The discovery of emotional value in conceptual history Resumen: Este artículo aborda histórica y metodológicamente la cuestión del papel atribuido a las emociones en la investigación de la historia conceptual. No se trata, por tanto, de la historia de la metaconceptualización de las emociones ni de la historia de las propias emociones. Me gustaría rastrear una vertiente conceptual de la larga prehistoria de la historia de los conceptos y la semántica histórica, a saber, la del concepto de valor emocional. Junto (...) a este concepto, la atención se centra también en la carga sentimental y afectiva de los conceptos, que no puede describirse con predicados semánticos, pero que es esencialmente responsable de la posición de los conceptos en el discurso, de su ascenso y decadencia. Mi impresión es que tanto el concepto como el problema del valor emocional de un término han ido retrocediendo en la historia conceptual koselleckiana. En el artículo también se presentan las consideraciones de por qué esto es así.: This article approaches historically and methodologically the question of the role attributed to emotions in conceptual history research. It is therefore neither about the history of the metaconceptualization of emotions nor about the history of emotions themselves. I would like to trace one conceptual strand of the long prehistory of the history of concepts and historical semantics, namely that of the concept of emotional value. Alongside this concept, attention is also focused on the sentimental and affective charge of concepts, which cannot be described by semantic predicates, but which is essentially responsible for the position of concepts in discourse, for their rise and decline. My impression is that both the concept and the problem of the emotional value of a term have been receding in Koselleckian conceptual history. The article also presents considerations as to why this is so. Palabras clave: sentimiento, emoción, historia conceptual, semántica histórica. Keywords: feeling, emotion, conceptual history, historical semantics. (shrink)

1.t. Die Sprache. --2.t. Das mythische Denken. --3.t. Phänomenologie der Erkenntnis.

This book represents a unique attempt to reconcile the traditional oppositions of the natural law and social utopian traditions, providing basic insights into the meaning of human rights in a socialist society.

Behler discusses the current state of thought on modernity and postmodernity, detailing the intellectual problems to be faced and examining the positions of such central figures in the debate as Lyotard, Habermas, Rorty, and Derrida. He finds that beyond the "limits of communication," further discussion must be carried out through irony. The historical rise of the concept of modernity is examined through discussions of the querelle des anciens et des modernes as a break with classical tradition, and on the theoretical (...) writings of de Stael, the English romantics, and the great German romantics Schlegel, Hegel, and Nietzsche. The growth of the concept of irony from a formal rhetorical term to a mode of indirectness that comes to characterize thought and discourse generally is then examined from Plato and Socrates to Nietzsche, who avoided the term "irony" but used it in his cetnral concept of the mask. (shrink)

The _Symbolic Forms_ has long been considered the greatest of Cassirer’s works. Into it he poured all the resources of his vast learning about language and myth, religion, art, and science—the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to this experience. “These three volumes alone make an outstanding contribution to epistemology and to the human power of abstraction. It is rather as if ‘The Golden Bough’ had been written in philosophical (...) rather than in historical terms.”—F.I.G. Rawlins, _Nature_. (shrink)

Name der Zeitschrift: Klio Jahrgang: 96 Heft: 1 Seiten: 287-288.