This paper examines a model in which people’s preferences adjust to changes in their relative ability to attain various goals. Preference changes are modeled as changes in the configuration of weights (or values) attached to these goals. The model permits to explain common prototype changes of preferences such as the ‘sour grapes’ or the ‘overcompensating’ phenomenon. It is found that whether the first or the second phenomenon occurs depends on whether a goal is easy or difficult to substitute by other (...) goals. If two goals are sufficiently strong substitutes for each other, no weight will be placed on that goal which is harder to attain. The results readily apply to the standard microeconomic set-up involving goods and prices, rather than abstract goals and abilities. In this case, one implication of the model is that only a subset of the overall commodity space is relevant for everyday consumer choice, which reduces the complexity of the choice procedure. The model also permits to explain how new and unfamiliar products are incorporated into the consumer’s preference pattern. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Directions in Contemporary German AestheticsMatthew PritchardÄsthetisches Denken, 6th ed., by Wolfgang Welsch. Stuttgart: Reclam, 1990 (2003), 223 pp.Aisthetik: Vorlesungen Über Ästhetik Als Allgemeine Wahrnehmungslehre, by Gernot Böhme. Munich: Wilhelm Fink, 2001, 199 pp.Ästhetische Korrespondenzen: Denken Im Technischen Raum, by Reinhard Knodt. Stuttgart: Reclam, 1994, 166 pp.The relationship between the Anglo-American and German aesthetic traditions is a paradoxical one. On the one hand, acquaintance with one or more figures (...) from the “great tradition” in German aesthetic thought over the last 250 years is a given for most philosophically oriented writers on aesthetics in Britain and America. Thinkers such as Kant or Adorno form a real and abiding part of our background. In some cases the connection with German intellectual lineages goes a good deal further. As an extreme case, take Terry Eagleton’s The Ideology of the Aesthetic,1 whose engagement with German thought is so deep that I have come across it as a set text for aesthetics courses in German universities (despite the fact that none of the dozen authors Eagleton analyzes are cited in their original language). On the other hand, interest in contemporary German aesthetics in English and American circles appears to be relatively slight. One would have little idea, from reading any of the philosophical journals in English, of just how much activity there is in this area, only a small proportion of which has been translated, cited, or reviewed. And yet the past two decades have seen the publication of dozens of relevant books by German authors, many proposing independent theoretical approaches. Among these—aside from the books reviewed here—are the substantial work done on performance and performativity by Erika Fischer-Lichte (Ästhetik des Performativen, 2004) and Dieter Mersch (Ereignis und Aura, 2002); the theoretical oeuvre of the prize-winning literary critic Karl Heinz Bohrer, of which Suddenness: On the Moment of Aesthetic Appearance, originally published in 1981, has made it into English; Ruth Sonderegger’s Romantic-leaning plea Für eine Ästhetik des Spiels (2000); Dieter Heinrich’s work on the philosophy of art and subjectivity, Fixpunkte: Aufsätze [End Page 117] und Essays zur Theorie der Kunst (2003); Martin Seel’s Aesthetics of Appearing (2004); the traditional neo-Kantian perspective of the late Rüdiger Bubner as set out in his Ästhetische Erfahrung (1989); Gábor Paál’s Was ist schön?—Ästhetik und Erkenntnis (2003); Konrad Paul Liessmann’s Reiz und Rührung: Über ästhetische Empfindungen (2003)... the list could be continued. And this is not to mention empirical-psychological approaches, works on the history of aesthetics, the reception accorded to analytical aesthetics and American philosophers such as Goodman and Danto, or the continuation of European poststructuralist and Frankfurt School traditions (for example, in the work of Albrecht Wellmer and Christoph Menke).Given this large “backlog” of writing not yet assimilated into Anglo-American discussion, it makes sense to be selective and range a little further than the most recently published texts. Owing to sheer diversity, I cannot honestly claim that the three books I am going to discuss here are “representative” of the interests driving contemporary German aesthetics. But I have chosen them for certain common traits, traditions, and emphases that seem to me to present a stimulating contrast with the approach of Anglo-American philosophical aesthetics, while retaining many points of contact with non-German thought. That the contrast does not come down to the crass standoff of “analytical” vs. “Continental,” and all the clichés about academic style that go with it, should become obvious. It is more interesting than that, and although I want to leave the details to the discussion of the three books, I can mention at the outset a few aspects I regard as important. One is that none of these authors addresses themselves exclusively to either the philosophy of art or to the aesthetics of nature and the environment. Instead they tend to make points relating to both, or to regard both as aspects of a single situation. “Environmental aesthetics” in Anglo-American philosophy—for instance, the work of Allen Carlson—is not only of recent date but is still a subdiscipline separated from aesthetics... (shrink)

Einleitung: Der beginn der neuzeit in der geschichte der philosophie.--Gott und welt; die einheit der gegensätze.--Unendlichkeit im endlichen.--Seele und aussenwelt.--Sein und lebendigkeit.--Das individuum.--Erkenntnis und wille.

