The conversation seeks to extend and complicate Charles Taylor’s (2004) account of three constitutive formations of modern social imaginaries: market, the public sphere, and the nation-state based on popular sovereignty in two critical respects. First, it seeks to show how these key imaginaries, especially the market imaginary, are not contained and sealed within autonomous spheres. They are portable and they often leak into domains beyond the ones in which they originate. Second, it seeks to identify and explore the new (...) incipient and/or emergent imaginaries vying for recognition and demanding consideration in the constitution (as well as analysis) of contemporary social life, such as the risk-reward entrepreneurial culture. (shrink)

If you really could have a conversation with God--it might sound like this!

This essay begins by exploring the extent to which the narrative of secularization presented in Charles Taylor's A Secular Age might be complicated or otherwise challenged by taking account of parallel processes within Islamic thought and practice. It then considers whether Taylor's argument might nevertheless be applicable to, or illuminative of, contemporary struggles with modernity in the Muslim world.

First published in German in 1995, volume 77 of Heidegger’s Complete Works consists of three imaginary conversations written as World War II was coming to an end. Composed at a crucial moment in history and in Heidegger's own thinking, these conversations present meditations on science and technology; the devastation of nature, the war, and evil; and the possibility of release from representational thinking into a more authentic relation with being and the world. The first conversation involves a (...) scientist, a scholar, and a guide walking together on a country path; the second takes place between a teacher and a tower-warden, and the third features a younger man and an older man in a prisoner-of-war camp in Russia, where Heidegger’s two sons were missing in action. Unique because of their conversational style, the lucid and precise translation of these texts offers insight into the issues that engaged Heidegger’s wartime and postwar thinking. (shrink)

This article departs from the consideration that global communication is not only a reality but also a challenge. This is because most of our communication does not involve dialogue but remains mere communication without achieving the creativity implied in true conversation. Departing from Gordon Pask’s warning, in 1980, that too much togetherness would be hazardous in future information environments, this article proposes a playful displacement of images – from network to lacework. The aim is to help us refine our gaze (...) into the interconnectedness of the world, or at least, into the intricacies of our contemporary culture and its global communication. The idea is that by using lace as an inspirational image we may go beyond the hazards of uniformity and triviality of our excessive togetherness. By doing so, we would allow space for a variety of local patterns of dialogues, articulated around unspoken tensions and thus, allowing the emergency of genuine conversation. (shrink)

What do Social Networking Sites (SNS) ‘do to us’: are they a damning threat or an emancipating force? Recent publications on the impact of “Web 2.0” proclaim very opposite evaluative positions. With the aim of finding a middle ground, this paper develops a pragmatist approach to SNS based on the work of Richard Rorty. The argument proceeds in three steps. First, we analyze SNS as conversational practices. Second, we outline, in the form of an imaginary conversation between Rorty and (...) Heidegger, a positive and negative ‘conversational’ view on SNS. Third, we deploy a reflection, again using Rortian notions, on that evaluation, starting from the concept of ‘self-reflectivity.’ Finally, the relations between these three steps are more detailedly investigated. By way of the sketched technique, we can interrelate the two opposing sides of the recent debates—hope and threat—and judge SNS in all their ambiguity. (shrink)

Martin Heidegger is one of the most important as well as one of the most difficult thinkers of the last century. Raymond Tallis, who has been arguing with Heidegger for over thirty years, illuminates his fundamental ideas through an imaginary conversation, which is both relaxed and rigorous, witty and profound.

How a Post-Materialist Social Order Can Solve the Challenges of Modern Life and Insure Our Survival.

First published in German in 1995, volume 77 of Heidegger's Complete Works consists of three imaginary conversations written as World War II was coming to an end. Composed at a crucial moment in history and in Heidegger's own thinking, these conversations present meditations on science and technology; the devastation of nature, the war, and evil; and the possibility of release from representational thinking into a more authentic relation with being and the world. The first conversation involves a (...) scientist, a scholar, and a guide walking together on a country path; the second takes place between a teacher and a tower-warden, and the third features a younger man and an older man in a prisoner-of-war camp in Russia, where Heidegger's two sons were missing in action. Unique because of their conversational style, the lucid and precise translation of these texts offers insight into the issues that engaged Heidegger's wartime and postwar thinking. (shrink)

