This article aims to integrate discourse analysis of politically instrumental imagined identity geographies with the relational and territorial geography of the communities of praxis and interpretation that produce them. My case study is the international community of nationalist scientists who classified Europe’s biological races in the 1820s—1940s. I draw on network analysis, relational geography, historical sociology and the historical turn to problematize empirically how spatial patterns of this community’s shifting disciplinary and political coalitions, communication networks and power relations (...) emerged, were structured, persisted, changed, interacted and disappeared. I focus especially on core— periphery relations. I argue that if local historical spatial patterns affect those of later phenomena, geographies like that of European integration should be understood in the context of Europe’s complex historical cultural geography. Unlike discourse deconstruction alone, this complementary relational de-essentialization of geography can identify large-scale, enduring associations of cultural patterns as well as cultural flux and ambiguity. (shrink)

This essay re-examines the connections between geography, print and the Renaissance. Starting with an historiographical survey of the ways in which these categories have previously been connected, the essay points to an explanatory lacuna in the accepted view. It is widely agreed that geographical writing responded remarkably slowly to the changing European knowledge of the globe initiated during “the age of discovery”, major transformation away from ancient and medieval patterns of global description only coming a century after Columbus. (...) Yet the nature of this transformation has never been depicted, nor has any explanation of its timing or intellectual origins been offered. In filling this gap, this paper also seeks to offer new insights into the connections between geography and Renaissance intellectual life. (shrink)

Geography and Empire re-examines the role of geography in imperialism and reinterprets the geography of empire. It brings together new work by eighteen geographers from ten countries. The book is divided into five parts. Part I considers the early engagement of geographers with the imperial adventures of England and France. Part II focuses on the links between nineteenth-century European imperial expansion and the establishment of the first geographical institutions. Part III examines the rhetoric of geographical description (...) and theory - the climatic determinism that reduced the population of half the world to idle degenerates, and the geopolitics that elevated a small part of the rest to be their rulers. Part IV is concerned with the active role of geographers in imperial administration and planning, and with the beginnings of a critical perspective on imperial ambition. Part V describes the experience of decolonization and of post-colonialism - the ambiguous role of the USA in the former, the difficulties of finding a true voice for the latter. Geography and Empire provides new insights and vivid perspectives not only on the development of the profession and discipline of geography, but on the interactions between individuals, ideas, events and movements - and, most notably, on what happens when one culture invades and attempts to dominate another. It concludes with notes for further reading, a comprehensive bibliography and a full index. (shrink)

There are many advantages and disadvantages to central locations. These have shown themselves in the long course of European history. In times of peace, there are important economic and cultural advantages (to illustrate: the present area of the Czech Republic was the richest country in Europe between the two World Wars). There are cross-currents of trade and culture in central Europe of great advantage. For, cultural cross-currents represent a potential benefit in comprehension and cultural growth. But (...) under threat of large-scale conflict, these locations have proved extremely dangerous. Historically, Germany and Austria may be regarded as having had two chief models of their relationships to Europe. In the Holy Roman Empire, Germany was at the center of an aspiring “universalistic” European cosmopolitanism. (In some ways similar to the present situation of the European Union.) Austria maintained a great multi¬cultural empire, until it was destroyed in the First Word War. Generally, middle-European powers have promoted the integration of European diversity, when peace and stability have been plausible objectives. But when European diversity has declined toward ethnic or national conflict, Germany has drawn away from Europe and into itself, seeking inner unity and distinctness to protect it against possible combinations of enemies. This is true of central Europe generally, in degree, but interest often centers on Germany. Generally, central Europe is a cultural pressure cooker. (shrink)

This book is an innovative attempt by a leading film theorist to locate cinema--from the earliest experiments, via the work of Federico Fellini, Alfred Hitchcock, Roberto Rossellini, Orson Welles and many others, to contemporary European art cinema-- alongside philosophy, painting, geography and travel in terms of a history of modernism. The focal point of Promised Lands is a vast collection of geographical and ethnographic films and photographs made around the world, The Archives of the Planet . Based in (...) Paris, the collection was amassed by a French banker, Albert Kahn, in the 1900s, and for a time it was run by the Professor of Geography at the College de France, Jean Brunhes. The collection is, for Sam Rohdie, an astonishing instance of French modernism comparable to the philosophical work of Henri Bergson. Promised Lands weaves a narrative of speculative and analytical fragments around the rich resources of the collection. Each chapter is named for a real or imaginary place and the sum is a study that, in its interdisciplinary range and its attempt to integrate personal and cultural history, redefines modernism as a shifting geography of artforms, desires, and practices of understanding. (shrink)

It is sometimes claimed that democracy is a “Western” form of government that can only grow in certain places and under certain conditions. Indeed, in some of his works, Samuel Huntington claims that democracy and the rule of law are social ideals that are rooted in very specific European cultures and may not function well, or at all, outside of those settings. Jared Diamond, author of the popular Guns, Germs, and Steel, goes even further, suggesting that the rise of (...) industrialized democracies had much to do with the geography and the environment in which these social ideals evolved, giving the West distinct advantages over other societies with different terrains and natural resources (see Diamond). Democracy .. (shrink)

This article introduces the topic and offers an overview of the issue. The author argues that despite the dismantling of the Iron Curtain in 1989 there is still a gap of indifference that separates Western from Eastern Europe when it comes to the exchange of ideas and the dissemination of knowledge. While East European intellectuals most often feed themselves on West European authors, intellectual fashions and cultural products, their Western counterparts pay comparatively little attention to what comes, (...) intellectually, from the East – as though the traffic of ideas between Eastern and Western Europe is only one way. On closer inspection, however, this may be due in part to a sense of existential fragility, insecurity and dislocation that characterizes the “East European mind” itself. The author traces briefly this characteristic in the works and opinions of such authors as Czesław Miłosz, Arthur Koestler, Milan Kundera, Krzysztof Kieslowski and Mircea Eliade. (shrink)

