Angelaki, Volume 16, Issue 4, Page 43-57, December 2011.

Given the predominance of multilingualism in many countries there is great need for a new, interdisciplinary approach to the problem. Sociolinguistics—or the sociology of language—provides such an approach and can help to shed new light on a phenomenon which is often discussed in terms that tend to create more problems than they solve. In order to demonstrate how sociolinguistic theory and practice can contribute to the study of multilingualism this paper will attempt to outline briefly some of the basic premises (...) of sociolinguistic theory which appear relevant to the understanding of the phenomenon of multilingualism and also to define multilingualism as a social behaviour in response to a contact situation. (shrink)

A major figure in women's studies and a long-term activist for women's issues, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. "Why History Matters" is a summation of her work which includes pieces on the author's early life as a Jewish refugee from Nazi Germany and on her slow assimilation into American life.

Filozófiai és művészeti gyűjtemények számára egyaránt érdekes lehet Széplaky Gerda filozófus, esztéta, kritikus legújabb kötete, melynek írásai izgalmasan társítják az esztétikát a fenomenológiával. A szerző esszéi a testiség, a nézőben végbemenő fiziológiai folyamatok felől értelmezik a befogadás aktusát. Az első írás általánosságban szól a radikális kritikáról, majd a figyelemfelkeltő kötetcímmel megegyező című esszé (Kant hátán a szőr) a megrázkódtatásról, mint esztétikai fenoménról szól. Olyan további általánosabb témákról ejt még szót a szerző, mint az esztétikai hatásban megnyilvánuló erőszak vagy az (...) építészeti reprezentáció problémái. A kötet második felében konkrét alkotók művészetével kapcsolatos írások kaptak helyet, olyan témákban, mint Bukta Imre művészetének változásai, Szirtes János videoperformanszai, a játék esztétikai szerepe Bondor Csilla műveiben, vagy az Élet menete című holokauszt-emlékmű és kontextusai. "www.kello.hu © minden jog fenntartva". (shrink)

Within the genres of news and current affairs television, it is the generic logic of the ‘feelgood’ genre of the talk show that legitimizes personalized discourse between famous hosts and politicians. The article presents a case study of such an interview, focusing on the ways in which the interaction between the verbal, the visual and the rhythmic modalities of the interview is employed by the multiple authors of the text to construct a variety of interpersonal footings for interviewer and interviewee (...) on the one hand and a series of preferred interpretations for the audience on the other. The method is deviant case analysis, using tools from semantics and pragmatics, discourse and conversation analysis, and visual analysis of news images. To explore the manner of interaction between the verbal and visual channel, the concept of rhythm is developed for dialogic audiovisual texts. Dialogic audiovisual rhythm is defined as arising from the interaction of speaker or addressee change with onset of new shot, and with frequency of shots per turn/ generic unit of the interview. Rhythmic sequences can then be segmented which make up the textual structure of the interview, delineating its semantic units and areas of strategic positioning between the private, the personal and the political. Three types of the personalization of politics can be discerned in the text: that of the private domain, that of political relations as private ones, and that of politics as history being made by great men. A forth type of personalization is that of the relations between the media and politics. Different combinations of verbal, visual and rhythmic means are used to realize these types discursively. (shrink)

These nineteen original studies deal with Wessel Gansfort (1419-1489), the Modern Devotion and its influence, subjects and personalities of early humanism and ...

On account of xenophobia, which seems to be a worldwide phenomenon, this article examines the issue of the ‘foreigner in our midst’ and approaches the problem from an Old Testament perspective. Firstly an overview is given on the concepts of ethnicity and group identity, and then two opposing groups of texts are briefly analysed: those that convey an exclusivist attitude and those that are more open and inclusive in their outlook. Consequently, the contexts in which these texts originated are examined. (...) It appears that both groups, the exclusivists and the inclusivists, share the same religious convictions, namely the worship of YHWH, the God of Israel. The article concludes by urging caution when using the Bible in order to address complex social and political issues in contemporary societies. (shrink)

