The relation between morality and religion has often been discussed. However, it is not always recognized that the relation varies greatly according to the variety of religions. I shall here be concerned solely with Christian theism in its traditional form. I take the latter to signify, essentially, belief in a morally perfect Creator who exists in the threefold form of Father, Son and Holy Spirit and who, in the person of the Son, became man in Christ for our salvation. I (...) thus exclude from consideration all non-theistic accounts of God or the Absolute. Also I shall consider, not simply bare theism of the kind that Christians share with Jews and Muslims, but also the distinctively Christian form of theism that is generated by distinctively Christian revelation. Many otherwise sound descriptions of the relation between morality and theism are defective because they fail to consider the distinctively Christian contribution to the theistic concept of God and of his relation to the world. (shrink)

The purpose of this paper is to resolve two paradoxes, which occur in quantum theory, by using the discussion of the theory of measurement presented in two earlier papers by the author [3], [4], [5]. The two paradoxes discussed will be the Schrödinger cat paradox and the Einstein, Podolski, Rosen paradox [2]. An introductory section will be included which summarizes the relevant results from the author's previous papers. Also a discussion will be made regarding the author's interpretation of the density (...) operator. (shrink)

Christianity affirms, with Judaism and Islam, that God is the omnipotent Creator of all things. But it diverges from them in also affirming that the Creator assumed a human nature in one figure of history, Jesus of Nazareth. Christ thus differs from other men in kind, not merely in degree; he is absolutely, not just relatively, unique. Admittedly many Christian theologians have held that the difference between Christ and other men is only one of degree. Yet the Church's traditional claim, (...) as expressed in the Chalcedonian Definition, is that Jesus was both creature and Creator, both fully man and fully God. (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Many writers often generalise about mysticism without a sufficiently close analysis of texts. Consequently the generalisations are often invalid. My present aim is to analyse one text and, in the light of this analysis, to offer some observations concerning mysticism in general and Christian mysticism in particular.

The history of philosophy provides part of the history, or pre-history, of the social sciences. As they were struggling into being, or even before they existed, philosophy was hammering out some of the conceptual tools, lines of approach and basic hypotheses. One of the constantly recurring themes in the history of philosophy which has a direct bearing on the social sciences is the relationship between mind and matter.

Most of us can easily identify human beings suffering from poverty, but find it slightly more difficult to understand poverty properly. In this essay I want to deepen our understanding of poverty by interpreting the conventional definitions of poverty in a new light. I start with a defence of a claim that poverty is a concept uniquely applicable to humans. I then present a critical discussion of the distinction between absolute and relative poverty. I argue that a revision of this (...) distinction can provide us general standards applicable to humans everywhere. (shrink)

This handbook with exercises reveals the mathematical beauty of formalisms hitherto mostly used for software and hardware design and verification.

The famous passage in which Plotinus declares that fine art, so far from simply reproducing nature, ‘goes back to the Reason-principles from which nature herself emanates,’ has hitherto been generally regarded as a tacit criticism of Plato's teaching, and as an original contribution to the philosophy of art involving a rupture with the entire previous tradition of Greek aesthetic theory. Yet Plotinus introduces it, not as if he were proclaiming a new gospel, but almost casually, as a subordinate link in (...) his discussion of Intelligible Beauty. And though his respect for Plato was not the half-superstitious reverence of the later Neoplatonists, he was at all times more zealous to walk in Plato's footsteps than to correct or criticize him, tacitly or otherwise. Moreover, can it be said with certainty that his doctrine is in itself opposed to Plato's? That question can be answered only by a detailed examination of Plato's theory of art—a task which I hope to accomplish elsewhere. In the present article, postponing all enquiry into the relation between these two aesthetic theories, I shall endeavour to show that the teaching of Plotinus was not a sudden innovation, but the natural and indeed inevitable outcome of preceding thought. (shrink)

The articles published in this volume will bring that knowledge which alone fortifies a student against wrong or fanciful occultism, as against the perils of ...