In this article, the aim is to explore Lebanese folklore through proverbs and to demonstrate how the dynamic field of imagination behind concise oral statements influences contemporary society and anchors, in the collective thinking of several generations, the values of a community, whether they are well-founded or not. Although Lebanese society is patriarchal, men are often depicted as beasts, frequently domestic and specifically as draft animals. The parody, satire, and humor that generally characterize proverbs feed into the (...) images that circulate in the collective unconscious. Durand's theriomorphic symbolism and its resulting ramifications, while referring to Bourdieu's “male domination,” highlight customs and traditions that devalue women and represent them as inferior beings or even as the embodiment of evil on earth. As one facet of folklore, these popular expressions sometimes originate from mythical, biblical, or traditional stories that are the result of beliefs and rituals passed down through centuries. (shrink)

Translated from Arabic, the novels June Rain by Jabbour Douaihy and Dear Mister Kawabata by Rachid El-Daïf constitute a written testimony that allows us to discover the cultural heritage of the Lebanese village Zgharta. The novel of Douaihy is inspired from a historical fact, the massacre of Miziara which has happened in a church. The heroic abaday myth glorified and dethroned at the same time emerges in an authentic context in Juin Rain. However, Douaihy represents a positive divine figure (...) which incarnates the revolt against violence in a holy space. This heroic world is devalorized by the exogenous westernized vision. In fact, El-Daïf denounces violence that he associates to ignorance, rejection of modernization that he links to the resistance of a divine figure in the collective conscience of the villagers. (shrink)

A physician's lack of humanity is a general complaint in public surveys. The physician-patient relationship is viewed by the public as being reduced to a business relationship where the patient feels that she is merely a 'client' and the physician a healthcare 'practitioner' instead of a 'care giver'. This public perception is not a phenomenon that is peculiar to Lebanon. Yet, the problem has been increasing over the years to the extent that patients feel that physicians are becoming inhumane and (...) business oriented. While this might not characterize all physicians of the 21 st century, this might be true of at least some. Responses were collected from a study that was undertaken based on a questionnaire distributed to a pool of 650 participants from different geographical areas and different social and educational backgrounds in Lebanon. Participants were all older than18 years and mentally competent. None were physicians. The questionnaire was open-ended and initially piloted among a random sample. The physician traits most desired by the public were found to be: moral traits (41%), interpersonal traits (36%), scientific traits (19%) and other (4%). The most unwanted traits/behaviours were a lack of interpersonal traits (57%), a lack of moral traits (40%) and a lack of scientific skills (3%). The physician-patient relationship was perceived, in general, as being a flawed one. What can be done to remedy the image of the Lebanese physician that has been projected in the minds of the patients and the public at large? Nine major recommendations are presented. (shrink)

Taking a set of central issues from ancient Greek medicine and biology, this book studies firstly, the interaction between scientific theorising and folklore or popular assumptions; secondly, the ideological character of scientific inquiry. Topics of interest in the philosphy and sociology of science illuminated here include the relationship between primitive thought and early science, the roles of the consensus on the scientific community, tradition and the authority of the written text, in the development of science.

Popular Traditions, Folklore and Politics The article studies how the "language" of folk traditions and folklore continues to be a tried-and-tested means for the representation and propagation of political concepts and ideas. The author notes transformations in the significance of folklore and folk traditions in historically changing both political and socio-cultural contexts. Attention is drawn to the significance of folklore in the nation-forming thinking of the 19th century, the place of honour accorded to it as an (...) expression of the working people during the period of socialism, and its contradictory perception in the post-socialist context today. (shrink)

The folklore studies scholar, such as Dorson (1976, Folklore and fakelore: Essays toward the discipline of folk studies, Harvard: Harvard University Press), was emphatic about the distinction between folklore and ‘fake lore’, one being authentic and the other as invented by the popular industry; however, he paradoxically maintained interest in the contemporariness of folklore. This was a paradox since the contemporariness of folklore is largely, and usually, due to intersections of folk with popular and political. (...) Nevertheless, the emphasis on contemporariness was a harbinger of discussion on the potential dynamics of folklore, and everything buried therein, including value orientation. This essay is guided by the observations emerging from folklore studies, socio-cultural anthropology and performance studies in order to get into a specific case of Bihu, a folk performance inclusive of songs, dance, attires and instruments inter alia in Assam, in the northeast of India. The curious case of Bihu in flux divulges dynamics of value orientation and intersections of identity politics, in the wake of the contemporariness of folklore. (shrink)

