Perception et action : la pluralité des styles perceptifs selon M. Merleau-Ponty et I. MurdochAutant M. Merleau-Ponty que I. Murdoch ont souligné la pluralité des styles perceptifs comme un aspect structurel de l’expérience, rigoureusement lié à la configuration morale du percevant. La compréhension de l’agir humain s’insère dans l’optique d’une ampleur perceptive plus ou moins grande, sans ignorer que les évaluations morales entrent comme facteurs d’orientation dans les descriptions du monde. Les deux auteurs posent la compréhension de l’activité pratique en (...) connexion stricte avec la structuration perceptive, réfutant la mythification de pseudofacultés psychologiques comme le désir, le choix, la volonté. Leurs propositions les plus intéressantes pour leurs conséquences implicites dans le champ éthique concernent la confi guration plurielle du perçu et ses possibilités de remodulation qui permettent une réorganisation continue de l’expérience. L’article relève quelques différences de développement dans cette position commune et identifie certains noeuds problématiques irrésolus qui sont l’objet de débats éthiques actuels.Perception and Action: The Plurality of Perceptual Styles according to M. Merleau-Ponty and I. MurdochM. Merleau-Ponty, just as much as I. Murdoch, has emphasized the plurality of perceptual styles as a structural aspect of experience, rigorously linked tothe moral configuration of the perceiver. The understanding of human action fits into the optics of a more or less large perceptual range, without ignoringthat moral evaluations enter as orienting factors into descriptions of the world. The two authors posit the understanding of practical activity in strictconnection with perceptual structuration, refuting the mythification of such pseudo-faculties as desire, choice, and will. Those propositions of theirs whoseimplied consequences are the most interesting for the field of ethics concern the plural configuration of the perceived and its possibilities of remodulationthat permit a continuous reorganization of experience. The article takes up several differences in the development of this common position and identifiescertain problematic and unresolved knots that are the object of current ethical debates. (shrink)

Massimo Reichlin, Fondamenti di bioetica; Antonio D'Aloia, a cura di, La tempesta del Covid. Dimensioni bioetiche; Maria Zanichelli, a cura di, La persona come categoria bioetica. Prospettive umanistiche; Ferruccio Andolfi, a cura di, L'uomo e l'unico; Roberto Cipriani, L'incerta fede. Un'indagine quanti-qualitativa in Italia; Marcella D'Abbiero, Affetti privati, pubbliche virtù. La psiche come fattore politico.

Ringraziamo Michele Bertolini per averci permesso di riprodurre il suo testo. Esso è sato pubblicato per la prima volta nella rivista De Musica, V, 2001. Introduzione Nell'opera di Raymond Bayer , uno dei protagonisti dell'estetica francese di ispirazione realistico-formale e cofondatore insieme a Lalo e Souriau della Revue d'esthétique nel 1948, la riflessione specifica sulla musica e sul sentimento estetico della natura occupa un posto importante ma certamente non esclusivo - Musique et Musicologie – GALERIE – Nouvel article.

O presente trabalho se propõe a refletir acerca do sofrimento emergido em meio à grave crise sanitária instalada pela pandemia do novo coronavírus (SARS-COV-2), considerando as mudanças nas dinâmicas de vida da população como a adoção de medidas de distanciamento social, quarentena, uso de máscaras, dentre outras contingências que transformaram o cotidiano e o ritmo das existências contemporâneas. O crescente número de casos e mortes, as modificações nas rotinas de casa, trabalho e relações sociais vêm repercutindo na saúde mental das (...) pessoas e desencadeando vários sofrimentos, expressos nas queixas que chegam diariamente aos serviços de acolhimento psicológico.Considerando, assim, a experiência de escuta clínica das pessoas em sofrimento neste período, com o objetivo de refletir sobre os modos de vida e sofrimento que se desvelam em meio ao contexto pandêmico, recorremos ao pensamento do filósofo alemão Martin Heidegger para pensar o tédio e a técnica moderna como os sentidos e afetos que caracterizam e afinam as existências contemporâneas; bem como as suas repercussões nas experiências de sofrimento que se revelam em meio aos novos modos de existência assumidos durante a pandemia de covid-19. (shrink)

Hegel’s philosophy had a decisive role in the development of Eugen Fink’s thought, by suggesting the conceptual means to elaborate a third phenomenological paradigm beyond Husserl and Heidegger. In particular, this applies to the cosmological ontology that Fink developed after World War II, aimed at overcoming metaphysics while combining ontology with the rigorous method of phenomenology and a cosmological interpretation of being. In this regard, Hegel appeared to Fink as the first Western philosopher who had conceived the ground of beings (...) without basing on ontic models, that is, as dynamical genesis of the structure of the world and human experience. The aim of the paper is to deepen Fink’s interpretation of Hegel’s philosophy and to show how (and to what extent) Hegel is not a metaphysical thinker in this perspective. What is Hegel’s conception of being? Fink’s work Sein und Mensch provides responses to this question. (shrink)

In Liberalism in Dark Times, an important, impressive and well documented book, Joshua Cherniss, associate professor of government at Georgetown University, focuses on an aspect of liberal theory t...

Francis Fukuyama, who teaches at Stanford, has written, in Identity, a highly accessible, compellingly written work. He argues that the “demand for recognition of one’s identity is a master concept...

The phenomenological interpretation of the human being is not a naturalistic explanation. Likewise phenomenology does not interpret the human being as an example of a complex animal: from a phenomenological point of view man is not an animal, inasmuch as his definition and his essence imply a specifically human component, which cannot be attributed to the linear development of animal complexity. However, this does not mean that any animal component is excluded from the structure of humans. How can human animality (...) be acknowledged without denying human specificity and upholding a reductionist view? The purpose of the paper is to analyse and compare two different ways in which the phenomenological tradition has answered this question. (shrink)

The essay focuses on Jeff Wall’s theoretical writings and artistic productions. The inquiry on the photograph’s medium has been re-enacted in the late 1970s and 1980s by the use of the large scale and the “tableau-form”; in Wall’s work the large scale of the images, coupled with the light box, stimulates at the same time a new relationship with the beholder’s gaze and the possibility of a historical dialogue with other media, like painting and cinema. By the analysis of photographs (...) like Mimic and A view from an Apartment the interplay between document and fiction, capture of everyday and mise en scène appears at the core of Wall’s research and a main subject in contemporary photography. (shrink)

The question of laterality lies at the core of the image description technique in Diderot’s Salons. This essay aims at examining the role of laterality through a close analysis of Diderot’s commentaries of some artistic works. It is possible to recognize the role of laterality in the beholder’s gaze, in the aesthetic re-creation during the process of reception and, finally, in the inversion of left and right as productive development of the artistic image.