En este artículo se estudia la novela _El entenado _(1983), de Juan José Saer, una obra singular que se incluye dentro del género de la nueva novela histórica pero que se aleja de sus convenciones. _El entenado _no reflexiona sobre un hecho central de la historia de Argentina ni acude a testimonios colectivos, sino que desplaza su mirada al testimonio individual y a la narración de un acontecimiento histórico casi olvidado, marginal: la fallida expedición de Juan Díaz de Solís (1515) (...) y el testimonio del único superviviente de la antropofagia ritual de los indios colastiné, el grumete Francisco del Puerto. Las herramientas teóricas de este artículo corresponden a los postulados de la novela histórica de Georg Lukács y a las premisas de María Cristina Pons sobre la nueva novela histórica de mediados del siglo XX en Latinoamérica; todo esto en diálogo con la poética del autor vertida en ensayos y entrevistas. El centro de este estudio, sin embargo, no es una reflexión genérica, sino el análisis detallado de los diversos desplazamientos que propone Saer: el genérico, el espacial y el temporal. Se subraya, principalmente, el movimiento que va de la fragmentación, de los cuerpos, o del discurso parcial de la historia, a la construcción de un sentido simbólico. Las conclusiones reflexionan sobre cómo integrar los elementos excluidos (históricos, sociales e individuales) en los grandes discursos y cómo dotarlos de sentido. Así, esta novela propone abandonar la infructuosa búsqueda de una verdad histórica y sustituirla por una verdad simbólica, más crítica e incluyente. (shrink)

Some believe that it is immoral to harm animals, but it is not immoral to kill humanely raised domesticated animals. Implicit in this is the assumption that it is possible to raise and slaughter animals without harming them significantly. In recent years, a number of philosophers – DeGrazia, Harman, Bradley, and others – have claimed that slaughter harms an animal in proportion to the amount of valuable future life that an animal loses in dying, which seems to challenge this assumption. (...) But a question remains: how much are domesticated animals, particularly humanely raised ones, harmed by their slaughter? Here, I take up this question. My answer may be surprising: in ordinary circumstances, slaughter hardly deprives humanely raised animals of any good life, and so is not very harmful to them. This result may strengthen the case for humane slaughter – or it may give us reason to revise our understanding of the harmfulness of death. (shrink)

Ce texte a déjà paru dans Recherches en didactique des sciences et des technologies, N° 4, 2012. Nous remercions Maryline Coquidé, Michèle Dell'Angelo, Stanislas Dorey, Corinne Fortin, Magali Gallezot, Sandrine Henocq, Faouzia Kalali, Jean-Marc Lange, Guy Rumelhard et la RDST de nous avoir autorisé à le reproduire ici. Résumé : Les travaux de la biologie intégrative remettent en cause le déterminisme strict de l'organisation spatiale et temporelle du vivant. Ce texte, travail collectif de notre (...) - Biologie – Nouvel article.

