In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Adventures of Telemachus [1699] by François de Salignac de la Mothe-FénelonJean–Michel RacaultFrançois de Salignac de la Mothe-Fénelon. The Adventures of Telemachus [1699]. Translated with an introduction and notes by A. J. B. Cremer. London, Anastasis Books, 2022, 419 pp. Hardbound £24.50. Paperback £15. ISBN: 9781739798314.Fénelon’s 1699 novel The Adventures of Telemachus—or more precisely, the epic poem in prose—was one of the major bestsellers in many European countries (...) for nearly two centuries. The book inspired paintings, operas, fashions, and even wallpaper motifs. It gave birth to a literary subgenre, the “archeological novel,” such as Terrasson’s Sethos (1731) or Bernardin de Saint-Pierre’s L’Arcadie (1788), in which the action is located in an antique setting. Still part of French schools’ syllabi a century ago, this book mainly owes its survival today to highly specialized academic research, stimulated from time to time when an “Agrégation” program generates new publications, papers, and conferences, as happened in 2009–10. The situation is similar in English-speaking countries, if perhaps just a bit worse: new editions are scarce and generally based more or less on revised versions of eighteenth-century translations, such as those editions by John Hawkesworth’s (1768) or Tobias Smollett’s (1776).The publication by A. J. B. Cremer of an entirely new translation, featuring a close rendering of the French text into modern English and preserving the original’s formal dignity without resorting to a pastiche of the classical language, is therefore a landmark in the history of Fénelon’s reception, and in the valuation of Telemachus particularly. This edition, while intended for the general reader, includes most of what is expected of a scholarly edition. In a comparatively short introduction, the editor recalls the essential facts about the author’s background (as a descendent of high nobility) and about his ecclesiastic career, which was compromised by both his involvement in mystical spirituality (the quarrel over Quietism) and his critical attitude toward the absolutism of Louis XIV’s régime. [End Page 140]In fact, Fénelon’s appointment as Archbishop of Cambrai (1695) was a kind of exile. In 1689, however, he was appointed tutor to Louis XIV’s seven-year-old grandson, the young Duke of Burgundy, second in the line of succession to the throne after his father (though both died prematurely). Fénelon wrote for this boy The Adventures of Telemachus as an educative fiction in the tradition of the “mirrors of Princes.” Of course, such a book was not intended for publication, and when it appeared in 1699—strangely enough, in a fully legal manner and with a printing privilege—it was against Fénelon’s will and in a very faulty form, which was corrected in later editions. An editor today therefore faces solving some highly complex textual problems, and choosing between the manuscript traditions. Cremer’s translation is based upon Jacques Le Brun’s authoritative text, published in Fénelon’s Œuvres, tome II (Paris: Gallimard, “Pléiade,” 1997).1After surveying the critical reception of Telemachus, particularly in England, starting at the text’s first publication and reaching the present time, the introduction discreetly hints at an apparent trend, among some interpretations, toward Christian allegory. If the figure of Mentor obviously “represents Fénelon” in his tutorial role, Cremer notes, this character, also an incarnation of Minerva, embodies humanity and divinity simultaneously, and thus may be seen as a “Christ-figure,” with Telemachus as his disciple and Ulysses, with his pursuit of a never-ending quest, as the symbolic form of the Divine. These observations are not entirely new; they have been formulated before by various critics. The editor himself concurs with a well-known article by André Blanc that describes Fénelon’s neo-platonician turn of mind: for Fénelon there is no contradiction between Christian revelation and the pagan fables of classical mythology, which he considers prefigurations or allegories of Christianity.This interpretation is abundantly and convincingly confirmed in the editor’s annotations. While as expected the commentaries point frequently to Greco-Latin mythology or classical literary sources... