Results for 'Gelijn Molier'

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  1.  17
    De strijd om de democratie: essays over democratische zelfverdediging.Afshin Ellian, Gelijn Molier & Bastiaan Rijpkema (eds.) - 2018 - Amsterdam: Boom.
    Wat is een weerbare democratie? Hoe gaan we om met krachten die zich niet aan de regels van onze rechtsstaat houden? 00Steeds meer politieke partijen stellen ongrondwettelijke maatregelen voor, radicale groeperingen trachten door terreur anderen hun wil op te leggen, buitenlandse regimes pogen in onze democratie te interveniëren en lidstaten van de EU nemen wetten aan die de democratie allesbehalve bevorderen. 'De strijd om de democratie' behandelt in het licht van deze ontwikkelingen het vraagstuk van de 'weerbare democratie'. In hoeverre (...)
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  2.  18
    Afshin Ellian, Gelijn Molier en Bastiaan Rijpkema, red., De strijd om de democratie. Essays over democratische zelfverdediging.Ronald Tinnevelt - 2019 - Netherlands Journal of Legal Philosophy 48 (1):139-142.
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  3.  6
    Confronting Kabbalah: Studies in the Christian Hebraist Library of Johann Albrecht Widmanstetter.Maximilian de Molière - 2024 - BRILL.
    _Confronting Kabbalah_ offers a captivating look into the little-known library of Johann Albrecht Widmanstetter. This study paints a vivid picture of a man with a unique perspective on Kabbalah and it explores how Christian Hebraists in the sixteenth century collected Jewish books.
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  4.  28
    Social Power Increases Interoceptive Accuracy.Mehrad Moeini-Jazani, Klemens Knoeferle, Laura de Molière, Elia Gatti & Luk Warlop - 2017 - Frontiers in Psychology 8.
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  5.  11
    Molière, philosophie.Olivier Bloch - 2000
    " Se moquer de la philosophie, c'est vraiment philosopher. " Ce propos de Pascal, Olivier Bloch l'illustre et le confirme par le présent ouvrage, en s'attachant à démontrer la part de philosophie inhérente au texte de Molière et le jeu théâtral auquel elle renvoie. La philosophie, dont le terme et le concept courent tout au long de l'œuvre de Molière, c'est celle de son temps, au premier chef celle de Descartes, mais aussi les philosophies antagonistes comme celle de Gassendi. L'étude (...)
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  6.  28
    Rousseau, Molière, and the Ethics of Laughter.Paul Woodruff - 1977 - Philosophy and Literature 1 (3):325-336.
    In lieu of an abstract, here is a brief excerpt of the content:Paul Woodruff ROUSSEAU, MOLIÈRE, AND THE ETHICS OF LAUGHTER Rousseau attacks comedy on the grounds that it is bad for our morals. He tries to show that to make a comedy moral is to take the fun out of it. No one would deny that some jokes are bad, and bad for us. But I think Rousseau is mistaken in his belief that the fun of comedy depends on (...)
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  7.  10
    molière And Life.S. Alexander - 1926 - Bulletin of the John Rylands Library 10 (2):288-308.
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  8.  43
    Molière and the Sociology of Exchange.Jean-Marie Apostolidès & Alice Musick McLean - 1988 - Critical Inquiry 14 (3):477-492.
    The method chosen here draws on concepts borrowed from sociology and anthropology. This double conceptual approach is necessary for a society divided between values inherited from medieval Christianity and precapitalist practices. Seventeenth-century France did not think of itself as a class society but as a society of orders. Since sociology is a system of knowledge whose concepts are taken from an imaginary construct, it is thus more suited to analyzing bourgeois society than societies in transition.6 In trying to measure the (...)
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  9.  19
    Molière autrement dit Bourgeois ou Gentilhomme?Claude Bourqui & La Rédaction - 2011 - Pierre D'Angle 17:103-130.
