There are striking differences between the scientific theoretical description of the world and the way it seems to us. The consequent task of relating science to ’the world we live in’ has been a problem throughout the history of science. But have we made this an impossibility by how we formulate the problem? Some say that besides the successive world-pictures of science there is the world-picture that preceded all these and continues to exist by their side, elucidated by more humanistic (...) philosophers. Wilfrid Sellars codified this conviction in his dichotomy of scientific image and manifest image. Others say that all our world-pictures are transient, evolve, conflict with and replace each other, undergo violent revolutions as well as periods of normal development, and may be incommensurable, allowing of no meaningful dialogue. All such formulations may themselves be tendentious metaphysics, full of false contrasts. Insistence on a radical separation between science and what we have apart from science, on the impossibility of accommodating science without surrender, may be a way of either idolizing or demonizing science rather than understanding it. (shrink)

It is very contentious whether the features of the manifest image have a place in the world as it is described by natural science. For the advocates of strict naturalism, this is a serious problem, which has been labelled ‘placement problem’. In this light, some of them try to show that those features are reducible to scientifically acceptable ones. Others, instead, argue that the features of the manifest image are mere illusions and, consequently, have to be (...) eliminated from our ontology. In brief, the two options that are open to strict naturalists for solving the placement problem are ontological reductionism and eliminativism. Other advocates of naturalist philosophy, however, claim that both these strategies fail and, consequently, opt for ‘mysterianism’, the view according to which we cannot give up the recalcitrant features of the manifest image even if we are not able to understand the ways in which they could be reduced to the scientific features. Mysterianism has the merit of facing the difficulties that whoever wants to explain reductively, or explain away, the features of the manifest image encounters. It is also a defeatist philosophical view, though, since it considers the most important philosophical problems as unsolvable mysteries. For this reason, I argue that mysterianism can also be taken as a reductio of strict naturalism, given its presumption that all phenomena are either explainable by the natural sciences or to be rejected as illusory. In this article, it is argued that the failures of reductionism, eliminativism and mysterianism should teach us that both the scientific image and the manifest image of the world are essential and mutually irreducible but not incompatible with each other. To support this claim, in the second part of the article, the case of free will is discussed. (shrink)

Most readers of Sellars' philosophy learn about a Manifest-Scientific Image distinction, and because apparently nothing significant hinges on what at first sight seems just a neologistic labeling of a familiar distinction, it is henceforth wrongly associated with a pre-systematic commonsense/scientific framework distinction. The Manifest Image is not identical to the commonsense framework; nor is the Scientific Image identical to the scientific framework. In this paper I will concern myself only with arguing that the Manifest (...) Image is not identical to the commonsense framework. (shrink)

It is often stated that the image of the world which our senses present to us contradicts the scientific worldview in important respects. I challenge this position through a number of arguments centered on the nature of perception and of perceived qualities.

Claims such as ‘there are no tables and chairs’ have become increasingly common in the philosophical context, and eliminativism is now a fairly well-established position in contemporary debates in analytic metaphysics. This outbreak of eliminativism has prompted a number of responses aimed at saving the manifest image of reality. Prominent amongst the attempts to save the manifest image is a view, powerfully articulated by Frank Jackson in From Metaphysics to Ethics , according to which the (...) class='Hi'>manifest properties of objects, properties such as solidity or fragility, can be spared from the eliminativist’s guillotine if it can be shown that they are entailed (through the relation of supervenience) by scientific properties. Jackson’s strategy for saving the manifest image rests on a modest conception of the role of conceptual analysis in metaphysics. On this view, the role of conceptual analysis is modest because it is not the task of philosophy to establish a priori what there is, but rather to determine which features of the manifest image can be located within the scientific image: the manifest properties which cannot be so located are shown to be rogue concepts that have no place in serious metaphysics. This chapter argues against the attempt to save the manifest image by invoking the relation of entailment (whether that implied by the notion of supervenience or by the more traditional notion of analytic entailment) on the grounds that the manifest image is sui generis. The defence of the manifest image that I propose as an alternative here rests on the idealist assumption that knowledge makes a difference to what is known, and that since the manifest and the scientific image are the correlative of two different ways of knowing they do not compete with one another. I call the idealist view that knowledge makes a difference to what is known the Reciprocity Thesis. Rather than seeking to determine what kind of manifest image one is entitled to have in order to comply with the scientific image, the Reciprocity Thesis limits the claims of science to its own explanandum and therefore sees no need to legitimise the manifest image by invoking the relation of entailment. The need to legitimise the manifest image in the light of the scientific image arises because the relation between the scientific and the manifest image has not been properly conceptualised. Once the scientific and the manifest image are understood as the correlative of different ways of knowing, the problem which the location strategy seeks to solve is shown to rest on a misconception of the relationship holding between different kinds of knowledge. (shrink)

