Results for 'Environmentalism in motion pictures. '

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  1.  6
    Still: American Silent Motion Picture Photography.David S. Shields - 2013 - University of Chicago Press.
    The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about (...)
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  2.  38
    Affect and Motion Pictures.Jesse Prinz - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 893-921.
    Emotions play at least three key roles in cinema. First, many motion pictures present highly emotional situations, involving characters who fall in love, who endure unbearable loss, and who become hell-bent on revenge. To make sense of movies, we must identify the emotions that drive their characters. Second, motion pictures seem to arouse emotions. We go to tearjerkers that make us cry, splatter films that make us writhe, and action films that keep us at the edges of our (...)
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  3.  19
    A Companion to Motion Pictures and Public Value.Ted Nannicelli & Mette Hjort (eds.) - 2022 - Wiley Blackwel.
    A COMPANION TO MOTION PICTURES AND PUBLIC VALUE A Companion to Motion Pictures and Public Value brings together original essays by world-renowned scholars investigating the varied intersections of the moving image and the public good. Covering a wide range of types and genres of cinema, this unprecedented volume explores the past, present, and possible future contributions of motion pictures to public value. With a cross-disciplinary approach, the text presents original conceptual work, global perspectives, philosophical arguments, historical discussion, (...)
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  4.  52
    Experiential Realism and Motion Pictures: A Neurophenomenological Approach.Jane Stadler - 2016 - Studia Phaenomenologica 16:439-465.
    This article sets up a neurophenomenological approach to understanding cinema spectatorship in order to investigate how embodied engagement with technologies of sound and motion can foster a sense of experiential realism. It takes as a starting point the idea that the empirical study of emotive, perceptual, motor, and cognitive processes involved in film spectatorship is impoverished without a phenomenological account of the lived experience under investigation. Correspondingly, engaging with neuroscientific studies enriches the scope of phenomenological inquiry and offers new (...)
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  5. The Palgrave Handbook of the Philosophy of Film and Motion Pictures.Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.) - 2019 - Springer.
    This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary (...)
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  6.  16
    Philosophy of Literature & Philosophy of Film and Motion Pictures, 2 Book Set.Dominic Mciver Lopes, No?L. Carroll & Jinhee Choi - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: Philosophy of Literature: Contemporary and Classic Readings - An Anthology Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 Essential readings in the philosophy of literature are brought together for the first time in this anthology. Contains forty-five substantial and carefully chosen essays and extracts Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary (...)
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  7.  23
    Rethinking the Arts after Hegel: From Architecture to Motion Pictures.Richard Dien Winfield - 2023 - Springer Nature Switzerland.
    In this book, Richard Dien Winfield builds upon Hegel’s Aesthetics to provide a comprehensive and systematic analysis of the individual fine arts, which remedies Hegel's inconsistencies and major omissions. In addition to conceiving the general aesthetics and particular stylistic forms of architecture, sculpture, painting, music, and literature, Winfield determines the fundamental character of the new arts of photography and cinema that the master thinkers of aesthetics never had the opportunity to consider. Winfield’s analysis covers a wide-ranging array of artistic creations (...)
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  8. Motion(less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.
    While some film theorists and philosophers have seen motion as a necessary element of cinema, this view is challenged by a body of avant-garde films which offer little or no movement. These experiments—by film-makers such as Andy Warhol, Larry Gottheim, and Michael Snow—challenge essentialist definitions of film, while simultaneously foregrounding the crucial role played by duration in cinema’s ontology.
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  9. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition.Torben Grodal - 1999 - Clarendon Press.
    Providing an alternative to pyschoanalytically based descriptions, this major study presents a unique, new theoretical account of the way emotions and thought patterns interact in creating aesthetic effects in films. Using diverse examples, Torben Grodal shows how films activate effects in the viewer and how these effects are moulded by genres which determine the way in which characters will react in given situations.
     
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  10. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.Noël Carroll - 2013 - Malden, MA: Wiley-Blackwell.
    _Minerva’s Night Out_ presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy (...)
     
