Arne Grøn’s reading of Søren Kierkegaard’s authorship revolves around existential challenges of human identity. The 35 essays that constitute this book are written over three decades and are characterized by combining careful attention to the augmentative detail of Kierkegaard’s text with a constant focus on issues in contemporary philosophy. Contrary to many approaches to Kierkegaard’s authorship, Grøn does not read Kierkegaard in opposition to Hegel. The work of the Danish thinker is read as a critical development of Hegelian phenomenology with (...) particular attention to existential aspects of human experience. Anxiety and despair are the primary existential phenomena that Kierkegaard examines throughout his authorship, and Grøn uses these negative phenomena to argue for the basically ethical aim of Kierkegaard’s work. In Grøn’s reading, Kierkegaard conceives human selfhood not merely as relational, but also a process of becoming the self that one is through the otherness of self-experience, that is, the body, the world, other people, and God. This book should be of interest to philosophers, theologians, literary studies scholars, and anyone with an interest not only in Kierkegaard, but also in human identity. (shrink)

Stifters Narrenburg leistet eine Auseinandersetzung mit den Konsequenzen und Möglichkeiten des Historismus. Der Verlust von Tradition ruft widersprüchliche Reaktionen hervor: einerseits den Versuch, vermittels Restauration wieder am Vergangenen anzuknüpfen, andererseits die Faszination durch eine ästhetisierte und vergegenständlichte Geschichte.

A rotating disk with angular acceleration is given a relativistic description as observed from the rotating rest frameR of the disk. It is shown how a non-Euclidean intrinsic spatial geometry develops inR, as the disk gets an angular velocity. The explanation of this as given by anR-observer is discussed. A recent description of the geometry inR presented by Grünbaum and Janis is criticized. The motion of light as described by use of coordinate clocks inR is discussed in connection with some (...) recent work by R. C. Jennison and coworkers. The significance of the difference between directed signals and circular waves when clocks inR are to be synchronized by means of light emitted from the axis inR is made clear. (shrink)

Kierkegaard y Hegel son puntos de referencia en la Filosofía moderna. El artículo se ocupa de cómo debe ser entendida la ética si partimos de la noción de la relación entre la relación consigo mismo y el otro, al reinterpretar a Hegel y a Kierkegaard. En la primera parte se discute la cuestión de la dimensión normativa del reconocimiento, por mediante la interpretación de la teoría del reconocimiento hegeliana en Fenomenología del espíritu, capítulo IV A. En la segunda parte, se (...) interpreta la "segunda" ética de Kierkegaard en trabajos sobre el amor como una ética de la visión. Se plantea que el reconocimiento, como medio para ver al otro, es una comunicación en la cual está en juego la relación entre la relación consigo-mismo y el otro. (shrink)

The essays in Invisibility in Visual and Material Culture contribute pioneering and revelatory insights into the phenomenon of invisibility, forging new and multi-disciplinary approaches at the intersection of aesthetics, technology, representation and politics. Importantly, they acknowledge the complex interaction between invisibility and its opposite, visibility, arguing that the one cannot be fully grasped without the other. Considering these entanglements across different media forms, the chapters reveal that the invisible affects many cultural domains, from digital communication and operative images to the (...) activism of social movements, as well as to identity, race, gender and class issues. Whether the subject is comic books, photographic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identify its importance for the field of visual culture. (shrink)

This chapter examines Soren Kierkegaard's views about the concept of time and history. It suggests that while time and history do not figure prominently in the works of Kierkegaard, the implications of his key concepts can only be understood through the questions of time and history, particularly his ideas about selfhood, existence, and the ethical. The chapter also discusses the different notions of time and history, and considers how time and history come into play in the works of Kierkegaard.