This volume combines rigorous empirical and theoretical analyses with political engagement to look beyond reductive short-hands that ignore the historical evolution and varieties of Islamic doctrine and that deny the complexities of Muslim societies' encounters with modernity itself. Are Islam and democracy compatible? Can we shed the language of 'Islam vs. the West' for new political imaginaries? The authors analyze struggles over political legitimacy since the Arab Spring and the rise of Al Qaeda and ISIS in their historical and political (...) complexity across the MENA (Middle East and North Africa) region. Distinguishing multiculturalism from interculturalism and understanding multiple modernities, philosophers in the volume tease out the complexities of civilizational encounters. The volume also shows how the Paris massacres or the Danish caricature controversy do not remain confined to Europe but influence struggles and confrontations within Muslim societies. Gender and Islam are addressed from a comparative perspective bringing into conversation not only the experience of different Muslim countries with Islamic law but also by analysing Jewish family law. (shrink)

This paper argues that debates regarding legal protections to preserve the privacy of data subjects, such as those involving the European Union’s right to be forgotten, have tended to overlook group-level forms of epistemic asymmetry and their impact on members of historically oppressed groups. In response, I develop what I consider an abolitionist approach to issues of digital justice. I begin by exploring international debates regarding digital privacy and the right to be forgotten. Then, I turn to the long history (...) of informational asymmetries impacting racialized populations in the United States. Such asymmetries, I argue, comprise epistemic injustices that are also implicated within the patterns of racialized incarceration in the United States. The final section brings together questions regarding the impact of such epistemic injustices on incarcerated peoples and focuses specifically on the public availability of criminal histories in online search databases as a fundamental issue within conversations regarding digital justice. I thus conclude by building from the work of contemporary abolitionist writers to argue that the underlying concerns of an individualized right to be forgotten should be transformed into a collective effort to undermine societal carceral imaginaries. (shrink)

The work argues that engaging Africa's cultural and epistemic resources as social imaginaries, and not as metaphysical or ontological “essences,” could help practitioners of African philosophy overcome the cluster of shortcomings and undesirable features associated with “ethnophilosophy.” A number of points are outlined to buttress this claim. First, the framework of social imaginaries does not operate with the false assumption that Africa's cultural forms and epistemic resources are static and immutable. Second, this framework does not lend itself to sweeping generalizations (...) about Africa or large swathes of it. Third, the framework of social imaginaries remedies ethnophilosophy's problem of collectivism. Fourth, unlike ethnophilosophy, it does not romanticize and canonize a supposedly “idyllic” African past, which militates against a realistic and forward‐looking philosophizing. Finally, with the framework of social imaginaries, Africa's indigenous cultural and epistemic resources become amenable to being engaged with critical philosophical rigor. This not only enhances their potential for cross‐cultural philosophical conversation but also enhances their usefulness for addressing current sociopolitical issues affecting Africa. The discussion in this paper somewhat touches upon the question of method in African philosophy, using the ethnophilosophy problem to navigate the vast gamut of issues involved. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.2 (2000) 203-221 [Access article in PDF] Taste and "the Conversible World" in the Eighteenth Century Rochelle Gurstein In the middle of the nineteenth century a series entitled "Afoot" appeared in the literary magazine Blackwood's (1857), describing an Englishman's travels through Europe. In one installment the narrator tells of meeting a Yankee, who had just come from Florence the beautiful. Our friend approached (...) him warily, and began to ask him what he had seen, what admired. Then, after a little circumlocution, he dashed at once, in medias res, by saying, "Of course, you were in raptures with the Venus de Medici?"--expecting an answer such as he would himself have given. "Well, sir, to tell you the truth, I don't care much about those stone gals," was the answer he received. Our friend collapsed. Had anyone in his presence denied the orthodoxy of St. Augustine, or abjured the Thirty-Nine Articles, there would have been more sorrow in his anger, but scarcely more indignation. The Venus de Medici--a classic chef d'oeuvre--a thing which Praxiteles might have touched with his chisel, or Pericles have looked upon, to be called a "stone gal"! Had he doubted its genuineness, or spoken of it as a specimen of secondary art, he might have been deemed critical, hypercritical; but this was a classic impiety, an irreverence, a profanity. As if that were not enough, the Yankee's words betrayed "uncivism" and "egoism." He was undoubtedly among that type who "under their home influences, and the shadow of their own nationalities... have no aptitude for general civism." 1There is of course much that is familiar in this vignette, especially the contrast between Old World sophistication and American naivete. The unflappable Yankee who is irremediably unaware and proud of it and the overly fastidious, overly aestheticized Englishman were both destined to become stock characters in novels depicting Americans abroad, and here we see an early confrontation [End Page 203] between their rival sensibilities. Even though the Venus de Medici has now completely vanished from the modern imaginary museum of masterpieces, it was once among the most beloved, celebrated, and reproduced statues of antiquity; its repute was far beyond that of the Mona Lisa today, and from the time it was unearthed at the end of sixteenth century through the nineteenth century it was the indisputable exemplar of beauty. So it is no surprise that the Englishman, who, like all cultivated people of his day, was well versed in the world of classical antiquity, was mortified by the American's obliviousness before this "classic chef d'oeuvre"; for it revealed a man so utterly lacking in taste and sensibility that he did not have the wherewithal to know that he had been "irreverent" when he called the Venus de Medici "a stone gal."Where this anecdote moves into less familiar territory, however, is the Englishman's characterization of the Yankee's taste as uncivic and egoistic, as provincial and narrow. His willingness to judge a total stranger, to hold him accountable to a single standard of judgment, could not be in sharper contrast to our contemporary attitudes. Today subjectivity is celebrated in the common saying that everyone is entitled to his or her opinion and taste; what is more, diversity of tastes is regarded as a measure of personal freedom and democracy. Thus, the Englishman's quickness to judge would be evidence of elitism, oppression, even cultural imperialism, and this response no longer belongs to naifs who cannot tell the difference between the most revered sculpture and stone gals; it now belongs to the sophisticated, educated, modern (and postmodern) person. Today the very idea of drawing distinctions--not only between practiced taste and first impressions but also between art and commercial entertainment, art and obscenity, high and popular culture, scholarship and propaganda, let alone between beauty and ugliness, right and wrong, excellence and mediocrity--is suspect. And since the capacity to make precisely these kinds of distinctions was once understood as the essence of... (shrink)