The essay argues that, on their usual metalinguistic reconstructions, the open question argument and Frege’s puzzle are variants of the same argument. Each are arguments to a conclusion about a difference in meaning; each deploy compositionality as a premise; and each deploy a premise linking epistemic features of sentences with their meaning (which, given certain meaning-platonist assumptions, can be interpreted as a universal instantiation of Leibniz’s law). Given these parallels, each is sound just in case the other is. They are, (...) in fact, unsound. The essay first argues that reformulations of these arguments directly in terms of Leibniz’s law are unsound and then that subarguments of the metalinguistic versions are unsound for structurally similar reasons. Finally, given how the theory/observation distinction is deployed in linguistic practice, the meaning-platonist assumptions are shown to be optional. (shrink)

Wilfrid Sellars famously argued that we find ourselves simultaneously presented with the scientific and manifest images and that the primary aim of philosophy is to reconcile the competing conceptions of ourselves and our place in the world they offer. I first argue that Sellars’ own attempts at such a reconciliation must be judged a failure. I then go on to point out that Sellars has invited us to join him in idealizing and constructing the manifest and scientific images (...) by conflating a number of importantly distinct contrasts between heterogeneous forms of representation we employ and to argue that we are better off declining this invitation. Recognizing the important differences between these contrasts does not simply obviate the problems of integrating, connecting, and reconciling the various sorts of representations we have of various parts of the world and our own place within it, but it reveals as misguided the notion that there is just a single, fundamental problem of such reconciliation to be solved. It also suggests a potentially far more promising starting point for trying to satisfy the fundamental ambition Sellars attributes to philosophical inquiry itself. (shrink)

This paper addresses the question whether or not philosophical discourse can avail the categories of the scientific image. I argue that the clash of the images is bet- ter understood on the semantic rather than the ontologic level and that it results from the challenge to the representational adequacy of the categories tha articulate the conceptual repertoires of the manifest image. A challenge that will be met by a succesful recategoriza- tion of the concept of a person (...) in the scientific image. I suggest some reasons to believe that such a recategoritazion is possible in principle without dismantling the philosophical discourse. (shrink)

Despite how he begins, suggesting that it is somehow a problem for me that I think "there is such a thing as philosophy, which could then be useful for psychopathology," ultimately it is clear that the possibility of philosophy is not the issue for Ghaemi. Rather, his issue is with academic philosophy of psychiatry, as he sees it, and with my failure to ask what underlying assumptions typically operate in it.I do not dispute that someone like Jaspers would want to (...) ask such a question, nor do I dispute that it is, in general, a perfectly good question. But Ghaemi thinks that my paper is missing out on something by not posing it. The reason he thinks this is because he thinks my paper is an instance of a pattern in the discipline against which he evidently has an axe to grind. In particular, he thinks philosophy in general should be more attendant to the ways in which Diagnostic and Statistical Manual of Mental Disorders (DSM) categories are (problematically) socially constructed. The fact that philosophers have failed to critically point this out allegedly shows philosophy of psychiatry's— and my—unexamined sympathy with the postmodern tendencies—understood as tendencies toward "relativism about truth" and "skepticism about science"—of psychiatry itself. This is odd for a number of reasons, especially in the present context. Firstly, I am not presently in a position to exhaustively defend all of philosophy of psychiatry on the charge of 'postmodernism,' or on the charge of failure to critically engage with the DSM, but it is worth simply stating that I find these to be rather patently unsubstantiated charges. Prominent works that falsify the latter and easily come to mind are by Tsou (2011), Cooper (2004, 2007), Horwitz and Wakefield (2007), Murphy (2006), Poland and von Eckhardt (2013), and Lalumera (2016). Of these, only Lalumera is interested in defending a DSM-style descriptivism (which perhaps Ghaemi would call a kind of "social constructionism"), but even she limits her defense of DSM categories to their role as reference-fixing representations. It is also true that Tsou's paper is an argument that the practical considerations which go into shaping the DSM categories sometimes represent values that permissibly operate in psychiatry. Perhaps this could be construed as a kind of social constructionism as well, and presumably Ghaemi would disagree with it, but no one here is guilty of a failure to engage critically with the DSM and its history. Further, whichever position is taken by these theorists on whether the DSM does, or even one day could, cut nature at its joints, or whether some of the values that shape its construction do so permissibly or impermissibly, one's acceptance or rejection of relativism about truth is an entirely logically independent matter. (shrink)

Accession Number: ATLA0001712279; Hosting Book Page Citation: p 784-800.; Language(s): English; General Note: Bibliography: p 799-800.; Issued by ATLA: 20130825; Publication Type: Essay.