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  10. Molière lettore di Montaigne.Antonio Corsano - 1977 - Filosofia 28 (2):209.
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  11. Moliere: Verse.Mary Woodhull Stevens - 1931 - Pacific Philosophical Quarterly 12 (3):189.
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  12.  46
    (1 other version)Molière, Le Tartuffe and Anti-Jesuit Propaganda.Andrew Calder - 1976 - Zeitschrift für Religions- Und Geistesgeschichte 28 (1-4):303-323.
  13.  27
    Comic treatment : Molière and the farce of medicine.Paisley Nathan Livingston - unknown
    When Comedy, Music and Ballet step forward at the end of L'Amour medecin, the audience learns that in Moliere's theater the farcical passage from sickness to health is much more than a theme. Claiming to have a real therapeutic value, the three arts ask to be recognized as the grands medecins, and present themselves as an alternative to a dubious and rather mercenary medical profession.
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  14. Molière, Descartes, générosité.G. Boros - 2009 - Filozofia 64 (2):133-143.
    The article deals with the notion of générosité, an important concept of the 17th century moral philosophy, as well as with the metamorphosis of the meaning of this passion and/or virtue. The starting point of this metamorphosis is générosité as a virtue of the late medieval and early modern French noble man, whereas the end point is générosité as the passion/virtue of Descartes’ rational beings. The paper analyses this phenomenon in Molière’s play Don Juan, and in Descartes’ and Spinoza’s texts.
     
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  15.  13
    Molière à l'ecole républicaine. de la critique universitaire aux manuels scolaires.Gérard Defaux - 1993 - History of European Ideas 17 (5):694-696.
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  16.  21
    «Unbewaffnetes Auge»: Benjamin’s interpretation of comedy in Shakespeare and Molière.Alice Barale - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (2):127-133.
    This essay examines two texts that Walter Benjamin wrote in 1918, during his period in Bern, on Shakespeare’s comedy As you like it and on Le malade imaginaire by Molière When these texts are considered together, a question arises. What is the role of the comic inside Benjamin’s philosophy, in this period and also in the years to follow? Is the comic really only the other side of mourning, as Benjamin writes in The Origin of German Tragic Drama, or does (...)
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  17.  38
    Molière. [REVIEW]Ernest Chenel - 1945 - Thought: Fordham University Quarterly 20 (2):363-363.
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  18.  15
    Painting, poetry, and signs: Molière’s La Gloire du Val-de-Gr'ce and Perrault’s Poème de la Peinture.Robert N. Nicolich - 1984 - Semiotica 51 (1-3).
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  19.  20
    Vie de molière (french). Voltaire - unknown
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  20.  6
    Le Petit Molière 1673-1973, réalisé par Jacqueline Cartier, avec la participation de divers auteurs. Préface de Marcel Achard. Paris, Editions Guy Authier, 1973. 9 × 13, 288 p., l4 F. [REVIEW]Albert Delorme - 1974 - Revue de Synthèse 95 (75-76):379-380.
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  21.  8
    Jean-Jacques Granpré-Molière, La Théorie de la Constitution anglaise chez Montesquieu. Leyde, Presses Universitaires, 1972. 15 × 22,5, 386 p. (thèse de doctorat ès Lettres). [REVIEW]Jean-Claude Margolin - 1973 - Revue de Synthèse 94 (70-72):264-265.
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  22.  32
    Angelica Nuzzo. Approaching Hegel’s Logic, Obliquely: Melville, Moliere, Beckett.Ekin Erkan - 2022 - The Owl of Minerva 53 (1):109-114.
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  23.  5
    Moralistes français: Saint François de Sales--Molière--Pascal--Bossuet--Montesquieu--Maine de Biran--Joubert--Lamennais--Sainte-Beuve--Renan--Brunetière--Faguet.Victor Giraud - 1923 - Hachette.
