In lieu of an abstract, here is a brief excerpt of the content:The Statue of Augustus from Prima Porta, the Underground Complex, and the Omen of the Gallina AlbaJane Clark ReederThe new excavations of the villa of Livia at Prima Porta have focused attention on the architecture and art of this imperial villa. The statue of Augustus from Prima Porta and the garden paintings from the underground complex have long been the most famous exemplars of their types. Recently new studies (...) have treated these works of art in relation to their setting. 1 But there is one source of information in particular which has not received the scrutiny in this regard that it might and that is the remarkable omen which gave the villa its name in antiquity, ad Gallinas. Although this omen is sometimes mentioned to explain the odd name, scholars have not examined in any detail the relationship of the omen to the art and architecture of the villa. In fact, the omen of the gallina alba is the foundation augurium of the villa-garden itself. 2In this essay I intend to examine the ancient literary sources concerning the villa; the only information given by the sources about the villa comes in fact by way of the omen. First the individual components of the omen and the surrounding body of augury and myth will be examined and illustrated where possible in the monuments. Secondly I hope to illuminate the symbolic interrelationships between this augural imagery and the iconography of three features of the art and architecture of the villa-garden: the statue of Augustus, the underground complex, and the laurel grove. This imagery and symbolism played an essential [End Page 89] role not only in the decoration of the villa, but formed an important part of Augustan ideology.The iconographical connections of the statue of Augustus and the underground complex of the villa-garden should be sought first of all in the ideology inherent in the statue itself. 3 Two attributes in particular give this message: the laurel branch in hand and the cuirass. Since one knows how important the laurel was as an age-old symbol of Apollo and as a new emblem of Augustus and since one is aware how pervasive the Apollonian propaganda became in Augustan ideology, 4 it is no wonder that H. Kähler (1959, 12–13; 28; pl. 32) found the laurel integral to the sacral character of the statue’s image and hence restored the laurel branch in the hand of Augustus on the statue from Prima Porta.Kähler is not the only scholar to attach the laurel to the Prima Porta statue of Augustus. 5 E. Simon restored a laurel branch in the left hand of Augustus rather than the right and in a recent summary of Augustan art this view was adopted. 6 There is also numismatic evidence for Augustus holding a laurel branch in connection with the triumph. While the certainty of a particular statue type behind the coin image is more problematic, 7 the coin in fact represents the historical event itself. On the reverse of a denarius from the great Actium series of coins Octavian is [End Page 90] represented as Triumphator and Imperator standing in the quadriga and holding a large laurel branch in his right hand. 8 On the obverse Victory, standing on the ship’s prow, holds a palm in her left hand and in her right the laurel crown which Octavian would have worn in the triumphal procession. Likewise Tiberius in the Augustan tradition stands in the triumphal quadriga and holds a laurel branch in his right hand on an aureus of a.d. 13/14. 9 At least one scholar (Neudecker 1988, 90) believes that the program of the statue of Augustus of Prima Porta is probably to be seen in connection with the triumphal ceremony.If Augustus indeed held a laurel branch in hand, the branch could only have come from the famous laurel grove of the villa of Livia ad Gallinas. The foundation augurium and legend of the Augustan laurel branch and indeed of the villa-garden itself as mentioned above is the omen of the gallina alba from which the villa took its name in antiquity... (shrink)

Originally published in 1936, this book presents the ancient Greek text of the paraphrases and quotations of Zeno's philosophical arguments, together with a facing-page English translation and editorial commentary. Detailed notes are incorporated throughout and a bibliography is also included. This book will be of value to anyone with an interest in Zeno and ancient philosophy.

By the death, last summer, of Jack Robson, the world of utilitarian studies and a wider world of scholarship on both sides of the Atlantic lost one of their most distinguished figures. It would not be appropriate here, even if it were possible now, to attempt a full and measured assessment of his work. Writing only a few months after the news of his death, while the sense of loss is still so sharp for all his many friends, two things (...) are possible. Something can and should be said to acknowledge and celebrate Robson's achievement as a scholar; and to this can be added some personal recollections of one whose human qualities were as outstanding as his scholarship. (shrink)

This volume is not restricted to papers presented at the 1988 Colloquium, but instead aims to provide the reader with a (relatively) coherent reading on Algebraic Logic, with an emphasis on current research. To help the non-specialist reader, the book contains an introduction to cylindric and relation algebras by Roger D. Maddux and an introduction to Boolean Algebras by Bjarni Joacute;nsson.

This new edition emphasizes Emerson's philosophy and thoughts on such issues as freedom and fate; creativity and established culture; faith, experience, and evidence; the individual, God, and the world; unity and dualism; moral law, grace, and compensation; and wealth and success. Emerson's text has been fully annotated to explain difficult words and to clarify his references. The Introduction, Notes, Bibliography, Index, and Chronology of Emerson's life help the reader understand his distinctive outlook, his contributions to philosophy, and his place in (...) American culture and society. (shrink)

Let T be a complete theory with infinite models in a countable language. The stability function g T (κ) is defined as the supremum of the number of types over models of T of power κ. It is proved that there are only six possible stability functions, namely $\kappa, \kappa + 2^\omega, \kappa^\omega, \operatorname{ded} \kappa, (\operatorname{ded} \kappa)^\omega, 2^\kappa$.

Empirical and theoretical evidence show that the astrophysical problem of dark matter might be solved by a theory of Einstein-Mayer type. In this theory, up to global Lorentz rotations, the reference system is determined by the motion of cosmic matter. Thus, one is led to a “Riemannian space with teleparallelism” realizing a geometric version of the Mach-Einstein doctrine. The field equations of this gravitational theory contain hidden matter terms, where the existence of hidden matter is inferred solely from its gravitational (...) effects. It is argued that, in the nonrelativistic mechanical approximation, they provide an inertia-free mechanics, where the inertial mass of a body is induced by the gravitational action of the comic masses. Interpreted from the Newtonian point of view, this mechanics shows that the effective gravitational mass of astrophysical objects depends on r such that one expects the existence of dark matter. (shrink)

Articles; chiefly on Islamic ethics and conveying non Muslims for Islam.