The two volumes together may be described as search for the original ideational foundations of Indian Culture. In one way this work recalls the tradition of Coomaraswamy but seeks to join it to the mainstream of critical history. It argues that the living continuity of Indian Culture is rooted in a unique spiritual vision and social experience. Indian Culture is neither the result of merely accidental happenings through the centuries, nor a mere palimpsest of (...) migrations and invasions. It is, in its essence, a development of foundational ideas constituting a creative matrix. Behind its changing historical forms lies a deep and persistent source of creativity which is spiritual in character. The Present volume I deals with the spiritual vision and symbolic forms. Here is has been upheld that the spiritual vision of India had two original aspects, the integral or synoptic vision of the Vedas, and the Sramanic vision of Transcendence. Purnata and Sunyata constituted the two poles round which Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spiritual praxis or sadhana, but also traces its intricate ancient history. He goes on to trace the great symbolic forms-language, myth, science, literature and art-in which this basic vision expressed itself. In all these areas he brings out the basic general principles expressive of inner consciousness rather than present a mere selection of well-known details. (shrink)

Foundations of Indian Culture I - II. G. C. Pande. Motilal Banarsidass, Delhi, 2nd ed. 1990. x, 378 and vi, 284 pp. Rs. 325.

This article seeks to delineate some of the fundamental philosophical traits that are special characteristics of the Indian cultural soil. Tracing these from the Vedic period, it is shown that this heritage is still alive and gives a distinctive flavor to the science–religion dialogue in the Indian context. The prevalent attitude is not to view science and religion as antagonistic, but rather as forces that together could create a world where the persistent epistemological and ethical problems can get (...) resolved to the benefit of humanity. In Indian thought rationality and spirituality are not viewed as opposed categories. The notion of “evidence” has played a crucial role in all enquiries for legitimizing the sources of knowledge and the criteria by which any claim to knowledge can be tested. References to investigations pertaining to such areas as cosmology, ecology, ethics, study of consciousness, and so on are made in order to bring out their relevance for science–religion dialogue today. (shrink)

Since time immemorial Indian culture has been upholding a symbiotic relationship between man and environment. It has led to the all round evolution of Indian culture as an integral whole. This assimilation has been possible due to the spiritual vision of Indian seers. Every Culture is based upon certain values. In India values are usually discussed in the context of the principal ends of human life (chatuspurusartha): dharma (moral value), artha (political and economic values), (...) kama (sensual value) and moksha (spiritual value). Indian cultural tradition shaped human behaviour in accordance with these values, which impinged ecological issues as well. Again, Indian classification of value is based on two percepts. These are (1) the essential infinitude and divinity of all souls and (2) the essential oneness and solidarity of universe and all life. Supreme being resides in all; hence no area of life is alien to spiritual influence. It emphasizes the presence of an infinite knowledge, power, purity and bliss behind the body-mind complex of human beings, which is called Atman. Upanisads express this truth as Aham Brahmasmi (I am Brahman) or Ayam Atma Brahma (the individual soul is Brahman) or Tat Twam Asi (thou art that). Acceptance of the presence of God in everything led Indian culture to maintain and protect the natural harmonious relationship between human beings and nature. Moreover, Indians discovered the essential unity of all existence. The universe is holistic. Here at the deeper level of all pervading consciousness everything in the world is interconnected. Oneness of the entire reality is the basic presupposition and the guiding principle of the spiritualistic approach of Indian culture. The paper is an attempt to show that the holistic view of Indian culture is mirrored in the philosophy of ecology. (shrink)