Alain Lévêque, né en 1942 à Paris, est l'auteur notamment de Bonnard, la main légère (Deyrolle Editeur/L'Arbre voyageur, 1994 ; Verdier, 2006), et le préfacier des Observations sur la peinture de Pierre Bonnard, parues aux éditions L'Atelier contemporain en 2015. Il faut miser pour voir. Savoir jouer, ruser, cacher, mais aussi dévoiler son jeu, s'attendre à perdre, à gagner, réfléchir, avoir des coups de tête, de la chance, se recueillir, tout dépenser. Ne pas retenir quelques mots bien au chaud pour (...) l'hiver, dans son bas de laine pour les temps de disette. Tout dépenser. Il faut à chaque fois écrire toutes voiles dehors, au risque de se trouver fort dépourvu quand la bise n'est pas venue. Je ne connais rien de plus difficile que ces commandes d'un " petit texte " pour une exposition de peinture, le travail d'un sculpteur. Car jamais de moi-même je n'irais me fourrer dans pareil pétrin (encore qu'il est tentant de mettre ses mains dans la pâte qui finira par s'échauffer et lever, mais c'est une autre histoire). Il s'agit qu'on m'invite à jouer, et si le jeu est engageant, je ne peux m'empêcher de dire chiche et de jouer à perdre haleine, me fiant à l'excitation, à l'emportement, et croisant les doigts pour qu'à la fin je puisse enlever le bandeau que j'ai sur les yeux et reconnaître ce que j'ai cru toucher. Ecrire pour voir. Est-ce écrire en regard du tableau? On peut bien écrire quelques mots dans un carnet devant le tableau, il ne s'agit jamais d'un tête-à-tête. Le tableau a une et même plusieurs longueurs d'avance. Qu'il soit peint comme de toute éternité et ne demande rien à personne crève les yeux. Le tableau est immobile, cela crève aussi les yeux, on ne peut pourtant pas le fixer. Ecrire dans son carnet oblige à baisser les yeux. Lorsqu'on les relève, le tableau a détalé. On envoie des mots en éclaireur. L'ensemble des textes écrits par Maryline Desbiolles (parus pour la plupart dans des catalogues ou revues, ou inédits) sur l'art, autour de l'art, à partir de l'art est ici réuni : une première partie rassemble les approches les plus réflexives sur la création ; dans le second chapitre les textes s'articulent autour de deux thématiques chères à l'auteur : l'Italie, la cuisine ; le troisième chapitre réunit les essais et poèmes consacrés aux sculptures de Bernard Pagès ; sont ensuite regroupés les essais consacrés à des artistes ou des oeuvres ; le volume se clôt enfin sur des oeuvres de fiction dont l'élément déclencheur de l'écriture fut la fréquentation d'oeuvres plastiques. L'ensemble des textes a été revu en prévision de cet ouvrage, tout autant essai sur l'art qu'oeuvre littéraire. (shrink)

Strictly speaking, it is not possible to make psychology of Saint Teresa of Jesus, to study her experience or psychic reality, since we do not have direct access to her as an historical subject. Psychology can, however, legitimately approach her texts and study them through their language, since written texts are intentionally communicative. Cognitive psychology has tools which are suited to this type of analysis. I will examine texts written by Saint Teresa of Jesus as human conduct and as especially (...) suited to psychology as an explicative-causal and comprehensive-intentional science, though I do prefer to look at them as a mix of the two, explicative-comprehensive — a combination of both levels of reality. (shrink)

La prise de rendez-vous dans un service de consultation conjugale est un aspect spécifique du travail de la secrétaire-réceptionniste. Les différentes tâches qui s’y associent sont le tri des appels et l’évaluation des demandes, l’écoute, l’information et l’orientation. Le rôle de la secrétaire est d’assurer le premier contact, de recueillir les éléments de la demande et de présenter le cadre de travail du conseiller conjugal. Les rendez-vous sont pris selon des règles et des consignes définies dans un cadre institutionnel.

