In theology, how language about God communicates is inseparable from what is being communicated, and the form that theological discourse takes must be part of what is considered when it is interpreted. Although analogy has been given pride of place in theology, more recent interest in metaphor, from theologians, philosophers, and linguists, reveals new debates over how deeply embedded metaphor is in language, how metaphor shapes our cognition and perception, and metaphor's role in theological understanding. This article provides an overview (...) of the relevance for theology of two recent approaches to metaphor—those of the philosopher Paul Ricoeur and the cognitive linguistic approach—and ultimately argues that the most fitting understanding of how metaphor operates theologically is to say that it is mystical, because it contains both affirmations of identity and acknowledgement of difference (between the divine and the human, the spiritual and the material). (shrink)

Our usual view of the Renaissance poetic, as we derive it from the explicit statements which we normally cite, sees it primarily as a rhetorical theory which is essentially Platonic in the universal meanings behind individual words, images, or fictions. Accordingly, poetic words, images, or fictions are taken to be purely allegorical, functioning as arbitrary or at most as conventional signs: each word, image, or fiction is seen as thoroughly dispensable, indeed interchangeable with others, to be used just so long (...) as we can get beyond it to the ultimate meaning which it presumably signifies. This rather simple—if not simplistic—semiology leaves the body of poetry as empty as modern post-Saussurean linguistics often leaves the body of language. By treating all poetic devices as transparent elements through which various universal "truths" are revealed, the rhetorical/allegorical theory converts all the poet's dispositions of words into devices of persuasion on the service of a function higher than that of poetry. Such is the way that, for example, a conservative, widely influential theorist like Scaliger clearly formulated the principle. And for as careful a commentator on Renaissance imagery as Rosemund Tuve, these are the farthest reaches of the Renaissance poetic; she argues that any more subtle a claim is merely the consequence of the modern mind trying anachronistically to sophisticate an older tradition. Her examination of explicit statements by major Renaissance writers on poetics finds reinforcement in the logic of Petrus Ramus as she extends it to a total stylistics, or even to a linguistics.1 · 1. Rosemund Tuve, Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics . Murray Krieger, University Professor of English and director of The Irvine School of Criticism and Theory at the University of California at Irvine, is the author of, among other works, The Tragic Vision, The Classic Vision, and, most recently, Theory of Criticism: A Tradition and its System. The present essay is part of his book, Poetic Presence and Illusion: Essays in Critical History and Theory. "Fiction, History, and Empirical Reality," his previous contribution to Critical Inquiry, appeared in the Winter 1974 issue. (shrink)

I am troubled by the temper of E. H. Gombrich’s response, “Representation and Misrepresentation” , to my “Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective” and by his preferring not to sense the profound admiration—indeed, the homage—intended by my essay, both for his contributions to recent theory and for their influence upon its recent developments. But I am more troubled by the confusions his remarks may cause in the interpretation of his own work as well as in the (...) judgment of mine. There are important issues at stake, I feel, especially as regards the relation between scientific and aesthetic inquiry.The very irritated tone of his reaction helps make what I see as my major point: his work has contained a conflict between two Gombrichs—one, the skeptical humanist and, the other, the positive scientist—and with the passing years the second has increasingly sought to obliterate signs of the first, becoming increasingly impatient with any attempt to revive those signs or remind us of their existence. On the other side, since the line of literary criticism with which I associate myself has drawn strength from the first Gombrich, this development in his work and in his attitudes has caused some disappointment. Murray Krieger is University Professor of English at the University of California. He is the author of many works, including The Tragic Vision, The Classic Vision, Theory of Criticism: A Tradition and its System, Poetic Presence and Illusion: Essays in Critical History and Theory, and Arts on the Level. His previous contributions to Critical Inquiry are “Fiction, History, and Empirical Reality” , “Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor” , and “The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective”. (shrink)

This book is a cultural phenomenology of doing physics. It describes the ways physicists actually do their work--their motives, and their ways of making sense of the world--so that outsiders can understand it. Martin H. Krieger explains that physicists employ a small number of everyday notions to get at the world experimentally and conceptually.