A distinguished wise man, Emil Cioran, with whom I share a country of birth and the thought that follows, said once that the two most interesting things in life are gossip and metaphysics. I can hardly think of a more self evident and enjoyable truth, if wisely construed. This volume combines the two pleasures, for it is an exercise in the metaphysics of wise gossip, of how we make sense of each other, and how, as a result we interpret, explain, (...) rationalize and evaluate our representations and actions. The body of wisdom which allows us to do all this is currently currently called folk or common sense psychology. I will also call it psychofolklore or the folklore of the mind. (shrink)

The article characterizes post-folklore as a cultural phenomenon of the network society and defines various aspects of its functioning − sociocommunicative, cultural and psychological. The research methodology consisted of a set of basic approaches, principles and methods of scientific research. To achieve the goal, a set of general scientific and special methods was used, including the methods of logical analysis, problemchronological, generalization, synthesis, induction, and analogy.Research results. It has been proven that post-folkloric creativity is important for the development of (...) social communications, as it promotes the exchange of information between users of social networks, conveys people’s knowledge, moods, feelings, and emotions. In the cultural aspect, the works of post-folklore appear as cultural heritage of modern urbanized society and are represented by various types and genres. From the point of view of psychology, post-folklore has an impact on individual and social consciousness, on the development of cognitive processes, etc. The emergence of post-folklore in the field of education is separately mentioned, which indicates its important importance for the formation of the worldview of school youth.Conclusions. Today post-folklore is the subject of scientific research as a phenomenon of mass culture and network society, as a means of social communication, as a phenomenon that has an impact on public and individual consciousness and is gradually being established in the field of education. In the era of accelerated development of information and communication technologies, everyone has the opportunity to become a collector or author of post-folkloric creativity. Further research is planned to be carried out in the direction of studying the prospects for the development of post-folklore in Ukrainian and foreign cultures. (shrink)

OBJECTIVES: To measure the preference regarding disclosure of a serious diagnosis, and its determinants, of the Lebanese public. DESIGN AND SETTING: Non-random sample survey of 400 persons interviewed in health care facilities in Beirut in 1995. RESULTS: Forty-two per cent of respondents generally preferred truth not to be disclosed directly to patients. Preference for disclosure was associated with younger age, better education and tendency to rapport-building with physicians. There were no meaningful associations between place of residence (urban/rural), level of (...) religious practice, or religious affiliation, and preference for disclosure. CONCLUSIONS: Under one plausible interpretation, this survey suggests that the expectation for concealment will decrease as the advantage of knowledge in better coping with disease is understood by an increasingly better educated public, and that the Lebanese public will increasingly come to expect direct and full disclosure of serious diagnoses. (shrink)

Folklore in Buddhist and Jaina Literatures. An account of the life of the common people as reflected in Pali, Prakrit and Apabhramsa works. Sures Chandra Banerji. Bibliotheca, Indo-Buddhica 37, Delhi 1987. xv, 120 pp. Rs 130.

This article explores how Paul Féval’s work integrates and transforms Breton legends and popular beliefs to shape a distinctive imaginary novel. Féval, born in Rennes in 1816, was influenced by the oral traditions of his native region. He drew on this rich cultural heritage to create works combining fantasy, the marvellous and romanticism, such as La Femme blanche des marais, Les Belles-de-nuit and La Fée des Grèves. These stories illustrate a hybrid between elements of authentic folklore and literary reinterpretations (...) influenced by European Romanticism. Féval is particularly interested in legendary female figures linked to water and the Other World, such as the White Woman of the Marshes, a spectre protecting the Malestroit family, and the Belles-de-nuit, ghosts mourning their tragic fate. These characters do more than simply enrich the poetic background: they play an active part in the plot and crystallise the introduction of the modern marvellous, where the supernatural emerges in a realistic setting, provoking fascination and turmoil. The novelist also explores the figure of the fairy, as in La Fée des Grèves, where this romantic aquatic creature, both protective and ambiguous, crosses symbolic thresholds between life and death, land and sea. The fairy, often associated with natural forces and sometimes Christianised, reflects the Breton imagination in constant transformation. This article also highlights the way in which Féval uses legends to meet the expectations of a wider audience, eager for a marvellous story that is accessible and rooted in geographical and historical reality. This process includes adapting traditional stories to make them compatible with the serial novel, a genre that values intrigue and mystery. Finally, this article highlights the ideological function of these stories: to re-enchant a modern world perceived as disenchanted by industrialisation and the rise of materialism. The reworked legends thus become a narrative and poetic tool enabling Féval to celebrate a past imbued with spirituality and mystery, while at the same time criticising a society in the throes of change. (shrink)

El autor discurre sobre la historia y esencia del arte, y su relación con las demás manifestaciones del saber humano.