The aim of this article is to interrogate the current mainstream interpretation of the relations between the Balkans and the West by exploring the agencies of the transmission of knowledge through which the Balkans became familiar with the West. Interest is focused on how concepts about `us' and the `other', cultural and social self-definitions were historically mediated by concepts of Europe. Issues of cultural transfer form a point of departure, in this sense suggesting that Balkan visions of Europe (...) cannot be understood as simply mirroring the representations of the Western hegemonic discourse about the Balkans. In order to understand these visions, more attention needs to be paid to local and regional dynamics in the production of ideologies and self-narrations. (shrink)

The contemporary societies of the West are characterized by a collision of radically incommensurable cultures, that of traditional Christianity and that of the robustly laicist cultures that took shape in the nineteenth and twentieth centuries, drawing not only on the French Revolution and the Western European Enlightenment but also on deep roots in the synthesis of faith and reason that framed the thirteenth-century Western Christian Middle ages. This article explores the foundational contrast and conflict between traditional Christian bioethics and (...) the now-dominant secular culture through a portrayal of the historical and conceptual geography of the collapse of the Christendom established by St. Constantine the Great, Equal-to-the-Apostles, and on account of the emergence of secular fundamentalist states. The question is addressed anew as to what Athens can have to do with Jerusalem, as well as to what the Academy can have to do with the Church. The differences between a traditional Christian bioethics and a secular bioethics are illustrated in terms of questions bearing on the use of life-prolonging and death-postponing treatment. (shrink)

