This book, first published in 1992, attempts to unify the economic analysis of the production process in order to understand the effects of technical change. It is both an analytical representation of the production process, taking into account the temporal, organizational, and qualitative dimensions of production, and a fact-finding model for studying the economic effects of technical change. The inclusion of temporal and organizational aspects allows the author to examine the analytical implications of research on the nature of firms and (...) the characteristics of technical change, whilst the model is used to analyse technical changes that involve variations of scale or degrees of flexibility. This book deals with themes much discussed in research in industrial economics and management studies and is an important contribution to bringing these two areas of research closer together, providing a general framework for the study of production processes. (shrink)

La recepción que Heidegger tiene del idealismo alemán data de sus primeros años de formación y ejerce una influencia duradera hasta su pensar maduro. Al interior de ella un caso paradigmático es su interpretación del Freiheitschrift de Schelling en el Sommersemester de 1936. En el presente escrito nos ocuparemos de mostrar como su lectura tiene dos consecuencias centrales. La primera, a partir de su análisis del devenir divino eterno de Dios tal como lo plantea Schelling modifica su propia teoría de (...) la temporalidad originaria en un aspecto central: pasa a considerar a la eternidad ya no como una mera sucesión intemporal de ahoras, sino como núcleo central del tiempo. La segunda cónsecuencia radica en que el examen de las implicancias de este devenir divino articulado con una metafísica del mal permiten a Heidegger revisar el lugar del concepto de hombre que venia utilizando en su lectura de Kant hacia 1929. (shrink)

Resumen: Este texto consiste básicamente en una presentación general de la corriente filosófica del nuevo realismo surgida en 2007 y en la que participan autores europeos y norteamericanos. Un punto en común de las diversas posiciones dentro de esta corriente es el deslinde crítico frente a la filosofía posmoderna y a la filosofía moderna en general. Explico esta crítica y sus implicaciones para la posibilidad de un restablecimiento en la filosofía contemporánea del pensamiento metafísico.: This text is basically an overview (...) of philosophical new realism which emerged in 2007 and involves European and American authors. A common point to the various positions within this current is a critical detachment from postmodern philosophy and modern philosophy in general. i explain this criticism and its implications for the possibility of a restoration in contemporary philosophy of metaphysical thought. (shrink)

Resumen En este ensayo ofrezco una comparación entre la filosofía del pensador marxista alemán Ernst Bloch y la del pensador francés Quentin Meillassoux a propósito del hecho de que ambos plantean una fundamentación ontológica de la esperanza y de una política de la esperanza. En el primer apartado, presento el concepto religioso de esperanza que critican los filósofos mencionados; en el segundo, abordo la concepción dialéctico-materialista de Bloch; en el tercer apartado, expongo la concepción de Meillassoux, que interpreto como una (...) radicalización crítica de una filosofía inmanente y materialista de la esperanza. A lo largo del ensayo y en la breve conclusión, muestro las semejanzas y diferencias entre las concepciones de ambos pensadores y apuesto por la superioridad, por su mayor consistencia teórica, de la perspectiva de Meillassoux.In this essay I offer a comparison between the philosophy of the German Marxist thinker Ernst Bloch and that of the French thinker Quentin Meillassoux apropos of the fact that both put forward an ontological foundation of hope and a politics of hope. In the first section I present the religious concept -criticized by Bloch and Meillassoux- of hope; in the second I explore the dialectical-materialist conception of Bloch, and in the third section I present the conception of Meillassoux, which I interpret as a critical radicalization of an immanent and materialist philosophy of hope. Throughout the essay and in the brief conclusion I show the similarities and differences between the conceptions of both thinkers and, due to its greater theoretical consistency, favor the perspective of Meillassoux. (shrink)

Historians of science and technology and STS practitioners have always taken intellectual property very seriously but, with some notable exceptions, they have typically refrained from looking “into” it. There is mounting evidence, however, that they can open up the black box of IP as effectively as they have done for the technosciences, enriching their discipline while making significant contributions to legal studies. One approach is to look at the technologies through which patent law construes its object – the invention – (...) in specific settings and periods by examining procedures, classifications, archives, models, repositories, patent specifications (in both their linguistic and pictorial dimensions), and the highly specialized language of patent claims. More ambitiously, we could treat intellectual property as a technology itself. Patent law does not evolve either by merely articulating its doctrine in response to technological developments. The line between what does and does not count as invention may be redrawn with the emergence of new objects and technologies, but is not determined by them. It is this constructive feature of the law that we are trying to capture with the notion of law as technology. We hope that thinking about the technologies of the law and the law as technology will bring into question what we mean by both “technology” and “law”. (shrink)

Different methods are available in clinical ethics consultation. In our experience as ethics consultants, certain individual methods have proven insufficient, and so we use a combination of methods. Based on these considerations, we first critically analyze the pros and cons of two well-known methods in the working field of clinical ethics, namely Beauchamp and Childress’s four-principle approach and Jonsen, Siegler, and Winslade’s four-box method. We then present the circle method, which we have used and refined during several clinical ethics consultations (...) in the hospital setting. (shrink)

