This introduction presents a state of the art of philosophical research on cognitive phenomenology and its relation to the nature of conscious thinking more generally. We firstly introduce the question of cognitive phenomenology, the motivation for the debate, and situate the discussion within the fields of philosophy, cognitive psychology and consciousness studies. Secondly, we review the main research on the question, which we argue has so far situated the cognitive phenomenology debate around the following topics and arguments: phenomenal contrast, epistemic (...) arguments and challenges, introspection, ontology and temporal character, intentionality, inner speech, agency, holistic perspective, categorical perception, value, and phenomenological description. Thirdly, we suggest future developments by pointing to four questions that can be explored in relation to the cognitive phenomenology discussion: the self and self-awareness, attention, emotions and general the... (shrink)

Retraction note: Ríos-Caro, T. E., León Rodríguez, J. A., Coronel-Zubiate, F. T., Ríos-Angulo, C. M. & Ríos-Caro, M. C. (2023). Teleodontology in the Central Peruvian Jungle: Quality and Service Satisfaction. HUMAN REVIEW. International Humanities Revista Internacional De Humanidades, 21(2), 223-235. https://doi.org/10.37467/revhuman.v21.5049 The Editorial Office of Eurasia Academic Publishing Group has retracted this article. An investigation carried out by our Research Integrity Department has found a group of articles, among which this one is found, that are not within the thematic (...) scope of the journal. We believe that the editorial process was manipulated and, furthermore, acceptance decisions were made under possibly inappropriate peer review. (shrink)

A growing body of literature about the phenomenological and epistemic role of structural features of experience, as well as on the topic of absence experience itself, point toward the view that absence experience is non-veridical. Here I challenge that result.

According to Michael Thompson’s defence of neo-Aristotelian naturalism in meta-ethics, (i) ‘[t]he concept LIFE-FORM is a pure or a priori, perhaps a logical, concept’, and (ii) ‘[t]he concept HUMAN, as we human beings have it, is an a priori concept’ (p. 57). Here I show Thompson’s argument for (ii) to be unsound, hoping thereby to shed light on the neglected subject of the a prioricity of concepts more generally.

Seeing total darkness is a peculiar perceptual state: in it, the subject is visually aware of something while seeming to fail to be aware of anything. Recent treatments of the topic (Sorensen 2008, Soteriou 2000) leave this particular puzzle unsolved. Here, I attempt a solution. Following Dretske, I begin by suggesting that the perceptual report ‘S sees (total) darkness’ is ambiguous between two distinct kinds of perceptual states: epistemic and non-epistemic. This will lead to an examination of the metaphysics of (...) what is supposed to be seen. I show, on the one hand, the difficulty of reducing the perception of total darkness to the perception of a particular instantiation of a property, and on the other, that it has important similarities with the perception of (non-particular) ‘stuff’. I propose, finally, that the solution to the puzzle might involve postulating a novel ontological status for total darkness: that of a ‘concrete universal’. Potential implications of interest for particularism and for naïve realism are suggested. (shrink)

A long‐standing aim of cinema – in particular of ‘extreme’, ‘unwatchable’ or ‘feel‐ bad’ cinema – has been to acquaint viewers with extreme suffering. In this article I first offer an explication of that aim in terms of recent work in philosophy of mind, then exploit the resulting framework to examine claims to the effect that a new technological development, Virtual Reality, provides cinema's best shot at achieving that aim.

This article addresses the need to interpret Latin American philosophy from its narrative experience. To do this, we must grasp the reflective style of Latin America as a way of cultural configuration and as a symbol work of its own. In addition, to identify Latin American philosophy as a tactic to respond and resist the strategy of the European hegemonic power is essential. Finally, it is argued it is not possible to think of Latin American identity without practicing a political (...) ethic which transposes the figures of narratives with the figures of history to the justice demand situation in which we find ourselves. (shrink)