MARINA PAOLA BANCHETTI-ROBINO is Associate Professor and Chair of the Philosophy Department at Florida Atlantic University. Her areas of research include phenomenology, philosophy of language, philosophy of science, philosophy of mind, and zoosemiotics. Her publications have appeared in such journals as Synthese, Husserl Studies, Idealistic Studies, Philosophy East and West, and The Review of Metaphysics. She has also contributed essays to The Role of Pragmatics in Contemporary Philosophy (1997), Feminist Phenomenology (2000), and Islamic Philosophy and Occidental Phenomenology on the Perennial (...) Issue of Microcosm and Macrocosm (2006). She co-edited Philosophies of the Environment and Technology (1999) and is currently working on a book-length project entitled The Birth of Science Out of the Spirit of Myth: A Historico-Phenomenological Re-Examination of the Crisis of the European Sciences. BERNARD BOXILL was born in Saint Lucia, West Indies where he received his primary and secondary education. He studied philosophy at the University of New Brunswick, Canada and at the University of California, Los Angeles where he was awarded a doctorate in philosophy in 1971. He has published numerous articles, a book, Blacks and Social Justice (1992), and is professor of philosophy at the University of North Carolina at Chapel Hill. ED BRANDON was born and educated in England, studying philosophy and linguistics at The University of York, England, and later philosophy at The University of Oxford with the late John Mackie. After teaching in Sierra Leone and briefly in England, he went to teach philosophy of education at the University of the West Indies at Mona, Jamaica in 1978. From 1992 he has been attached to a policy unit of the Vice-Chancellery, based at the Cave Hill campus in Barbados, where he has been assisting since 2000 with a new major in philosophy. His academic work can be accessed from http://cavehill.uwi.edu/bnccde/epb/personalpage.html CAROLYN CUSICK is a doctoral candidate in the Department of Philosophy at Vanderbilt University. She is a founding member of the Phenomenology Roundtable. Her research focuses on feminist epistemology, Africana philosophy, and phenomenology. LEWIS GORDON is President of the Caribbean Philosophical Association. He is Laura H. Carnell Professor, the most distinguished chair, at Temple University, where he holds appointments in philosophy, religion, and Judaic studies and directs the Institute for the Study of Race and Social Thought and the Center for Afro-Jewish Studies. He is also Ongoing Visiting Professor of Philosophy and Government at the University of the West Indies at Mona, Jamaica. He is the author of several books, including the award-winning Her Majesty's Other Children: Sketches of Racism from a Neocolonial Age (Rowman and Littlefield, 1997), Disciplinary Decadence: Living Thought in Trying Times (Paradigm, 2006), An Introduction to Africana Philosophy (Cambridge University Press, forthcoming), and co-editor of A Companion to African-American Studies (Blackwell, 2006) and Not Only the Master's Tools: African-American Studies in Theory and Practice (Paradigm, 2005). CLEVIS HEADLEY is currently Associate Professor of Philosophy at Florida Atlantic University, director of the Ethnic Studies Certificate Program, as well as director of the Master's in Liberal Studies. Professionally, he serves as the Vice-President and Treasurer of the Caribbean Philosophical Association. Professor Headley has published widely in the areas of Critical Race Theory and Africana philosophy. He has also published in Analytic philosophy, focusing specifically on Gottlob Frege. PAGET HENRY is Professor of Sociology and Africana Studies at Brown University. He is the author of Caliban's Reason: Introducing Afro-Caribbean Philosophy, Peripheral Capitalism and Underdevelopment in Antigua, and the co-editor of C. L. R. James' Caribbean. Professor Henry also serves as the editor of the C. L. R. James Journal, and has published numerous articles on the political economy of the Caribbean as well as on African, African-American, and Afro-Caribbean philosophy. ESIABA IROBI is Associate Professor of International Theatre/Performance Studies at Ohio University, Athens. His groundbreaking book: A Theatre for Cannibals: Resisting Globalization on the Continent and Diaspora since 1441 will be published by Palgrave Macmillan, London, in 2007. He has been invited to be an External Resident Fellow at the prestigious Dartmouth College Humanities Institute for the 2007-2008 academic year. CHIKE JEFFERS is a graduate student in the Ph.D. program of the Philosophy Department at Northwestern University. His interests are in Africana philosophy, social and political philosophy, ethics, philosophy of religion and aesthetics. He is originally from Toronto, Ontario, Canada. CATHERINE JOHN is Associate Professor of African Diaspora Literary and Cultural Studies at the University of Oklahoma. Her book Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing was co-published by Duke University Press and UWI Press in 2003. She has published several articles on Caribbean literature and culture and her current book project is entitled The Just Society and the Diasporic Imagination. She spends her summer working in Woodside, St. Mary, Jamaica helping with a summer school for children and participating in the community's emancipation celebration. KENNETH KNIES is a doctoral student in philosophy at Stony Brook University. His areas of focus are phenomenology and ancient philosophy. He is also a contributing editor for Political Affairs magazine. EDIZON LEN is a photographer and coordinator of the Fondo Documental Afro-Andino at the Universidad Andina Simòn Bolivar in Quito, Ecuador. In 2006, he was curator of the photo exhibit "The Color of the Diaspora" presented at the Cultural Center of the Catholic University of Ecuador and the University of Tennessee in Knoxville. He is currently completing his doctorate at the Universidad Andina Simòn Bolivar with a focus on Maroon thought. REKHA MENON is Associate Professor of Art History at State University of New York, Buffalo State. She is the author of Seductive Aesthetics of Post Colonialism (forthcoming). Her area of research focuses on current philosophical investigations in colonial and neocolonial aspects of Indian art, artistic/cultural practices and philosophies and their relationship to Western arts and philosophies. Her manuscripts under review are: Ashamed of Our Nakedness, Is There Ever a Naked Body? Ambivalence in Contemporary Indian Expressive Aesthetics and Insatiable Desire. MICHAEL R. MICHAU is a Ph.D. candidate in the Philosophy and Literature Program at Purdue University, and during the 2006-2007 school year, a lecturer in the Department of Comparative Studies and Department of Philosophy at Ohio State University. He is the co-founder and co-secretary of the North American Levinas Society. CHARLES W. MILLS is Distinguished Professor of Philosophy at the University of Illinois at Chicago. He works in the general area of oppositional political theory, and is the author of numerous articles and three books: The Racial Contract (Cornell University Press, 1997), Blackness Visible: Essays on Philosophy and Race (Cornell University Press, 1998), and From Class to Race: Essays in White Marxism and Black Radicalism (Rowman and Littlefield, 2003). MABOGO P. MORE is currently Associate Professor of Philosophy at the University of KwaZulu-Natal, South Africa. He has published articles on African philosophy and social and political philosophy in a number of academic journals, such as South African Journal of Philosophy, Dialogue and Universalism, Alternation, Theoria, and African Journal of Political Science. MARILYN NISSIM-SABAT, Ph.D., M.S.W. is Professor Emerita and Adjunct Professor of Philosophy, Lewis University. Dr. Nissim-Sabat is also a psychotherapist in private practice. She is the author of numerous book chapters and papers in the fields of philosophy (Husserlian phenomenology), psychoanalysis, feminism, and critical race theory. Citations of her works can be found on her website: marilynnissim-sabat.com. FREDERICK OCHIENG'-ODHIAMBO is a Senior Lecturer of Philosophy and Coordinator of the discipline at The University of the West Indies, Cave Hill, Barbados. His major research areas are African philosophy and social philosophy. He has published several articles on philosophic sagacity. IVAN PETRELLA is an Assistant Professor of Religious Studies at the University of Miami. He is author of The Future of Liberation Theology: An Argument and Manifesto (SCM Press, 2006) and editor of Latin American Liberation Theology: The Next Generation (Orbis Books, 2005) as well as co-editor of the series Reclaiming Liberation Theology (SCM Press) RICHARD PITHOUSE is a research fellow at the University of KwaZulu-Natal in Durban, South Africa. He is editor of Asinamali: University Struggles in Post-Apartheid South Africa (Africa World Press, 2006). SATHYA RAO is Assistant Professor in French translation at the Department of Modern Languages and Cultural Studies, University of Alberta, Canada. His research fields include: theory of translation, continental philosophy, postcolonial studies, discourses on Africa, and Francophone cinema and literature. He has published articles in various peer-reviewed journals and written chapters in several collective books such as: De l'Ecrit Africain a l'Oral le Phenomene Graphique Africain, Simon Battestini (Ed.) (Paris: L'Harmattan, 2006) and Thèorie-rèbellion. Un Ultimatum, Gilles Grelet (Ed.) (Paris: L'Harmattan, 2005). He has a co-edited a book on Francophone African cinema L'Afrique fait son cinema (Montreal: Memoires d'encrier, forthcoming). Sathya Rao is vice-president of the International Non-Philosophical Organisation (INPhO), member of the Canadian Association of Translatology (CATS), coordinator of the research team Poexil, and Secretary of the Caribbean Philosophical Association. He is co-founder of an online journal Alternative Francophone. CATHERINE WALSH is Professor and Director of the doctoral program in Latin American Cultural Studies at the Universidad Andina Simon Bolivar in Quito, Ecuador. Her research interests include the geopolitics of knowledge, interculturality and concerns related to the Afro-Andean Diaspora and the production of decolonial thought. Among her recent publications are Pensamiento crìtico y matriz colonial (Quito: Abya Yala, 2005), "Interculturality and the Coloniality of Power. An 'Other' Thinking and Positioning from the Colonial Difference," in Coloniality of Power, Transmodernity, and Border Thinking, R. Grosfoguel, J.D. Saldivar, and N. Maldonado-Torres (Eds.) (Durham: Duke University Press, forthcoming) and "Shifting the Geopolitics of Critical Knowledge: Decolonial Thought and Cultural Studies 'Others' in the Andes," Cultural Studies (forthcoming). KRISTIN WATERS has published widely in the areas of race and gender. Her anthology Enlightened Conversations: Women and Men Political Theorists (Blackwell, 2000) challenges political theorists to be more inclusive of race and gender in their research and teaching. Her book Black Women's Intellectual Traditions: Speaking Their Minds, co-edited with Carol Conaway (University of Vermont Press, forthcoming), addresses the varied intellectual traditions of black women's thought that spans more than two hundred years in North America. She is currently Professor of Philosophy at Worcester State College and Visiting Research Associate at Brandeis University. (shrink)

