This classroom edition includes On the Social Contract, the Discourse on the Sciences and the Arts, the Discourse on the Origins of Inequality, and the Preface to Narcissus. Each text has been newly translated and includes a full complement of explanatory notes. The editors’ introduction offers students diverse points of entry into some of the distinctive possibilities and challenges of each of these fundamental texts, as well as an introduction to Rousseau’s life and historical situation. The volume also includes annotated (...) appendices that help students to explore the origins and influences of Rousseau’s work, including excerpts from Hobbes, Pascal, Descartes, Mandeville, Diderot, Voltaire, Madame de Staël, Benjamin Constant, Joseph de Maistre, Kant, Hegel, and Engels. (shrink)

One of Rousseau’s later and most puzzling works and never before available in English, this neglected autobiographical piece was the product of the philosopher’s old age and sense of persecution. Long viewed simply as evidence of his growing paranoia, it consists of three dialogues between a character named “Rousseau” and one identified only as “Frenchman” who discuss the bad reputation and works of an author named “Jean-Jacques.” Dialogues offers a fascinating retrospective of his literary career.

The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.

Ecrits entre 1772 et 1776, les trois dialogues de Rousseau juge de Jean-Jacques apparaissent à première lecture comme une extension délirante des derniers livres des Confessions. Cette écriture du cauchemar repose en réalité sur une structure idéologique d'une extrême rigueur et révèle une logique fantasmatique d'une effrayante complexité, que l'on pourra comparer avec cet autre texte au sujet " abominable " qu'est Le Lévite d'Ephraïm, poème en prose composé par Rousseau sur la route de l'exil en juin 1762.

Dans l'"Avis des éditeurs", on explique en quoi consiste l'intérêt particulier de ce recueil de lettres privées, non destinées à la publication. En plus, on apprend les circonstances grâce auxquelles une partie importante des papiers de Rousseau est entrée à la Bibliothèque de la ville (actuelle Bibliothèque publique et universitaire) de Neuchâtel: "J'entends que tous les papiers manuscrits de Jean-Jacques Rousseau [...] soient recueillis et rassemblées en paquets étiquetés et cachetés, pour être déposés dans une bibliothèque publique bien (...) assurée. Les lettres adressées à moi seront également déposées [...]" (extrait du testament de Pierre-Alexandre Du Peyrou du 22 juillet 1791. "Avis..." p. 16 s.). (shrink)

The work of Jean-Jacques Rousseau is presented in two volumes, together forming the most comprehensive anthology of Rousseau's political writings in English. Volume II contains the later writings such as The Social Contract and a selection of Rousseau's letters on important aspects of his thought. The Social Contract has become Rousseau's most famous single work, but on publication was condemned by both the civil and the ecclesiastical authorities in France and Geneva. Rousseau fled and it is during this (...) period that he wrote some of his autobiographical works as well as political essays such as On the Government of Poland. This volume, like its predecessor, contains a comprehensive introduction, chronology and guide to further reading, and will enable students to obtain a full understanding of the writings of one of the world's greatest thinkers. (shrink)

Jean-Jacques Rousseau’s ideas about society, culture, and government are pivotal in the history of political thought. His works are as controversial as they are relevant today. This volume brings together three of Rousseau’s most important political writings—_The Social Contract and The First Discourse _and_ The Second Discourse _—and_ _presents essays by major scholars that shed light on the dimensions and implications of these texts. Susan Dunn’s introductory essay underlines the unity of Rousseau’s political thought and explains why his (...) ideas influenced Jacobin revolutionaries in France but repelled American revolutionaries across the ocean. Gita May’s essay discusses Rousseau as cultural critic. Robert N. Bellah explores Rousseau’s attempt to resolve the tension between the individual’s desire for freedom and the obligations that society imposes. David Bromwich analyzes Rousseau as a psychologist of the human self. And Conor Cruise O’Brien takes on the “noxious,” “deranged” Rousseau, excoriated by Edmund Burke but admired by Robespierre and Thomas Jefferson. Written from different, even opposing perspectives, these lucid essays convey a sense of the vital and contentious debate surrounding Rousseau and his legacy. For this edition Susan Dunn has provided a new translation of the _Discourse on the Sciences and Arts _and_ _has revised a previously published translation of _The Social Contract._. (shrink)

Jean-Jacques Rousseau (June 1712? 2 July 1778) was a Genevan philosopher, writer, and composer of 18th-century Romanticism of French expression. His political philosophy influenced the French Revolution as well as the overall development of modern political, sociological, and educational thought.