This article provides a survey of approaches and conceptual means elaborated in recent decades in the studies of pluralistic tendencies in Indian culture. The concepts of inclusivism, perspectivism, antologizing and polyphony are discussed in a close relation with the specific context in which they were introduced, as well as with the implicit presuppositions of the scholars who elaborated them. In particular, the interpretations of inclusivism introduced by Paul Hacker and Gerhard Oberhammer were inextricably intertwined with the views on (...) Indian religions these scholars developed. The concept of perspectivism was introduced in a philosophical context, mainly with respect to Bhartṛhari’s and Jaina philosophy. Antologizing and polyphony can be characterized as a more cautious way to conceptualize pluralistic tendencies in Indian traditional discourse, because they focus on narrative strategies that enable expressing alternative views in the frames of a single text. From a historical point of view pluralistic tendencies might be stipulated by the diverse social reality in Ancient India where heterogeneous cultural phenomena coexisted in a process of mutual reinterpretation and adaptation. Another possible presupposition of perspectivism could be the cyclic concept of time that was predominant in Indian traditional discourse. In Indian intellectual systems pluralistic practices were usually legitimized with the view that there are different levels of truth. Though instances of inclusivism can be discovered in the cultures of different regions, it was in India that inclusivism became a dominant trend in the cultural history. (shrink)

This volume, an important contribution to dialogic and Bakhtin studies, shows the natural fit between Bakhtin’s ideas and the pluralistic culture of India to a global academic audience. It is premised on the fact that long before principles of dialogism took shape in the Western world, these ideas, though not labelled as such, were an integral part of intellectual histories in India. Bakhtin’s ideas and intellectual traditions of India stand under the same banner of plurality, open-endedness and diversity of (...) languages and social speech types and, therefore, the affinity between the thinker and the culture seems natural. Rather than being a mechanical import of Bakhtin’s ideas, it is an occasion to reclaim, reactivate and reenergize inherent dialogicality in the Indian cultural, historical and philosophical histories. Bakhtin is not an incidental figure, for he offers precise analytical tools to make sense of the incredibly complex differences at every level in the cultural life of India. Indian heterodoxy lends well to a Bakhtinian reading and analysis and the papers herein attest to this. The papers range from how ideas from Indo-European philology reached Bakhtin through a circuitous route, to responses to Bakhtin’s thought on the carnival from the philosophical perspectives of Abhinavagupta, to a Bakhtinian reading of literary texts from India. The volume also includes an essay on ‘translation as dialogue’ – an issue central to multilingual cultures – and on inherent dialogicality in the long intellectual traditions in India. (shrink)

The scholar who translated The Edicts of Ashoka into English has now set out to present and critically analyze some of "The Great Ideas of Indian Culture." While apparently engaging in a search for the ever-elusive "Perennial Philosophy" by invoking Plato, Aristotle, Kant, Hegel, et al., the author's comparative statements come off as being little more than decorative paraphernalia. He submits too completely to the mystique of the Socratic dialogue in claiming that "the outstanding characteristic of Indian (...) thought is dialogue". We can agree that one does find a type of verbal exchange which might merit the designation of "conversation," but not dialogue. At no place in either the Upanisads or Gïta does the student ever feel the slightest compulsion to question or contradict the words of his guru. Nikam also commits the grave philosophical indiscretion of using Platonic language about "universals" to speak of the Vedäntin "Universal Absolute,". This sort of cross-cultural comparison is extremely misleading in cases where the ideas being compared are similar or identical in appearance but dissimilar in substance. Even so, the book is extremely informative, and, in places, inspiring, in its illumination of the subtler dimensions of Indian thought. Western philosophers and interested lay-students should find this small volume most helpful in gaining a succinct but comprehensive presentation of the "Great Ideas of Indian Culture."--J. B. L. (shrink)

Bharat, Bhartiya, and Bhartiyta: A Philosophical Exploration seeks to delve deep into the core of Indian culture, identity, and philosophy. This book explores the timeless concepts that define Bharat (India), its people, and their intrinsic sense of Bhartiyta (Indianness). Through a philosophical lens, it traces the evolution of Indian thought, drawing from ancient texts, history, and spirituality. The work unravels the rich tapestry of Indian philosophy, highlighting how its foundational principles contribute to the modern understanding of (...) identity, values, and nationhood. This exploration not only celebrates India’s rich heritage but also contemplates its relevance in a global context, offering insights into the enduring essence of Bhartiyta in contemporary times. (shrink)

Non-dialectical dialogues in which a professor, after defining culture in terms of the ideals of a society, attempts to explain to his students the meaning of basic Indian ideals: Karma, Artha, Dharma, Moksha, the four stages of life and social institutions of the Vedic age. These ideals are presented uncritically, with the general reader in mind.--D. S.

