RESUMEN La identidad humana puede ser interpretada de muy diversas maneras. El artículo explora, en primer lugar, los fundamentos de la crítica heideggeriana a la idea de "sujeto" como categoría apropiada para la existencia humana; en segundo lugar, y al hilo de esa crítica, señala algunos momentos relevantes que configuran la identidad pensada no ya como subiectum, sino como unidad histórico-acontecida. ABSTRACT Human identity may be interpreted in very different ways. The article starts out by examining the foundations of Heidegger's (...) critique of the idea of "subject" as an appropriate category for human existence. In line with that critique, it then goes on to point out some of the relevant moments that constitute identity, no longer conceived as subiectum, but rather as a historical unity that has come into being as an event. RESUMO A identidade humana pode ser interpretada de diversas maneiras. Em primeiro lugar, este artigo explora os fundamentos da crítica heideggeriana à ideia de "sujeito" enquanto categoria apropriada para a existência humana; em segundo lugar, consonante a essa crítica, indica alguns momentos relevantes que configuram a identidade pensada não como subiectum, mas sim como unidade histórico-acontecida. (shrink)

El presente artículo pretende dar cuenta de la concepción heideggeriana de la muerte, para ello se articula en cuatro momentos. En primer lugar se establece en qué sentido la muerte es un fenómeno de la vida, y no su mero término. En segundo lugar se explica la muerte como posibilidad, como un "aún no", fundado en un pertenecer. En tercer lugar, se establece que la proyección existenciaria de la propia muerte revela a ésta en su verdad irreductible. Finalmente, la libertad (...) para la muerte es comprendida como una abrirse a ella, por cuanto "libertad" debe ser interpretada en el sentido de "liberar", "abrir". (shrink)

Hegel’s definition of music as Kunst des Gemüts do not refer to the simple expression of feelings, but to the fact that only the music is directed to the self, the self as such, absolutely. That music is not only expression of particular feelings, but of pure feeling or subjectivity itself, is based on the most decisive feature that share music and soul: the temporality. Music expresses the self in its radically temporal essence. It is not necessary to emphasize the (...) metaphysical function that follows from this conception of music. Far from the romantic origins of Wackenroder, E.T.A. Hoffmann or F. Schlegel, Hegel holds a romantic conception of music. (shrink)

El artículo explora la forma estética de las ruinas como una poética del tiempo donde se articulan fuerzas contrapuestas que configuran una singular vivencia de la historicidad humana. Orientándose por las indicaciones de Martin Heidegger y Georg Simmel, reflexiona acerca de valor estético-existencial de las ruinas y su réplica subjetiva en el sentimiento de nostalgia, así como su importancia para el reconocimiento de la unidad narrativa de la existencia humana.

El trabajo investiga los diversos tropos de Carta sobre el humanismo, no como simples expresiones metódicamente indiferentes, sino como formas de prosecución de las tendencias hermenéuticas de la filosofía heideggeriana. La casa, el pastor y el claro constituyen tropos que no solo intentan superar cualquier rastro de la lógica del sujeto _y por lo mismo superar también el humanismo y la metafísica_ sino, además, se conforman y funcionan como verdaderos "tropos hermenéuticos". The paper investigates the various figures of speech contained (...) in Letter on Humanism, not as mere expressions indifferent to method, but as ways to continue the hermeneutic trends of Heideggerian philosophy. The house, the shepherd, and the clearing are figures of speech intended not only to leave behind all traces of logic in the subject _and by the same token also rise above humanism and metaphysics_ but in addition to take shape and function as true "hermeneutic tropes". (shrink)

Al hilo de la estética kantiana, de sus supuestos y de los problemas que ella deja sin resolver, este trabajo intenta despejar el concepto de apariencia estética en Schiller. La definición schilleriana de la belleza como "libertad en la apariencia", no solamente constituye una original prosecución del primado de la razón práctica y de la libertad en Kant, sino que además constituye una peculiar reinvindicación de la apariencia sobre la misma "realidad". Sin embargo, Schiller se esfuerza en mantener y conciliar (...) la específica ambigüedad del término "apariencia": libertad en la apariencia es, al mismo tiempo, libertad aparente y libertad aparecida. (shrink)