The paper bridges between a science-based metamathematical model of emerging truth and truth emerging from inquiry within ordinary contexts of argumentation. This requires that the underlying intuitions driving the notion of truth in the scientific image be made clear and analogues identified in a manner that permits their application within the ordinary contexts found in the manifest image.

Amidst the progress being made in the various (sub-)disciplines of the behavioural and brain sciences a somewhat neglected subject is the problem of how everything fits into one world and, derivatively, how the relation between different levels of discourse should be understood and to what extent different levels, domains, approaches, or disciplines are autonomous or dependent. In this paper I critically review the most recent proposals to specify the nature of interdiscourse relations, focusing on the concept of supervenience. Ideally supervenience (...) is a relation between different discourses which has all the advantages of reduction, but without its disadvantages. I apply the more abstract considerations to two concrete cases: schizophrenia and colour. Usually an interlevel or interdiscourse relation is seen as asymmetrical: the overlaying discourse depends on the underlying discourse (and not vice versa), where the out- or un-spoken assumption is that the ultimate underlying discourse is physical. Instead I argue that scientific categories referred to in interdiscourse relations are, ultimately, dependent on common sense categories and common sense normative criteria. It is the manifest categories and common sense ideas about what is reasonable and what is right that determine the relevant categorisations at the deeper, underlying levels. I suggest that the implications of this are not merely methodological or epistemological. (shrink)

The epistemic closure principle says that knowledge is closed under known entailment. The closure principle is deeply implicated in numerous core debates in contemporary epistemology. Closure’s opponents claim that there are good theoretical reasons to abandon it. Closure’s proponents claim that it is a defining feature of ordinary thought and talk and, thus, abandoning it is radically revisionary. But evidence for these claims about ordinary practice has thus far been anecdotal. In this paper, I report five studies on the status (...) of epistemic closure in ordinary practice. Despite decades of widespread assumptions to the contrary in philosophy, ordinary practice is ambivalent about closure. Ordinary practice does not endorse an unqualified version of the epistemic closure principle, although it might endorse a source-relative version of the principle. In particular, whereas inferential knowledge is not viewed as closed under known entailment, perceptual knowledge might be. (shrink)

The paper in general investigates Kant’s transcendental theory of moral psychology in its relation to Sellarsian characterization of origin of normativity with respect to the preconditions of a complete conception of humans and their actions. The complete conception of humans and their actions is a conception in which we are able to account for free human in general and for his free will in particular in accordance with the natural law. I argue that Sellars’ manifest and scientific images of (...) a person on the one hand and Kant’s empirical and intelligible character on the other hand has similar accounts for acquiring the knowledge of the source of our normative assessments. In both it is considered that manifest or empirical conception of a person within nature in general fails to provide a deductive procedure from which one can derive the complete conception of a person as a free being in itself. I further argue that any set of procedure for identifying the source of normativity and of our normative assessments cannot be provided from an ontologically oriented perspective in which we aim at establishing a naturalistic model of normativity- a model where accurate descriptions and true explanations of causal relations in the world of appearances can allow us to make sense the blameworthiness of the moral agent as the normative force applied on his actions. (shrink)

Consider this chess puzzle. White to checkmate in two. It appeared recently in the Boston Globe, and what startled me about it was that I had thought it had been proven that you can’t checkmate with a lone knight (and a king, of course). This is a counterexample, a strange circumstance that can arise in a legal game of chess. This fact is a higher-order truth of chess, namely that the “proof” that you can never checkmate with a lone knight (...) and king is unsound. Now let’s consider chmess (I made up the term); it’s the game that you get by allowing the king to move two spaces, not one, in any direction. I made it up and I don’t know if anybody has ever played it. I have no idea whether it’s worth playing. Probably it isn’t, but it doesn’t matter; it’s not even worth our attention long enough to figure out. But a moment’s reflection reveals that there are exactly as many higher-order a priori truths of chmess as there are of chess, namely, an infinity of them. And no doubt they would be roughly as difficult to discover and to prove as the higherorder truths of chess. There are people who make a living working out the truths of chess and certainly it’s been a big avocation for many other people. But I doubt if anybody yet has spent more than 5 minutes trying to work out the a priori truths, and the higher-order truths, of chmess. (shrink)

