In this reflection, I respond to Anthony Reddie's reflections and assertions about the sacramentality of black flesh in a world shaped by white supremacy. I locate myself as Korean American and refer to my experience of ministering to university students during the rise of Black Lives Matter in the US. Instead of offering cognate claims for the sacramentality of Asian flesh, I ask what theological repentance should look like in light of the historical profaning of the black body. Using the (...) work of two black American artists, jazz musician Robert Glasper and painter Titus Kaphar, I offer beginning reflections on how our liturgies and practices need to change as part of theological repentance—including lament. (shrink)

Early Syriac Christianity presents two notable paradigms for understanding liturgy as a means for the ethical formation of the congregation. Ephrem the Syrian (d. 373) in his hymns for the Nativity vigil, and Jacob of Sarug (d. 521) in his verse homilies, each addressed their congregations in ways that utilized ritual participation in the liturgy for ethical and moral cultivation. Ephrem sought to instill his congregation with a biblical and theological understanding of the Nativity that would yield ethical (...) enactment in the world. Jacob worked to use the experience of liturgical participation to mold the Christian’s moral disposition. For both, God’s salvation enabled the healing of the human condition in its various dimensions: physical, social, ecclesial. Liturgy as disciplined ritual activity provided the tools by which their congregations could learn, experience, and enact that healing. (shrink)

Liturgy has been the forum for the enactment of a diverse range of theologies, at times stressing the human, at times the divine. Following Emmanuel Levinas, this article understands the meaning of liturgy as ‘a movement of the Same towards the Other which never returns to the Same.’ Whether directed towards God, or expressive of human longing, the structure of liturgy is essentially ‘for‐the‐Other.’ This movement out of self is seen when one considers liturgy as the (...) ‘work of the people,’ where ‘work’ is understood as Œuvre rather than travail. To say that liturgy is œuvre is to situate its significance not in the activity of the subject who has a concern to achieve or realise something through his own effort, but in the Other who inspires the work. The activism of travail finds its counter in the essential passivity of œuvre. By recognising this the horizontal and vertical elements within divine liturgy can be brought together in a mutually indispensable way. As essentially ‘for‐the‐Other,’ responsible service, which is at one and the same time divine service and human service, is at the heart of the liturgy. In liturgy we are drawn out of ourselves in a ‘movement of the Same towards the Other which never returns to the Same’ and which is positively experienced as responsibility. It is not that we first worship and then are called unto service in a movement out of self towards the Otherness of God and thereafter towards the Otherness of the other person. The movement out of self – liturgy – is at one and the same time worship and ethics, an ethical worship, in which justice is rendered both to God and to the other person. (shrink)

The Orthodox liturgy is a religious phenomenon that can be analyzed phenomenologically and theologically alike, given the emphasis that both phenomenology and Orthodox theology place on experience. By proposing the Kingdom of God instead of the natural world without being able to annihilate the latter in the name of the former, the liturgy seeks divine-human communion. Through the dialogue of prayer, through symbolic and iconic openings, as well as through apophatic theology, the liturgy emphasizes the horizon of (...) mystery as a horizon essential to the way man positions himself before God. The present text attempts to demonstrate that apophaticism, understood as an experience of the mysterious presence of God, is one of the crucial dimensions of the Orthodox liturgy; and that this apophatic presence of God reveals a way of thinking which does not become onto-theology, not even when using concepts borrowed from metaphysics. The overcoming of onto-theology is achieved here not by abandoning concepts such as “being” and “cause” but by placing the language game in the field of prayer and apophatic theology. (shrink)

The role of religion in the public space is a matter of debate. The public sphere understood as a space oriented to achieving interests of common concern, reaching social and political consensus by means of deliberation has relegated religion to the private sphere. The last decades have attested a revival of the public role of religion, a “de-privatization” of religion. This paper explores the contemporary influence of religious beliefs and liturgical practice on issues of public concern focusing on the statements (...) and liturgical gestures of Pope Francis, notably regarding the disenfranchised and the refugees, as well as his engagement for the environment. The statements and liturgical gestures of Pope Francis have challenged the dissociation between religious practice and social ethics, and have returned religion to the forefront of public debates. A symbolic example is his unconventional practice of a traditional rite, that of the washing of the feet during liturgical celebrations on Holy Thursday. This classical liturgical rite, brought to public attention through the media, has become the vehicle of Francis’ social ethical views, and due to his involvement in the refugee-debate, a powerful political statement. Such statements are not limited to Catholics or individuals of other denominations, but contribute to the agenda of public discussions. (shrink)

