif sounds throughout Bruns’s text.) Bruns’s Socrates has but to carry out the phusis that he himself is—in the undertow of which he cannot but be ironic even as, in being ironic, he cannot but be, like phusis, elusive and even impenetrable: “The point about Socrates is that we never know how to take him” (p. 32).Bruns handles ingeniously the problem of speeches that Thucydides “reported” but could not have heard. He argues that Thucydides provides a sort of simulacrum of the speeches. On this view, the historian does not attempt to report what the speakers actually said; instead he portrays implicitly the concrete historical situations (the modifiers are mine) in which orators orate: “the true author... would not be its original speaker nor its subsequent scribes but the situation that called for the speech to be made” (p. 58).In his challenging chapter on allegory, especially in Philo, Bruns approaches the former’s mystical commentary on the cherubim by problematizing familiar, restrictive distinctions. “In this case there can be no easy or gross distinction between the exoteric and the esoteric, the literal-minded and the wise....” To Philo “understanding is a form of recognition, of being turned toward and received into what before had been hidden or strange” (p. 102).Part Two, on the Moderns, treats of hermeneutic issues raised by Wordsworth [End Page 158] but even more paradigmatically by Luther; the tragic concept of experience; the question of tradition; radical hermeneutics; and the quarrel between philosophy and poetry. The journey ends in Bruns’s attempt to hypostatize an originary concept of freedom.To Bruns the liminal figure for modernity is Luther. It is a high hermeneutic moment that each of Luther’s students receives his own Bible with wide margins in which to copy the master’s—or conceivably his own—commentaries. Here Scripture is not merely grasped cognitively but is immediately, and, with full Deweyan and Diltheyan overtones, experienced. Luther for his part postulates that the text interprets itself. Concurring, and returning to the ontological motif noted above, Bruns proposes the one’s relation to a text “is ontological rather than simply exegetical. Luther’s distinction between law and gospel is a way of extending this ontological relation from the notion of a legal indictment to that of a spiritual one in which one’s self-understanding or self-identity is reconstituted by the text” (p. 146).Later Bruns deftly contrasts Hegel’s Umkehrung, the “movement toward enlightenment and the self-certainty of absolute consciousness” (p. 157), with Heidegger’s resolute refusal to appropriate or manipulate the world into which he, with everyone else, has been thrown. This attitude is somewhat akin to negative capability or wise passiveness—no English word or phrase gets it right—and requires a kind of letting-be, or letting-go. Bruns puts the matter about as well as one can, in short compass: “Thinking... is not reasoning or questioning but listening; its goal is not conceptual representation by Gelassenheit, or a letting go, releasement, and ‘openness to the mystery’” (p. 158).In his chapter on romantic hermeneutics, Bruns returns to Luther who, though stressing the empowerment of the individual reader, nonetheless regards the text as a vital force entering into and transforming the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Locke, Literary Criticism, and PhilosophyDavid GormanLocke, Literary Criticism, and Philosophy, by William Walker; xviii & 227 pp. Cambridge: Cambridge University Press, 1994, $54.95.Locke’s Essay Concerning Human Understanding is one of those large, difficult, canonical works that are cited a great deal more often than they are read. In the case of the Essay this syndrome has resulted in historical mythmaking which, while rightfully monumentalizing Locke’s book, has done (...) so at the expense of its actual or potential significance. Walker’s study is aimed at destroying the myths about the Essay while rethinking its significance, through a carefully rhetorical reading of its text.Rhetoric is, of course, one of the things which Locke—along with Bacon and Descartes—is held to have rejected from philosophical discourse. This image of Locke as a proponent of commonsensical empiricism and an opponent of rhetorically-oriented speculation is one of the mainstays of intellectual history—of several distinct histories, in fact: philosophical, literary, and linguistic. But, Walker argues, it is also a mythic image. He further holds that an attentive, unprejudiced reading of the Essay will illustrate this claim by showing the work to be imagistic through and through. The Locke who emerges from this [End Page 250] rereading is not the sworn enemy of those literary effects to which language lends itself, one who has proven convenient to the formulation of neat defenses of poetry (including rhetoric) against simple-minded epistemologues. Walker’s suggestion is that this Locke, not having existed, had to be invented. The Locke of the Essay as Walker rereads it is, instead, a thinker about mind, language, and their intertwined effects who stands much closer to Nietzsche than anyone might have thought previously. And this Locke is anything but the naive philosophical butt simply awaiting a sophisticated (meaning, linguistically-oriented) deconstruction of the kind associated with Nietzsche.As might be expected from this summary, the spirit of Paul de Man hovers over Walker’s project. But this is deconstruction with a difference (and what other kind is worthwhile?). On the one hand, Walker’s whole analysis follows the mandate laid down in de Man’s celebrated essay on “The Epistemology of Metaphor” (1978), which is to ignore the commonplaces of intellectual history about Locke and to look at the text of the Essay with an eye to what happens there (the relevant passage in de Man is quoted on p. 133). On the other hand, however, the result of following out de Man’s suggestion has been Walker’s discovery and demonstration of severe problems in de Man’s own treatment of Locke and his Essay, a treatment that depends for its effect very strongly on the kind of mythmaking that casts Locke and Nietzsche as antagonists, and more specifically Locke as the problem for which Nietzsche proves the diagnosis.Walker is in fact quite harsh on de Man in places. Thankfully, however, the relevant chapters of his book do more than provide a litany of “de Man’s flagrant violations of fact and reason” (p. 154)—though this is no bad place to start in reconsidering de Man’s analyses, which have all too easily acquired the status of received wisdom. The exemplary achievement of Walker’s book, aside from its careful scrutiny of Locke’s writing, is to have suggested criteria against which deconstructive readings can be judged (a task that deconstructors themselves have been inclined to shirk). After all this, what remains, meanwhile, of the Essay? “I find the Essay to be complicated...,” Walker asserts, modestly but pregnantly (p. xv). Another claim that his study enforces against de Manian orthodoxy is that literary and intellectual history is indeed still possible, not despite but precisely because of close linguistic analysis: the change that rhetorical reading brings to historical study is to show that literary history is more complicated than is often supposed.David GormanNorthern Illinois UniversityCopyright © 1996 The Johns Hopkins University Press... (shrink)