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  11.  51
    The Picture of Health: Medical Ethics and the Movies.Henri Colt, Silvia Quadrelli & Lester D. Friedman (eds.) - 2011 - Oxford University Press.
    This volume presents a collection of about 80 very brief, accessible essays written by international experts from medicine, social sciences, and the humanities, ...
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  12.  15
    Spinoza's Physical Picture.John Carriero - 2021 - In Yitzhak Y. Melamed (ed.), A Companion to Spinoza. Hoboken, NJ: Wiley. pp. 126–134.
    This chapter focuses on the human body and how it falls out of Spinoza's physical picture in a natural way that it is a modification of something more fundamental. Spinoza's further view that the human mind is Substance's understanding of the universe when restricted to the human body implies that the mind, too, is a modification of something more basic, namely, Substance's thought. The appearance of a human body in Spinoza's plenum is merely the emergence of a new pattern of (...)
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  13.  8
    Film ecology: defending the biosphere: Doughnut economics and film theory and practice.Susan Hayward - 2020 - New York, NY: Routledge, Taylor and Francis Group.
    This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the Regenerative model set out in Kate Raworth's book Doughnut Economics (...)
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  14.  29
    Saving Mr. Banks: Directed by John Lee Hancock, Written by Kelly Marcel and Sue Smith, 2013, Walt Disney Pictures, Ruby Films, and Essential Media & Entertainment.Katrina A. Bramstedt - 2014 - Journal of Bioethical Inquiry 11 (2):261-262.
    Expecting Saving Mr. Banks to be a jolly jaunt about the creative development of the movie Mary Poppins (1964), I found myself waiting endlessly for the “jolliness” to begin—it never did. In fact, rather than joy, there was an ever-present sensation of tension as I watched the film. Having moved house myself in recent days (during a Queensland heat wave), the scenes of the Goff family leaving their home and trekking across hot, dusty Queensland were very emotional. However, seeing the (...)
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  15. (1 other version)Measure for Measure: Wittgenstein's Critique of the Augustinian Picture of Music.Eran Guter - 2019 - In Hanne Appelqvist (ed.), Wittgenstein and the Limits of Language. New York: Routledge. pp. 245-269.
    This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...)
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  16.  60
    Peirce, Muybridge, and the Moving Pictures of Thought.Richard Kenneth Atkins - 2017 - Transactions of the Charles S. Peirce Society 53 (4):511.
    The System of Existential Graphs may be characterized with great truth as presenting before our eyes a moving picture of thought. Provided this characterization be taken not as a flatly literal statement, but as a simile, it will, I venture to predict, surprise you to find what a strain of detailed comparison it will bear without snapping.Peirce once called his graphical system of logic—the Existential Graphs or EGs—the moving pictures of thought. In this essay, I argue that Peirce meant that (...)
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  17.  97
    Measure for Measure: Wittgenstein's Critique of the Augustinian Picture of Music.Eran Guter - 2019 - In Hanne Appelqvist (ed.), Wittgenstein and the Limits of Language. New York: Routledge. pp. 245-269.
    This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...)
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  18. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Oxford: Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  19.  25
    A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory.Patrick Ellis - 2017 - British Journal for the History of Science 50 (3):411-428.
    In the 1910s, New York suffragette Electra Sparks wrote a series of essays in theMoving Picture Newsthat advocated for cine-therapy treatments for pregnant women. Film was, in her view, the great democratizer of beautiful images, providing high-cultural access to the city's poor. These positive ‘mental pictures’ were important for her because, she claimed, in order to produce an attractive, healthy child, the mother must be exposed to quality cultural material. Sparks's championing of cinema during its ‘second birth’ was founded upon (...)
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  20.  11
    Psychological studies of motion pictures. II-IV.Harold Ellis Jones - 1928 - Berkeley: University of California Press. Edited by Herbert S. Conrad, Horn, Aaron & [From Old Catalog].
    pt. II. Observation and recall as a function of age.--pt. III. Fidelity of report as a measure of adult intelligence.--pt. IV. The technique of mental-test surveys among adults.
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  21.  58
    God does play dice with the universe: a startling new picture of the world Einstein could not believe but you can understand.Shan Gao - 2008 - Bury St. Edmunds, Suffolk: Arima.
    Science has made a mighty advance since it originated in ancient Greece more than 2500 years ago. Yet we still live in Plato's cave today; we think everything around us moves continuously, but continuous motion is merely a shadow of real motion. This book will lead you to walk out the cave along a logical and comprehensible road. After passing Zeno's arrow, Newton's inertia, Einstein's light, and Schrodinger's cat, you will reach the real world, where every thing in (...)
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  22. On Classical Motion.C. D. McCoy - 2018 - Philosophers' Imprint 18.
    The impetus theory of motion states that to be in motion is to have a non-zero velocity. The at-at theory of motion states that to be in motion is to be at different places at different times, which in classical physics is naturally understood as the reduction of velocities to position developments. I first defend the at-at theory against the criticism raised by Arntzenius that it renders determinism impossible. I then develop a novel impetus theory of (...)
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  23. The Philosophy of Motion Pictures.NoË Carroll & L. - 2007 - Oxford: Wiley-Blackwell.
     