Alonso, Ángel Castigo y derecho sin libre albedrío ni responsabilidad Punishment and law without free will and no responsibility López Corredoira, Martín De los metarrelatos a la "muerte de los intelectuales". Una mirada al "Humanismo impenitente" desde la reconstrucción neonietzscheana postmoderna From meta - reports to the "demise of intellectuals". A view of "impenitent humanism" from post-modern neo-Nietzschean deconstruction Mora García, José Pascual Kant y el método de trascender en la filosofía de Karl Jaspers Kant and the transcendental method in (...) the Karl Jaspers philosophy Portuondo Pajón, Gladys L. La creatio ex Nihilo y sus implicaciones fenomenológicas en Levitas La creatio ex Nihilo and it's phenomenology implications in Levinas Ramírez, Gustavo ¿Qué significa meditar? What does it mean to meditate? Ramis Muscato, Pompeyo Sobre la violencia: Orígenes y antídoto Regarding violence: Origens and antidotes Vasquez, Eduardo Interdisciplinares Louis Kahn: Filosofía, arte y arquitectura Louis Kahn: Philosophy, arte and architecture Arellano Spinetti, Leonardo La oligarquía venezolana en el siglo XXI: Del estereotipo al anacronismo The Venezuelan oligarchy in the XXI century: From the stereotype to the anachronism Varela Manrique, Luz Coromoto Traducciones El arte de pensar Maurois, André Friedrich Nietzsche. 1844-1900. (shrink)

The text describes the research Geopartitura executed by the team MidiaLab Computer art research laboratory, that raises the thought about social artists and urban space. As a work of art it can be considered activist action. As a system, it is composed by software, database, locative media and mobile devices. The work was created to be performed as urban interactive cyberintervention, in order to interact with passers-by, a bias of social inclusion, transforming the urban landscape and its noises, at a (...) dimension of open space for discussion. As active and engaged art, presents the artist as social citizen. (shrink)

Due to the difficulty in solving combinatorial optimization problems, it is necessary to improve the performance of the algorithms by improving techniques to deal with complex optimizations. This research addresses the metaheuristics of marriage in honey-bees optimization based on the behavior of bees. The current study proposes a technique for solving combinatorial optimization problems within proper computation times. The purpose of this study focuses on the travelling salesperson problem and the application of chaotic methods in important sections of the MBO (...) metaheuristic. Three experiments were conducted to measure the efficiency and quality of the solutions: MBO with chaos to generate initial solutions ; MBO with chaos in the workers ; and MBO with chaos to generate initial solutions and the workers. The application of chaotic functions in MBO was significantly better at solving the travelling salesperson problem. (shrink)

When URUCIB was created, we did not know we were making an Executive Information Systems. In those days, the development of information technology was very nascent, and its impact on developing countries was even more limited. This paper tells how a government imagined using these resources and put them at the service of its management to have real-time information to guide decision-making. It shows how an interdisciplinary team of professionals from informatics, cybernetics, economics, statistics, and politics worked to create a (...) state-of-the-art system in its time, using available information and communication technologies. It shows the challenges that had to be overcome, both technological and cultural, and how this was carried out. It compares the experience of Uruguay with a previous and similar one in Chile fourteen years earlier. It then argues some of the main problems faced and claims the innovative character of the project. Finally, it draws some conclusions from experience. Distinguished British cybernetics expert Prof. Stafford Beer was hired as an advisor, the President of the Republic, Dr. Julio María Sanguinetti, gave his enthusiastic support and project leader Eng. Víctor Ganón and his devoted team were instrumental in making this trailblazing design and successfully implemented the system. (shrink)

In this paper, we introduce the variety of algebras, which we call monadic \-rough Heyting algebras. These algebras constitute an extension of monadic Heyting algebras and in \ case they coincide with monadic 3-valued Łukasiewicz–Moisil algebras. Our main interest is the characterization of simple and subdirectly irreducible monadic \-rough Heyting algebras. In order to this, an Esakia-style duality for these algebras is developed.

Bien, Victor As a technically orientated person and educated in a scientific field, namely physical chemistry for a higher degree, I have never found history interesting until recent times. This followed from getting to know, with increasing detail, what happened in the Age of Enlightenment. Now I have acquired a strong taste for history!

The European Legacy, Volume 16, Issue 6, Page 799-802, October 2011.

The European Legacy, Volume 16, Issue 5, Page 663-666, August 2011.

Dallas Willard makes the claim that spiritual formation “refers to the Spirit-driven process of forming the inner world of the human self in such a way that it becomes like the inner being of Christ himself.”1 Can this claim be substantiated and stand up to close scrutiny, or is Dallas Willard selecting an idea of his own fancy and making this the cornerstone of his understanding of spiritual formation? How can this claim be tested and anchored? In this article we (...) will seek to answer these questions by looking at the Apostle Paul in his function as spiritual director. Although it is patently anachronistic to speak of Paul as spiritual director, can we legitimately understand him in this role? We will propose a generative understanding of spiritual direction and then proceed to examine the Apostle Paul and his aims based on that generative understanding. We will also argue that at the core of Paul's functioning as a spiritual director lies a strong appeal to examine and imitate his life and character and to follow his ways. This appeal by Paul for others to imitate him is anchored in Paul's own imitation of Christ himself. Paul's call to imitation thus provides a window into discovering how Paul understood his role as spiritual director and also provides us the means to discern his goals in spiritual direction. (shrink)