Amidst the progress being made in the various (sub-)disciplines of the behavioural and brain sciences a somewhat neglected subject is the problem of how everything fits into one world and, derivatively, how the relation between different levels of discourse should be understood and to what extent different levels, domains, approaches, or disciplines are autonomous or dependent. In this paper I critically review the most recent proposals to specify the nature of interdiscourse relations, focusing on the concept of supervenience. Ideally supervenience (...) is a relation between different discourses which has all the advantages of reduction, but without its disadvantages. I apply the more abstract considerations to two concrete cases: schizophrenia and colour. Usually an interlevel or interdiscourse relation is seen as asymmetrical: the overlaying discourse depends on the underlying discourse (and not vice versa), where the out- or un-spoken assumption is that the ultimate underlying discourse is physical. Instead I argue that scientific categories referred to in interdiscourse relations are, ultimately, dependent on common sense categories and common sense normative criteria. It is the manifest categories and common sense ideas about what is reasonable and what is right that determine the relevant categorisations at the deeper, underlying levels. I suggest that the implications of this are not merely methodological or epistemological. (shrink)

Emotion Review, Volume 14, Issue 4, Page 279-287, October 2022. This article clarifies and defends my view of emotional feeling in response to the commentaries by Ronnie de Sousa, Rick Furtak, Agnes Moors, Kevin Mulligan, Rainer Reisenzein and Philipp Schmidt. The issues addressed concern my critique of the axiological receptivity view, my proposed alternative, i.e. the position-taking view, as well as my methodological commitments.

Sellars (1963) distinguished in Empiricism and Philosophy of Mind between ordinary discourse, which expressed his “manifest image”, and scientific discourse, which articulated his “scientific image” of man-in-the-world in a way that is both central and problematic to the rest of his philosophy. Our contention is that the problematic feature of the distinction results from Sellars theory of inner episodes as theoretical entities. On the other hand, as Sellars attempted to account for our noninferential knowledge of such states, (...) particularly in correspondence with Castañeda, discussed by Lehrer and Stern (2000), he is lead to account of representation of such states that incorporates the states into what Lehrer has called exemplar representation (2004, 2011a) and Ismael reflexive self-description (2007). What is common to the three accounts, with some differences, is that such states may be function reflexively in selfrepresentation. Our argument is that the elaboration of this account, suggested in Sellars, shows how the discourse of the manifest image can be transformed into the discourse of the scientific image as self-representations of scientific entities. (shrink)

In a famous essay, Wilfrid Sellars makes a distinction between the manifest and scientific images.1 According to Sellars, these images represent the two dominant conceptual frameworks by which we understand ourselves as persons-in-the-world. The manifest image utilizes "perennial philosophy" and "sophisticated common sense" to effect that understanding, while the scientific image employs the resources of theoretical physics. The challenge for the philosopher, Sellars argues, is to fuse these two complete and competing images into a single, synoptic (...) view. It is important to note, however, that the fusion Sellars envisions is not between two equally adequate frameworks. Rather, he claims, the scientific image is more adequate than its manifest counterpart. Briefly put, he maintains that the former provides a coherent account of the mind and the world, while the latter is essentially dualistic. For this reason, the scientific image merits primacy in his synoptic view. ;The task of this dissertation is to assess the ultimate adequacy of Sellars's claim. I proceed by placing Sellars in conversation with Hilary Putnam, Richard Rorty and John McDowell, who, while owing significant philosophical debts to Sellars, do not believe we must privilege the scientific image to achieve a coherent account of the mind and the world. In effect, they argue that the manifest image is an entirely legitimate framework for addressing a problem that has haunted philosophy since the seventeenth century. By doing so, Putnam, Rorty and McDowell help us to see that there is something wrong with the way in which Sellars depicts the relationship between the manifest and scientific images---i.e. as complete and competing visions of persons-in-the-world. In the end, the efforts of Putnam, Rorty and McDowell remind us that resolving the difficulties that are implicit to the mind-world relation demands the resources of both images or frameworks; that is to say, it demands that we see the manifest and scientific images as partial and complementary, rather than complete and competing visions of persons-in-the-world. ;1See Wilfrid Sellars, "Philosophy and the Scientific Image of Man," reprinted in Science, Perception and Reality , 1--40. (shrink)