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  24.  56
    ‘To reason by means of images’: J. J. Thomson and the mechanical picture of nature.David R. Topper - 1980 - Annals of Science 37 (1):31-57.
    Throughout his life J. J. Thomson was committed to a mechanical interpretation of nature. This work proceeded in several stages. Early in his career he attempted a Lagrangian formulation of mechanics. But due to certain epistemological difficulties with this approach, he began exploring various analogies and models, particularly those involving vortex motion. After his discovery of the electron in 1897, he commenced a synthesis of the electron with his previous physical conceptions. The result was a hypothesis of the ether (...)
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  25.  36
    Motion pictures as metaphoric consumption: How animal narratives teach us to be human.Elizabeth C. Hirschman & Clinton R. Sanders - 1997 - Semiotica 115 (1-2):53-80.
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  26. E Pur Si Move! Motion-based lllusions, Perception and Depiction.Luca Marchetti - 2024 - Australasian Journal of Philosophy.
    Can static pictures depict motion and temporal properties? This is an open question that is becoming increasingly discussed in both aesthetics and the philosophy of mind. Theorists working on this issue have mainly focused on static pictures of dynamic scenes and streaky images – such as futurists’ paintings or long-exposure photographs. And yet, we could ask: if there is some success in creating an illusory impression of movement in a static image - as is the case in optical illusions (...)
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  27. Motion pictures : literary images of horizontal movement.Guido Isekenmeier - 2011 - In Renate Brosch, Ronja Tripp & Nina Jürgens (eds.), Moving images, mobile viewers: 20th century visuality. Berlin: Lit.
     
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  28. For nothing is concealed! Motion picture, Wittgenstein, and seeing-as.Thomas Wachtendorf - 2021 - Journal of Comparative Literature and Aesthetic 44 (3):54-61.
    According to Wittgenstein’s claim that our “seeing a thing as” is strongly dependent on what he calls “world-picture” and vice versa, motion pictures present “surveyable repres- entations” of our world-picture and therefore influence the way we see the world. Insofar as understanding means to see coherences, motion pictures help humans understand world-pictures. But the insights imparted by motion pictures are not of a mere cognitive kind, since motion pictures do not present arguments. By making use of (...)
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  29. The philosophy of motion pictures • by Noël Carroll.Andrew Kania - 2009 - Analysis 69 (1):194-195.
    Book review of _The Philosophy of Motion Pictures_ by Noël Carroll.
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  30. Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is (...)
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  31. (1 other version)Looking at Motion Pictures.Richard Allen - 1997 - In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press.
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  32. (2 other versions)Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  33.  23
    Study of Human Motion Recognition Algorithm Based on Multichannel 3D Convolutional Neural Network.Yang Ju - 2021 - Complexity 2021:1-12.
    Aiming at the problem that it is difficult to balance the speed and accuracy of human behaviour recognition, this paper proposes a method of motion recognition based on random projection. Firstly, the optical flow picture and Red, Green, Blue picture obtained by the Lucas-Kanade algorithm are used. Secondly, the data of optical flow pictures and RGB pictures are compressed based on a random projection matrix of compressed sensing, which effectively reduces power consumption. At the same time, based on random (...)
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  34.  10
    Film theory: rational reconstructions.Warren Buckland - 2012 - New York, NY: Routledge.
    Introduction -- An improbable alliance : Peter Wollen's "The auteur theory" -- Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- Against theories of (...)
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  35.  21
    The Philosophy of Motion Pictures: Book Reviews. [REVIEW]Thomas E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  36. The Lived Experience of Motion Pictures: A Phenomenological Approach to Cinema.Hanna Trindade - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge Press, Research on Aesthetics.
     