Two continents. Three countries. Mountains, archipelago, a little red dot & more to come. BERIT SOLI-HOLT (Editor): When I think of introductory material, I think of that Derrida documentary when he is asked about what he would like to know about other philosophers. He simply states: their love life. APRIL VANNINI (Editor): And as far as introductions go, I think Derrida brought forth a fruitful discussion on philosophy and thinking with this statement. First, he allows philosophy to open up the (...) personal and second, the ability to conjure the notion of thinking in relation. After all, love lives are spawned from relations, and such are philosophical encounters—the co-emergence of thought and affect. This brings us to discuss the concept of the special issue of continent. called drift . From the Statement of Intent : The discussion that has become drift , a special issue of continent. began in the glow of a bonfire beside a lake near the Thousand Islands of Ontario when co-founders April and Berit came across a conception of a journal that would decline to follow traditional models of invitation and editorship, instead following a generated discourse through relational means. Shedding preemptive articulation of expected outcome and cohesion, we hope to light a fuse of chain interactions with each contributor active in authorial, editorial, and curatorial roles. drift seeks to allow the framing mechanism to choose itself, to find where something can flow or emerge in relation to a series of participants. By setting out a thread of thought to work its own way through writers and artists of various locations, drift operates through links, breaks, pauses, new directions, unintended consequences, twists, holes, bridges. We are attempting to give the scene for an emergence and what can become conceivable when given the opportunity to create chains of thought—linking, welding, fusing, looping, stitching. We hope to explore what is attainable when scholarly/artistic relationships transverse on their own terms instead of articulated by an institutional environment. JEREMY FERNANDO (Guest Editor): I think he was actually more interested in their sex lives. Though at the same time completely refusing to discuss, disclose, his own: I found it rather touching that he blushes whenever speaking of his life with Marguerite. So perhaps in this sense it is very apt to speak of it in terms of love; and the secret that is in each love: that even though it is a relationality between, there are parts of it that remain hidden, not just from everyone else, but even those in that relation itself. What the editors intend to ^do^ to impart this conceptualization is to provide a framework through the choice of a theme and by minimal standardization of form and content guidelines. As initial instigator, each editor will send their contribution to the issue to a fellow colleague, thinker, artist, friend with the invitation to send (via post) the accruing materials to another possible contributor. In this, we hope to engage with many individuals on ideas surrounding a specific theme determined but not limited by the editors of the drift . The end result will take the form of whatever is at hand (as materials can only stay with each contributor for two weeks) and whomever is at hand (the availability of interested and capable parties) through a course of five months. We are curious. What are the ways in which thought can emerge between individuals and places? What occurs when our fundamental mode of inquiry is between each other? How are ethical, social, spacious, political, aesthetic practices created between a chain of contributors. BSH: To introduce what to look forward to in June with the publication of drift isn't quite possible yet. It is in the stages of preparation, barely started, but already begun. I have been thinking about drift as an insect that goes through life cycles, chrysalises, pupas, larva. Each moment of the production and publication of this issue of continent. is its own life. A bug under a pin is not as interesting as one in flight or crawling up your leg. JF: Though the one crawling up your leg is also more likely to bite you. There is always already a danger in letting be, thinking …. Then again, there is also a potential rupture in attempting to seize, pin down, capture. BSH: I think a word we haven't thought about enough yet is capture. I think we are perhaps trying to capture something, or to allow for the moments of this capture along the way, the resulting material being the ripples left in the sand when the water waves away. AV: This question comes to mind when speaking about captures, waves, ripples: How can we activate a ripple? What I find interesting about a wave is the difference in frequencies, movements, forms, style that are activated in between intervals. What is interesting about a wave is that it is activated in relation to what came before. What remains in the sand is a ripple that forms in relation between multiple intervals of stylistic waves. As Deleuze and Parnet have taught us, "We were only two, but what was important for us was less our working together than this strange fact of working between the two of us. We stopped being 'author'. And these 'between-the-twos' referred back to other people, who were different on one side from the other. The desert expanded, but in so doing became more populous." 1 Drift is activation for thinking-with and possibly much more—who knows? There is the intent to subvert the relational qualities between people in journal publishing, but also important to the editors is the subversion of materials. The editors do not shy away from use of contemporary technology and, in fact, have relied and will continue to rely on the wonders of internet connectivity to midwife the drift. The connective infrastructure chosen to relay the developing issue is simply one of bodies, of postal workers and the varying postal systems. Some may find it to be merely be a call of an already dying form, but the editors believe that the conversation exchanged from hand to hand is of explicit difference in quality of engagement due to the complexity of peripheral information transported by physical matter. Different hospitalities and responsibilities are at play in keeping hold of one-of-a-kind materials for a time and entrusting various postal systems to bear the message forward. To have work physically transported through space and time through this kind of infrastructure that is reliant on individuals to literally carry a message is crucial in incorporating traces of bodily presence. AV: Thought is contingent and emergent process that folds, twists, pulls, shifts in multiple directions and we are interested in these multiple directions. JF: And even as thought is contingent on, hinged around, its place, time, venue—on its continents, as it were (we still tend to speak of gestures of thinking as Continental, British, American, European, Asian, etc.)—we might also attempt to respond to the landscape within each thought: its folds, unfoldings, rolls, manoeuvres, geography. BSH: How different is this than Morelli's screw that Julio Cortazar or Horacio Oliveira recounts in Hopscotch? The fable recalls a man who regarded a screw everyday on his stoop. When he perishes, the screw disappears, perhaps into a fellow neighbor's pocket for secret contemplation. Whoever is writing the passage remarks that "Morelli thought that the screw must have been something else, a god or something like that. Too easy a solution. Perhaps the error was in accepting the fact that the object was a screw simply because it was shaped like a screw." JF: Perhaps even more intriguing is the notion that we do not quite know who is inscribing these remarks on Morelli. That even as someone says that it is a screw, perhaps because it is shaped like a screw, the one who names it “screw”—the one whom we are in a relation with in relation to the screw—remains veiled from us. But even as this is so, the notion of the object as “screw” is marked, etched, onto us. BSH: A periodical, marking a period of time, but where? An issue, a magazine, a storehouse of information. To show the remainders of thinkers connecting and surfing. With all this stated, we, as editors of the drift are aware of the active fault, quaking potential, and ethical catastrophe of such a proposed project — the inheritance or the gifting of a project without consent. We are certain that there may be possible oversight on the process of such a project. If such is the case, we hope that oversight and misdirection will not leave this project dormant but rather open up promising new directions, questions, and potential considerations. We are very excited about the accidental propositions that can occur in between. In sum, we'll see what happens. JF: Perhaps, all we can know of the screw is that we are screwed ... NOTE Gilles Deleuze & Claire Parnet. Dialogues II . Revised edition. (New York: Columbia University Press). 2007: 17. (shrink)