It has been argued that most countries that had been exposed to European colonialism have inherited a Western Christianity thanks to the mission societies from Europe and North America. In such colonial and post-colonial (countries where the political administration is no longer in European hands, but the effects of colonialism are still in place) contexts, together with Western contexts facing the ever-growing impact of migrants coming from the previous colonies, there is a need to reflect on the possibility of what (...) a non-colonial liturgy, rather than a decolonial or postcolonial liturgy, would look like. For many, postcolonial or decolonial liturgies are those that specifically create spaces for the voice of a particular identified other. The other is identified and categorised as a particular voice from the margins, or a specific voice from the borders, or the voices of particular identified previously silenced voices from, for example, the indigenous backyards. A question that this context raises is as follows: Is consciously creating such social justice spaces – that is determined spaces by identifying particular voices that someone or a specific group decides to need to be heard and even making these particular voiceless (previously voiceless) voices central to any worship experience – really that different to the colonial liturgies of the past? To give voice to another voice, is maybe only a change of voice, which certainly has tremendous historical value, but is it truly a transformation? Such a determined ethical space is certainly a step towards greater multiculturalism and can therefore be interpreted as a celebration of greater diversity and inclusivity in the dominant ontology. Yet, this ontology remains policed, either by the state-maintaining police or by the moral (social justice) police. Contribution: In this article, a non-colonial liturgy will be sought that goes beyond the binary of the dominant voice and the voice of the other, as the voice of the other too often becomes the voice of a particular identified and thus determined victim – in other words, beyond the binary of master and slave, perpetrator and victim, good and evil, and justice and injustice, as these binaries hardly ever bring about transformation, but only a change in the face of master and the face of the slave, yet remaining in the same policed ontology. (shrink)

Review of: Liturgy in the twenty-first century: Contemporary issues and perspectives, by Alcuin Reid, ed., pp. xxvi + 367, paperback, GBP17.99.

Ângelo Cardita La pandémie de la COVID-19 n’a pas interrompu que l’existence quotidienne et le déroulement régulier du fonctionnement de l’Église catholique. Bien au-delà de cette interruption, mais appuyée sur elle, la pandémie a fini par mettre en lumière des faiblesses inouïes dans le processus de redécouverte de la dimension rituelle de la foi. Cette étude développe cette ligne de pensée en lui donnant un contenu concret comme contribution au débat sur la valeur et la non-valeur des rites religieux pour (...) l’existence humaine ainsi que des rites profanes pour la vie de foi. L’étude s’organise en deux parties. Dans la première partie — la pandémie rituelle —, on commence par les termes du problème rituel en général, tout en nous concentrant sur les aspects de la pandémie qui peuvent être interprétés à partir de catégories rituelles. Dans la deuxième partie — la kénose de la liturgie —, on explore un chemin de fondation négative de la liturgie chrétienne. (shrink)

Drawing in part on recent work by Eleonore Stump and Sarah Coakley, I shall argue that even if NO HUMAN GOOD is true, divine hiddenness does not cast doubt on DIVINE CONCERN. My argument will turn on three central claims: (a) that ABSENCE OF RELIGIOUS EXPERIENCE and INCONCLUSIVE EVIDENCE are better thought of as constituting divine silence rather than divine hiddenness, (b) that even if NO HUMAN GOOD is true, divine silence is compatible with DIVINE CONCERN so long as God (...) has provided a way for rational creatures to find him and to experience his presence despite the silence, and (c) that there is some reason to think that Biblical narratives and liturgical acts are vehicles by which we might find and experience the presence of God. Each of these claims will be defended, in turn, in the three sections that follow. (shrink)

How do the arts inform and cultivate our service to God? In this addition to an award-winning series, distinguished philosopher Bruce Ellis Benson rethinks what it means to be artistic. Rather than viewing art as practiced by the few, he recovers the ancient Christian idea of presenting ourselves to God as works of art, reenvisioning art as the very core of our being: God calls us to improvise as living works of art. Benson also examines the nature of liturgy (...) and connects art and liturgy in a new way. This book will appeal to philosophy, worship/liturgy, art, music, and theology students as well as readers interested in engaging issues of worship and aesthetics in a postmodern context, including Christian artists and worship leaders. (shrink)

This paper consolidates some evidence on the impact of the liturgy on the epigraphic formulary.Without being an exhaustive study, it pinpoints several prominent examples of this development in the late antique Peloponnese. Textological parallels between inscriptions and extant liturgical texts indicate that liturgical formulae were adopted in epigraphic prayers of individuals as well as in the inscriptions adorning churches, and that authors of epitaphs often drew on the formulae of the eucharistic and funerary rites. The analysis makes it clear (...) that the institutionalised forms of piety were perceived as authoritative and shaped the formation of the distinctively Christian epigraphic habit. (shrink)