The way in which folklorists study their “scientific subject”, that is the creativity and the rich ways people attach meanings to their existence, has often been considered to be static and decontextualized. An interest in popular culture for propaganda purposes is associated with past regimes. Therefore, the notion of “folklore” still carries contradictory meanings and connotations. The author starts from a debate prompted in Italy by Alberto M. Cirese: in recent decades, Italian “native” ethnology has focused on endangered village (...) traditions rather than opening itself up to new instances of cultural change. The main risk was misrepresenting the methodology proposed by Antonio Gramsci in 1929. Today Italian research into folklore places the subject of “folklore” in its broadest context, investigating developments in society associated with the shift from a peasant to an industrial society, and embarking on additional research domains through transnational cultures. This research draws on the growing interest in cultural heritage in the public sphere, and, simultaneously, draws on recent advances in the study of uses of culture and memory. The paper studies two aspects of daily life: pure yarn handmade clothes and ornaments, and long-life tomato sauce. The study concludes that contemporary everyday folklore takes on many free and unofficial forms that call for a renewed approach. To evaluate the multiplicity of folklore meanings and their capacity to integrate interactions between the traditional and the contemporary in specific contexts, the author explores the practicality of a new idea of folklore as sustainable, popular, domestic creativity using material and immaterial goods. This idea implies a rethink of the concept of heritage and of the complexity of its increasingly official, bombastic and rhetorical manifestations. (shrink)

Noruz, the new year in the Iranian world, corresponds to the spring equinox. The rites and festivities to which this festival gives rise in Iran are described here. But celebrating the new year on a fixed date according to a solar calendar is opposed to the customs of the Muslim world governed by a lunar calendar. The custom of the festival is all the more called into question when the spring equinox and its joyous manifestations correspond to a ritual of (...) mourning, as was the case in 2006. The celebration of Noruz was also prohibited under the Soviet Union and one of the first steps taken by the new Middle Eastern republics was its re-establishment. In Turkey, this popular festival by the Kurds and Alevis was the subject of a reinterpretation, enhancing the patriotic spirit. (shrink)

Games, festivals, folklore, a derivation of them, and artistic expression are manifestations of symbolic invention. To compare them is to bring out the differences in the order of the symbolic production and have, as a consequence, a differentiated perception of the way they function. It is also to put them into a perspective of filial relationship. In fact, a genealogy appears with the processes that regulate the passage from one to the other of these means of expression. Through the (...) successive dissipation of structural stabilizations that are in turn play, festival and folklore, a generative order of complexity is established of which art, with its dynamics open to all expressive invention, is the end result. Finally, it is to discover at the end of the process the literary text, conceived as a work of art, surrounded by expression and preceded by it, appearing from then on according to one of the precepts of the theory of the text, as a production “of society and history” and as issuing from the social phenomenon in its entirety. “I am not only undertaking a study of a sociology of games,” wrote Roger Caillois. “My idea is to lay the foundations for a sociology beginning with games.” We would say of a sociology in which we would be permitted to glimpse the achievement of the task of explaining the entire social phenomenon itself. (shrink)

Examining the establishment of Christianity as a major world religion, Jewish nationalism and the myths and customs of pre-historic Egypt, the volumes in this mini-set, originally published between 1924 and 1929 include work by Winifred Holtby, Edward B Powley and H F Scott Stokes.

A narrative collage of ancient and contemporary storytelling, modern theory, and personal reflection. This title examines the nature of oral culture, its embodied nature, its connection to place, and its use of metaphor, laughter, ethnicity, and intergenerational conversation to create unique kinds of interactions and learning.