In the Laws, Plato argues that legislation must not only compel, but also persuade. This is accomplished by prefacing laws with preludes. While this procedure is central to the legislative project of the dialogue, there is little interpretative agreement about the strategy of the preludes. This paper defends an interpretation according to which the strategy is to engage with citizens in a way that anticipates their progress toward a more mature evaluative outlook, and helps them grow into it. This paper (...) shall refer to this strategy as proleptic engagement. While the virtuous ways of life required by law are intimately connected to happiness, the preludes do not persuade by spelling out this connection. Rather, they persuade by telling citizens what they need to hear so that they can come to appreciate this connection for themselves, in the context of their own lives. While the preludes are many and varied, this paper argues that all preambular material can be understood as proleptic engagement. (shrink)

L’histoire du Kronprinzenpalais, dans sa lente émergence vers la reconnaissance de son existence, ainsi que du rôle majeur qu’il joua sur la scène muséale allemande, en tant que premier musée d’art moderne, demeure étroitement lié au sort de son unique conservateur, Ludwig Justi. Cet article s’attache à restituer les innovations didactiques et muséographiques menées par Justi, les très nombreuses expositions temporaires aussi bien que l’enrichissement des collections, de même que la fondation de la revue Museum der Gegenwart, lesquels eurent un (...) rayonnement sur l’ensemble des musées d’art allemands. (shrink)

On behalf of continent. and as a representative of guest editors, April Vannini and Jeremy Fernando, I would like to welcome you to the drift , special issue of continent . In the summer of 2012, April and I set forth a proposal to the editors of continent. that would engage with a manipulation of the structure of how a journal's materials are curated, accrued, and compiled. The following issue is the partial final product of what our Statement of Intent (...) calls an "attempt to give the scene for an emergence and what can become conceivable when given the opportunity to create chains of thought—linking, welding, fusing, looping, stitching." In this issue you will find the details of the initial scene of drift in the Statement of Intent & Original Documents . This compilation of documents made up (and yet makes) the core of the project's explanatory measures and accompanies the accruing contributions as they are sent from one person to the next. What follows are two of the three threads that were sent out from Singapore, Singapore; Gabriola Island, Canada; and Denver, Colorado. Each piece was written once the accruing contributions were received through the postal system(s). Each contributor (after the initial contributor) chose the next person to participate in the issue, thus not only directing the content by providing a piece, but also by continuing to extend the invitation. The results of the drift that you will encounter in this issue are only a portion of the entirety of the project. As drifting things will do, the third thread, between mischief & disobedience , lived up to it's scene of emergence and got caught up in the mail system between Austria and Scotland at the same time between space & place required some emergency attention. It is the intention of the drift editors to allow this thread to live past the original five contributors to gather twice as many and to publish the entire set along with the contributions you will find here in a physical form in the next year. To attempt a general consensus amongst my selves, my fellow guest editors, and editors of continent. as to what has transpired here under the name of drift would be a disservice to a project still in motion. However, what can already be seen in the documents accrued through the two threads, between space & place and between attention & intention , is a gesture of how one approach moves into the next and then into the next. In between space & place the thread beginning in a wondering of a shaping of "between" moves into narrative, images (both visual and written), and manifestos. The nature of between attention & intention , on the other hand, accumluates in intertextual references amongst the contributors before culminating in poetry. While the movement of thought from one piece to another is the intended method of experiencing the between-ness of drift , I leave the reader to follow their own threads through this drift special issue of continent. We would also like to thank Jason Wagner of Univocal Publishing for his help in the PDF rendering process of drift . You will notice that the PDF copies of the pieces appear differently than that of the usual house-style of continent. This was to preserve the linearity and personality of the original materials as they were accumulated. (shrink)

I argue that central to Aristotle’s account of vice is a distinction between two varieties of vicious person: those for whom character change is possible (the curable), and those for whom it is not (the incurable). Recognizing this distinction and drawing out the ideas which ground it shows why Aristotle’s discussions of vice in EN vii and ix 4 are not inconsistent.