The Bible recounts that in Eden, Adam gives names to all the animals. But those names are not only representations of the animals’ nature, rather they shape and constitute it. The naming by Adam contains in itself the divide between the human and non-human. Then, there is the Fall: Adam falls and forgets Being. Though he may still remember the names he gave to the animals in Eden, he is no longer sure about their meaning. Adam will have to try (...) to remember his own intentions. Through this effort he can also become aware of how he thinks, who he is, and what was the natural order he knew before the Fall. Medieval bestiaries tell us this story. Bestiaries are works of word play populated by animal figures. They depend on back-and-forth anthropomorphization, or circular metaphor. Animal figures are portrayed as both a mirror of human nature and a window on it. Bestiaries served as means for the moral education of human beings and, at the same time, a way to criticize the current state of humanity, including political and ethical habits. Within the moral irony of medieval bestiaries we can find the origin of the invented nature that modernity will try, subsequently, to insert into natural rights discourse through the teleological oxymoron of their naturalized and naturalizing counter-factuality. I will propose a historical-semiotic journey through the ironic representations of the human-beasts from the ancient world to contemporaneity. The proposal resulting from this cultural excursion is that the words included in the many national and international Rights declarations operate much like the names Adam gave to the animals and still more as they were re-read in medieval bestiaries, both textual and musical. So, can the words of Rights still serve as musical scores, open to an infinite play of re-signification? If we were able to overcome the modern culture/nature and human being/animal dualisms, we could cast, today as in the past, a zoological gaze on human rights by means of contemporary bestiaries and, in this way, perhaps find the gist of rights’ names and our ever regained and ever lost again humanity. (shrink)

The paper intends to bridge the existing gap between aesthetic knowledge and contemporary society. The first part focuses on the cultural turn in aesthetics, the roots of which can already be found in the English criticism of the eighteenth century. This enterprise is inspired by a methodology that regards aesthetics as a "meeting place" of many disciplines and varying cultural traditions. A second type of cultural turn is carried out by writers (e.g. Baudelaire): the target of their polemic is the (...) concept of aesthetic disinterestedness. According to them, the beautiful, instead, has to create the greatest interest because it is none other than the promise of happiness. However, the two different approaches are not so incompatible as seems at first sight. Finally, the text focuses on the New Age and the culture of performance, which, even if presenting opposite traits, have one thing in common: they translate at the empirical and factual level experiences that originally belonged to another sphere, namely the spiritual and the symbolic. (shrink)

The text is looking for a political explanation of the turn in Western attitude to pornography which has taken place since the sixties and even more so since the seventies. More surprising than the liberalization of pornography itself appears the massive pornographic self-exposure even by minors since the turn of the millennium. In addition to the reasons for this extraordinary permissiveness, the paper questions the role of technical and audiovisual media in this social development.

This article is introduced with a summarized discussion on the "theater's metaphor" as considered by Plato. It goes on considering several turning points in the literature history and investigating the different uses of the metaphoric process in Guimarães Rosa "Grande sertão: veredas" and "Pirlimpsiquice". Firt of all, in "Grande sertão" life is considered as a simbolic equivalent to actors performance in the stage: theater and life are seen, therefore, as concerning fields which identities can be stated upon christian religious doctrine (...) and Plotino's philosophy. On the other hand, in "Pirlimpsiquice", Guimarães Rosa points that the limits between life and theater fields can be sharply identified, leading to the conclusion that the different degrees of use of the metaphoric process is due to historical and cultural practices. Based on the theoric controversy between Hegel's and Plato's points of view on art's philosophy, the author concludes that the notions of "performance in the stage" and "performance in life" are sintetized under the continuous dialectic movement of history and culture.Este artigo inicia-se com uma exposição sucinta da metáfora do teatro, tal como aparece em Platão. Em seguida, após levantamento dos momentos capitais da literatura, investiga-se a metáfora em Guimarães Rosa, no Grande sertão: veredas e no conto Pirlimpsiquice. No Grande sertão, a atuação no palco é tomada como equivalente ao desempenho na vida. Teatro e vida são, portanto, domínios que se identificam. Para isto, concorrem a religião cristã e o pensamento de Plotino. Em Pirlimpsiquice, o Autor investiga por menorizadamente os limites e aproximações entre teatro e vida, sendo que o grau mínimo da metáfora é conferido pelas práticas histórica e cultural. Por fim, retomando a polêmica de Hegel com o platonismo, conclui-se que a representação e a vida estão amalgamadas, numa constante dialetização entre história e cultura. (shrink)

Recueil d'essais qui sont autant de jalons d'une réflexion sur les relations complexes qui se sont établies depuis une vingtaine d'années entre l'informatique et les sciences de l'homme. Point de vue opératoire: impact sur les conditions matérielles de la recherche. Point de vue conceptuel: facteur d'évolution des structures du raisonnement. SDM.