This book investigates consciousness as an emergent state arising from the global functioning of the brain and the body. In this research Krieger applies these concepts to analytical psychology, particularly to the constellation of the complex and of the archetype. Global brain functioning is considered as a complex system whose macroscopic, emergent patterns such as thoughts and behaviours are determined by physical parameters including emotion, memory, and perception. The concept of the feeling-toned complex was among the first of the (...) theories to be developed by Jung, and the theories of complexity and dynamical systems which subsequently developed in the physical sciences did not exist at the time. This book takes a new look at the feeling-toned complex as a basin of attraction which competes for consciousness against other complexes to determine behaviour. By drawing parallels between current ideas in neuroscience and Jung's more traditional theories, Krieger discusses the relevance for both psychotherapy and everyday life. Bridges to Consciousness considers the importance of the link between emotion and the complex in both the establishment of consciousness and the determination of self-esteem, making the work relevant to therapists and analysts. This book will also awaken interest in complexes in both the Jungian and wider neuroscientific research communities and will therefore interest researchers and academics in the field of psychology who want an insight into how the ideas of Jung can be applied beyond the traditional analytic field. (shrink)

Leonard Krieger has long been revered as a contemporary master historian. With an eye toward placing his critical achievements before an expanded readership, he helped compile this core collection of his most important essays. Together these essays bring under a single cover the key themes and ideas of his life's work to serve as a handbook for intellectual history and historians of every stripe. This book reflects Krieger's conviction that the value of intellectual history is as a source (...) of orientation in a world of information overload. In Krieger's hands, intellectual history has stressed "thinking-through" the relations between ideas and events rather than the compilation and recapitulation of mere facts and historical categories. The essays in this collection cover a range of topics, including history of ideas, intellectual history, early modern political history, German political history, Hegel, Marx, and more. Many of these essays are already classics of historical scholarship. With the demise of the Soviet Union and state-sponsored Marxism, and with the reunification of Germany, Krieger's history takes on new relevance and a renewed importance. With a splendid introduction by Michael Ermath, and an extensive bibliography of Krieger's most important books and essays, this is a "must read" for every serious student of modern history. Leonard Krieger was University Professor Emeritus in the Department of History at the University of Chicago until his death in 1990. (shrink)

This original work caps years of thought by Leonard Krieger about the crisis of the discipline of history. His mission is to restore history's autonomy while attacking the sources of its erosion in various "new histories," which borrow their principles and methods from disciplines outside of history. Krieger justifies the discipline through an analysis of the foundations on which various generations of historians have tried to establish the coherence of their subject matter and of the convergence of historical (...) patterns. The heart of Krieger's narrative is an insightful analysis of theories of history from the classical period to the present, with a principal focus on the modern period. Krieger's exposition covers such figures as Ranke, Hegel, Comte, Marx, Acton, Troeltsch, Spengler, Braudel, and Foucault, among others, and his discussion involves him in subtle distinctions among terms such as historism, historicism, and historicity. He points to the impact on history of academic political radicalism and its results: the new social history. Krieger argues for the autonomy of historical principles and methods while tracing the importation in the modern period of external principles for historical coherence. Time's Reasons is a profound attempt to rejuvenate and restore integrity to the discipline of history by one of the leading masters of nineteenth- and twentieth-century historiography. As such, it will be required reading for all historiographers and intellectual historians of the modern period. (shrink)

Asceticism and science are connected in Weber’s thought insofar as “asceticism” includes an attitude of job-related professionalization and this attitude in turn signifies capitalistic as well as scientific activity. In this way, asceticism has also an “innerworldly” nature, in contrast to the way it is depicted in Christianity or in other religions. In this (religious) sense, asceticism serves as a means to otherworldly completion, while its “innerworldly” meaning is entirely interior to itself. Insofar as for Weber, asceticism, independent from any (...) religious sense, signifies scientific as well as economic activity, it is a “practical-rational” conduct of life in the sense of competence, enhancement, and perfection. This is the methodological basis for a reconsideration of Thomas Aquinas’ ideas on asceticism. Thomas, like Weber, uncouples the relation of otherworldly completion and asceticism and links this decoupling to the priority of perfection of asceticism. However Thomas, contrary to Weber, associates asceticism with the conditions innate to a particular way of life; in this sense, asceticism can determine human existence itself, insofar as it is realized both “outside the world in monastic communities” and also “within this world and for it”. With reference to the relation of science and asceticism, for Thomas as well as for Weber scientific activity is “ascetic” in the sense that it strives for perfection. However, in contrast to Weber, Thomas maintains that it is impossible for a subject to bring his scientific activity to a complete conclusion. (shrink)