The main objective of this study is to understand the value of environmental, social, and governance (ESG) disclosure assurance in the context of the development of sustainable finance standards and laws. This study is based on an analysis of 188 comment letters submitted by such actors in the context of public consultations on the development of three new sustainable finance initiatives (the CFA Institute, the Financial Conduct Authority in the UK, and the New Zealand parliament). The study shows these actors' (...) nuanced and often quite critical perceptions of the effectiveness of external assurance in preventing greenwashing and their reservations about its mandatory nature. These actors have raised various criticisms, including concerns about the vagueness surrounding verification practices; the lack of expertise available to conduct assurance in a new, specialized, and complex field; the costs of the assurance process, particularly for small players; and the lack of control over the reliability of the ESG data used. This article contributes to several emerging trends in the literature—in particular, research on governance practices to prevent greenwashing, on the institutionalization of sustainable finance standards and laws, and on the role of rational myths in the assurance process for ESG disclosures. (shrink)

Can aversion from a political ideology lead to rapid, automatic rejection of said ideology? We tested this question in the Israeli political context using a spatial Stroop task to examine whether politically charged left-wing terms would elicit slower verbal latencies. In Study 1 (n = 85), participants were presented with left- and right-wing political terms presented either in a congruent or incongruent spatial location and were asked to verbally indicate only the location of the word. Study 2 (n = (...) 128), replicated this procedure with the Hebrew words for “left” and “right” and examined whether political awareness primes would amplify the effect. Results indicated a slowdown for left-wing related terms above and beyond a congruency effect that was exacerbated under political priming. The slowdown was particularly pronounced among centre-right-wing participants in Study 1, but significant across political orientations in Study 2. Two auxiliary studies rule out the possibility that phonemic features of the words, or spatial preferences could explain these effects. Overall, results support a taboo effect (i.e., implicit aversion) for left-wing political terms. (shrink)