In this paper we focus on conversational thinking to demonstrate the value of public reasoning in building a decent world and true democracies. We shall take into account the views of selected scholars, especially John Rawls and Jürgen Habermas, on law and democratic practice, to explain why post-colonial Africa is weighed down by sociopolitical hegemonies that have aversion to their opposition and eliminate room for strong institutions, rule of law and human rights. In light of conversational thinking, this eliminates any (...) chance for “creative struggle,” i.e. a philosophers struggle against the post-colonial imaginary/social agents to dethrone strong individuals and create strong institutions. In the absence of these indices which a conversational orientation may engender, it is difficult to transform bogus democracy into true democracy and thus to create a decent society. Post-colonial Africa mired in social regression, political crisis and economic stagnation urgently needs conversational tonics to overcome the ineffectiveness of bogus democracy. We postulate a thesis about three structural transformations forming what we call Democratic Transformational Programme. (shrink)

In this essay I analyse Kant’s view on the regulative role of reason, and in particular on what he describes as the ‘indispensably necessary’ role of ideas qua foci imaginarii in the Appendix. I review two influential readings of what has become known as the ‘transcendental illusion’ and I offer a novel reading that builds on some of the insights of these earlier readings. I argue that ideas of reason act as imaginary standpoints, which are indispensably necessary for scientific (...) knowledge by making inter-conversational agreement possible. Thus, I characterise scientific knowledge as a distinctive kind of perspectival knowledge. This novel reading can illuminate the role of reason in complementing the faculty of understanding and sheds light on the apparent dichotomy between the first and the second part of the Appendix. More to the point, this novel reading takes us right to the heart of what scientific knowledge is, according to Kant, and how it differs from bogus knowledge and opinion. (shrink)

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated--and long overdue--study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored (...) in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time--Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum--as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher. (shrink)