Resumo: Para além da triangulação Nietzsche-Kuno Fischer-Spinoza, a proposta do texto é perscrutar as peculiaridades da relação entre Nietzsche e Spinoza, partindo não de uma conexão biunívoca e restrita a Nietzsche e Spinoza, mas de menções compartilhadas, em que outros filósofos e pensadores são mencionados. A partir daí se pretende evidenciar traços de uma relação que é de admiração pelo “profundo ocultador”, mas também de crítica pelas instâncias que tal ocultador mascarou e que acabaram por consumi-lo.: Beyond the triangulation Nietzsche-Kuno (...) Fischer-Spinoza, the purpose of the article is to investigate the peculiarities of the relation between Nietzsche and Spinoza, stemming not from the biunivocal relationship restricted to Nietzsche and Spinoza, but from the references shared with other philosophers and thinkers mentioned by the German philosopher. Thenceforth, we intend to emphasize traits of a relationship based on admiration for the “deep hidden”, but also on critics related to spheres that this very hidden disguised and that after all consumed him. (shrink)

L’existentialisme pose à l’histoire des problèmes aussi bien subjectifs qu’objectifs. En tant que sujets, les existentialistes épousent des positions qui sont souvent antithétiques par rapport à la dimension historique ; en tant qu’objets, ils ont donné à voir des idées et des activités qui sont souvent difficilement accessibles à la connaissance historique. Chez Sartre se...

The one hundred years that preceded the French Revolution witnessed the rise of kings to unmatched power and influence in European affairs. These years also encompassed the birth, maturation and waning of the Enlightenment. The author shows how the monarchical tradition and the new intellectual developments were reflected in the latter half of the period during the rule of "philosopher kings", the enlightened absolutists. He analyzes too the origins of a movement toward representative government and the stirrings of political and (...) social revolt that would bring the period to an abrupt end. (shrink)

This essay investigates the extent to which the notion of the subject provides access to medieval metaphysics. Historically, this question involves the relation of nominalism to the Cartesian cogito, with regard to which it is possible to speak of a certain continuity in view of the paradigmatically explanatory function of the notion of the I. Against this background, it is maintained that the notion of the subject provides access to medieval metaphysics insofar as the notion of the I belongs to (...) the notion of the subject. Medieval metaphysics and constructive reason can be mediated with one another to the extent that reason in its constructive significance is connected with the notion of the I. (shrink)

For men of the 19th century, the world was ordered by a whole system of concrete universals: ideals and the empirical world were simply two aspects of the same reality; ideals described an empirical reality which included them as its actual cohesive power. This character is reflected in the fact that the most influential thinkers of the last century combined, despite the rise of the specialized disciplines, sociological, historical and philosophical approaches to a reality which in social, temporal, and cosmic (...) aspects they conceived to be homogeneous. This unity has been dissolved in 20th century thought. The results of sociological and historical investigations of social reality have undermined the absolute validity of ideals. Epistemology has tended to undermine the meaningfulness of the objective world. Even so, attempts to revivify the old ideals by re-synthesizing ideas and existence are still being made. Historicism has been continuously concerned with its own Ueberwindung by the establishment of an absolute value; sociology has continued to search for general meanings, whether in the form of a sociology of knowledge or the culture-dynamics of a Sorokin; philosophy has concentrated its attention upon existence or experience or process: and the prominence of the philosophy of history and of philosophy as history which these developments imply are testimony of the tendency to replace nature by man so that man is the arena in which the re-integration of the different levels of reality is to be sought. Values which took a hard and fast form in the connection between general idea and particular existence in the 19th century have been disengaged through dissociation. The examination of historical and social experience and ideas in their own terms has made possible a new assessment of what is essential and what contingent in the general concepts of western man. At the same time even the subsequent integrative procedure, i.e. the historizing of ideas and the philosophizing of experience, has contributed further to such an assessment by including as the necessary basis for thought all of man's history and experience within its purview. (shrink)