The sociology of language has been concerned primarily with the use of language in everyday interactions, resulting in important theoretical contributions, particularly to conversation analysis. In responding to Simon Susen’s “Bourdieusian reflections on language: Unavoidable conditions of the real speech situation”, which emphasizes the inherent “sociality” of symbolic forms, this article directs attention to an important location of language, namely to its role in public rituals or liturgies. Looking at the history of the Book of Common Prayer within the framework (...) of symbolic violence, this article examines the power struggles over public rituals that over time came to shape the very notion of “Englishness” through shared, if contested, liturgical worship. (shrink)

Both liturgy and morality are "formed references" to Divine events to which faith also testifies. So there is parity among the orandi, the bene operandi, and the credendi of the Christian church, and multi-directional, shaping influences among them. An ethicist's understanding of morality is diminished without the context of liturgy and the rule of faith. An impoverished or distorted, shapeless liturgy influences the morality we credit. If today the church struggled for itself against itself over a proper (...) understanding of the Christian moral life, this would be both reflected in and aided by certain liturgical innovations. (shrink)

THE CONCEPT OF LITURGICAL ASCETICISM SERVES TO RELATE LITURGY and ethics as seen in the case of energy conservation. Disciplined practices undertaken to limit energy consumption can deepen contemplative awareness of God's creative energy as work in the world and the moral significance of human cooperation with it as an expression of one's baptismal commitment rooted within a particular faith community. The liturgical location of the moral agent who engages in such askesis implies a sacramentally informed epistemology as a (...) way of knowing oneself in relation to God and all of created reality that imbues conservation practices with eschatological meaning. (shrink)

For two millennia Christians have assembled on the “day of the sun” to celebrate the liturgy together. But why do it? Why structure one's life in such a way that participation in ritualized religious activity is a fixed point in the weekly rhythm of one's comings and goings? The project of this essay is to identify reasons to engage in such activity that emanate from the Christian ethical vision. Fundamental to this vision is a contrast between an ethic of (...) proximity, which enjoins us to attend to the needs of those near and dear, and an ethic of outwardness, which enjoins us to both attend to and open ourselves up to the needs of those who belong to various out-groups. The Christian ethical vision enjoins an ethic of outwardness. A close look at the liturgies of the Eastern Christian tradition reveals the ways in which they express this ethic. (shrink)

This study is inspired by the thirst for a living theater by Antonin Artaud. We begin by looking for points of contact between the theater of cruelty and the Christian liturgy in the perspective of the call for active participation. Next, we question the philosophical transcription of Artaud’s gesture made by Derrida and, in particular, the liturgical significance of the theological criticism of the theater, that is, the criticism of the theological content of any representational theater. We conclude by (...) revisiting the question of the status of sensitive mediations, with the aim of consolidating the intuition of a wider cultural change within which we can situate the interest for the symbolic and ritual immediacy that characterizes the proposals of Artaud as well as those of the emerging liturgical theology. (shrink)

In this paper, the possibility of considering liturgy as a work of laziness is developed from one essay of radicalization of the ritual notions of “counterstructure” and “liminality” (V. Turner). We begin by highlighting the fundamental aspect of François Nault’s theological reflection on laziness : the investigation of a new modality of action. We immediately turn to the paradox represented by the daily invitation to enter within the “today” of the divine rest that nourishes the Christian ritual work. Then (...) we reconsider the issue of liturgy as work to question both the thesis that liturgy is the true paradigm of modern work and duty (Agamben) and the perspective that makes it the core of leisure and culture (Pieper). We finally return to the issue of laziness to offer a ritual rereading of the dialectic that connects it to work. (shrink)