The aim of this essay is a philosophical reconstruction of the category of Eastern Europe (as topographical and ethical, and only by implication a geographical one). This will proceed in three steps. First, deconstruction of the category in question by exposing its colonialist and post-colonialist origins. Second, projection of a new cultural geography of Eastern Europe. The main criteria of which are: 1) belonging to the European community of values, 2) being directly and permanently exposed to a (...) paradoxical cultural formation, neither European nor Asian, which poses a constant threat to all neighboring states and nations – Russia. In the third step, Eastern Europe is presented as a specifically determined way of living, experiencing, and self-understanding, localized in particular space(s); that is, a particular ethos rooted in a concrete topos/topoi. This ethos has been driven by the ideals of freedom, equality, cultural diversity, and the sovereignty of the people; and actualized in a kind of cultural flexibility, hybridity, and polyphony. However, this ethos has never been something given. It has been gradually developing throughout its dramatic history, and this was not only a history of those sublime ideals (and their partial actualization), but also of their real and brutal negation. That is why this ethos is grounded in a constantly renewed activity of self-questioning and self-searching, in a persistently recurrent will of self-determination; and that is also why Eastern Europe cannot be enclosed in a single narrative, but it expresses itself through different and often competing stories. (shrink)

This paper extends discussions of the sociology of the early modern scientific community by paying particular attention to the geography of that community. The paper approaches the issue in terms of the scientific community's self image as a Republic of Letters. Detailed analysis of patterns of citation in two British geography books is used to map the ‘imagined community’ of geographers from the late Renaissance to the age of Enlightenment. What were the geographical origins of authors cited in (...) geography books and how did this change over time? To what extent was scholarship from other cultural arenas integrated into European geography? Such an analysis draws on and interrogates recent work in the history of science and in the history of scholarship more broadly, work which has made important contributions to our understanding of the historical geography of scholarly communities in early modern Europe. (shrink)

ABSTRACTGeography must be conceived in relation to man. It is not merely a description of the Earth, rather it accounts for the history of man’s relationship with it, of man’s movements on its surface, and his transformative impact on the world. From this perspective, Friedrich Ratzel was extraordinarily innovative respect to other nineteenth century scholars. That said, however, his revolutionary approach actually relied on an ancient foundation. To understand the basis of Ratzel’s anthropogeographical project it is vital to return to (...) a Greek concept that, over the centuries, has been variously resemantized: the concept of the oecumene. In his understanding of the oecumene, the entire breadth of humanity is conceived in historical and geographical relation to the world around it. Ratzel’s anthropogeography aspires to an all-encompassing understanding of man. In fact, it allows us to reconstruct the coordinates of time and space through which man has developed as a being capable of culture. The Earth, according to Ratzel, transcends its eminently geophysical connotations and becomes more similar to the ancient oecumene. It is, once more, the abode of man; it is that which he knows and recognizes, that to which he gives a name. (shrink)

Encountering the North. Cultural Geography, International Relations and Northern Landscapes. Edited by Frank Möller and Samu Pehkonen, xiii + 294 pp. $89.95/50.00 cloth. The Nordic Peace. Edited by Clive Archer and Pertti Joenniemi, x + 217 pp. $79.95/46.50 cloth. Sweden and the “Third Way”: A Macroeconomic Evaluation. By Philip Whyman, xi + 251 pp. $94.95/52.50 cloth.

Freemasonry was the most widespread form of secular association in eighteenth-century England, providing a model for other forms of urban sociability and a stimulus to music and the arts. Many members of the Royal Society and the Society of Antiquaries, for instance, were Freemasons, while historians such as Margaret Jacob have argued that Freemasonry was inspired by Whig Newtonianism and played an important role in European Enlightenment scientific education. This paper illustrates the importance of natural philosophy in Masonic rhetoric (...) and utilizes material from Masonic histories, lodge records and secondary works to demonstrate that scientific lectures were indeed given in some lodges. It contends, however, that there were other sources of inspiration for Freemasonry besides Newtonianism, such as antiquarianism, and that many other factors as well as the prevalence of Masonic lodges determined the geography of English scientific culture. Although the subject of Freemasonry and natural philosophy has great potential, as Jacob has demonstrated so well, much further work, especially in the form of prosopographical studies of provincial lodges, is required before the nature of the relationship between the two can be fully appreciated. (shrink)

Conventional wisdom suggests that aesthetic experiences - those moments when the senses come to life - are important only after more basic needs have been met. In this inspiring wealth of provocative ideas, Yi-Fu Tuan demonstrates that feeling and beauty are essential parts of life and society. The aesthetic is shown to be not merely one aspect of culture but its central core - both its driving force and its ultimate goal. Beginning with the individual and the physical world, the (...) author's exploration progresses from the simple to the complex. Tuan starts by examining the building blocks of aesthetic experience - sight, hearing, smell, touch, taste - and gradually expands his analysis to include the most elaborate of human constructs, including art, architecture, literature, philosophy, music, and landscape. This leads him to the realm of politics, where he grapples with the fundamental question of the relationship between goodness and beauty, and of how the aesthetic can become a moral force within society. To guide the reader along this journey, the author describes how the aesthetic operates in four widely disparate cultures: Australian aboriginal, Chinese, medieval European, and modern American. Yi-Fu Tuan, one of our most influential and original thinkers, brilliantly conveys the profound fascination of multisensory reality, and in so doing enables us to make connections among even the most diffuse elements of our lives. While Tuan does not ignore human folly, Passing Strange and Wonderful is a celebration of the world around us, our experiences, and our creations. (shrink)

DOING CULTURAL GEOGRAPHY Edited by PAMELA SHURMER-SMITH, University of Portsmouth Doing Cultural Geography is an introduction to cultural geography that integrates theoretical discussion with applied examples: the emphasis throughout is on doing geography. Recognising that many undergraduates have difficulty with both theory and methods courses, the text explains the theory informing cultural geography and encourages students to engage directly with theory in practice. It emphasises what can be done with humanist, Marxist, (...) poststructuralist, feminist, and postcolonial theory, showing that this is the most effective way to engage with the theoretical literature. Twenty short chapters are organized in sections on theory, topic selection, methodology, interpretation, and presentation. The text is punctuated throughout with questions, suggestions for activities, and short sample extracts from the academic literature, chosen to exemplify the subject of the chapter and to stimulate further reading. Chapters conclude with glossaries and suggestions for further reading. Doing Cultural Geography will be used in project work - from seminar-based activities to the planning stages of undergraduate research projects. It will be essential reading for students in modules in cultural geography, foundation courses in human geography, as well as theory and methods modules. Features and Benefits:  most pedagogically informed teaching text on cultural geography available  integrates theory with practice. (shrink)

(2004). Gedachtes Wohnen: Heidegger and cultural geography. Philosophy & Geography: Vol. 7, No. 2, pp. 237-249.

