In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...) singular and exceptional moment, and the problem of exemplarity. The second half of this book contains an essay by Maurizio Ferraris, in which he explores the questions of indication, time and the inscription of the transcendental in the empirical. A work of outstanding philosophy and scholarship, the essay is developed in close proximity to Derrida and in dialogue with figures such as Plato, Aristotle, Plotinus, Kant, Hegel and Heidegger. It thereby provides a useful introduction to the philosophy of one of Italy's most prominent philosophers as well as an excellent complement to Derrida's own ideas. A Taste for the Secret consists of material that has never before appeared in English. It will be of interest to second-year undergraduates, graduate students and academics in philosophy, modern languages, literature, literary theory and the humanities generally. (shrink)

En retraçant la dynamique de la communication à la base de toute expérience, l’anthropobiologie d’A. Gehlen (2021) a montré que l’avorton chronique qu’est l’être humain a dû, pour pouvoir vivre, se fixer au langage en faisant parler le monde. Pourquoi? Pour y retrouver le même bonheur que celui qu’il avait pris à l’écoute de la voix de la mère dans l’écoute intra-utérine, ainsi que l’a découvert Alfred Tomatis (1977 ; 1991). Parce que l’être humain n’est pas un être biologiquement bien (...) formé et est né un an trop tôt comme l’a découvert L. Bolk, corroboré Otto Schindewolf et développé S. J. Gould – si on le compare aux mammifères pourvus d’une complexité semblable – il n’est doté que d’instincts intraspécifiques (nutritionnels, sexuels et défensifs) [...]. (shrink)

The freedom of the intellect.--The theory of the superman.--The intellect and the reign of the heart.--Christian humanism.--The theory of success.--The mathematical attenuation.--The myth of progress.--The myth of necessary progress.--The philosophy of revolution.--The progess of the spirit.--System of philosophic harmonies.--Notes (p. 189-200).

This book asks the question, how could we convince or compel modern business to apply ethical standards and is it essential to the success of economy? In order to answer the question, this book examines the evolution of the activist business ethics in business, in democracies, Christianity, Judaism, Islam, Buddhism, in philosophy, psychology and psychoanalysis. The book examines international aspects, the personification of stakeholders, the predominance of values and ethics for CEOs and the inefficient safeguards of the stakeholders’ interests.

A group of essays prepared for publication by Maritain in the year before his death. The first series of articles consists of 10 philosophical essays, while second is made up of mainly theological articles. A meditation closes the volume.

JEAN-PIERRE CLERO, LYNDA LOTTE. — Lacan est mort il y a un peu plus de vingt ans, en 1981 ; il semble que sa présence, pour ne pas dire son règne, n’ait jamais été aussi éclatante. Il faut toutefois se méfier de ce qui paraît évident et peut-être y a-t-il eu de profonds changements au cours de ces deux dernières décennies où son œuvre est apparue..

Ceci n’a rien d’un texte référencé, documenté par de multiples citations et connaissances littéraires ou mythologiques accumulées : ce n’est que l’expression de relations humaines, pathétiques ou tragiques dérivant au gré du besoin de l’enfant... à tout prix.Fabriquer une vie, transmettre un peu de soi – en duplication de deux unités – dépasse toutes les..

Derrida is one of the few Continental philosopher-critics as esteemed for his writings about visual topics as for his attention to more textually based subjects. This volume collects key and scarce writings about the making and apprehension of "visual objects," though the chief focus is on drawing, painting, and photography (with sorties into video and film). What preoccupied Derrida when it came to the visual arts is visibility: what does a pencil actually trace-make visible- when someone is making a drawing? (...) What aspect of the drawing documents the artist's thought and what part documents an external object? What comes from painting other than a painting? The writings collected range from essays originally published in small magazines and journals to never-before translated talks and interviews. There are 19 pieces in all, of which seven have been previously published in English.. The rest have been translated into English for the first time. None is included in the Press's already substantial inventory of works by Derrida. The collection comprises three thematic sections: (1) "The Traces of the Visible" is attuned to the field's preoccupation with the "trace," what is an "image," visibility, and space. (2) "Rhetoric of the Line: Painting, Drawing" engages nearly every register in which one can experience art: the materiality of line and text, the eros of aesthetic experience, the politics of color, and the components of painting, writing and drawing taken together. (3) "Spectralities of the Image: Photography, Video, Cinema and Theatre" explores the media we most readily associate with modern and contemporary art practices. (shrink)

La mort de Marat, le 13 juillet 1793, est un événement régulièrement revisité par les journalistes, les érudits locaux et secondairement les historiens « universitaires ». L’originalité de la démarche de Guillaume Mazeau est de prendre parti, dès l’introduction, pour «une histoire universitaire engagée » à propos de l’assassinat commis par Charlotte Corday contre Marat. Il s’agit alors, entre histoire, historiographie et mémoire, d’entrer dans « une fabrique du passé » où se dévoilent des pr...

Faut-il abandonner l'idée de catégorisation ou lui conserver une fonction plus restreinte, diversifiée, domaniale ? On se demande ce qui peut être préservé de la conception transcendantale pour prolonger son évolution récente au-delà de Wittgenstein, Goodman et Peirce. On propose une approche interrogative, présuppositionnelle et textologique qui lui conserve assez de fonctions , pour qu'il reste significatif de parler de catégorisation. Au lieu d'être immobiles, les catégories ont vocation à commander la recherche, qu'elle soit enquête scientifique ou même quête religieuse. (...) Un concept devient catégorial pour autant qu'il ouvre un domaine à la recherche, la guide ou lui permet de se réorganiser. A first question is raised, whether the idea of categorisation should be altogether dismissed or retained, but with more restricted, diversified and less extensive functions. The second question deals with what of the transcendantal dogma can be maintained in order to extend its recent developments beyond Wittgenstein, Goodman and Peirce. An interrogative, pre suppositional and textological approach is put forward, which could preserve enough functions to allow to go on speaking of categorisation with some kind of relevance. Far from being immovable, the categories indeed call for leadership in matters of research, be it scientific investigation or sacred religious quest. It appears that a concept becomes categorial in so far as it breaks fresh ground for research, provides guidance and enables it to perform self reorganisation. (shrink)

Manuel Cruz launches a nuanced study of memory and forgetting, defining their forms and uses, political meanings, and social and historical implications. Memory is not an intrinsically positive phenomenon, he argues, but an impressionable and malleable one, used to advance a variety of agendas. Cruz focuses on five memory models: that which is inherently valuable; that which legitimizes the present; that which supports retributive justice; that which is essential to mourning; and that which elicits renunciation or revelation.

The people's theatre : a long drawn-out affair -- The cultural historic compromise -- The philosopher's tale : intellectuals and the trajectory of Gauchisme -- Joan of Arc in the Gulag -- The inconceivable revolution -- Factory nostalgia (notes on an article and various books) -- The ethics of sociology.

Regress threatens throughout Lyotard’s Differend, especially where the argument appears to make normative ethical or political claims. How a term, a case or an example “links onto” a phrase serves as a way of examining how instituting can be non-regressively grounded, and with what consequences for abstract political subjectivity. The essay offers an alternative to liberal philosophical and jurisprudential schemata of political institution.