Discourse on the sciences and the arts -- Discourse on inequality -- On the social contract.

The work of Jean-Jacques Rousseau is presented in two volumes, together forming the most comprehensive anthology of Rousseau's political writings in English. This second volume contains the earlier writings such as the First and Second Discourses, the publication of which signalled the power and challenge of Rousseau's thinking. Rousseau's influence was wide reaching and has continued to grow since his death: major landmarks in world history, such as the American and French Revolutions, were profoundly affected by Rousseau's writing, (...) as were cultural and intellectual movements such as Romanticism and Idealism. This volume, like its successor, contains a comprehensive introduction, chronology and guide to further reading and will enable students to obtain a full understanding of the writings of one of the world's greatest thinkers. (shrink)

Physique des phénomènes vibratoires, dynamique des systèmes non linéaires, neurosciences, chronobiologie, chronopharmacologie, psychologie, psychiatrie, poétique, musique danse, sociologie, anthropologie, sciences de l'éducation, économie, histoire, géographie, architecture, urbanisme, constituent une liste non exhaustive des disciplines qui ne peuvent plus faire l'économie de la notion de rythme. Cependant, l'ample diffusion de la notion de rythme dans divers champs de recherches ne signifie pas pour autant que cette notion soit déjà reconnue dans son rôle heuristique, ni qu'elle fonctionne comme un paradigme commun. Prise (...) de manières très diverses, elle manque encore souvent de consistance conceptuelle, au risque parfois de perdre en compréhension ce qu'elle gagne en extension. L'objectif principal de cet ouvrage collectif dirigé par Jean-Jacques Wunenburger (Université Jean Moulin Lyon 3 et Université de Bourgoge) & Julien Lamy (Université Jean Moulin Lyon 3) est de faire un état des lieux des études sur le rythme et de fournir, dans le sillon des travaux de Bachelard, des repères théoriques, à la fois historiques et conceptuels, qui permettront de mieux comprendre la cohérence propre de cette notion complexe, aux significations et aux usages multiples... (shrink)

In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an (...) elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. (shrink)

Frederick Watkins’ 1953 edition of Rousseau’s _Political Writings_ has long been noted for being fully accurate while representing much of Rousseau’s eloquence and elegance. It contains what is widely regarded as the finest English translation of _The Social Contract_, Rousseau’s greatest political treatise. In addition, this edition offers the best available translation of the late and important _Government of Poland_ and the only published English translation of the fragment _Constitutional Project for Corsica_, which, says Watkins, provides the clearest possible demonstration (...) of the practical implications of Rousseau’s political thought. (shrink)

La pensée esthétique de Rousseau fait de la musique son modèle privilégié et, pour la comprendre, retourne à sa matrice : les langues. Les trois textes proposés ici délimitent leur cible : l'esthétique classique et son représentant illustre, Rameau. Mais au-delà du débat polémique, ils engagent une philosophie tout entière. Parler, chanter y sont analysés en fonction d'enjeux moraux et politiques. Homme du besoin ou homme du désir, harmonie ou mélodie, alphabets ou hiéroglyphes? Questions de priorité, questions d'origine auxquelles Rousseau (...) s'attelle et dont les réponses dessinent une grande philosophie qui voit dans la musique le prototype d'un langage en deçà des langues et dans la représentation des états d'âme, dans l'accès à l'intimité psychique, la fin que devrait se proposer tout artiste. --. (shrink)

L'Essai sur l'origine des langues (dont le titre complet est Essai sur l'origine des langues où il est parlé de la mélodie et de l'imitation musicale) est une œuvre posthume de Jean-Jacques Rousseau dans laquelle il réfléchit sur les langues et la musique, mais aussi complète le Discours sur l'origine et les fondements de l'inégalité parmi les hommes. Il fut commencé vers 1755 mais resta inachevé et fut publié par Pierre-Alexandre Du Peyrou, exécuteur testamentaire de Rousseau, en 1781.

Contents include a note on the translation, introduction by Peter Gay, and a bibliography.

In his Discourses, Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives (...) to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)