The article discusses the problems of philosophical geography, philosophical multipolarity, georationality. The debates on these issues are becoming interdisciplinary. Specialists in Eastern philosophies and cross-cultural communications as well as epistemologists, scientific methodologists, cognitive scholars, synergists became participants of the discussion held at the Institute of Philosophy of the Russian Academy of Sciences. The problem of Eurocentrism in academic philosophy has become the main topic of discussion. The opponents of the “regional” multipolarity argued that the Western European tradition (...) of rationality was an example of the rationality per se. The proponents, who relied heavily on the ad professionem arguments, advocated multipolarity and demonstrated the irreducibility of the world-pictures, languages and ontologies of philosophical systems. A point of view was expressed that Eurocentrism had an ideological background. The disputants noted that there was need to redefine or clarify such fundamental concepts as logic, rationality, scientific rationality, universalism, processuality. The redefinition of the concept of rationality is for the studies of various types of rationality outside European cultures. Methodologists of science drew attention that the cognitive problems of intercultural communications turned out to be similar to the problems faced by theory of complexity. The analysis of philosophical, logical and other cases in various “zones of exchange” reveals a plurality of directions in the global and local socio-cultural spaces. The panelists raised the question of the role of philosophy in the global world and its responsibility in uniting nations. The authors of the article draw attention to many functions that the Western European conceptual system performs in the formation of philosophical language, mentality and communication. The dynamics of philosophical discussions, the dialogue of the West and the East lead to the clarification of philosophical positions, the emergence of new concepts and meanings as well as the formation of discourses of the future. (shrink)

The Monumental is an interdisciplinary collection of original, cutting-edge contributions by international researchers pursuing the epistemology and ontology of monuments over time and geography. The contributors are specialists in geography, architectural theory and history, prehistoric, Greek and Roman archaeology, modern art, Byzantine studies, landscape theory and heritage reception. Against the global climate of flux and uncertainty in the present turbulent world, the durability of monuments as "urban permanences" emerges as one of the few remaining spatial and mental anchorages. (...) As such it is needed, maintained, enhanced, imitated, landscaped and even invented. In particular, the monumental as a spatial and aesthetic phenomenon of perpetual importance has recently acquired major new meanings. It now emerges as a key political, spatial, aesthetic, symbolic, architectural and archaeological manifestation or entity, open to constantly new, even contradictory forms and expressions. This collection addresses the urgent need for relevant research. It breaks new ground by posing fresh questions on the ontology, temporality, purpose, politics, scale, place, contestations and aesthetics of and around the monumental, from prehistoric time to the present, as well as in both Eastern and Western geographies. Monuments are explored as bearers of the urban majestic, extraordinary and sublime. The Monumental poses questions about changing perceptions, the evocative power of representation, identity construction, ideology and symbolism, the vital necessity for a communicative and active public space around monuments, imitation processes across geographical space-time, as well as the powers that construct, deconstruct or identify the monumental but also the anti-monumental as such. Geographies of reference are the European space, the United States and Asia. Wide-ranging theorizations alternate with in-depth analyses of paradigmatic cases. Conventional as well as alternative forms of the monumental in the present shifting world are also pursued. The Monumental is of great value and interest to scholars, students and professionals in the fields of architectural theory, history and design, archaeology, art theory and history, Byzantine studies, restoration, urban design and planning, human, urban and cultural geography, cultural studies, social anthropology, Asian studies, as well as those in wider subdisciplines. (shrink)

There has been no uniform conception of philosophy in the West. The Greek conception differs very much from that of Kant, and Kant's philosophical thought is in turn altogether dissimilar from that of a man like Ayer. However, there are certain broad characteristics which distinguish the philosophy of European culture from philosophies of Hindu and Chinese cultures. Within the same culture, of course, there are a number of clear-cut directions. It may, for example, be pointed out that philosophy, as (...) conceived in Germany, Spain, and Italy, differs very much from the philosophy that has evolved in Britain and Scandinavian countries. There are, certainly, exceptions. Britain has produced Bradley and Whitehead; and Denmark, Kierkegaard. Still we are not far wrong in thinking that there is something which distinguishes the philosophy of one tradition from that of another. This difference is inevitable because philosophical activity takes place not in a vacuum but within a historical setting. History is influenced by the geography of the country and the racio-cultural patterns that have been established. Again, foreign impacts produce currents of far-reaching change in habits of thought as well as action. To cite an instance, but for the German influence sweeping through Coleridge, the Cairds, and Green, Bradley or Bosanquet would be unexplainable. I will therefore assume that the philosophy of a tradition can be taken as a historic and continuous phenomenon with a special genius of its own and, perhaps, a destiny as well. (shrink)

My point of departure is Said’s rejection of the idea of an “Orientalist” Hellenism. What might it mean to argue that Orientalism characterizes “intra-European” cultural politics, specifically the colonial geography of western Europe vis-à-vis its “subaltern” Others? Contra Said, I argue that the function of Hellenism in constituting both the fantasy of Europe and western hegemony has an Orientalist structure. I explore the cultural underpinnings of Greece’s relation to “Europe” in Hellenistic discourses. Then, I suggest that (...) the dominant discourse surrounding the odious Greek debt has an Orientalist structure. Pairing a critique of Orientalism with a core-periphery analysis arguably enables a more nuanced understanding of the coloniality of power in today’s “age of austerity,” enabling a deconstruction of the racial logic underlying continental integration and revealing the violence inherent in the fantasy of European civilization. (shrink)