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  24.  30
    Le Dynamisme de la peur chez Moliere: une analyse socio-culturelle de 'Dom Juan,' 'Tartuffe' et 'L'Ecole des Femmes'.Jean-Marie Apostolides & Ralph Albanese - 1978 - Substance 6 (20):125.
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  25.  19
    El mito de Don Juan en el cine: De Molière a Jacques Weber.Carmen Becerra Suárez - 2011 - Arbor 187 (748):259-267.
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  26. Kierkegaard's notions of drama and opera : Moliere's Don Juan, Mozart's Don Giovanni, and the question of music and sensuousness.Nils Holger Petersen - 2018 - In Eric Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, Illinois: Northwestern University press.
     
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  27. Measure or Excess: The Unity of the Aesthetic, the Ethical, and the Political in Dante, Marlowe, and Moliere.Raymond J. Wilson - 2008 - Analecta Husserliana 97:139-154.
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  28.  36
    The Work of Forgetting: Commerce, Sexuality, Censorship, and Molière’s Le Festin de Pierre.Joan DeJean - 2002 - Critical Inquiry 29 (1):53-80.
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  29.  30
    Angelica Nuzzo, Approaching Hegel’s Logic, Obliquely: Melville, Molière, Beckett.Martin Donougho - 2018 - Idealistic Studies 48 (1):93-97.
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  30.  20
    Angelica Nuzzo, Approaching Hegel's Logic, Obliquely: Melville, Molière, Beckett. Albany: State University of New York Press, 2018. ISBN 9-781-438-47205-8 (hbk). ISBN 9-781-438-47204-1 (pbk). Pp. 454. $37.95. [REVIEW]Iñigo Baca Bordons - forthcoming - Hegel Bulletin:1-5.
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  31.  4
    Louis-Ferdinand Céline dramaturge: poétique au service du thé'tre classique.Michael Lioi - 2024 - ACME: Annali della Facoltà di lettere e filosofia dell'Università degli studi di Milano 77 (1):13-23.
    Cette contribution explore la production dramatique de Louis-Ferdinand Céline, constituée de deux pièces écrites en 1927 (L’Église et Progrès). En particulier, l’étude enquête la fonction du théâtre pour l’écrivain, à travers une analyse littéraire des deux pièces. Cette production est une première tentative de dénonciation sociale, une critique que les lecteurs connaissent depuis la parution de Voyage. Dans la première pièce l’auteur condamne les actions de l’administration coloniale dans les territoires africains et il introduit son idéologie antisémite en décrivant les (...)
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  32. A Dormitive Virtue Puzzle.Elanor Taylor - 2024 - In Katie Robertson & Alastair Wilson (eds.), Levels of Explanation. Oxford University Press.
    In Molière’s comedy The Imaginary Invalid a doctor “explains” that opium reliably induces sleep because it has a “dormitive virtue.” Molière intended this to be a satirical play on the use of opaque scholastic concepts in medicine, and since then the phrase “dormitive virtue” has become a byword for explanatory failure. However, contemporary work on the metaphysics of grounding and dispositions appears to permit explanations with a strikingly similar structure. In this paper I explore competing verdicts on dormitive virtue explanation, (...)
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  33. Explanatory Distance.Elanor Taylor - 2023 - British Journal for the Philosophy of Science 74 (1):221-239.
    When a train operator tells us that our train will be late ‘because of delays’, their attempt at explanation fails because there is insufficient distance between the explanans and the explanandum. In this paper, I motivate and defend an account of ‘explanatory distance’, based on the idea that explanations give information about dependence. I show that this account offers useful resources for addressing problem cases, including recent debates about grounding explanation, and the historical case of Molière’s dormitive virtue.
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  34.  46
    Themes out of school: effects and causes.Stanley Cavell - 1984 - Chicago: University of Chicago Press.