Few people would care to deny, whether within India or without, that Buddha is the greatest Indian of all times. Whether from the standpoint of the purity of his life, the daring originality and novelty of his thought, or the extent of his influence in shaping the culture of the world, it would be hard to beat the record of Buddha. Even making every allowance for the common idea that no man is a prophet in his own land, (...) it is difficult to believe that for the last thousand years Buddha has been practically an exile from the land of his birth. It is nothing short of an irony of history, and nothing short of a tragedy for India, that the great unifying force that he represented in his time and does represent even to-day has been allowed to run waste and the great moral stamina that he sought to supply failed in its historic mission. (shrink)

It is proposed to examine the need for redefining self deception in an Indian socio-cultural context and also on the basis of different social roles that one plays in his/her life time. Self-deception can be defined as the process of acting or behaving against one’s true inner feelings to maintain one’s social status. The conceptconsists of two aspects: maintaining a belief and the behavioral expression of it. Most of the time, deception occurs in the latter part, because it helps (...) the deceiver to achieve a moral protection from the society and thereby, to get a mental pacification. In fact, in some situations, self deception helps to raise our self importance in the society. That is to say, if we express our inner truth, that which is unpleasant for the society, then it can lead to humiliation from the society. An individual adopts self deception as a method to evade dejection from the external world. Whenever I act against my inner feelings, it happens consciously or intentionally so I cannot feel both aspects, as a deceiver and the deceived, at the same time. Besides, I do respect the feelings of myself and in this sense one’s own self can never be deceived! Thus, self deception can be explained with relation to the expression of true beliefs in yourself. (shrink)

Papers presented at the conference held in 2003-2004 at Ahmedabad, India, organized by Department of Philosophy, Gujarat University.

A recent trend in curriculum reform argues that a successful liberal education curriculum must incorporate courses on multiculturalism. Though there is some agreement on what topics to cover in those courses, very little attention has so far been directed to the issue of how those courses must be designed. What is important in addressing this 'how' question is a clear understanding of the concepts involved. The question I explore in this paper is: what is the best way of understanding the (...) nature of the concept of 'Indian culture' that would in turn help us achieve the proposed goal of liberal education. I argue that neither essentialism nor postmodernism - the two popular ways of understanding a concept in mainstream philosophy - is going to be of much help. I also consider a historical alternative suggested by Uma Narayan. I then offer a naturalist way of understanding this concept and note its relative advantages over Narayan's historical account. (shrink)

Arthur Schopenhauer was the first Western thinker who incorporated thoughts of the Upanishads in his own philosophy. His appreciation for Indian philosophy and culture is quite well known. Presently serious research work is going on in different disciplines in different academic institutions and universities in the West to examine the influence of Indian philosophy and culture in the philosophical thinking of Germany, particularly in relation to Arthur Schopenhauer and vice versa. This book provides a common platform (...) for interaction to the scholars from East and West to express their views on the link between Eastern and Western philosophy. It significantly contributes to a better understanding not only of the connection between Schopenhauer and Indian philosophical systems but also of the increasing interest in this relation. The book includes papers of eminent scholars. The papers shed new light on the relationship between Schopenhauer's philosophy and the different aspects of Indian philosophy and culture, and thus offer a rich source of research material. (shrink)

pt. 1. The nature of culture -- pt. 2. Culture as gift : vignettes of Indian culture -- pt. 3. Culture as task : culture and its discontents.