This article analyses the central themes in the works of Claudio Magris through a critical reading of Danube, A Different Sea, Microcosms, Utopia e disincanto [Utopia and disenchantment], Blindly, Journeying, and Alfabeti [Alphabets]. Magris’s work, be it his fiction or essays, abounds with descriptions and narrations of spaces and places, which become central to his world-view as an author. These spaces and places, located primarily in Central Europe and in the surroundings of his own city, Trieste, inspired his turn to (...) Eastern Europe, including the Slavic countries. Conscious of the Western Europeans’ often condescending view of the East, Magris became a vocal critic of Western Eurocentrism, which he attributed to their insufficient familiarity with the cultures and histories of their Eastern neighbours. Magris’s primary interest has always been Europe’s ethnic and cultural coexistence, with a particular affinity with dissident, nationless, and exiled literary figures, in line with his notion of hybrid, fluid, and multiple identities. The works of Magris offer compelling reflections on a Europe viewed through the contradictory encounters between East and West. As such they have contributed to the gradual creation of hybrid identities, which, through their historical palimpsests, have become part of a broader cultural geography. (shrink)

The volume examines the mutually constitutive relationship between the materiality of objects and their aesthetic meanings. Its approach connects material culture with art history, curation, technologies and practices of making. A central dimension of the case studies collected here is the mobility of objects between Europe and China and the transformations that unfold as a result of their transcultural lives. Many of the objects studied here are relatively unknown or understudied. The stories they recount suggest new ways of thinking about (...) space, cultural geographies and the complex and often contradictory association of power and culture. These studies of transcultural objects can suggest pathways for museum experts by uncovering the multi-layered identities and temporalities of objects that can no longer be labelled as located in single regions. It is also addressed to students of art history, of European and Chinese studies and scholars of consumer culture. « This eagerly awaited volume offers deep and extensive insights into the fast-growing field of material culture studies. Its fresh approach to Eurasian objects and materialities will serve as useful reading for all scholars interested in transcultural and global studies. A very helpful introductory essay. » Sabine du Crest, University of Bordeaux Montaigne, Former Fellow, The Harvard University Center for Italian Renaissance Studies. (shrink)

This innovative publication maps out the broad and interdisciplinary field of contemporary European social theory. It covers sociological theory, the wider theoretical traditions in the social sciences including cultural and political theory, anthropological theory, social philosophy and social thought in the broadest sense of the term. The volume surveys the classical heritage, the major national traditions; the fate of social theory in a post-national and post-disciplinary era; identifies what is distinctive about European social theory. It is divided (...) into five parts: disciplinary traditions, national traditions, major schools, key themes, and the reception of European social theory in American and Asia. It is an indispensable book for students, teachers and researchers in sociology, cultural studies, politics, philosophy and human geography. (shrink)

Culture serves as the spiritual foundation of a nation, shaping collective identity, memory, and meaning. As modern cities evolve into complex urban environments, the interplay between cultural representation and spatial navigation becomes increasingly significant. Public wayfinding systems, particularly subway guide-visual systems, serve not only as functional tools for spatial orientation but also as carriers of cultural symbolism, shaping human perception, experience, and interaction with the built environment. This study explores the deeper philosophical and religious dimensions of regional visual (...) symbols in subway guidance systems, examining their role in reinforcing collective memory, sacred space, and cultural continuity. Drawing upon theories from environmental psychology, semiotics, and religious aesthetics, this research investigates how subway guide systems serve as conduits of regional identity, visual semiotics, and metaphysical interpretation. By conducting comparative case studies of the London Underground and Mexico City subway visual guidance systems, this study examines how urban wayfinding incorporates elements of religious symbolism, cultural heritage, and sacred narratives into public spaces. These systems, beyond their practical function, act as modern representations of pilgrimage routes, sacred geography, and collective memory, offering insights into how visual semiotics influence human cognition and spiritual orientation in urban life. This research argues that subway guide-visual systems are not merely technical tools but also vehicles of cultural and religious significance, shaping contemporary experiences of sacred and symbolic spaces. By integrating regional cultural symbols into public navigation infrastructure, cities can preserve and transmit cultural heritage while fostering a deeper connection between individuals and their spiritual and historical landscapes. The study provides a philosophical and theological perspective on the semiotics of urban space, offering insights into the role of visual guidance systems in the broader discourse of religious philosophy, cultural identity, and metaphysical representation. Future research should further explore how spatial design, symbolism, and sacred narratives intersect in the formation of modern urban experiences. (shrink)

Literary renditions of cities have always gravitated towards the spatial imagination and its ethical counterpart outside the textual space. This paper explores the multicultural geography of the North Indian city Allahabad observed through Neelum Saran Gour’s postcolonial narratives Allahabad Aria and Invisible Ink, projecting the narrative alignment of spatial aesthetics and cultural ethics. Interrogating the spatial dimensions of a “narrative world” within narrative theory and its interdisciplinary crossover with cultural geography, the article seeks to examine Gour’s (...) literary city not simply as an objective homogeneous representation, but as a “kshetra” of spatio-cultural cosmos of lived traditions, memories, experiences and collective attitudes of its people, in the context of E. V. Ramakrishnan’s theoretical reflections. The article proposes new possibilities of adapting the Indian concept “kshetra” to spatial literary studies; its aim is also to suggest a new source of knowledge about the city of Allahabad through a community introspection of “doing culture” in the texts, bringing into view people’s shared experiences, beliefs, religious practices and traditions as offshoots of the postcolonial ethos. The article aims to re-contextualize the city’s longstanding multicultural ethics in the contemporary times of crisis, which may affect a shift in the city’s relevance: from regional concern to large-scale significance within ethnically diverse South Asian countries and beyond. (shrink)