Technological development is accompanied by a paradox: while it often promises enormous benefits for humanity, it can also lead to inconceivable tragedy, including the instrumentalization of the individual, growing social inequality, environmental impact, etc. What causes this paradox? a) Could it be that the nature of technology generates this contradiction? b) Is it the agent that uses it? c) Or is it the circumstances in which technology is used that determine its suitability or disservice? My aim in this paper is (...) to revise nature, causes and political explanations of the paradox. To do so, the first section will give a historical overview of this phenomenon, the second will assess three proposals that attempt to explain its origin, and, finally, the paper will weigh such approaches from the view of the Frankfurt School. Evaluating the paradoxical conditions that surround technology allows us to better understand its role in our societies. (shrink)

Filosofía latinoamericana es para mí una expresión que describe un estilo de reflexión, esto es, la manera como el filósofo responde a las exigencias de su situación con los elementos que tiene 'a la mano' comprendiendo, es decir, creando proyectos. Permítanme aclarar lo que entiendo por estilo.

El presente ensayo resume la crítica del filósofo Gilbert Simondon al antropocentrismo moderno y a las concepciones sobre la técnica desarrolladas en el siglo XX por ciertas corrientes filosóficas que provienen, según él, de lo que denomina un humanismo fácil, que circunscriben el desarrollo técnico a la racionalidad instrumental y a la distinción entre medios y fines. La propuesta de Simondon para salir del marco de estas visiones que considera reduccionistas, es ampliar nuestra mirada sobre la técnica, no centrarnos en (...) la relación entre medios y fines y adentrarnos en el conocimiento sobre los modos de existencia de los objetos técnicos. La mirada de Simondon nos invita a repensar nuestra relación con la técnica y, más allá incluso, a revisar nuestras concepciones ontológicas inclinándose por las que hoy conocemos como ontologías relacionales. La técnica para el filósofo francés es un puente entre nuestro pasado ritual y nuestra actualidad que persiste en la co-existencia de todos los seres, vivos y no vivos que conforman el tecno ecosistema. (shrink)

El presente ensayo resume la crítica del filósofo Gilbert Simondon al antropocentrismo moderno y a las concepciones sobre la técnica desarrolladas en el siglo XX por ciertas corrientes filosóficas que provienen, según él, de lo que denomina un humanismo fácil, que circunscriben el desarrollo técnico a la racionalidad instrumental y a la distinción entre medios y fines. La propuesta de Simondon para salir del marco de estas visiones que considera reduccionistas, es ampliar nuestra mirada sobre la técnica, no centrarnos en (...) la relación entre medios y fines y adentrarnos en el conocimiento sobre los modos de existencia de los objetos técnicos. La mirada de Simondon nos invita a repensar nuestra relación con la técnica y, más allá incluso, a revisar nuestras concepciones ontológicas inclinándose por las que hoy conocemos como ontologías relacionales. La técnica para el filósofo francés es un puente entre nuestro pasado ritual y nuestra actualidad que persiste en la co-existencia de todos los seres, vivos y no vivos que conforman el tecno ecosistema. (shrink)

By investigating how laws, myths, national aspirations, and global relations have recast and, at times, distorted the key purposes of education, this pathbreaking book sheds light on the role of ignorance in shaping ideas, public opinion, and policy.--Robert N. Proctor, author of Golden Holocaust: Origins of the Cigarette Catastrophe and the Case for Abolition "Historical Studies in Education/Revue d'histoire de l'éducation".

This article offers a philological commentary on the ‘Calpurnia Cycle’ present within the letters composed by Pliny the Younger, concentrating particularly on the analysis of Ep. 7.5. The author behaves like a true elegiac lover and a loving husband, since the letters that he writes to his wife Calpurnia can be set in the context of the elegiac genre, given the lexicon and motifs present in them. Calpurnia is transformed into a scripta puella not in the sense of a metaphorical (...) figure, but in the sense of ‘literary material’. The aim is to adapt the elegiac motifs to his declared intention of creating a positive image of his persona in the world and for posterity (immortalitas) through the Epistulae. Although Pliny presents himself as similis excluso amatori, albeit while innovatively setting the scene at midday, his interest is not in the typical elegiac conduct of militia or servitium amoris, which would run counter to his self-presentation as an active and politically engaged citizen; rather, his theme is the praise of the beloved and reflections upon his own importance as a poet. (shrink)