    In the first essay of this book, Stanley Cavell characterizes philosophy as a "willingness to think not about something other than what ordinary human beings think about, but rather to learn to think undistractedly about things that ordinary human beings cannot help thinking about, or anyway cannot help having occur to them, sometimes in fantasy, sometimes as a flash across a landscape." Fantasies of film and television and literature, flashes across the landscape of literary theory, philosophical discourse, and French historiography (...)
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  35.  62
    The Fool's Truth: Diderot, Goethe, and Hegel.James Schmidt - 1996 - Journal of the History of Ideas 57 (4):625-644.
    In lieu of an abstract, here is a brief excerpt of the content:The Fool’s Truth: Diderot, Goethe, and HegelJames SchmidtI. Of the many works that crossed from France into Germany during the “long” eighteenth century, none took as circuitous a route as Rameau’s Nephew. Begun by Diderot in 1761 but never published during his lifetime, the dialogue was among the works sent to Catherine the Great after his death in 1784. A copy of the manuscript was brought to Jena late (...)
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  36.  21
    Mimesis: Culture, Art, Society.Gunter Gebauer & Christoph Wulf - 1995 - University of California Press.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
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  37.  90
    Mimesis: Culture--Art--Society.Gunter Gebauer, Christopher Wulf & Don Reneau - 1997 - Philosophy East and West 47 (2):291-292.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
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  38.  23
    Kofman's Affirmative Creation: Moral Law, Dom Juan and the Limits of Maternal Debt.Cillian Ó Fathaigh - 2021 - Paragraph 44 (1):11-25.
    This article considers Sarah Kofman's interpretation of Molière's Dom Juan in ‘The art of not paying one's debts’. It argues that this neglected text addresses important questions of moral debt and...
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  39.  24
    Johann Christoph Sturm's Natural Philosophy: Passive Forms, Occasionalism, and Scientific Explanations.Andrea Sangiacomo - 2020 - Journal of the History of Philosophy 58 (3):493-520.
    In the third intermède of Le Malade Imaginaire, Molière imagines a sort of medical convention in which "the wisest experts and professors of Medicine" examine whether a bachelor candidate can be deemed to enter the medical profession. As the first question in this examination, the "Chief physician" asks, "What is the cause and reason [causam et rationem] why opium induces sleep?" The candidate answers without the least hesitation: "Because it contains a sleeping virtue [virtus dormitiva], whose nature is to put (...)
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  40. The Odd One In: On Comedy.Alenka Zupancic - 2008 - MIT Press.
    Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupancic [haceks over both cs] considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity. Comedy by its nature is difficult to pin down with concepts and (...)
  41. Extension, Intension and Dormitive Virtue.Catherine Legg - 1999 - Transactions of the Charles S. Peirce Society 35 (4):654 - 677.
    Would be fairer to call Peirce’s philosophy of language “extensionalist” or “intensionalist”? The extensionalisms of Carnap and Quine are examined, and Peirce’s view is found to be prima facie similar, except for his commitment to the importance of “hypostatic abstraction”. Rather than dismissing this form of abstraction (famously derided by Molière) as useless scholasticism, Peirce argues that it represents a crucial (though largely unnoticed) step in much working inference. This, it is argued, allows Peirce to transcend the extensionalist-intensionalist dichotomy itself, (...)
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  42.  89
    Dispositions and subjunctive conditionals, or, dormative virtues are no laughing matter.Elliott Sober - 1982 - Philosophical Review 91 (4):591-596.
    Philosophers frequently extract two lessons from Moliere's joke about the doctor who tried to explain why opium puts people to sleep by claiming that it has a dormative virtue. First, the principle I will call the equivalence thesis: attributions of dispositional properties are equivalent to certain associated subjunctive conditionals. The second is what I will call the reducibility thesis: for a dispositional concept to be nonproblematic, its “physical basis” must be found. In what follows, I will briefly describe three theoretical (...)
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  43.  69
    Why must homunculi be so stupid?Elliott Sober - 1982 - Mind 91 (363):420-422.