An innovative contribution to the literature of cultural geography, this book explores the evolution of landscape--both material and symbolic--from the standpoint of the populations, cultures, and human decision-making processes that shape and give it meaning. Focusing on evolution, behavior, symbolism, and ecology, Norton offers a critique of the literature of cultural and social geography and articulates a framework of central issues that connect a wide range of theoretical approaches. In the first four chapters, Norton gives detailed (...) consideration to both traditional and contemporary literature and methodologies and to the links between cultural geography and other social science concepts and analytical methods. The remaining chapters are concerned with the causes and consequences of cultural landscape evolution and the variables affecting it, including language, religion, politics, society, economy, and the physical environment. In addressing these areas of cultural geography, Norton promotes an approach that integrates the contributions of geography with those of anthropology, sociology, psychology, and history. His analysis provides a useful synthesis of the conceptual and empirical content of cultural geography and suggests promising new directions for research in the field. Norton's work will prove a valuable classroom and library resource for students and scholars in cultural and social geography and related areas of sociology and anthropology. (shrink)

:This article focuses on historical queer cultural geographies of masculinities and to do so it focuses on two cases/places. The first is an archival case/place: a partial assembly of documents of beats and their uses during and in the wake of Gay Liberation in Australia. The second is a literary case/place: Thomas Mann's Death in Venice, a canonical twentieth-century imbrication of male homosexuality and geography. This article will seek to rationalize the mobilization of these two asynchronous cases/places through (...) the insights that both afford, when brought together, for elaborating contributions that queer readings of Nietzsche can make to contemporary queer theories of space, time and masculinities. (shrink)

The article is a response to the criticism of “conceptual Eurocentrism” expressed in the paper by A.A. Krushinsky at the Round Table on the Geography of Rationality on April 25, 2019. It deals with the main thesis of A.A. Krushinsky that in cross-cultural philosophical studies the Western conceptual matrix currently defines a single conceptual space for all participants, the language of Western philosophy acts as a trans-civilizational language in the world philosophy. The author of the article agrees with (...) the main thesis, however she does not agree with its arguments and two consequences: (a) it is necessary to consider Western rationality as “rationality as such,” and (b) there is no multi-polarity in the current philosophy though there are a lot of traditions of philosophical discourse, which identify and articulate themselves by means of Western conceptuality (that is why we may speak on so-called “philosophical geography” only). The arguments do not stand comparison with the search of future philosophy, conducted now by the world philosophical community. The search is aiming to equality of all philosophical traditions. The article proves that conceptual Eurocentrism is not so much a danger as an objective necessity. Its spread is a manifestation of tendency to creative mutual borrowing of cultural inventions. The tendency always had place, but it was not so obvious in the conditions of preglobal history. The consequences of Krushinskiy’s thesis are refuted by the evidence that the Western philosophers denied to use the concept universal rationality and began studies of the various types of rationality. The author also provides an example of the creative borrowing and use of European concepts “rationality,” “positive knowledge,” “truth,” “scientific method,” “hypothesis” by the Indian philosopher of science B. Seal, who applied these concepts to the Indian material. (shrink)

The role of verticality in 19th- and 20th-century fields of knowledge-making has received increased attention among historians of science. Correspondingly, cultural historians have explored the growing importance of a bird's eye view in popular culture throughout the 1800s. The elevated positions created in science and public discourse have both contributed to a modern ability to see the bigger picture. This article investigates how the Swedish geographer Sven Hedin produced an elevated view through his expedition to the Karakoram mountain range (...) in Tibet between 1906 and 1908. Focusing on his travel narrative as a place where the elevated view was created and defined, I interpret Hedin's expedition as a part of initiatives in geography, at the turn of the 20th century, to find a vertical means of representing the world. In particular, this article demonstrates how the overview, both literally and metaphorically, became an ideal in Hedin's narrative. Moreover, I argue that Hedin's elevated view contributed to an emotional economy of elevation. The alleged rational gaze of the overview was combined with emotions and experiences of cold climate, thin mountain air, vertigo, and awe. This article indicates how affective states were included in the collection of data, even when they threatened to blur the sensorium of the observer. Third, through the analytical lens of an emotional economy of elevation, I argue that Hedin's elevated view mimicked the affective language of a Humboldtian tradition, while at the same time it contributed to the popular culture of the late 19th century with its fascination for ascents and bird's-eye views. As a European celebrity, Hedin reached massive crowds and contributed to the establishment of the outlook from above as a crucial technique for understanding nature. (shrink)

This book concentrates on some leading questions in business ethics research in the last two decades and tries to find explanations concerning cultural issues. It focuses on the alignment or congruence between business ethics and cultural contexts with a special emphasis on Eastern European countries. The core of this book is doing business in Central and Eastern Europe (CEE) in order to throw light on the cultural issues related to business ethics. Its primary purpose is a (...) finer view of the impact of national, organizational and professional cultures in business ethics. The general questions encountered in this book are related to the nexus between culture and ethics in (CEE), national, organizational and professional cultures' link to (CEE) countries' ethics. The aim of this book is a deeper understanding of the cultural differences in Central and Eastern Europe. This might help organizations provide better opportunities for doing business across a wide cultural spectrum. With the increase of global mobility, cultural and ethical issues become more and more important. Multi-national corporations might garner a competitive advantage when they understand the importance of local culture and ethics. International business professionals may benefit from a deeper understanding of cultural values that affect the perceptions of individuals during negotiation and decision-making across cultures. Multinational companies that do not take into consideration or minimize the importance of cultural and ethical issues expose themselves to a higher risk of failure. The expectation of the authors of this book is that the conclusions would help alert international business scholars and practitioners of the need to thoroughly understand the cultural issues influencing ethics. (shrink)