In this article a case is made for considering the liturgy as theological norm par excellence. The case is built up by relying on an emphatic current of thought within the field of liturgical studies, namely the ‘liturgical theology’ as it was developed by Alexander Schmemann, Aidan Kavanagh, and David W. Fagerberg. After presenting the concept of ‘liturgical theology’ and the context out of which it emerged, its major characteristics are discussed. Particular attention is devoted to the radicalness of (...) their position. It can be called radical because the reversal of the relation between doctrine and liturgy is by no means evident for the vast majority of modern believers and theologians. However, ‘liturgical theology’ claims that it is not doctrine which determines liturgy but liturgy which determines doctrine. According to liturgical theologians, the liturgy is not simply the ritual expression of the content of faith, but itself theology, even theologia prima . Correspondingly, liturgical theologians point to the original wording of the famous adage lex orandi lex credendi , which is the following: ut legem credendi lex statuat supplicandi . Whereas the usual formulation suggests equality and mutual dependence, the original context lays bare a clear priority of the rule of prayer over the rule of faith. In the final part of the article I explore some avenues to the evaluation of ‘liturgical theology’. I argue that there is need for a more profound philosophical underpinning and historical adequacy. But nevertheless the idea that the liturgy constitutes a theological norm stands firmly and should be considered far more broadly and seriously among contemporary systematic theologians. (shrink)

Experience of the sublime is most often discussed as a facet of the aesthetic experience of nature. In this paper, I argue that religious liturgy can be a source of sublimity and that experiences of the liturgically sublime are analogous to aesthetic experiences of nature and natural sublimity. Experiences of the liturgically sublime are not religious experiences, since the aesthetic experience of liturgy is not dependent upon any particular belief, such as belief in a deity, does not communicate (...) specific information, and is fundamentally physical in its experience, since it is based upon sensory experiences of the physical environment. I conclude that, as aesthetic experiences of liturgy are similar in important ways to experiences of natural sublimity and can be fully appreciated by any attendant of a liturgy, so can anyone, regardless of belief set or religious background, experience and appreciate liturgical sublimity to the fullest degree. (shrink)

The connection between liturgy and ethics has been an explicit subject of interest among Christian theologians since the second half of the twentieth century. However, most calls for a substantive integration of worship and Christian morality have proceeded in a single direction. Liturgy provides the foundations of an ecclesial ethic that is directed primarily outward as a witness to the world. A troubling consequence of this general approach to linking liturgy and ethics is that the church, situated (...) in an iconic or kerygmatic role, rarely turns its ethical attention inward. In this essay, I offer a reading of the relationship between liturgy and ethics that may begin to overcome these limitations. In dialogue with Orthodox theologians Alexander Schmemann and Vigen Guroian, I propose a renewed emphasis on the eschatological dimension of eucharistic liturgy that, when theorized through the lens of virtue ethics, can yield a more dynamic, inward-facing ecclesial ethic. (shrink)

The liturgy is the unique intersection of the worshipping community’s spiritual and theological life. John Henry Newman’s 1830 series of liturgy sermons—most of which were not published until 1991—not only supports this description but is also particularly relevant to the Church of the twenty-first century, which struggles with the issue of the community’s liturgical participation as part of its spiritual and theological life.

Ritual atonement for Cohen aims exclusively at ethical repentance. Sins, or ethical failures, are regarded as unwitting misdeeds, corrigible once recognized. As individuals continue to vacillate, their need for repentance remains life-long. Rosenzweig, however, considers redemption from sin impossible without recourse to miracles. Individual failures are failures in wish, Rosenzweig implies, rather than failures in deed, as Cohen maintains; hence atonement requires above all the ongoing regulating of wishes through liturgical prayer. "Repentance" (t'shuvah), which for Cohen is the "return" to (...) ethical integrity, is for Rosenzweig the "return" to the daily, weekly, and yearly prayers of the Jewish liturgy. (shrink)

The purpose of this paper is to suggest that sport can be understood as a form of engagement with the fundamental contingency and vulnerability of the human condition, and as such that it expresses a yearning for meaning in a modern society that offers only the illusion of meaning. Sport, at its most profound, is argued to be a negative liturgy, in the sense that it highlights an absence of meaning, rather than offering a positive alternative. The paper draws (...) on an analysis of contemporary society, and resultant defence of the potential role that liturgy might play in restoring meaning and a sense of transcendence to society, that is offered by the Radical Orthodoxy theologian Catherine Pickstock. (shrink)

Ever since Walter Benjamin drafted his theses on the philosophy of history, Critical Theory has attempted to theorize beyond the crisis of modernity and its concept of progress as what Adorno mockingly described as a linear trajectory from Adam and Eve to the Atom Bomb, Auschwitz and the Gulag. Today, over half a century after the defeat of Nazism, in the post-communist age of nuclear disarmament, the telos of progress would have to be updated, at best, to a consumerist wasteland (...) punctuated by McDonalds and Disneylands—an immensely less catastrophic but equally debilitating spiritual outcome. Although the Frankfurt School was always…. (shrink)