    Writers like Attneave [I960], Fodor [I968], and Dennett [1978] have argued that explanations of a mental capacity can only avoid the emptiness of Moliere's dormative virtue by decomposing the capacity into a set of components which are more rudimentary. But What is wrong with smart homunculi? I argue that smart homunculi may explain token events, such as why I now see the page in front of me, but they do not explain what seeing is. It is the importance of the (...)
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  44.  50
    "Master" versus "servant": Contradictions in drama and theatre education.Shifra Schonmann - 2005 - Journal of Aesthetic Education 39 (4):31-39.
    In lieu of an abstract, here is a brief excerpt of the content:Master" versus "Servant":Contradictions in Drama and Theatre EducationShifra Schonmann (bio)Mr Jourdain: You mean to say that when I say "Nicole, fetch me my slippers" or "Give me my night-cap" that's prose?Philosopher: Certainly, sir.Mr Jourdain: Well, my goodness! Here I've been talking prose for the last forty years and never known it, and mighty grateful I am to you for telling me!—Molière, Le Bourgeois Gentilhomme1My basic claim is that our (...)
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  45.  80
    Peirce on Abstraction.Jay Zeman - 1982 - The Monist 65 (2):211-229.
    Events in the history of thought have often moved as elements of drama—now tense, now tragic, now triumphant. And, it would appear, sometimes ludicrous. This latter is the thrust of a parody which Molière visited upon the savants of his day; he pictures a candidate for a medical degree being solemnly asked why opium puts people to sleep. Just as solemnly and sagaciously, the candidate replies..
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  46.  44
    On Paul de Man's War.Jean-Marie Apostolidès - 1989 - Critical Inquiry 15 (4):765-766.
    In 1982-83, I was preparing my volume on the Belgian cartoonist Hergé. During the Second World War, Hergé’s comic strips appeared daily in the newspaper Le Soir. Since I wanted to analyze the influence of the rightist thought on Hergé and Tintin, I borrowed most of the copies of Le Soir available in this country through interlibrary loan. Examining the newspaper, I came across Paul de Man’s articles, which were sometimes on the same page as the comic strips. I showed (...)
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  47.  85
    The Principle of Thrift.Franz Crahay & Simon Pleasance - 1974 - Diogenes 22 (85):31-46.
    The standpoint of this article is, first and foremost, a historical one, giving an introductory outline of a general theory of thrift. More specifically, it aims at comparing the principle (or: principles) of economy of thought and the principle of “natural economy” to coin a short term.By way of a prologue, a historical and interpretative summary of events shows the consequences of a cultural fact which hallmarks the 14th century and, in itself, restores the first frank expression of a principle (...)
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  48.  41
    Two Stories in One: Literature as a Hidden Door to the History of Seventeenth-Century France.Cynthia J. Koepp & Christian Jouhaud - 1997 - Diacritics 27 (1):92-100.
    In lieu of an abstract, here is a brief excerpt of the content:Two Stories in One: Literature as a Hidden Door to the History of Seventeenth-Century FranceChristian Jouhaud (bio)Translated by Cynthia J. Koepp (bio)I would like to take you into the history of seventeenth-century France through a narrow door—a door that is not only narrow but hidden. Why should we struggle to squeeze through this passage? Well, there are at least two reasons. First, it is an attempt to experience a (...)
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  49.  12
    Manger.Yves Letournel - forthcoming - Rhuthmos.
    Les « commodités de la conversation », on le sait, désignaient spirituellement les fauteuils pour les Précieuses de Molière. Nous tentons de mettre en place les « commodités du silence », en nous défiant du mobilier habituel. À toutes les époques et sous toutes les civilisations, les lieux de l'énonciation ne se contentent pas de refléter les propos, ils participent à leur fabrication. Le babil à ciel ouvert dans le mail de Madame de Sévigné, les rudes affrontements verbaux de la (...)
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  50.  8
    Mimesis: Culture Art Society.Don Reneau (ed.) - 1995 - University of California Press.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
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