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  37. The Effects of the Motion Picture on the Mind and Morals of the Young.Joseph Roy Geiger - 1923 - International Journal of Ethics 34 (1):69-83.
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  38.  28
    The Philosophy of Motion Pictures.T. E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  39.  55
    The Varying Coherences of Implied Motion Modulates the Subjective Time Perception.Feiming Li, Lei Wang, Lei Jia, Jiahao Lu, Youping Wu, Cheng Wang & Jun Wang - 2021 - Frontiers in Psychology 12:602872.
    Previous research has demonstrated that duration of implied motion (IM) was dilated, whereas hMT+ activity related to perceptual processes on IM stimuli could be modulated by their motion coherence. Based on these findings, the present study aimed to examine whether subjective time perception of IM stimuli would be influenced by varying coherence levels. A temporal bisection task was used to measure the subjective experience of time, in which photographic stimuli showing a human moving in four directions (left, right, (...)
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  40. Music and motion pictures.Noël Carroll & Margaret Moore - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. New York: Routledge.
     
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  41. The Philosophy of Motion Pictures, by Noël Carroll.Ward E. Jones - 2013 - Mind 122 (486):fzt066.
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  42.  25
    The economics of the motion picture industry: A survey.J. C. Strick - 1978 - Philosophy of the Social Sciences 8 (4):406-417.
  43.  14
    Film Manifestoes and Global Cinema Cultures: A Critical Anthology.Scott MacKenzie - 2014 - University of California Press.
    Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects (...)
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  44. An Introduction to Pre-Socratic Ethics: Heraclitus and Democritus on Human Nature and Conduct (Part I: On Motion and Change).Erman Kaplama - 2021 - Cosmos and History: The Journal of Natural and Social Philosophy 17 (1):212-242.
    Both Heraclitus and Democritus, as the philosophers of historia peri phuseôs, consider nature and human character, habit, law and soul as interrelated emphasizing the links between phusis, kinesis, ethos, logos, kresis, nomos and daimon. On the one hand, Heraclitus’s principle of change (panta rhei) and his emphasis on the element of fire and cosmic motion ultimately dominate his ethics reinforcing his ideas of change, moderation, balance and justice, on the other, Democritus’s atomist description of phusis and motion underlies (...)
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  45.  13
    Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
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  46.  10
    Absolute or Relative Motion? A Study From the Machian Point of View of the Discovery and the Structure of Dynamical Theories.Julian B. Barbour - 1988 - Cambridge University Press.
    This richly detailed biography captures both the personal life and the scientific career of Isaac Newton, presenting a fully rounded picture of Newton the man, the scientist, the philosopher, the theologian, and the public figure. Professor Westall treats all aspects of Newton's career, but his account centers on a full description of Newton's achievements in science. Thus the core of the work describes the development of the calculus, the experimentation that altered the direction of the science of optics, and especially (...)
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  47.  19
    Charles Musser. Edison Motion Pictures, 1890–1900: An Annotated Filmography. 720 pp., frontis., illus., figs., apps., bibl., indexes. Washington, D.C.: Smithsonian Institution Press, 1997. $75. [REVIEW]Miranda Paton - 2003 - Isis 94 (3):544-545.
  48.  14
    World of Laughter: The Motion Picture Comedy Short, 1910-1930. [REVIEW]Henry L. Mueller - 1968 - Journal of Aesthetic Education 2 (1):139.
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  49.  14
    Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany[REVIEW]Sandra Schnädelbach - 2018 - Isis 109 (4):864-865.
  50. The Philosophy of Motion Pictures. [REVIEW]Landon Schurtz - 2011 - American Society for Aesthetics Graduate E-Journal 3 (1):24-25.
     
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