What is truly timeless? This book explores the language of eternity, and in particular two ancient Greek terms that may bear the sense of eternal : aiônios and aïdios. This fascinating linguistic chronicle is marked by several milestones that correspond to the emergence of new perspectives on the nature of eternity. These milestones include the advent of Pre-Socratic physical speculation and the notion of limitless time in ancient philosophy, the major shift in orientation marked by Plato s idea of a (...) timeless eternity, and the further development of Pre-Socratic insights by Epicurean and Stoic thinkers. From the biblical perspective, the intersection of Greek and Hebrew conceptions is reflected in Septuagint, as well as new inflections in popular terminology in the Hellenistic and Roman periods, and in the role of eternity in the theology of the New Testament. The profound cross-fertilization of Christian and classical philosophical conceptions in the works of the Church fathers and their contemporaries is explored, bringing the topic into the Patristic period. Christian theology in the first five centuries of the Common Era and its choice of vocabulary prove to be most revealing of larger doctrinal commitments. Above all debate raged on the question of eternal damnation versus the idea (deemed heretical in the Christian church after the formal condemnation of Origenism) of apocastastis or universal salvation - that is, the belief that the wicked are not condemned to eternal punishment but will eventually be included among the saved. Terminology for eternity is often at the core of how these issues were debated, and helps to identify which writers inclined to one or the other view of the matter. (shrink)

This volume contains 17 articles on various aspects of Islamic thought in the Middle East and in Southeast Asia. The first 9 articles concentrate especially on the Qur’ān and its exegesis, Kalām and Sufism; the second 8 articles deal with Javanese Islam, and with Islam and modernity in Southeast Asia.

End of Days (translated from the recently published Hebrew book, Atchalta) is both a meditation on Jewish morality in the age of Israeli Jewish power, and a cri du coeur by an Orthodox Israeli Jew, a former combat officer in the IDF, for Israelis to look into the Jewish religious ethical tradition for an alternative to the secular and religious Zionism that sanctifies power, statehood, and sovereignty. Appealing to a wealth of Jewish sources from the Bible to the (...) present, including medieval Jewish ethical literature, rabbinic sources, Jewish law, and contemporary Israeli thought, the book presents an argument against the Israeli's occupation of the Palestinian people and the suppression of their rights from the perspective of a modern Israeli religious Jew. (shrink)

An ancient and enduring cross-cultural mythology explores what the texts generally perceive as a paradox: the birth of white offspring to black parents, or black offspring to white parents. This mythology in the Hebrew Bible is limited to animal husbandry, but in Indian literature from the third century B.C.E. and Greek and Hebrew literature from the third or fourth century C.E. it was transferred to stories about human beings. These stories originally express a fascination with the dark skin (...) of “Ethiopians” , and a fantasy of white children born to them. But when ideas about human race arise in Europe after the sixteenth century, the stories reverse their color schemes and shift their emphasis to investigations of the paradox of black children born to white parents. In our day, racism is clearly a strong factor in the media fascination with court cases about in vitro fertilization in which black children are born to white parents. This development suggests that the symbolism of black and white was not originally, nor need be now, racist, but that, once racism is current, it is hard to reclaim the nonjudgmental innocence of the earlier texts. Many of these texts explained the paradox of children who differ from their parents in color by invoking the concept of parental impression , which argues that whatever a woman thinks of or sees at the moment of conception influences the physical form of the child. This doctrine, which was known in ancient Israel, in Greece, in ancient India, and in Europe well into the twentieth century, primarily addresses an entirely different obsession—the problem of paternal insecurity—and generally draws heavily on sexist and misogynist attitudes toward women. Yet, when it was appropriated into the narratives of off-color offspring, it offered, in place of the more obvious explanation , an alternative fantasy that softened the culpability of women. So, too, when applied to stories of color-contrasting offspring in European narratives, even after the sixteenth century,the idea of parental impression functioned as a force against racism ; the Lamarckian or Lysenkan idea of the inheritance of acquired characteristics—the privileging of nurture over nature—argues against the belief that one’s racial stock determines who one is. Thus this doctrine, farfetched as it seems to us , dulled the edge of ancient antagonism toward women and modern European antagonism toward the descendants of the “Ethiopians.” A study of the variations of this myth across cultures has much to tell us about the ways in which myths about women and myths about people of dark skin color are transformed under the pressure of later tropes of sexism and racism. (shrink)