Continuing the work of the ‘Vienna Circle’, philosopher Carl Hempel created explanatory models to ground scientific inquiry in logic and empirical truth. Beginning with the physical sciences, he explored the application of these models to the social sciences as well. Terrestrial archaeologists incorporated Hempelian concepts by calling for global changes in archaeological methodology. These changes, explicitly designed to maximize data collection, were developed using particular idiosyncratic geographical cues that would undermine archaeology if implemented in other contexts. In this article, I (...) argue that similarly unconscious artifacts of particular archaeologists’ goals and locations have also governed underwater archaeology ’s growth as a discipline, much to its detriment. It is my hope that understanding the philosophical and archaeological issues that have led archaeology to this point will help to move archaeology forward. (shrink)

People have a love/hate relationship with rapidly changing healthcare technology. While consumer demand for medical apps continues to grow as rapidly as does supply, healthcare professionals and safety experts worry about the impact of these apps on the health consumer. In response to the rapidly growing mobile healthcare sector, the Food and Drug Administration has put forth guidelines to regulate ‘mobile medical apps’, those health-related apps that are designated as medical devices. In this article, I argue that this decision, to (...) only regulate apps that bill themselves as medical devices, will create a market for ‘off-label’ app use. Further, I will talk about the oft used analogy between off-label apps and off-label pharmaceuticals, showing that off-labeling apps will provide patients none of the benefits that come with a physician prescribing a drug off-label, while exposing the mobile healthcare consumer to significant risks that go significantly beyond those that we know of from prescription drugs. Recognizing that the Food and Drug Administration is not going to be able to significantly change its policies on oversight, I will suggest specific actions to at least mitigate some of the risks associated with off-label app use. (shrink)

In this article, Ms. Krieger explores the controversy concerning pregnancy disability leave presented by the case of California Federal Savings v. Guerra in light of Thomas Kuhn's model of scientific paradigm change and Carol Gilligan's theory regarding sex differences in moral reasoning. She argues that the controversy reflects a period of paradigm crisis in equality jurisprudence, brought about in part by the recent inclusion of greater numbers of women into the jurisprudential community.

Using the later works of Wittgenstein, this paper investigates the intricate ways in which the will is related to mental imagery. It examines how "seeing" is subject to the will in a different way from "forming an image". Although it is unwise to posit a model of images which maintains that images are directly willed inner objects - just like outer objects, only located in our heads - this model is often incorrectly embraced by philosophers and psychologists. A proper understanding (...) of the relationship between seeing and imaging will also help solve the dilemma posed by a visual mental image that can be both intentional (i.e., subject to the will) and yet unintentional (i.e., forced upon one). (shrink)

There are two ways to do the unexpected. The banal way—let's call it the expectedly unexpected—is simply to chart the waters of what is and is not done, and then set out to do something different. For a philosopher, this can be done by embracing a method of non sequitor or by perhaps inverting some strongly held assumption of the field. The more interesting way— the unexpectedly unexpected—is to transform the expectations themselves; to do something new and contextualize it in (...) such a way that it not only makes perfect sense, but has the audience scratching their heads and saying, “Of course!” To do the unexpectedly unexpected on a regular basis is the true mark of genius. It recalls Kant's characterization of the genius as the one who not merely follows or breaks the rules of art but that, “Genius is the natural endowment that gives the rule to art.” We would not like to make the bold claim that Paul M. Churchland (PMC) is a philosophical genius of Kantian standards, but he sometimes achieves the unexpectedly unexpected and his position on the issue of scientific realism is a fine example of this. Given other views he holds and the philosophical forebears he holds dear, one might expect him to embrace an antirealism with respect to the posits of scientific theories. But, quite to the contrary, Churchland is one of the strongest contemporary philosophical voices on behalf of scientific realism. And, as we will discuss in this chapter, a closer look at this reasoning reveals that his realism is not perverse, it is exactly the sort of position he should be expected to hold, if only we understand the philosophical issues correctly. (shrink)

In this careful and compelling study, Ryan K. Balot brings together political theory, classical history, and ancient philosophy in order to re-conceive of courage as a specifically democratic virtue.