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Trois récits utopiques classiques: Gabriel de Foigny, La Terre Australe connue; Denis Veiras, Histoire des Sévarambes; Bernard de Fontenelle, Histoire des Ajaoïens ed. by Jean-Michel RacaultAndrew CremerJean-Michel Racault, ed. Trois récits utopiques classiques: Gabriel de Foigny, La Terre Australe connue; Denis Veiras, Histoire des Sévarambes; Bernard de Fontenelle, Histoire des Ajaoïens. Saint-Denis (La Réunion): Presses Universitaires Indianocéaniques. 2020. 539 pp., illus. Paperback, €16. ISBN: 978 2 490596 (...) 24 9.M. Jean-Michel Racault, Emeritus Professor of the University of La Réunion and general editor of the Œuvres complètes of Bernardin de Saint-Pierre in progress under the Classiques Garnier imprint, is an acknowledged expert in utopian studies, and works edited and presented by him in this field will be justly welcomed with keen interest and appreciation. It inspires confidence [End Page 168] that this edition should be the fruit of many years’ study and find its origins in his two theses of 1981 and 1987 and articles of 1991, 2003, and 2010 (21 n. 21). The blurb announces this volume as bringing together “three major works of political thought of the end of the seventeenth century representative of ‘Louis XIV utopias,’” a label that could be supposed to imply an anti-absolutist outlook in the three writers. But Racault argues that the idea, as put forward by the late Myriam Yardeni in her 1980 study Utopie et révolte sous Louis XIV, that these classical utopias express revolt against the monarchy of Louis XIV should be treated in a nuanced way, even with serious reservations (7, 217–18).Racault writes with impressive depth and clarity and makes a superb guide, yet it by no means follows that these works are easy to interpret. Indeed, part of his achievement is to show they may not be so and to offer evidence to suggest that they may invite “multiple possible readings.” The blurb gives fair warning of irony, ambiguity, and contradictoriness, and states that the utopia of these experimental fictions can be inverted to become an “anti-utopia.” As Racault observes with admirable honesty in his preface, “Ambivalence, uncertainty, and a sense of complexity are in fact characteristics of these utopias, in which one sometimes has the impression that the author develops lines of thought that are ideologically incompatible and does not know himself on which side he stands” (19). Racault exemplifies this paradox by reference to Foigny’s hero, “a Pascalian libertin as well as a Christian deist” (19–20). One might be allowed to object that this is to offer the reader who seeks it no clear utopian vision, and that such ambiguity leads to confusion worse confounded; indeed, I am tempted to wonder if ambiguity here reveals subtlety of thought less than a mere lack of perspicuity. Racault makes the highly important point that a similar duality “penetrates the accounts of Veiras and Fontenelle and prevents one from seeing them as simple preludes to Enlightenment thought” (20). Two more vigorous quotations may suffice to convey the flavor of this argument of duality: “the deism of La Terre Australe connue can also be read as a critique of deism, the [...] democratic humanism of the Histoire des Ajaoïens includes a utilitarian system of colonial domination” (21). Again, “the ‘heliocratic’ Sevarambian system inspired by the empire of the Incas after Garcilaso de la Vega [?1501–36] is essentially a theocratic absolutism in the end not much different from the monarchy of Louis XIV. Ajao, on the other hand, has no monarchy, and no ministers” (460). As to this variety between the texts, another indication is that Foigny’s land is anarchical (but [End Page 169] well ordered!), whereas Veiras’s can be understood as embracing certain policies of Colbert (236 and n. 14, 292 and n. 46), to whose protégé Pierre-Paul Riquet, baron de Bonrepos (1609–80), Veiras’s account is dedicated (231–34, 306–7).This substantial but not overlong volume is tastefully adorned with attractive covers and five splendid and richly annotated plates of maps illustrating the subject of the “Imaginary Voyage” or “Extraordinary Voyage,” a term used in a... (shrink)