The distinction between the manifest and the scientific image of man- in-the-world is widely seen as crucial to Wilfrid Sellars's philosophical work. The present essay agrees with this view. It contends, however, that precisely because the distinction is important, we should not hurry to a quick and superficial understanding of it. The essay identifies several oversimplifications that can be found in the literature on the topic and argues that they are at least partly rooted in too rigid a (...) view of the role that the two-image distinction plays in Sellars's philosophy. It shows that this rigid approach is quite common in the secondary literature, either explicitly or by implication. It then presents a more cautious, flexible approach to the problem of the two images and explains why this approach is fruitful on the basis of textual evidence, along with the overall advantages of interpreting Sellars's thought as a whole. (shrink)

ABSTRACTThis paper distinguishes between the theoretical scientific image and the practical scientific image. The popular idea that there is a conceptual clash between the scientific and manifest images of the world is revealed as largely illusory. From the perspective of a liberal naturalism, the placement problem for ‘problematic’ entities or truths is not solved but dissolved. Persons, say, are not posits of any explanatory science, but beings acknowledged as rational agencies in second-personal space. Core elements of the (...) manifest image are more deeply rooted in our conceptual scheme than any version of the scientific image. (shrink)

In his new book, Brandom offers a new argument against the viability of Sellars’ scientific naturalism. Brandom attempts to show that if the Sellarsian it scientia mensura principle is understood as implying that manifest-image objects exist only if they are identical to scientific-image objects, it is undermined by the ‘Kant–Sellars’ thesis about identity which implies that manifest-image objects cannot be identical to scientific-image objects. This conclusion can be evaded by construing the relation between (...) class='Hi'>manifest and scientific objects as weaker than that of identity, namely as a relation between manifest-image functional roles and scientific-image realizers. But Brandom again argues that even this weaker construal of the scientia mensura thesis is in conflict with another Sellarsian argument, this time against phenomenalism. It will be argued that this is not so. I will, moreover, suggest that the ‘function-realizer’ construal of the manifest-scientific image distinction is indeed tenable—especially if the process of determining the scientific-image realizers of functional roles specified in manifest-image is understood as the culmination of a self-correcting dynamic and diachronic process of conceptual change. Finally, I will argue that while Brandom is right to point out that Sellars’ adherence to the scientia mensura principle is based on a ‘unity-of-science’ view, he is wrong to think that his argument for the contrary conclusion is successful, because Brandom’s argument does not automatically tell against a weaker ‘unity-of-science’ view according to which incommensurability of explanatory levels in science is a pragmatically indispensable yet in principle dispensable feature of empirical inquiry. (shrink)

The interest of this paper is to discover the precondition of experience. It is suggested that Walter Benjamin's meditations on Proust, as well as on the origin of the novel, lead to the verge of that discovery. A la recherche du temps perdu is less a monumental work of fiction in this view than the limit of experience – the intransmissible fact of the transience of the present – made manifest in writing. While in Proust transience gives way to (...) its recuperation as image, Thomas Bernhard's post-Proustian masterpiece Extinction mobilizes the present's destructive potential with compelling effect, and turns it upon the work of historical experience itself. (shrink)

Fifty years ago the philosopher Wilfred Sellars identified two images of “man”, which he called respectively the “manifest image” and the “scientific image”; and he considered whether and how these two images could be reconciled. In this paper, I will very briefly look at the distinction drawn by Sellars and at his suggestions for reconciliation of these images. I will suggest that a broad distinction as suggested by Sellars can indeed usefully be drawn, but that the distinction (...) can be more helpfully characterised than it was by Sellars. I will argue that there are more ways of reconciling the two images than those proposed by Sellars. And I will elaborate on what I think are the most promising lines along which the reconciliation could take place. (shrink)

Robert B. Brandom’s From Empiricism to Expressivism ranges widely over fundamental issues in metaphysics, with occasional forays into epistemology as well. The centerpiece is what Brandom calls ‘the Kant-Sellars thesis about modality’. This is ‘[t]he claim that in being able to use ordinary empirical descriptive vocabulary, one already knows how to do everything that one needs to know how to do, in principle, to use alethic modal vocabulary – in particular subjunctive conditionals’. Despite claiming descent from Sellars, Brandom defends here (...) a version of modal realism and tries hard to limit Sellarsian nominalism, all in the service of elaborating Brandom’s own version of pragmatism. The range of issues Brandom addresses defies adequate consideration in a critical notice, so I confine myself here to a single issue: What is.. (shrink)