Map making and, ultimately, _map thinking_ is ubiquitous across literature, cosmology, mathematics, psychology, and genetics. We partition, summarize, organize, and clarify our world via spatialized representations. Our maps and, more generally, our representations seduce and persuade; they build and destroy. They are the ultimate record of empires and of our evolving comprehension of our world. This book is about the promises and perils of map thinking. Maps are purpose-driven abstractions, discarding detail to highlight only particular features of a territory. By (...) preserving certain features at the expense of others, they can be used to reinforce a privileged position. -/- _When Maps Become the World_ shows us how the scientific theories, models, and concepts we use to intervene in the world function as maps, and explores the consequences of this, both good and bad. We increasingly understand the world around us in terms of models, to the extent that we often take the models for reality. Winther explains how in time, our historical representations in science, in cartography, and in our stories about ourselves replace individual memories and become dominant social narratives—they become reality, and they can remake the world. -/- Available on The University of Chicago Press website, etc. (shrink)

Scientific inquiry has led to immense explanatory and technological successes, partly as a result of the pervasiveness of scientific theories. Relativity theory, evolutionary theory, and plate tectonics were, and continue to be, wildly successful families of theories within physics, biology, and geology. Other powerful theory clusters inhabit comparatively recent disciplines such as cognitive science, climate science, molecular biology, microeconomics, and Geographic Information Science (GIS). Effective scientific theories magnify understanding, help supply legitimate explanations, and assist in formulating predictions. Moving from their (...) knowledge-producing representational functions to their interventional roles (Hacking 1983), theories are integral to building technologies used within consumer, industrial, and scientific milieus. -/- This entry explores the structure of scientific theories from the perspective of the Syntactic, Semantic, and Pragmatic Views. Each of these views answers questions such as the following in unique ways. What is the best characterization of the composition and function of scientific theory? How is theory linked with world? Which philosophical tools can and should be employed in describing and reconstructing scientific theory? Is an understanding of practice and application necessary for a comprehension of the core structure of a scientific theory? How are these three views ultimately related? (shrink)

Observation of online forums is a relevant methodological approach for researchers in several disciplines. However, ethical guidelines on such observations challenge the ethically concerned researcher. In this paper, I reflect on how I carried out my observation of an online weight-loss forum, and how I could have conducted it differently to meet ethical standards and the demands of high-quality research. After receiving approval from the forum administrators to observe the forum, information about my project on obesity was posted online. Some (...) of the participants reacted negatively to my presence in the forum. This paper draws on the evolving discussion between researcher and participants on the complex issue of research ethics, particularly informed consent, in studying closed forums on the Internet. It is suggested that evaluating whether participants are harmed is more important than the public/private divide when considering whether informed consent is necessary. (shrink)

If the title of this article resounds with the polemical palavering of literary theory in the 1940s, I have to submit that the allusion is not entirely accidental. It is not my intention here, however, to resuscitate the arguments of W. K. Wimsatt Jr and Monroe C. Beardsley, but rather to evoke a sense of parallelism between their issues and those at stake here. A crucial objective which informed Wimsatt's and Beardsley's project was to buttress the significance and irreducibility of (...) the literary text in the face of monopolistic authorial and receptional meaning-making. [3] The scholarly environment that was American New Criticism tended to consider intentionalism and emotionalism as threats to the epistemological prominence and integrity of the text, which was all too readily lost in a plenitude of contexts whose relevance for the literary work was not always impressively transparent. Similarly, within the domain of film studies, it has perhaps become increasingly unclear whether the real object of study is the film text itself, or rather a concatenation of different disciplinary discourses hailing from departments of psychology, sociology, and biology (to name a few). The colonization of cinema studies is not a novel development; as a process its apogee was in the 1970s. (shrink)

The complex gestures of artwork remain an under-explored theoretical topos in contemporary visual culture studies. In our turbulent mediasphere where images are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images promises a particularly pertinent avenue of intellectual inquiry. As both a cultural phenomenon and a philosophical concept, the notion of gesture straddles several disciplines, such as anthropology, linguistics, performance, theater, (...) film and visual studies. In this volume, contributors ask: How may one speak not only of the gestures of the body but also of the gestures of the image? What constitutes gesturality in the image and, more broadly, what are the gestures of the aesthetic itself? By thinking about images within this conceptual framework, this volume seeks to renew our understanding of the image. (shrink)

Claudia Welz and René Rosfort: Introduction: A Negativistic Approach to Existential Hermeneutics Stefano Micali: Anxiety between Dialectics and Phenomenology René Rosfort: Kierkegaard and the Problem of Ethics Mads Peter Karlsen: The Past >Has Us Before We Have.

Tematisk introduktion til Søren Kierkegaards (1813-1855) tankeverden udfra hovedværket "Begrebet Angest".

This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema's unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody (...) ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation. (shrink)