Jean-Michel Beaudet est professeur d’ethnomusicologie à l’Université Paris-Nanterre. Spécialiste de la musique et de la danse amérindienne, il a publié en 1997 Souffles d’Amazonie. Les orchestres tule des Wayãpi, accompagné d’un CD qui restitue les enregistrements pratiqués lors de son séjour auprès des Wayãpi, et en 2010 Nous danserons jusqu’à l’aube. Essai d’ethnologie mouvementée en Amazonie, Paris, CTHS. Plus récemment, il a fait paraître Jouer, danser, boire. Carnets d’ethnographies musicales aux Éditions de l’EHESS, 2017, qui mêle réflexions sur la pratique (...) de l’ethnologie et souvenirs relatifs à son travail de terrain, qu’il conçoit moins comme une étude sur qu’une pratique avec les personnes rencontrées lors de ses différents voyages au Brésil (1975), en Guyane (1977-2023), en Nouvelle-Calédonie (1984-1988) – qui certes n’est pas en Amazonie – puis en Bolivie (1992-1998). (shrink)

Delivered at the Collège de France between January and March 1980, the lectures entitled On the Government of the Living (Du gouvernement des vivants) seem to be the missing piece in the Foucauldian puzzle. Still unpublished, those eleven lectures were intended to set the theoretical foundation for the book announced as the fourth and last volume of the History of Sexuality, under the title Confessions of the Flesh (Les aveux de la chair). This book, however, was never published, despite the (...) fact that his editor described it as the keystone for the entire History of Sexuality.1 The value of Michel…. (shrink)

La pensée du cinéma ne rencontre d'ordinaire Jean-François Lyotard, dans ses textes sur le cinéma ou non, que par le biais de deux activateurs : l'acinéma et le figurai. Ces deux activateurs, au demeurant, sont fortement représentatifs de la position paradoxale de Lyotard pour les études cinématographiques : si l'acinéma a été le plus souvent critiqué pour sa radicalité voire son sectarisme, n'ayant de fait guère de postérité, il en va tout autrement du figurai, lequel a trouvé dans les films (...) un terrain fertile d'investigation. Tout autant représentative est la méconnaissance en théorie du cinéma de nombreux autres textes de Lyotard portant sur le cinéma ou sur des films, et dont on ne parle jamais, ainsi que de sa philosophie postérieure à sa période libidinale, qui ne semble pas avoir encore trouvé d'échos particuliers en régime filmique. Le présent ouvrage fait précisément le pari de ces deux directions. A partir d'un autre Lyotard, ou du même mais envisagé très différemment, se dessinera progressivement une possibilité de penser le cinéma qui ne devra plus rien au figurai, à l'abstrait ou à l'expérimental, dont Lyotard le premier a fini par revenir, mais qui, singulièrement, ouvrira à une originale théorie du cinéma figuratif. " Méfiance envers les figuratifs quand ils ont de l'âme ", peut-on lire dans Que peindre?... (shrink)

Comment comprendre que nous puissions avoir conscience de notre vie affective? Si l’on prend au sérieux les analyses de Michel Henry, cette expérience commune devrait être impossible. Si c’est la vie et l’expérience qui doivent nous servir de guides, alors il faut intégrer les acquis incontournables de la phénoménologie matérielle et la dépasser.

Jean-Michel Vienne; IX*—Locke on Real Essence and Internal Constitution1, Proceedings of the Aristotelian Society, Volume 93, Issue 1, 1 June 1993, Pages 139–15.

En prenant l’initiative de ce volume de Corpus, nous avions choisi de procéder à un appel assez large, afin de faire le point sur des tendances actuelles des travaux sur corpus ancrés dans la textualité des faits de discours. En nous associant, nous pensions attirer des chercheurs d’horizons différents et notre attente n’a pas été déçue. Les propositions furent très nombreuses et de sélection en sélection, en regrettant quelques contributions abandonnées pour des raisons de délais de rédactio...

Que la passivité nous constitue semble doublement établi. Elle est même désignée tant originaire qu’indéfectible. D’où la sait-on telle? De l’évidence et d’une critique. En l’évidence, nous la constatons, par la critique, Maurice Merleau-Ponty dit son caractère premier. La réfutation de l’idéalisme doit conduire à y consentir. Que montre-t-elle précisément? Que l’idéalisme est, pour nous, impossible, inéluctablement absent. Que serait-il? La stricte infidélité à l’égard de notre être. Être...