The master-servant and self-substance dialectic in Hegel’s Phenomenology of Spirit presents the self as reflectively negating the particularities of its natural consciousness and transcending towards the social substance in order to inscribe its culturally refined self-conception upon the universal substance. Hegel argues that the reflective and determinate negations of the subordinated self by means of participative cultural production (Bildung) lead to the overcoming of servitude and subordination. That is, the actions of the supposedly ‘inessential’ servant-selfhood lead to freedom and disallows (...) the ossification of the social substance. This Hegelian insight is employed in this article to understand dominations in contemporary liberal democracies, and the participative cultural productions of the Dalits and their politics of resistance in the Indian subcontinent. (shrink)

The article chronicles diasporic cultural heritage in Natal during the period of indenture in an Indian community in colonial South Africa. Using the qualitative ethnographic research methodology the focus is on the period 1895–1960. This methodology was chosen as it is a qualitative method where observation and/or interaction has taken place in real-life environments. In this article, the Indian cultural heritage as experienced by Mrs Takurine Mahesh Singh who arrived in Port Natal in 1895 is chronicled through the (...) reflective memories of her South African-born eldest grandson, Mr J.S. Singh (b.1930). Further to this, her life in South Africa is explored as she lived in different worlds through various political systems and this life experience extended to include a cultural transformation. During 1960, the 100th anniversary of the arrival of the indentured Indians to the Colony of Natal was commemorated. Hence, this study considers the period 1895–1960. Moving across continents, the indentured Indians arrived in the Colony to work on the sugar plantations. Cultural heritage may be viewed as a sense of one’s subjective self-perception based on one’s language, ancestry, values, rituals, traditions and religion. During the political era of colonisation and indenture, the Indian nationals became displaced. This displacement created an intrinsic emotional threat. This emotional threat compromised their cultural heritage and consequently led to other forms of cultural transformation. During the oral history interviews, it emerged that the Indian nationals and their descendants in South Africa did not experience abject deculturalisation as they were able to practise aspects of their cultural heritage without the complete loss of their identity. This is one of the findings of the article. The findings indicate that complete deculturalisation did not take place even though cultural transformations resulted in the Indian diaspora in Natal. Contribution: With a unique focus on aspects of cultural heritage in the Indian diaspora, this article contributes to the knowledge of the social memory historiography with a spotlight on descendants of Indian indentured labourers in South Africa. The overarching contribution of this article focusses on the cultural transformation during the period under review. (shrink)

In the Roman time, Azania and its capital Rhapta had cultural and economic connections with diverse civilizations of the world, including those in the Mediterranean basin, the Middle East, India, the Far East, and the deep interior of Africa. Information about Azania was first provided by the Romans – Pliny the Elder, Claudius Ptolemy, and sources such as the Periplus of the Erythraean Sea. Apart from the Romans, other people of the Middle East, including the Homerites or Himyarites, were found (...) to have lived and traded in Azania. Pliny the Elder reported that Azanian received spices from the Far East and sent them to the Great Lakes’ region where they were ferried via the Nile to the Mediterranean basin. The Periplus also reported other exported and imported trade goods. Indian and Chinese records provided evidence of connections with Azania. The most recent evidence of these connections is archeological. Materials recovered include beads and ceramics from Rome, the Middle East, and India. Archeology of submerged Rhapta also uncovered architectural remains of Roman technology. Material remains from the deep interior of Africa have been found on the coast of Azania. Roman connections with the deep interior of Africa are believed to have created caravan routes that facilitated cultural and technological exchanges. (shrink)

It Is A 2 Volume Set. Volume I: Covers History, Archaeology And Jaina Architecture, Jain Tradition Of Indo-Aryan Lnguage And Literature And Jaina Religion And Its Tenets. Vol. Ii: Covers Jaina Thought In Modern Science, Shiaman Traditions And Commandrates Dr. Hira Lal Jain. Some Articles In English And Some In Hindi.

Resumen: el arte es la encarnación de la cultura y el espíritu nacional. El canto y el baile son una de las formas más antiguas y ricas del arte humano. No es sólo el producto de la experiencia y la experiencia emocional, sino también la trascendencia de la vida cotidiana vulgar. Como la característica más distinde las películas modernas de la India, el arte de cantar y bailar herede las ideas estéticas tradicionales de la India y la filosofía religiosa en (...) el entorno audiovisual moderno se puede encontrar. Mantiene una impresión nacional distintiva en la marea de la internacionalización. Este tipo de arte es de gran importancia para la exploración de la nacionalidad del arte chino de canto y danza. (shrink)