This article analyzes two video remakes of Pharrell Williams’s hit song “Happy” portraying Za’atari refugeechildren. I discuss the role that the “Happy” tribute video trend had in developing a global imaginary that lends itself to current conversations around humanitarian happiness and “deexceptionalizing” migration and humanitarian space. I look at the videos in relationship to this trend and to the media construction of Za’atari camp as “city.” In the context of this debate and reading the videos through the paradigm (...) of global urbanness such as we also see in the “Happy” craze, I argue that in fact the videos show the limits of the ideology of global belonging when it comes to the refugee camp and of the incommensurability of contemporary humanitarian and global imaginaries, even in an age defined by the sway of new media. (shrink)

In 1959, the Charles Darwin Station and the Galápagos National Park were established, formally inaugurating conservation on the archipelago. In the same year, a utopian colony from the United States arrived. Whereas scholars have dismissed the latter and focused on the former, this essay unveils the science-inspired utopianism common to both enterprises. Investing science with the exclusive role of producing all knowledge and steering politics, leaders of the two initiatives aspired not only to protect nature but also to forge a (...) new humanity. Describing how such ambitions burst along lines of race, class, and nationality, I argue that these enterprises consolidated the current understanding of the Galápagos as “pristine”: a site fit for research and tourism but unhospitable to people. Drawing on archival and historical documents, this essay aims to reinvigorate two conversations: one between science and technology studies and conservation, and the other between STS and utopian studies. If recent attempts at bridging the divide between science and imagination have emphasized how powerful actors shape human society, this essay considers the long-lasting effects of scientific imaginaries on a politics of nature. (shrink)

Departing from the thought-provoking conversation between David Theo Goldberg and Achille Mbembe on the driving themes in Mbembe’s Critique of Black Reason, this commentary elaborates upon three topics that emerge in this conversation: the role of desire and how it is articulated in black abjection, the politics of care, and contemporary practices of repairing the injustices perpetrated in the context of European modernity. It is emphasized that black reason as a practice of repairing and transformation is especially enacted within contemporary (...) movements like the refugee movements organized around the Black Mediterranean and in the lived freedom archives and abolitionist imaginaries of movements where gender and race cross-cut. Characterized by their transnational dimension and a radical openness towards new beginnings, these expressions of black reason imagine and reinvent justice and democracy anew. (shrink)

In the seventeenth century, natural philosophy was seen as an integrated enterprise, embracing what are now seen as separate disciplines, such as philosophy, the natural sciences, mathematics, and theology. Although often portrayed as a now redundant precursor of the natural sciences, natural philosophy was far more than this, enfolding the two quite different notions of learning about and learning from nature. This book argues for the retrieval of the 'disciplinary imaginary' of natural philosophy. The first part of the work (...) explores how this idea emerged in the writings of Aristotle, and achieved its greatest influence in the seventeenth century. It offers a critical conversation with leading representatives of the movement--such as Johann Kepler, Robert Boyle, and Isaac Newton--to clarify its scope and significance, as well as identifying the factors causing the decline of the movement in the nineteenth century. The second part of the book sets out a comprehensive account of how natural philosophy can be retrieved and reimagined. Drawing on recent discussions of progress in philosophy, it argues that a retrieved natural philosophy can hold together both the objective and subjective aspects of the human engagement with the natural world. Using Mary Midgley's approach to safeguarding the complexity of nature and Karl Popper's model of the 'three worlds' of human knowledge--objective, subjective, and theoretical--the book offers a comprehensive vision of the scope of a revitalized natural philosophy, and the benefits this brings to the human understanding and appreciation of nature"--Publisher's description. (shrink)

This study makes a case for the conversational phenomenon the authors have named the comical hypothetical. The CH becomes discursively co-created during ongoing conversation when one or more speakers depart from the normal turn-taking system and engage in the interactional creation of an imaginary world. Data stem from ethnographic observations as well as from spontaneous recordings of social situations in three different locations. Out of 20 hours of taped conversations, 10 recognizable CH segments were analyzed for the present (...) study. The authors present a macro-structure analysis of the comical hypothetical using Hymes's SPEAKING mnemonic, with an emphasis on the act sequence. A second-level micro-analysis uncovers the interactional properties of the CH using a conversation analytic approach. The examination reveals a distinct four-part act sequence of the CH made up of intricate and creative interactional turns. Lastly, the significance and functions of the CH are also discussed. (shrink)

In Three Mystics Walk into a Tavern, Jalal ad-Din Rumi, Moses de León, and Meister Eckhart— three of the greatest mystics of all time—meet for an imaginary conversation that will inspire individuals of the twenty-first century to find their own spirituality and realize that everyone can be a mystic.