The relationship Bruno Latour had with Adam Lowe illustrates the close link between art and technique, and the problem of representation. Thanks to 3D digitisation and rematerialisation techniques of cultural objects, Adam reproduces all kinds of artworks at all scales with an unprecedented degree of precision. He does not do that in the customary sense today of producing an image of them. Breaking with the division between physical objects and the digital world, Lowe really produces them again, creating their material (...) doubles in 3D, with their volume, their thickness, their grain. Latour was fascinated by Lowe’s project and its achievements, particularly in that they call into question the controversial problem raised by Walter Benjamin of the aura of works of art. The reverse was true, as this interview makes abundantly clear: Lowe has been captivated by the radical way in which Latour redefined modes of representation. (shrink)

A presente pesquisa traz uma análise sobre a efetivação da liberdade no interior da sociedade civil burguesa, mais especificamente no Sistema das Carências, bem como sua relação direta com o trabalho livre. Para tanto, foi necessário à utilização da obra: "Linhas fundamentais da filosofia do direito ou Direito natural e ciência do Estado em Compêndio" do autor Georg Wilhelm Friedrich Hegel. O objetivo é demonstrar o aspecto espiritual do trabalho, este que para Hegel assume um valor fundamental de libertação, pois (...) possibilita ao homem se erguer de uma pura determinação imediata e natural para uma esfera de criação da cultura. O método de exposição da presente pesquisa se dá na forma da Dialética especulativa que ressalta o movimento de libertação exposto no Sistema das Carências através do trabalho. Portanto, o trabalho adquire um aspecto positivo que possibilita o eu (ich) alcançar a satisfação das necessidades sociais, tendo como resultado a libertação da natureza. (shrink)

L'attaque terroriste du 11 septembre n'a pas simplement bouleversé l'équilibre géopolitique de la planète, elle a également révélé les causes profondes de la crise d'identité que traversent actuellement les démocraties. L'idéal d'une société fondée sur la raison instrumentale tel que l'ont défini les Lumières, s'avère aujourd'hui impuissant pour redonner aux populations du monde libre le sentiment d'appartenance et de solidarité nécessaire à leur cohésion. Spirituellement castré par la pléthore des choses et des images, n'ayant plus assez d'énergie intérieure pour affirmer (...) ce que Tocqueville appelle la " volonté d'avenir ", l'individu consumériste est une proie rêvée pour la fureur barbare. En examinant les effets socialement mortifères de la pragmatisation et de la massification des consciences à l'âge de la révolution informatique, cet essai explore les conditions d'une renaissance culturelle basée sur la pratique communautaire de la réflexion et le débat d'idées qui permettrait aux sociétés " ouvertes " de renouer avec les valeurs éthico-politiques qui les ont vu naître. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Edmund Husserl’s Influence on Karl Jaspers’s Phenomenology”Jean Naudin (bio) and Jean-Michel Azorin (bio)Keywordsphenomenology, intentionality, intuition, empathy, ambiguitySchwartz and Wiggins’s paper clearly shows that Jaspers’s comprehensive psychiatry draws mainly from Husserl’s phenomenology. This thesis enters a current debate opened by Chris Walker and German Berrios about the influence of Husserlian philosophy on Jaspers’s work. This debate, which emerged at the end of the so-called decade of the brain, (...) could be considered perfectly obsolete. But its topicality relies on taking up the challenge of the scientific bases of comprehension in psychiatric experience. Wiggins and Schwartz perfectly achieve this aim by opposing a theory of seeing and a theory of thinking. Works such as Walker’s are grounded on thinking; they are works about theory. They are not works about experience, but rather epistemological or historical works. In contrast, Wiggins and Schwartz suggest to see, as Jaspers did, and not to think, following Husserl by grounding their psychopathology on intuition and presuppositionlessness. They emphasize Jaspers’s method of “making present” by doing a perfect analysis of the issues of translation of vergegenwärtigung as a co-experiencing of mental processes as if they were directly given. These main principles of direct-givenness, presuppositionlessness, and making present pull the Jaspersian concepts to the Husserlian phenomenological reduction and seem like the foremost principle in Husserlian phenomenology: the intuition of the thing in itself. Whereas Jaspers refuted the principle of eidetic reduction, Wiggins and Schwartz clearly show how much he grounded on the basis of the concept of intentionality, discovered and enlightened during Husserl’s life within the horizon of phenomenological reduction. Actually, it seems that the authors take the side of Jaspers to better support their own vision of psychiatric experience, which they more explicitly argued in Husserlian terms of the later period in some other papers (Schwartz and Wiggins 1985; Wiggins and Schwartz 1988, 1991; Wiggins, Schwartz, and Northoff 1990). However, they take care here to struggle exclusively with the epistemological field of their opponents, considering only Jaspers’s own writings and the Husserlian texts that were accessible to Jaspers when he wrote his psychopathology. There is no room for Kant in Jaspers’s main [End Page 37] principles, and this assumption must lead us to consider the horizon opened by Jaspers, that is, the horizon of a science of meaning essentially built on the lived experiences and the bracketing of any kind of a priori. In contrast to the slight influence of Kant, one idea that emerges is that of the straight impact of Dilthey on both Jaspers and Husserl. We perfectly agree with Wiggins and Schwartz that Jaspers, grounding both on Husserl and Dilthey, arrives at a methodological principle that is all his own, by considering both the connections of the life-stories and the objectivity of symptoms. In other words, we can find the originality and maybe the astonishing modernity of Jaspers in his perfect description of the balance between comprehension and observation, between empathy and its limits, that are obviously found in psychotic processes.We thus focused our comments on the following critiques to Jaspers, although they were already well argued in the brief conclusion of Wiggins and Schwartz: (a) the issue of empathy, (b) the limits of Jaspersian phenomenology, and (c) the merits of its genuine ambiguity.The Issue of Empathy. Indeed we have no reliable scientific mean to guarantee the correctness of our intuitions of the other’s mental life, and this problem might lead one to globally reject the method. The discussion of this problem, classical in the Continental literature since the twenties, led the Continental psychiatrists to unfortunately abandon their own traditions. And it is surprising for a Continental psychiatrist to see this debate coming back into the English-speaking literature. When we address the issue of empathy, we have no easy means to abandon folk psychology. Using philosophical slang weakens the attempt to enlighten its foundations instead of describing its values. The suspicion regarding empathy is partially legitimated by the prejudices of Jaspers himself. As psychiatrists, we have to carry on the Jaspersian research by progressively abandoning it and coming back... (shrink)

