Wagner’s reform of opera into musical drama introduced new formal solutions, which have been sparking discussions between analysts from the moment Wagner’s mature works (_Der Ring des Nibelungen_, _Tristan und Isolde_, _Die Meistersinger von Nürnberg, _and _Parsifal_) premiered. It was Friedrich Nietzsche who formulated the most famous critique of Wagner’s alleged inability to handle great forms, which stems from miniaturism as the principal compositional characteristic, or even as the main symptom of Wagner’s decadent style. Drawing from Karol Berger’s book _Beyond_ (...) _Reason_, this paper will look at the historical context of Nietzsche’s reproach, question its adequacy, and lastly illuminate the paths and problems the artist and the philosopher faced while exploring new ways of thinking and creating in the times of crisis brought on by the decline of the Enlightenment’s faith in the power of reason. (shrink)

Članek obravnava literarno ustvarjanje dr. Joža Lovrenčiča (1890–1952), slovenskega pesnika, pisatelja, prevajalca in klasičnega filologa. Prinaša nekatere življenjepisne informacije in na njihovi podlagi obravnava zlasti njegovo afiniteto do rimske in grške antike. S tem v zvezi se posveča njegovi mladostni povesti Med Scilo in Karibdo in epski pesnitvi Sholar iz Trente (1939). Še posebej pri slednji je najti vrsto navezav in citatov iz klasičnega sveta, hkrati pa pesnitev na več mestih s slovenščino meša latinske besede ali v latinščino celo povsem (...) preide. Te odlomke je tudi vsebinsko mogoče povezati z literarnim slogom makaronske latinščine. (shrink)