This article discusses three rather neglected issues concerning Varro’s Hebdomades : 1. The basis of Varro’s fascination with the number seven, leading him to his eventual concept of such an exceptional work; 2. An attempt to find out as much as possible about the nature of the work, described by Pliny as the first illustrated book in Rome, and 3. A discussion of its reception and impact in Rome.

Students of ancient metrology have long since been acquainted with a short tract, though so far none seems to have been aware of the fact that it has been published in four different versions: Themanuale legum, orHexabiblos, of Constantine Harmenopulos, a Byzantine compilation dating from 1345 and transmitted in a great number of manuscripts, has been published a number of times since theeditio princepsof 1540; the most accessible edition, with Latin translation and some notes, is that of Heimbach. In book (...) 2 ch. 4, there appears a page-long metrological table, purporting to derive from an architect Julian of Ascalon, according to the editors not attested elsewhere. The text in the still basic collection of F. Hultsch,Metrologici scriptores i. 54 ff.; 200 f., on which all students of ancient metrology depend, derives from this authority. Though there is nothing in the text of Harmenopulos that indicates the end of his excerpt of Julian, it is implicit in the discussions of modern scholars that only the metrological table is Julian's work and that the paragraphs devoted to building laws which follow it derive from a different source. (shrink)

In a discussion of the spread of Latin in ancient Palestine it has been argued that, apart from Westerners like Jerome who settled in the province and a number of translators from Greek into Latin and from Latin into Greek, three Latin authors whose works are extant may have been, with various degrees of probability, natives of the country. These are Commodian of Gaza, arguably the earliest extant Christian Latin poet; Eutropius, the author of abreviariumof Roman history, who apparently hailed (...) from Caesarea; and the anonymous author of theDescriptio totius mundi et gentium, who certainly was a native of the Syro-Palestinian region, and conceivably of one of the Palestinian cities. Here I wish to discuss another case, which seems to me characteristic of the reluctance of scholars to admit that Latin, and Latin authors, were more prevalent in the East than is usually acknowledged. In fact, it may be not misleading to assert that the invariably adduced exceptions of Ammianus Marcellinus and Claudian as Latin writers from the East are exceptions by virtue of the quality of their work rather than by its very existence. (shrink)

In Plutarch's account of the younger Cato's mission to Cyprus a fairly prominent place is given to one Canidius, described as one of Cato's friends. He is also twice mentioned in connection with the same events in Brut. 3. 2–3, but here the great majority of our MSS. read κανίνΉον, while only one family, and perhaps a later hand in the early MS. L, have κανί΄ων.Canidius is a very rare gentilicium—a fact obscured perhaps by scholars' familiarity with Horace's witch—and besides (...) the subject of the present investigation there is only one known bearer of the name in Republican times, namely P. Canidius Crassus cos. stiff. 40. He served with Lepidus in Gaul and then became a partisan of Antony, whom he accompanied to the East after earning a suffect consulship. (shrink)

Varro's Hebdomades vel de imaginibus contained 700 pictures of illustres accompanied by short descriptions in verse and prose, all arranged by the number seven: Gellius provides a detailed excerpt from the first book on the significance of this number. Speculation on the arrangement and content of the fifteen books abounds. On the other hand explicit attestation of personages included in Varro's list is relatively scarce: the discussions in the passage of Gellius on the ages of Homer and Hesiod, and of (...) the former's birthplace in the epigram attached to his portrait certify the rather obvious choice of the two oldest Greek poets, presumably part of a canon of seven. (shrink)

This article argues that a group of fourteen female statues seen in the Theatre of Pompey in Rome by Tatian belonged to Greek female poets. This group, along with the statues representing the fourteen nationes vanquished by Pompey, and certain groups of statues in the Forum of Augustus should all be ascribed to the influence of the Hebdomades of Pompey's familiaris Varro.