More than an introduction to Levinas's philosophical itinerary and the position where it matures, Liturgy of the Neighbor is also a critical discussion and original response to an acknowledged master of the twentieth century. The Levinas who appears in this dialogue is a thinker not only determined to get free of Western tradition, but also one whose project and claims shed new and penetrating light on the major figures whose work stood in his way. By moving to this level, (...) where Levinas's teachers and opponents speak for themselves and not only in the voices Levinas has assigned to them, Bloechl presses the discussion beyond an evaluation of Levinas's readings of his interlocutors, and beyond the question of his success in getting free of them, to the more urgent task of weighing the stakes of reestablishing religion, and the ethics where it has meaning, after Nietzche and, above all, Heidegger. (shrink)

The truth of the Church corresponds to a ‘political’ ethic that is cultivated in the Divine Liturgy. To the extent that the Church is signified in the Divine Liturgy, the criterion for what is politically prudent should be sought in the Divine Liturgy. We will argue that such a pursuit leads to the designation of a governance ethics that concerns not only political and church leaders but also any Christian, or any person, who exercises ‘governance’ within the (...) framework of his own roles and responsibilities. In the Divine Liturgy we do not simply have a conception of Church as polis but also the notion of any polis as liturgy. (shrink)

This article explores Karl Rahner’s conception of the “Liturgy of the World” in light of the theme for the 2019 Annual Convention of the Catholic Theological Society of America, “Another World is Possible: Violence, Resistance and Transformation.” Employing Rahner’s hermeneutics of worship, violence can be conceived as a denial of this cosmic liturgy, transformation as conversion to it, and resistance as the stance opposing the denial. Resistance entails solidarity with all humanity in liturgical participation and in action for (...) social justice. Metz’s political-theological critique of Rahner, with assistance from Bruce Morrill’s analysis of Metz’s work for liturgical theology, and Rahner’s reference to Teilhard’s “Cosmic Mass,” taken today in light of contemporary cosmology with assistance from Roger Haight’s non-dualistic approach to models of God, are among the implications to be considered for engaging Rahner’s vision in ongoing efforts at liturgical renewal. (shrink)

L'A. étudie la relation entre les images et la liturgie à partir de l'exemple du Codex Paris. Gr. 510 des Homélies de Grégoire de Nazianze.

Much social theory tends to emphasize the external goods of social practices, often neglecting the internal goods of those practices. For example, many analyses of religious rituals over-emphasize the instrumental and individualistic ends of prayer and liturgy by describing such religious practices as effective means for achieving external ends like positive emotions, psychological benefits, social status, or social capital. By contrast, we use a neo-Aristotelian virtue ethics perspective to analyze the relational goods, such as trust and intimacy, which are (...) expressed and sustained through ritualized social practices. Using ethnographies of Haitian and Ghanaian Christians in the U.S., we demonstrate that prayer and liturgy can also be understood as constitutive-ends practices, practices in which human persons engage to sustain relations with others because there are goods inherent to those relationships. We further argue that in many religious practices, the end goals and the means—i.e. specific aspects of the practice—are inseparable. Our approach to developing theory combines critical engagement with numerous other theorists and also exploring how well various theories can explain the motivations and experiences of participants in the religious rituals where we conducted our ethnographies. (shrink)

The Qing dynasty scholar Liu Yuan (1768-1856) developed a unique system of thought, merging Confucian learning with ideas and practices from Daoism and Buddhism, and was eventually venerated as the founding patriarch of an influential movement combining the characteristics of a scholarly circle and a religious society. Liu Yuan, a native of Sichuan, was an outstanding Confucian scholar whose teachings were commonly referred to as Liumen (Liu School). Assisted by his close disciples, Liu edited a Daoist ritual canon titled Fayan (...) huizuan (Compendium of Ritual Words). Daoist priests affiliated with the Liumen community and using the Fayan huizuan canon in their rituals constituted an independent liturgical branch of Daoism, which is still extant and known under the name of "Fayan tan" (Altar of Ritual Words). Following a comprehensive description of the Liumen tradition, the volume by Volker Olles discusses the compilation history of the Fayan huizuan canon, the lineage of the Fayan tan priests, as well as the temporal framework of their liturgy. The main part of the volume consists of a detailed study of the ritual canon, identifying its textual sources and describing its pantheon, the influence of the Liumen ideology on its texts, as well as the function and performance of its rituals in contemporary religious practice. Furthermore concluding thoughts about the Fayan tan tradition's role in present-day Sichuan constitute the epilogue. By showing how members of the Confucian elite were involved in the evolution of modern Daoism, this study sheds light on hitherto obscure or poorly understood aspects of the intellectual and spiritual culture of Southwest China. (shrink)