The way in which one understands information and concepts, and the way a student works to develop this, is an individual aspect of learning that cannot be universally defined as (at least manifested) the same for everyone. ‘Understanding’ is a broad term, and the way one achieves understanding is dependent on the way that material is presented. In this article, we argue that the philosophy of science can be important to nursing education—in particular, by showing that the way we imbue (...) understanding might depend on the meaning of ‘understanding’. Diagrams and concept maps are meant to guide newly formed knowledge and connections to develop proper thinking (e.g., the order in which nursing students must prioritize data) that a student requires in the field. We argue that whether or not an image/diagram/concept map confers understanding will depend on both what the object is and what we mean by ‘understanding’. (shrink)

Sellars claims completeness for both the “manifest” and the “scientific images” in a way that tempts one to assume that they are independent of each other, while, in fact, they must share at least one common element: the language of individual and community intentions. I argue that this significantly muddies the waters concerning his claim of ontological primacy for the scientific image, though not in favor of the ontological primacy of the manifest image. The lesson I (...) draw is that we need to reassess the aims of ontology. (shrink)

There are excellent research papers in the field of visual studies that examine the relationship between war and images. This paper has other and additional aims. The first is to examine not so much how war is transferred from the ground to image production, but how war, as intrusion of the real, forces a general reflection on image techniques. The second is to examine whether there is an instance of art that is somehow different from the instance of (...) the mere image, which is always related to something that manifests itself in war, and which, especially on the occasion of a war, invites a broader reflection on existence, judgement and the world. The paths taken for these investigations are rooted in the idea that a (political) theory of art cannot be reduced to an internal classification of image theory, since it investigates aspects that go beyond the definition of the image itself. (shrink)

The Sellarsian task of ontology is to reconcile two seemingly divergent images of ordinary objects such as persons, tomatoes and tables, namely, the manifest image of common sense and the scientific image provided by fundamental physics (Sellars, Science, Perception, and Reality, 1963). Can the genuine categories of the ontologies of Substantialism (Heil, The World as We Find It, 2012), Structural Realism (Ladyman and Ross,Every Thing Must Go: Metaphysics Naturalized, 2007; French, The Structure of the World: Metaphysics and (...) Representation, 2014), and Factualism (Cumpa, ‘A Materialist Criterion of Fundamentality’, American Philosophical Quarterly, 2014), such as ‘substance’, ‘structure’, and ‘fact’, help us to solve the problem of the reconciliation of the two images of ordinary objects? In this paper I defend the thesis that the ontology of Factualism does a better job of reconciling the manifest and the scientific images of ordinary objects than other ontologies. (shrink)

Visual images are widely used in medical and patient education to enhance spoken or written explanations. This paper considers the role of such illustrations in shaping conceptions of the body; specifically, it addresses depictions of variant sexual anatomy and their part in the discursive production of intersex bodies. Visual language—even didactic, ‘factual’ visual language—carries latent as well as manifest content, and influences self-perceptions and social attitudes. In the case of illustrations about atypical sex development, where the need for non-stigmatising (...) communication is crucial, it is especially important to consider the implicit messages conveyed by imagery and compositional strategies. (shrink)

The image of jazz in Ukrainian pop music is reproduced, the subcultures that dominate its modern manifestations are shown: African music, Irish-European melodies and rhythms, the interaction between pop music and folklore, a diametrically symmetrical structure, the appropriate composition of variable phrases (voice-instrument), various combinations of timbre acoustic electronics, a fusion of Ukrainian folklore and rock music. But, first of all, it is a harmonious combination of Afro-European traditions with Ukrainian folklore, its best examples. The article also talks about (...) the leading masters of Ukrainian jazz who managed to do this - Leonid Goldshtein and Igor Zhuromskyi, for whom the processing of folklore materials - household and African) with a predominance of appeals to the traditional folkloric Ukrainian musical stratum is characteristic. The aim. To reveal the image of jazz in Ukrainian pop music and its significance in the subculture. The tasks of the research are the analysis of the constituent subcultures in the modern representation of the art of Ukraine and their significance for the world artistic treasury. Research methodology. The methodology of the author’s research is based on the paradigmatic method, which allows determining the priority of artistic paradigms, the ratio of traditionally established and non-traditional vision of Ukrainian jazz culture. Reconstruction was also used - to reproduce the main milestones of the development of art of the 20th century within the scope of the research. Also, the methodology is based on a transdisciplinary approach, thanks to which we can study jazz not only in an art-historical aspect, but as a structure of European life of the given period. Research results: The results are as follows - it is 1) a feature of rock music style, such as heavy metal, punk rock, rock and roll, instrumental composition, the use of distinctive fans and unique sounding productions and vocals Intonation technology. 2) Saxophone melodies are built according to the Hutsul system with a characteristic degree of saxophone. 3) Official use of colomous rhythm in the voice. 4) Application of antique blues harmonic sequence. 5) Use of bluesy principles of questions and answers when alternating statements and instrumental episodes. 6) For vocal improvisation. Conclusion.So, we analyzed the interaction of Ukrainian modern pop and real folklore and jazz. Jazz, rock and pop styles were found, which are ideal for interpenetration with various Ukrainian subcultures, jazz-rock, free jazz, alternative music, rock and roll, blues-rock, trip-hop, pop ballad, disco music. The characteristics of the processing of folklore materials (domestic and African) are, first of all, an appeal to the traditional folklore layer, the method of performance (expressed by a real saxophone), the use of folk instruments or their tones. Depending on the genre that created jazz, rock and pop groups, the composition can be divided into folk songs and original compositions based on folklore. Popular music quotes folk and jazz material from pop music. (shrink)