This book proposes a new paradigm for the interpretation of Plato's early and middle dialogues. Rejecting the usual assumption of a distinct 'Socratic' period in the development of Plato's thought, this view regards the earlier works as deliberate preparation for the exposition of Plato's mature philosophy. Differences between the dialogues do not represent different stages in Plato's own thinking but rather different aspects and moments in the presentation of a new and unfamiliar view of reality. Once the fictional character of (...) the Socratic genre is recognised, there is no reason to regard Plato's early dialogues as representing the philosophy of the historical Socrates. The result is a unified interpretation of all of the dialogues down to the Republic and the Phaedrus. (shrink)

Why did Plato put his philosophical arguments into dialogues, rather than presenting them in a plain and readily understandable fashion? A group of distinguished scholars here offer answers to this question by studying the relation between form and argument in his late dialogues. These penetrating studies show that the literary structure of the dialogues is of vital importance in the ongoing interpretation of Plato.

Agora, Academy, and the Conduct of Philosophy offers extremely careful and detailed criticisms of some of the most important assumptions scholars have brought to bear in beginning the process of (Platonic) interpretation. It goes on to offer a new way to group the dialogues, based on important facts in the lives and philosophical practices of Socrates - the main speaker in most of Plato's dialogues - and of Plato himself. Both sides of Debra Nails's arguments deserve close attention: the negative (...) side, which exposes a great deal of diversity in a field that often claims to have achieved a consensus; and the positive side, which insists that we must attend to what we know of these philosophers' lives and practices, if we are to make a serious attempt to understand why Plato wrote the way he did, and why his writings seem to depict different philosophies and even different approaches to philosophizing. From the Preface by Nicholas D. Smith. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Out of an Old Toy ChestMarina Warner (bio)The Soul of the ToyIn Baudelaire’s essay “La Morale du joujou,” written in l853, he remembers how the toyshop owner Madame Pancoucke, all wrapped in velvet and furs, beckoned the young Charles to choose something from her “treasure store for children.” Looking back down the years, the poet still sees in his mind’s eye the magic room overflowing with toys from floor (...) to ceiling that this “Fée du joujou” (Toy Fairy) opened to him. Without a second thought, he picked out “the most beautiful, the most expensive, the most garish, the freshest and the most bizarre of the playthings.” But his horrified mother insisted he choose another, less extravagant present, and the little Baudelaire had to resign himself and relinquish his toy.The word joujou (not jouet, the usual word for toy) is almost a pet name with a nursery ring like a “teddy” or a “dolly”; its repetition hints at baby talk and hence at playing, as when a child exchanges endearments and questions with a toy in imaginary conversations and elaborate scenarios. The toy in so many children’s games becomes part of an ongoing story and in this way initiates the first invented narratives in the child’s life.That scene of seduction, pleasure, and frustration with Mme. Pancoucke and his own mother catches Baudelaire’s lasting affection and reasoned admiration for toys. He called them “cette statuaire singulière” (this singular statuary); he was first a poet and then an art critic rather than a novelist, and as a flâneur of the boulevards and the galleries, he adopted a language of aesthetics, treating toys as an unusual form of sculpture. He recalls in pleasurable detail the miniature worlds conjured by Victorian nursery games and child’s play—from tiny “diligences” or mail coaches to detailed model furniture. But above all he muses in wonder at children’s ability to play without props or models, creating narratives, dialogue, and dramas [End Page 3] through fantasy alone: “All children talk to their toys; toys become actors in the great drama of life, reduced by the camera obscura of their small brains. Children bear witness through their games to their great faculty of abstraction and their high imaginative power. They play without playthings.”1Significantly, Baudelaire goes on to make the connection to creativity in general: “[The child’s] facility to satisfy the imagination shows the spirituality of childhood in its artistic conceptions. The plaything is the first initiation of a child to art.” Nothing will ever attain again, he says, the same degree of liveliness, or, crucially, the same intensity of presence or belief. For Baudelaire, the realization of childish make-believe cannot be regained: “Isn’t all of life found there in miniature, and much more vivid in colour, cleaner and shinier than real life?”2Yet Baudelaire’s essay lingers on the frustration that dims these vivid, shiny colors, for children, he says, also want to see the soul of a toy. He describes how they will turn about their playthings and shake them, hurl them to the ground, and often break them in their bafflement and even rage at their stubborn refusal to awaken into life. His meditation hints that at the point when make-believe fails, the vitality of toys vanishes and produces a primal encounter with mortality: “But where is the soul? It’s here that bewilderment and sadness begin.”3 The beginning of imagining stories brings with it frustration that the story is not powerful enough—it is not the real thing. In a connected prose poem entitled “Le Joujou du pauvre,” published nine years later, Baudelaire pursues this thought, as he observes an exchange between a beautiful, pampered child inside the exclusive railed park of a chateau. He has “a splendid toy, as fresh as its master, varnished, gilded, clothed in a purple dress and covered with plumes and glitter.”4 But the rich child is not interested in his doll, for on the other side of the railings a ragged street urchin shows him, in a little cage which he shakes about, a living rat—”drawn... (shrink)