A presente pesquisa tem por finalidade demonstrar o fio condutor que rege toda a história universal para Immanuel Kant. A metodologia a ser utilizada se baseia na pesquisa qualitativa do tipo bibliográfica, pela qual trabalharemos a edição bilíngue (Alemão-Português) da obra: “Ideia de uma história universal de um ponto de vista cosmopolita”. É de se verificar que a história universal se ocupa da narrativa das ações humanas, a saber, de suas manifestações. Nesta perspectiva Kant busca uma apreensão filosófica da história (...) universal, acompanhando um plano oculto da própria natureza que busca efetivar uma constituição política perfeita. Assim para atingirmos nosso objetivo de explicitar o fio condutor da história universal, analisaremos primeiramente o homem como o único ser racional sobre a face da terra, como também, a exigência de se cultivar esta mesma razão no âmbito da espécie e da história. Em um segundo momento, trabalharemos o antagonismo como motor que desperta os talentos humanos e os faz superar sua tendência à preguiça. Temos aqui o aparecimento da “astúcia da razão” que se utiliza dos vícios (tais como: projeção, ânsia de dominação e vaidade) para alcançar o desenvolvimento cultural e garantir uma sociedade na qual a liberdade se expressa sob leis civis. Por fim, abordaremos ainda as relações internacionais entre Estados e a elaboração de um Estado cosmopolita universal. Chega-se ao resultado, que para Kant, o conjunto da história humana é a efetivação de um plano oculto da própria natureza que procura estabelecer uma constituição política perfeita tanto internamente, como, externamente. (shrink)

"Servi d'appui a sept conferences donnees au cours du premier semestre 2006 dans des colloques d'homage a Emmanuel Levinas, a l'occasion du centenaire de sa naissance"--P. [4] of cover.