Visualization in 19th-century German geography: Robert Schlagintweit and Hans Meyer as examples. – Visual representations of nature formed an essential part of 19th-century earth sciences. In particular, colonial photography – as a visual source, and as an instrument of the construction of national identities – serves essential research interests of current history and social sciences. The present paper is a case study on the role and function of photography in German geography of the 19th and early 20th centuries. It focuses (...) on the work of the Munich geographer Robert Schlagintweit and the Leipzig colonial geographer Hans Meyer ; the early history of photography in India and the function of images in the geographical exploration of overseas territories are discussed. Although there is nearly half a century between the work of R. Schlagintweit and H. Meyer, their photography shows remarkable parallels. The ideas of both on the practice of visualization are rooted in pedagogic and didactic concepts as well as in popular science. For both geographers photography was essentially a technical help, which often needed graphic revisions. And they both preferred photography to depict people and buildings . Concerning the more comprehensive question of how far their photography transmitted a specific German ‘image of abroad’, it is indicated that such a specific image should have its essential roots in a peculiar visual culture of German earth sciences in the first half of the 19th century. Thus the paper offers a starting point for further studies discussing the change from a ‘Biedermeier image’ of foreign cultures to a more ‘colonial’ one in 19th-century German geography. (shrink)

Für die Sinnesdatenphilosophie sind zwei Behauptungen zentral: (1) Der sinnliche Gehalt des sinnlich-perzeptiven Bewußtseins ist gegenständlich oder objektual aufzufassen, d.h. es gibt Sinnesdaten oder phänomenale Gegenstände mit phänomenalen Beschaffenheiten; (2) Das sinnlich-perzeptive Bewußtsein ist nach dem Modell: Subjekt — zweistelliges Prädikat — Objekt zu analysieren, d.h. Sinnesdaten sind uns als Objekte unseres sinnlich-perzeptiven Bewußtseins unmittelbar gegeben. Die Annahmen (l)und (2) führen in philosophische Aporien. Es ist jedoch möglich, den sinnlichen Gehalt des sinnlich-perzeptiven Bewußtseins nicht-gegenständlich aufzufassen und nach einem Modell zu (...) analysieren, welches eine solche Vergegenständlichung und die damit verbundenen Probleme vermeidet. Die sich gegen ein solches nicht-objektuales oder adverbiales Analysemodell erhebenden phänomenologischen und semantischen Einwände lassen sich entkräften. (shrink)

Die Struktur des unmittelbaren epistemischen Selbstbewußtseins läßt sich am besten unter Zugrundelegung und Entfaltung folgen der Annahmen explizieren: (i) Es gibt mentale Substanzen, (ii) Es gibt Wahrheitswerttransparente Cogitopropositionen oder CogitoSachverhalte, (iii) Jedes Ich kann seine und nur seine es betreffenden Cogitopropositionen fassen, womit es ipso facto ein unmittelbares Wissen um sich selbst hat. Dieses unmittelbare selbstreflexive Wissen kann in assertorischen Sätzen seinen Ausdruck finden, (iv) Die andere Iche betreffenden Cogitopropositionen können diesen Ichen nur mit Hilfe quasiindikatorischer Mittel zugeschrieben werden. Jedes (...) Ich kann wenigstens eine Entität per se individuieren, nämlich sich selbst. Per se Individuation anderer Iche ist nur dann möglich, wenn jedem Ich nicht nur Cogitopropositionen, sondern auch es und nur es betreffende Propositionen zugeordnet werden, die von ihm selbst, aber auch von anderen gefaßt bzw. gewußt werden können. (shrink)

Die Struktur des unmittelbaren epistemischen Selbstbewußtseins läßt sich am besten unter Zugrundelegung und Entfaltung folgen der Annahmen explizieren: (i) Es gibt mentale Substanzen, (ii) Es gibt Wahrheitswerttransparente Cogitopropositionen oder CogitoSachverhalte, (iii) Jedes Ich kann seine und nur seine es betreffenden Cogitopropositionen fassen, womit es ipso facto ein unmittelbares Wissen um sich selbst hat. Dieses unmittelbare selbstreflexive Wissen kann in assertorischen Sätzen seinen Ausdruck finden, (iv) Die andere Iche betreffenden Cogitopropositionen können diesen Ichen nur mit Hilfe quasiindikatorischer Mittel zugeschrieben werden. Jedes (...) Ich kann wenigstens eine Entität per se individuieren, nämlich sich selbst. Per se Individuation anderer Iche ist nur dann möglich, wenn jedem Ich nicht nur Cogitopropositionen, sondern auch es und nur es betreffende Propositionen zugeordnet werden, die von ihm selbst, aber auch von anderen gefaßt bzw. gewußt werden können. (shrink)

Up till now decisions about biotechnology as a social project has been made exclusively by natural scientists, government burocracies and by private industry. In the will formation process of political parties, social interests groups and parliaments that is currently beginning a value-conservative consensus concerning human genetics is adumbrating itself. At the same time, however, a liberal laisser-faire attitude toward industrial biotechnology is spreading. The last development threatens to trigger a portentos social conflict as the basic critics pointing to the risks (...) has not been taken into consideration sufficiently. From innovative processies of will formation a broader consensus on biotechnology could emerge. Such a more comprehensive will formation process would be beneficial to political culture as well as to a prudent approach to those technologies. (shrink)

Wolfgang Welsch examines global aestheticization phenomena, probes the relationship of aesthetics and ethics, and considers the broad relevance of aesthetics for contemporary thinking. He argues that modes of thought familiar from the aesthetic realm comprise fundamental paradigms for understanding todayÆs reality. The implications for specific and everyday issues are demonstrated in studies of architecture, advertising, the Internet, and our perception of the life world. Surgically precise, innovative, and, above all, relevant, this book is an essential resource, providing the analysis (...) of contemporary culture with philosophical bite. Aesthetics is to transcend itself, address the whole realm of aethesis, and hence enable orientation in the contemporary condition. Undoing aesthetics means releasing it from old cultural binds and giving it new ties with the future. (shrink)