It is difficult to overestimate the impact, beginning in the 1960s, which Gombrich’s discussion of visual representation made on a good number of theorists in an entire generation of thinking about art and—even more—about literary art. For literary theory and criticism were at least as affected by his work as were theory and criticism in the plastic arts. Art and Illusion radically undermined the terms which had controlled discussion of how art represented “reality”—or, rather, how viewers or members of the (...) audience perceived that representation and related it to their versions of “reality.” And, for those who accompanied or followed him—from Rosalie Colie to Wolfgang Iser—Gombrich helped transform for good the meaning of a long revered term like “imitation” as it could be applied to both the visual and verbal arts. I believe he must, then, be seen as responsible for some of the most provocative turns that art theory, literary theory, and aesthetics have taken in the last two decades.In much of his work since the 1960s, however, Gombrich has appeared more and more anxious to dissociate himself from those who have treated his earlier books and essays as leading to the theoretical innovations which have claimed support from them. In The Image and the Eye, the statements which put distance between himself and such followers seem utterly unambiguous. And against the charge that his work has become more conservative with the passing years, I suspect Gombrich would argue that any claim of difference between, say, Art and Illusion and The Image and the Eye is a result of an original misreading, that the recent work is only more explicitly defending a traditional position which was quietly there all along, though supposedly friendly theorists wrongly saw him as subverting it in the earlier work. Thus Gombrich is now self-consciously committed to undoing what he sees as our errors of reading rather than his own errors of writing. Murray Krieger is University Professor of English at the University of California, Irvine. He is the author of, among other works, The Tragic Vision, The Classic Vision, Theory of Criticism: A Tradition and Its System, Poetic Presence and Illusion: Essays in Critical History and Theory, and, most recently, Arts on the Level. He is presently working on Ekphrasis: Space, Time, and Illusion in Literary Theory . His latest contribution to Critical Inquiry, “Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor,” appeared in the Summer 1979 issue. (shrink)

I begin by asking an engagingly naive question that a layman would have every right to put to us - and often has. Why should we interest ourselves seriously in the once-upon-a-time worlds of fiction - these unreal stories about unreal individuals? It has been a persistent question in the history of criticism - ever since Plato called the poet a liar - and it is a question at once obvious and embarrassing. It is obvious because, for the apologist for (...) imaginative literature, it becomes a prolegomenon to all further questions; and it is embarrassing because merely to ask it threatens to put literature out of business and, with it, all those who treat it as a serious and world-affecting art. Why, then, should we interest ourselves seriously in fictions? However elementary, it is a question that is more easily asked than answered. Murray Krieger is the author of The Tragic Vision and The Classic Vision, which have recently been reprinted in the two-volume paperback Visions of Extremity in Modern Literature. He is University Professor of English and director of the Program of Critical Theory at the University of California at Irvine. "Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor," another contribution to Critical Inquiry, appeared in the Winter 1974 issue. See also: "The Dismantling of a Marionette Theater; or, Psychology and the Misinterpretation of Literature" by Erich Heller in Vol. 4, No. 3. (shrink)

Withdrawal involves emotional pain that motivates much addictive behavior. In this paper, I argue that the emotional pain of withdrawal compels much addictive behavior. Researchers have noticed this possibility but it is widely underappreciated. Among philosophers, only Hanna Pickard has discussed emotional compulsion in addiction, and the emotional aspect of withdrawal has been almost completely neglected. Accounts of emotional compulsion in the philosophical literature (from Tappolet, Elster, and Furrow) probably do not capture how the distress of withdrawal compels, so I (...) propose a more suitable account of “pathodoxastic” compulsion in addiction. On this account, the emotional pain of withdrawal compels when it undermines the ability to believe that one can continue to endure it, and therefore the ability to intend abstinence. (shrink)

Is addiction a behavioral pattern, or the underlying cause of a behavioral pattern? Both views are found in prominent accounts of addiction, but theorists generally do not notice that they are taking a controversial position, let alone justify it. A third possibility is that addiction consists in both addictive behavior and its causes, though this view is less obviously present in the literature. I argue that two important considerations favor the "cause view" over the "behavior" and "hybrid" views. The first (...) is that we want to be able to explain addictive behavior with reference to addiction. The second is that addiction seems to persist long after addictive behavior has ceased. Only the cause view can easily accommodate both data points. (shrink)

Die hier versammelten Beiträge analysieren Typen und Funktionen der Ambiguität an Beispielen aus der mittelalterlichen bis zur zeitgenössischen Kunst.