L’article est une exploration systématique de la dualité des figures du Mind et du Geist, le premier étant entendu comme l’esprit en tant que partie de la nature scientifiquement objectivable, le second comme l’esprit en tant qu’acteur immatériel insaisissable de la pensée. De plus, cette dualité est étudiée du point de vue de l’interférence de la mathématique avec elle, dans plusieurs contextes. Sont ainsi successivement analysés : le conflit entre les deux « modèles » du Mind, le computationnaliste et le (...) dynamiciste; la définition philosophique et la définition épistémologique du Geist ; le jeu entre Mind et Geist dans les recherches cognitives contemporaines ; l’ambivalence de la logique et des mathématiques vis-à-vis de l’opposition Mind/Geist. Dans la partie finale, on propose une définition personnelle du Geist–en termes d’adresse et de sujet–dont dérive une détermination du Mind. Revenant sur ces nouvelles bases à l’interférence avec la mathématique, on conclut sur la question essentielle et délicate de la paramétrisation de la conscience. (shrink)

La philosophie ne se réduit pas à la pure réflexion ni à la quête d'une sagesse intemporelle. Elle est aussi invention ou création de concepts. Elle s'expose volontiers à traverser le cours des sciences, à inscrire son histoire dans le contrepoint de leurs développements. Quand il se veut ainsi passeur de savoirs, le philosophe expérimente des concepts qui filtrent des interprétations, établissent des relations inattendues, modifient des approches trop abstraites : le temps, l'infini, la matière, le cosmos. L'enquête astrophysique ou (...) les recherches sur le cerveau offrent autant d'occasions de mises en perspective propices à la pédagogie que d'invitations à reconstituer le tissu des idées qui fondent la culture et les idéaux de nos sociétés. Même s'il analyse parfois des méthodes et des paradigmes scientifiques, ce livre ne relève pas de la philosophie des sciences telle que l'Université en définit la discipline. Il entend surtout questionner les conceptions scientifiques du monde qui justifient, transforment ou bouleversent nos croyances, nos comportements et aussi nos décisions. Il témoigne que les seuls savoirs qui vaillent sont toujours déconcertants. (shrink)

The following pages contend that, in spite of its intensive development, contemporary cognitive science has recently entered a phase of fairly acute uncertainty and confusion regarding some of its most essential foundations. They emphasize two aspects of this foundational crisis, specifically vindicating the existence of a crisis of naturalism and of a crisis of representationalism. Like any foundational crisis, this situation constitutes a serious threat to the significance of the empirical achievements of cognitive science. A threat calling for renewed efforts (...) to provide it with secure foundations that can only be obtained through acloser collaboration between empirical and foundational investigations, or, more concretely, between cognitive scientists and philosophers. They also outline a general strategy to address this threat, and illustrate itabout one aspect of particular importance of the naturalist crisis, namely the emergentist challenge to the orthodoxy of non reductive functionalism. They argue for the rejection of one version of this emergentist challenge,and they lay out a minimal condition that any other version of emergentism must meet. It is still unclear whether this condition is yet satisfactorily met by some version, and in particular by the sort of emergentism associated with the notion of dynamical system. Clarifyingthis issue should accordingly be seen as a top priority on the agenda of cognitive philosophy. (shrink)

The financial sector likes to call itself a "service industry". As such, its role is to guarantee the fluidity of transactions which are essential to economic activity by ensuring the best possible use of available capital. If finance is a service activity, it is important to specify what services it renders, to whom, in return for what, and for what purpose. In the absence of such clarification, finance may slide out of control and be left at the mercy of mass (...) enthusiasm or hysteria. This document, which is the result of work by people who hold senior positions in Geneva's financial sector or are external observers of the financial world identifies the issues and suggests some avenues for possible solutions. (shrink)

La q4e de couv. indique : "Quels programmes, quels paradigmes sous-tendent les recherches en sciences humaines, créent les écoles rivales et rapprochent des disciplines différentes? Comment chacune de ces disciplines parvient-elle à articuler la dimension historique et structurelle qui la compose? Comment se gèrent les rapports entre modélisations mathématiques et récits de situation? Quelle place est donnée aux causes, quelle signification accordée aux raisons? Faut-il opposer ou articuler explication et compréhension? Les sciences sociales sont des disciplines aux frontières incertaines? Les (...) unes, comme l'histoire ou la géographie, remontent à l'Antiquité. Les autres, comme la sociologie ou la psychologie sociale, ont tout juste un siècle. Certaines prennent pour objet l'ensemble des phénomènes sociaux et d'autres - l'économie, la linguistique, etc. - privilégient un domaine d'activité déterminé. Mais derrière cette diversité - d'origines, d'objet, de tradition - surgissent des points essentiels de rencontre et de recouvrement que synthétise et interroge ce manuel.". (shrink)