Sellars (1962) contains some of the most important metaphilosophical reflections from the analytic tradition. He insightfully describes the relationship between philosophy and science, by identifying the philosophical task of integrating the manifest image into the scientific image. But while this description is sound, it is importantly incomplete. Here, I first suggest that a more complete picture shows philosophy in “superposition” in relation to science; philosophy occuplies multiple positions in relation to science, owing to the variegated tasks that (...) philosophers pursue. In the final section, we shall see that our catalogue of philosophical tasks provides means for confronting that obstinate question “How is metaphysics possible?”. (shrink)

Man has built tools to extend his visual experience in order to explore reality beyond his sensory capacity, for example microscopes, telescopes, high shutter speed and infrared cameras. However he has yet to build a tool to fully explore visual realms beyond his ordinary cognitive faculties. With the development of computing, comes the possibility of building a tool to explore the virtual forms/spaces of images that are ordinarily inaccessible to the mind. This article identifies how cognition is ordinarily limited and (...) posits a way of going beyond those limits, by defining a computational model of how those virtual forms/spaces might be created. This definition is based on brief but repeated empirical experiences of ‘higher order’ manifestations. (shrink)

Enacting Images is devoted to images as they can mobilize cognition and theorizing. Though we can speak of a pictorial turn now that images have become a distinct and full-fledged topic of investigation, some may continue to cling to the impression that images should still be considered within a fundamentally representationalist framework. As an alternative, the enactive approach provides a conceptual setup within which images, beyond their informational, immersive, and aesthetic power, can be considered as being the manifestations of a (...) new epistemic access to the world. The present volume is a collection of essays that reflectively investigate the theoretical prerequisites, scope, and limits of enactive approach. (shrink)

Purpose. The knowledge influence analysis on the formation process of new anthropological images of man in the contexts of scientific achievements and innovative technologies is the basis of this study. It involves the solution of the following tasks: 1) explication of the ontological content of knowledge in the anthropo-cultural senses of the epoch; 2) analysis of the knowledge influence on the process of forming a new type of man; 3) characteristics of the modern anthropological situation in the context of digital (...) culture; 4) substantiation of interrelation of phatic communication with post-truth society in the dimensions of anthropo-social transformations of the present. Theoretical basis. Ontological content of knowledge determines the anthropo-cultural context of the epoch by forming a system of intellectual, value, social meanings of human life. The assertion of new anthropological types of man is caused by the changes in social and cultural space in the context of the growing influence of achievements in scientific knowledge and technology. Digital revolution as the process of expanding the possibilities of informational-digital reality, the substitution of knowledge for information gives rise to Homo digitalis – the digital man. He focuses on phatic communication, which in its intellectual meaninglessness is commensurate with the anthropological dimensions of post-truth society. Originality. It is substantiated that Homo digitalis is the result of a complex set of heterogeneous effects of scientific knowledge, which in modern post-truth conditions appears as different communicative practices. A condition for the formation of a new anthropological type of man in the perspective of scientific and technological progress is the affirmation of ethical wisdom. Conclusions. Knowledge in the process of evolution of socio-cultural life acquires constitutive significance for the process of formation of anthropological situations that manifest themselves in new images of man. Today, he is commensurate with the demands of digital culture, in which human life practices are increasingly becoming information and digital clusters embedded in the reality of a post-truth society. The means of overcoming the passivity of digital man is the formation of a new anthropological type based on a rethinking of the value system. (shrink)

Most discussion of Sellars’ deployment of the distinct images of “man-in-the-world” in "Philosophy and the Scientific Image of Man" focus entirely on the manifest and the scientific images. But the original image is important as well. In this essay I explore the importance of the original image to the Sellarsian project of naturalizing epistemology, connecting Sellars’ insights regarding this image to recent work in cognitive development.