Over the past two decades, there has been a marked increase in the number of students with mild disabilities who receive social studies instruction in the general education classroom. This research uses the seminal 1994 Passe and Beattie study as a comparative referent to examine current instructional strategies used to teach such students. The current study sought to answer: What instructional practices do contemporary general educators use to teach social studies to students with disabilities? And have these practices changed in (...) twenty-years? Comparative and comparison results are provided with suggestions to differentiate social studies instruction to meet the learning needs of students with mild disabilities. (shrink)

Summary Landscape planning lacked an evidence-based method for the reflection of planning models on the imaginary level in order to present the image content and the relationships in the image as the basis for interpretation in a verifiable manner. The contribution is based on the thesis that the perceptual analysis according to Rudolf Arnheim can be translated into landscape planning. The case study, here an illustration with two plan sketches for urban and landscape development, is described and interpreted with the (...) Gestalt theoretical perceptual analysis according to the criteria theme, theses, principle sketches and composition lines, interpretation, conclusion and Gestalt theoretical results. The analysed planning sketches have a low “reality level” and are part of the imaginary level. The theory of science contained therein can be understood by Gestalt theory as elementary theory of design. In the sketches, the living spaces and economic areas of the city are divided into the elements ‘settlement’ and ‘landscape’ and thereby undergo a revaluation of their significance. The replacement of figure (city) and ground (landscape) can be interpreted in terms of gestalt theory as a change of theme in the sketches as the greatest possible structural exchange. The results of the analysis are processed as research theses in the contextualisation of landscape planning and thus examined scientifically on the basis of circumstantial evidence against the reality of the living environments of the urban dwellers. The contribution proves that the perceptual analysis according to R. Arnheim is a suitable method in landscape planning for describing and interpreting graphic representations of planning models. Interdisciplinary cooperation is a contribution to the holistic treatment of a topic, because structuralist landscape planning has structural similarities with Gestalt theory and is committed to the dialogical principle. As a theory of organisation (development), Gestalt theory derives principles, structures, their relationships and qualities and is therefore suitable as a meta-theory of landscape planning to characterise the values and ethical bases in planning. This applies to all areas of the field of consciousness in landscape planning. (shrink)

Two Jewish families, the Langs and the Ottenheimers, settled in the two separate parts of Suessen, District Goeppingen, in 1902. The Langs established a cattle business in Gross-Suessen, the Ottenheimers established a branch of their weaving business, headquartered in Goeppingen, in Klein-Suessen. Based primarily on archival sources, the study gives an insight into everyday rural Jewish life, persecution and deportation during the Holocaust, an American soldier's World War II experience, experiences of liberation from concentration camps, the reparations process and life (...) after 1945. (shrink)

This special issue on posthumanist perspectives on affect seeks to create a platform for thinking about the intersection of, on the one hand, the posthumanist project of radically reconfiguring the meaning of the “human” in light of the critiques of a unified and bounded subjectivity and, on the other, the insights coming from recent scholarship on affect and feeling about the subject, sociality, and connectivity. Posthumanism stands for diverse theoretical positions which together call into question the anthropocentric assertion of the (...) human as a distinctive, unique and dominant form of life – in turn, the concept of affect has been linked with ideas of increasing and decreasing energetic intensities, which underlie, but for some also precede, processes of individuation and subjectivation.The contributors to this issue consider critically the vistas opened by affect studies and by posthumanism. Coming from diverse disciplinary traditions, including literature, philosophy, critical sociology, visual arts, and heritage studies, the articles contribute to the four thematic idioms of this issue in an attempt to structure a dialogical space on posthumanist perspectives on affect and on affect-based politics. Questions of environmental governance, the critique of speciesism, the formation of cross-species solidarity, the politics of the “inhuman”, biopolitics and necropolitics form the intellectual mosaic of this issue. Finally, we pose the question of “academic affects”, in circulation in the researcher's encounter with her others – humans, insects, ghostly presences or inanimate objects – and we ask how these affects, including anger and mourning, but also joyful affirmation, are brought to bear on the process of writing. (shrink)

A revision of the author's thesis, Ruhr-Universitèat Bochum, 1976.