Place-lore, which has been systematically collected and archived in Estonia since the 19th century, is a part of various national, communal and institutional practices. Until now, Estonian researchers have resorted to conceptualizing place-lore from the perspective of archival texts, and the focus has been on collecting and archiving the material. At the same time, theoretical study of place-lore has remained in the background. In the article I approach place-lore from the perspective of ecosemiotics and suggest a new definition of place-lore (...) that is based on semiotic relations these narratives have with the environment they represent. Outlining different ways of how vernacular tradition and the environment it represents are semiotically related, and analysing the ways in which these relations are expressed in place-related folklore allows seeing how place-lore can be defined through (1) localizability, (2) representation of the characteristics of a place, and (3) manifestation of place experience. Defining place-lore and presenting the preliminary conceptual tools is much needed in practical collection work and archiving and serves as an important prerequisite for studying the place-related folklore in the context of contemporary challenges, such as changing textual practices, cultural disruptions, and environmental crisis. Examples are drawn from folklore associated with mires, specifically from narratives about the Kakerdaja Bog in northern Estonia. (shrink)

En este artículo se presenta el guión de una conferencia que Roberto Lehmann-Nitsche, pocos años después de radicarse en la Argentina, desarrolló en 1901 acerca del folklore mapuche. La intervención se realizó a solicitud de la Deutschen Frauen Verein, una asociación de mujeres alemanas con sede en la ciudad de Buenos Aires, y abordó aspectos teóricos sobre esta disciplina, entonces en expansión, desde la perspectiva germana. Además, realizó una catalogación de los materiales empíricos documentados por este antropólogo durante los (...) primeros años de su residencia en el país. El texto original, hasta el momento inédito, se entrega en su versión en alemán y en traducción al español. En la presentación se proporciona un análisis que permite reconocer cómo en esta intervención se integran apreciaciones que Lehmann-Nitsche también sostuvo en posteriores publicaciones científicas y de divulgación por él realizadas. Como se sabe, su producción en el campo del folklore comprendió dos vertientes: por un lado, el folklore criollo y por otro, el devenido de arte verbal y tradiciones de los pueblos indígenas preexistentes, en especial textos correspondientes a géneros narrativos y adivinanzas en las lenguas propias y en castellano. En relación con este último aspecto, se retoman aportes de autores filiados en la tradición germana a fin de indicar afinidades y vínculos, con algunos americanistas que eran sus contemporáneos. (shrink)

Mythology is a very ancient, but at the same time a very vital form of creative fantasy. It is a dominant feature in the spiritual culture of primitive societies, and to some extent of ancient societies; it is the principal means of giving an overall sense to the world. In a primitive culture, mythology gives body to an as yet weakly differentiated syncretic unity of unconscious creation, primitive religion and the embryonic forms of pre-scientific notions about the surrounding world. Mythology (...) provides the soil and the raw material for early forms of religion and of poetry. (shrink)

In pre-Columbian times, the Zenu Indians established drainage systems in the wetlands of the Colombian Caribbean that enabled them to exploit this rich ecosystem in a sustained manner. Modern inhabitants of the region are, however, exposed to a regimen of periodic flooding that limits their productive activities. In addition, they are surrounded by large cattle ranches that occupy almost all the land and are responsible for the disappearance of forests that sustain the wild fauna. These peasants employ a classification system (...) for the fauna that favors the criterion of habitat over that of morphology to distinguish categories of animals. Secondary forest animals inspire carnival dances, folk tales, poetry, and songs, while insects and other invertebrates are barely represented in the oral tradition. Fishing provides the principal source of protein for many families, but there are no mechanisms to control the use of large nets that exhaust the resource. The capture of reptiles such as iguanas, turtles, and crocodilians is intensive and is not based on studies that determine the state of the populations and the impact of hunting activities. The author draws attention to the need to take into account local representations of animals in programs aimed at conserving the wetlands and their fauna. She discusses the popular nomenclature, knowledge, attitudes, and beliefs regarding the fauna of a wetland region of the Colombian Caribbean to assist in the design of programs for the sustainable exploitation of the resources of this ecosystem, vital to the survival of local fishermen and peasants. (shrink)

The beginnings of modern Romanian culture coincide with the discovery of folk literature. The first to benefit from this true “revelation,” around the middle of the last century, were two of the most authentic representatives of Romanian romanticism: Vasile Alecsandri and Alecu Russo. However, the earliest manifesto of Romanian romanticism was not very explicit in its treatment of the subject, because others who participated in the current—especially Mihail Kogălniceanu and Nicolae Bălcescu— were primarily historians. In 1840 the contensts of Dacia (...) literară, a magazine edited by them, gave literary status to heroic events that had entered into Romanian history; second place was reserved for the beauty of the Romanian countryside; the picturesque and the poetic content of the traditions held by the people who had lived this history and animated this countryside were only third in importance. Now, the term “traditions” could be applied in the same way to different artistic expressions: dance, music or literature. (shrink)