This book concentrates on some leading questions in business ethics research in the last two decades and tries to find explanations concerning cultural issues. It focuses on the alignment or congruence between business ethics and cultural contexts with a special emphasis on Eastern European countries. The core of this book is doing business in Central and Eastern Europe (CEE) in order to throw light on the cultural issues related to business ethics. Its primary purpose is a (...) finer view of the impact of national, organizational and professional cultures in business ethics. The general questions encountered in this book are related to the nexus between culture and ethics in (CEE), national, organizational and professional cultures' link to (CEE) countries' ethics. The aim of this book is a deeper understanding of the cultural differences in Central and Eastern Europe. This might help organizations provide better opportunities for doing business across a wide cultural spectrum. With the increase of global mobility, cultural and ethical issues become more and more important. Multi-national corporations might garner a competitive advantage when they understand the importance of local culture and ethics. International business professionals may benefit from a deeper understanding of cultural values that affect the perceptions of individuals during negotiation and decision-making across cultures. Multinational companies that do not take into consideration or minimize the importance of cultural and ethical issues expose themselves to a higher risk of failure. The expectation of the authors of this book is that the conclusions would help alert international business scholars and practitioners of the need to thoroughly understand the cultural issues influencing ethics. (shrink)

At the turn of the twenty-first century, historical studies of internationalism--above and beyond the call to the workers of the world to unite--have become the norm in a relatively short space of time. This shift has occurred in the context of a historical vogue for 'transnationalism,' that is, capturing experiences that traversed and transcended the borders of nation-states both within and beyond the European world. The work of the diplomatic historian Akira Iriye has been central to these developments, illuminating (...) the traces of a distinctively twentieth century history of 'cultural internationalism' that resonated through the realms of politics. Following in the footsteps of Iriye and others--including feminist and pacifist historians who had long engaged the internationalist past--a new cohort of international historians, often sensitive to cultural analyses and with expertise in imperial and transnational as well as national histories, are now accruing broad-ranging evidence of the geographies of internationalism and the political and economic reach of its various strands at critical moments in the twentieth century. (shrink)

Psychotherapy was an invention of European modernity, but as the 20th century unfolded, and we trace how it crossed national and continental borders, its goals and the particular techniques by which it operated become harder to pin down. This introduction briefly draws together the historical literature on psychotherapy in Europe, asking comparative questions about the role of location and culture, and networks of transmission and transformation. It introduces the six articles in this special issue on Greece, Hungary, Yugoslavia, Russia, (...) Britain and Sweden as well as its parallel special issue of History of Psychology on ‘Psychotherapy in the Americas’. It traces what these articles tell us about how therapeutic developments were entangled with the dramatic, and often traumatic, political events across the continent: in the wake of the Second World War, the emergence of Communist and authoritarian regimes, the establishment of welfare states and the advance of neoliberalism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...) cyberspace. I offer some philosophical remarks, especially of an epistemological kind, that are important to every debate in which terms like multimedia art, "new" media art, and screen based art occur. I argue that the novelty of some changes in the use of artistic media tends to be overemphasized and dramatized. Furthermore, I shall point to the lack of interest in intercultural aspects of artistic communication and to the relevance an intercultural orientation can have for reflection on the phenomenon of so-called "new" media in art.1It has often been claimed that art is the best possible window into another community. Art would be a universal language and contact with works of art supposedly offers the best direct or immediate internal access to another community. This is purported to be a kind of access that cannot possibly be matched by knowledge about the geography, religion, and history. Even John Dewey believes that "au fond, the aesthetic quality is the same for Greeks, Chinese, Americans."2 This idea is surprisingly reminiscent of Clive Bell's "discovery" of Significant Form in so-called primitive art.3 Dewey says thatbarriers are dissolved, limiting prejudices melt away, when we enter into the spirit of Negro or Polynesian art. This insensible melting is far more efficacious than the change effected by reasoning, because it enters directly into attitude."4To this contention one could object in the following way. Immediate contact with for example, Congolese Nkisi nkondi fetish statues (in the museum of [End Page 1] African Art and History in Tervuren), which are bristling with nails are quite shocking to Europeans — such as Joseph Conrad in the Congo.5 Only by acquaintance with facts that are external to the artwork can one get real access to and understanding of them. One has to know that the nails are meant to seal dispute resolutions and that the statues "were considered so powerful that they were sometimes kept outside the village."6 Only when I know this, will my first perception be seriously altered. It is an objection that is often made against the privilege enjoyed by the immediate contact with the senses: knowledge of the "context" can enhance our appreciation of the art of the foreign community.Both the universalist view and the objection are flawed.7 First of all, we have to ask whether we can make such a sharp distinction between internal and external information and, second, whether it is correct to presuppose a typical proper aesthetics to make artistic communication possible. Is not every form of life already the (not fully definable) outcome of conscious or unconscious influence by other forms of life? What would be the so-called "own" internal aesthetics by which we should judge the famous "Turkish" Iznik tiles that reflect especially the Ottoman rulers' interest in Chinese porcelain, or the "Japanese" aesthetics of Zen Buddhism that is the result of a century-long historical interaction between Japanese culture and the new, foreign religion of Buddhism, which traveled from Japan to India via China and Korea? What would be the "typical" English garden, which was realized on the basis of travel reports from the Far East? And what of the Eastern influence on so-called typical Western painters as Matisse, Whistler, and Degas or composers such as Debussy, Messiaen, Ravel, Rimski-Korsakow and Puccini? What is clear is that it is completely unclear what is "own," "typical," or "authentic." Live communities are never isolated islands developing by themselves. It is as impossible to demarcate strictly the "proper" from the "foreign" as it is to find a universal language that would make artistic communication possible in an absolutely definitive way.Just as it is not necessary to share a language to communicate8 — this holds both for people... (shrink)

Central and East Europeans have a great deal in common, both historically and culturally, with West Europeans and North Americans, but tend to be more interdependent. Interdependence has been shown to be linked to holistic cognition. East Asians are more interdependent than Americans and are more holistic. If interdependence causes holism, we would expect Central and East Europeans to be more holistic than West Europeans and North Americans. In two studies we found evidence that Central and East Europeans are indeed (...) more holistic than Westerners on three tasks, one of which examined categorization and two of which measured patterns of visual attention. These studies support the argument that cross-cultural differences in cognition are due to society level differences in independence/interdependence. (shrink)

Volume 23, Issue 3-4, November - December 2024, Page 277-288.