This is the 5th volume in the series of popular, small volumes by the well-known philosophy Professor Kreeft in which the "Father of Philosophy," Socrates, cross-examines various other important philosophers and thinkers In this work, he states that Socrates and Descartes are probably the two most important philosophers who have ever lived, because they are the two who made the most difference to all philosophy after them. The two of them stand at the beginning of the two basic philosophical options: (...) the classical and the modern. Kreeft focuses on seven features that unite these two major philosophers and distinguish them from all others. So this dialog between Socrates and Descartes is a dialog between the fundamental stages in the history of philosophy, the history of consciousness, and the history of Western culture. (shrink)

From the acclaimed writer and thinker--whose award-winning books include both fiction and non-fiction--a dazzlingly original plunge into the drama of philosophy, revealing its hidden but essential role in today's debates on love, religion, politics, and science. Imagine that Plato came to life in the 21st century and set out on a multi-city speaking tour: How would he handle a host on Fox News who challenges him on religion and morality? How would he mediate a debate on the best way to (...) raise a child between a Freudian psychoanalyst and a Tiger Mom? How would he answer a neuroscientist who, about to scan Plato's brain, argues that all his philosophical problems can be solved by our new technologies? What would he make of Google, and the idea that knowledge can be crowdsourced rather than reasoned out by experts? With a philosopher's depth and a novelist's imagination, Rebecca Newberger Goldstein probes the deepest issues confronting us--from sexuality and child-rearing to morality and the meaning of life--by allowing us to eavesdrop on Plato as he encounters the modern world. By reviving the Platonic art of the dialogue for the 21st century, she demonstrates that the questions he first posed continue to confound and enlarge us. (shrink)

Probably no single thinker since Jesus has influenced the thoughts and lives of more people living in the Western world today than Sigmund Freud. Even agnostics like William Barrett, in Irrational Man, and atheists like Nietzsche, agree that the single most radical change in the last thousand years of Western civilization has been the decline of religion. And the four most influential critics of religion have certainly been Nietzsche, Marx, Darwin, and Freud. Of the four, Freud is by far the (...) most popular No name is more associated with, and in fact responsible for, "the sexual revolution" than Freud. And no revolution in history, at least none since the one around a cross and an empty tomb, and perhaps even none since the one around a snake and an apple, has been more life-changing, and has more potential to continue to be more radically life-changing in the future, than the sexual revolution. To see this, just read Huxley's Brave New World. (And remember that Huxley was far from being a theist.) Freud wore three hats. Freud was (1) a practicing psychoanalyst (indeed, the inventor of psychoanalysis), (2) a professional theoretical psychologist and sociologist, and (3) an amateur philosopher. This book explores only his philosophy, for that is the point of his intersection with Socrates. If Socrates is right in his deepest convictions about the power of reason and the importance of philosophy, Freud's philosophy is the ultimate source, foundation, explanation, and justification for his psychology. (shrink)