The study presents the Russian historical-philosophical process in the context of the discovery of a new object, themes, personae, set of reactions and formation of a product for the intellectual community. The author's reliance on philosophical empirical material and appropriate hermeneutics in its processing allows the author to highlight those factors that influenced individual and collective reception. The author sees as a convenient case study the “discovery” by the Russian philosophical community of the early 20th century of both American philosophy (...) in general and C.S. Peirce in particular. Since the beginning of the 19th century, Russian thinkers have turned their attention to American philosophy in all the diversity of its manifestations. Russian intellectuals paid special attention to American pragmatism and everything associated with it. In Russia, in addition to translations, numerous reviews of foreign publications on this topic are appearing. Of particular interest to us in the Russian “collective reflection” of American ideas is the system of preferences for ideas, texts, events, and names. The point is that what might have been a priority for a European thinker, for a Russian one turned out to be on the “periphery” of his consciousness, as well as vice versa. While James appeared among the priority figures for Russian thinkers, Peirce was in his “shadow”. Using rich empirical material, the author shows all the stages of Peirce’s image formation in the Russian intellectual community. The research shows that “image” of Peirce, which represents not so much the thinker himself, but characterizes the intellectual community that turned to him. The results of the study may be useful both for contemporary foreign and Russian interpreters of Peirce and for historians of philosophy who are rethinking the past and forming in the present new objects of reception and reflection. (shrink)

The paper focuses on the pragmatist image of humanity based on a re-reading of the philosophical “manifesto” of Wilfrid Sellars in which he became entangled in the dichotomy between “scientific” and “manifest” images. The key to solving this problem, according to the author, is the new pragmatist understanding of science as a cultural practice, which provide us with a new framework for transcending this dichotomy. By reconstructing Sellars in an anthropological rather than a scientistic way and by drawing (...) on humanistic philosophical intentions that are present both in pragmatism and in Sellars, it becomes possible to outline a concept of “science with a human face.” The purpose of all kinds of images, including scientific ones, is to serve the enrichment of human understanding and life. (shrink)

This article compares the poetics of Marcel Proust's A la recherche du temps perdu and Jean-Luc Godard's Histoire du cinéma in order to realign our understanding of metaphor, metonymy and montage with the inter-formal dialogues that new media artworks increasingly demand of audiences. An analysis of Godard's ‘quotation’ of Proust's words and ideas from Le Temps retrouvé sets out an explicit rivalry between text and image. However, drawing on formalist and structuralist approaches to both literature and cinema, including Roman (...) Jakobson and Gérard Genette, as well as more recent discussions developed by Gilles Deleuze and Lev Manovich, I will argue that the nature of the image manifested in both artworks corresponds to a shared aesthetic that exceeds distinctions between word and image, literature and video. (shrink)

Presently we are experiencing a world where distributed information reshapes human modes of expression and being. The avalanche of images presented to us daily shifts our attention between numerous contexts and systems of meaning. Faced with the intensity of this broadcast, one tends to turn to abbreviations and flattening of the message. Jacques Rancier talks about aesthetics as a form of disconnected experience, which operates as a disinterested gaze. The disconnection serves as a coping mechanism allowing one to function within (...) the informational deluge. On the other hand, this flattening of an image does not represent the whole truth. Behind every image one senses a depth of meanings, which gives rise to a particular manifestation. In this article, I propose that image hides a being, which through that image individuates itself. While the acquisition of specific qualities constitutes this process of individuation, the being is the motion and agency enabling the process. Culture can be seen as technology and prosthesis, which facilitates memory of our mortality and forces us to individuate. Following this logic, image as part of culture is a technology of being. (shrink)

This paper considers the role of informal networks in securing post‐public school occupational advantage. Both the ‘official’ view of the private sector and the experiences of recent pupils are cited. A significant disparity is found between the two. A denial of the relevance of the ‘old boy network’ is revealed in the sector's publications, a position fully consistent with the overall reconstruction of image currently being pursued. In contrast, ex‐pupils unequivocally asserted the continued influence of non‐meritocratic means of advancement, (...) though crucially, only for an element of pupils. It is argued that adequate social analysis requires not simply an awareness of the presence of covert mechanisms, but also an acceptance of the socially restricted, rather than universally available, nature of the processes. Recognition is needed that contemporary informal networks have evolved from an historically familiar form, yet constitute a particular, dynamic, era‐specific manifestation of it. (shrink)