The internationally renowned physicist Harald Fritzsch deftly explains the meaning and far-flung implications of the general theory of relativity and other mysteries of modern physics by presenting an imaginary conversation among Newton, Einstein, and a fictitious contemporary particle physicist named Adrian Haller--the same device Fritzsch employed to great acclaim in his earlier book An Equation That Changed the World, which focused on the special theory of relativity. Einstein's theory of gravitation, his general theory of relativity, touches on basic questions (...) of our existence. Matter, according to Einstein, has no existence independent of space and time. It is even capable of bending the structure of space and changing the course of time--it introduces a "curvature." Gravity emerges not as an actual physical force but as a consequence of space-time geometry. Even the apple that drops from the tree follows the curvature of time and space. In this entertaining and involving account of relativity, Newton serves as the skeptic and asks the questions a modern reader might ask. Einstein himself does the explaining, while Haller explains the new developments that have occurred since the general theory was proposed. The result is an intellectual roller-coaster ride in which concepts that have entered the vernacular become clear for the first time: the Big Bang, "black holes," elementary particles, and much more. (shrink)

In his essay the author draws attention to two 16th century humanists who engaged in the debate on Cicero the Man. In 1534, Ortensio Lando, a man of letters, published Cicero relegatus & Cicero revocatus, which was a collection of objections to Cicero’s character and habits brought forward in an imaginary conversation, as well as of arguments in his defence proposed in an equally fictitious public hearing, thus producing an apparent equilibrium. Lando, however, did not leave us guessing about (...) his meaning, but gave us hints about his own attitude to Cicero. In 1537, Sebastiano Corrado, an editor and commentator of various Ciceronian writings, published In M. T. Ciceronem Quaestura, a collection of textual emendations to his œuvres. In order to make it more attractive reading, he wrote it in dialogue form and called the readings he approved of, ‘gold coins’, those he rejected, ‘false coins’, thus building a stock of allegedly reliable readings. The coin metaphor recurred in Corrado’s Egnatius, sive Quaestura which was an attempt to lay, in form of dialogue, the foundations of a reliable biography of Cicero. Here three scholars discuss all the information provided by Cicero himself, his contemporaries and later sources on his life and work. Information they approve of is treasured as gold coin, the rest is rejected as false coin. It turns out, however, that Corrado was strongly prejudiced against Greek sources shedding an unfavourable light on Cicero. The result was an apology rather than a biography of Cicero. (shrink)

No philosopher since Augustine had more strings to his bow than SK.

Classical positions on central topics--mind/body, epistemology, freedom/determinism--are presented in a series of imagined discussions between renowned philosophers and critical interlocutors.

John Perry revisits the cast of characters of his classic _A Dialogue on Personal Identity_ and Immortality in this absorbing dialogue on consciousness. Cartesian dualism, property dualism, materialism, the problem of other minds... Gretchen Weirob and her friends tackle these topics and more in a dialogue that exemplifies the subtleties and intricacies of philosophical reflection. Once again, Perry’s ability to use straightforward language to discuss complex issues combines with his mastery of the dialogue form. A Bibliography lists relevant further readings (...) keyed to topics discussed in the dialogue. A helpful Glossary provides a handy reference to terms used in the dialogue and an array of clarifying examples. (shrink)

Philosophy projects a certain understanding of reason that is related to the ways in which the city figures in its imaginary. Conversely, the city is a practice of spatialization that determines the ways in which agents are able, or unable, to live out their social agency. This essay focuses on the ways in which philosophy and the city's spatializing practices and imaginaries inform differential ways of living out social agency. The thrust of the investigation is to discern the ways (...) in which sexism - differential engendering - results from the relationship that exists between philosophy and the city. To illustrate this link between philosophy, the city, and differential engendering, the work turns to a consideration of Jean-Paul Sartre's phenomenology, which is taken as an exemplary illustration of the entwinement between the philosophical imaginary, and the perception and reception of the city. (shrink)

In this short and deliberately inconclusive book, the author resorts to extensive use of dialogue to consider some of the familiar dilemmas of revolutionary action. The nature of the intended readership is not very clearly defined, but the elementary footnotes that are included at the beginnings of each of the middle chapters, in which brief imaginary conversations with philosophers are recorded, suggest that Kainz's professional colleagues are not the primary target group.

In the spirit of Fontenelle's "Dialogues des morts", Dorschel stages an imaginary conversation between 18th century composer Joseph Haydn and 20th century composer Anton von Webern. In the section of Hades reserved for composers, they confront their different musical poetics.