This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify and another one that envisions it as a (...) system full of resources. Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms. (shrink)

Recently mereological hylomorphism, the theory in which form and matter are considered to be proper parts of objects, has become very important among contemporary metaphysicians. The present work aims to analyse and dismantle Bennett’s criticism regarding the existence of formal proper parts. To do this, I will start by presenting Koslicki’s mereological hylomorphism. Next, I will focus on Bennett’s critique which seeks to deny the existence of formal proper parts. Finally, I will analyse critically the Bennett’s criticism focusing on the (...) scenario of lump of clay and statue. I will show Bennett’s proposal is not explanatorily better than Koslicki’s hylomorphism because she needs to accept a counter-intuitive thesis. Therefore, we should prefer Koslicki’s mereological hylomorphism. (shrink)

In this essay, Solis contemplates how queercrip—both homosexual and disabled—readings of four editions of “Snow White and the Seven Dwarfs” might be used to destabilize “normative” sexual identities. His goal is to argue against secrecy and for disclosure; thus, a main question guides the analysis: How might we use picture books to reevaluate human sexuality in all its varied manifestations to avoid condemning to the closet all those who do not approximate a prescribed “norm”?

La percepción de la vida se vincula a la actitud ante la muerte para abrirse a la experiencia estética en torno al Poema de Mio Cid y a las Coplas de Manrique. Los horizontes simbólicos que brotan de la épica y de la lírica acentúan la figura trágica del héroe, del caballero.

El presente texto busca reflexionar en torno al mundo de las prácticas del cuerpo y su vínculo con cierto tipo de culturas juveniles que poseen como forma de vida la alteración corporal, y donde en la actualidad se puede observar –en nuestro país– una explosión de la experimentación con el tatuaje y con el piercing, y de manera más incipiente –pero también significativa– con los implantes, las escarificaciones, los branding, las expansiones y la variante de las suspensiones humanas; práctica sobre (...) la cual el artículo profundiza intentando dar cuenta del contexto social y cultural donde surge la suspensión humana; los procesos de apropiación que experimenta esta práctica a partir de la irrupción de culturas juveniles en las sociedades contemporáneas; los significados y procedimientos asociados a este ritual; y los nexos entre política, estética y modificación corporal. (shrink)

Para Galileo la Naturaleza tenía estructura geométrica. El atomismo veía los sistemas físicos como estructuras matemáticas; pero el atomismo es discontinuo y las magnitudes, continuas. Para unificar física y matemáticas, compuso la materia de átomos inextensos y las magnitudes continuas de infinitos elementos indivisibles, lo que planteó problemas físicos y matemáticos irresolubles pero estimulantes.

Brahe creía que su teoría sobre los cometas refutaba el copernicanismo. Analizamos el argumento y mostramos que ningún sistema existente podía acomodarlos. Tras el decreto anticopernicano de 1616, muchos jesuitas que rechazaban a Ptolomeo e incluso coqueteaban con Copérnico se vieron obligados a abrazar el sistema de Brahe. La discusión de los cometas de 1618 permitía a los jesuitas reforzar a Brahe en un momento en que Galileo no podía defender el copernicanismo. La disputa de los cometas se examina bajo (...) esta luz y se conjetura la orientación pro-Brahe de las censuras del Diálogo de Galileo.It was Brahe’s belief that the motion of comets refuted Copernicus’ system and complied with his own. His argument is analyzed to show that neither could explain their motion. After the anti-copernican decree of1616 quite a few Jesuits that rejected Ptolemy and even courted Copernicus were bound to accept Brahe’s system. The appearance of comets in 1618 allowed the Jesuits to describe them and support Brahe, while Galileo could not treat them in copernican terms. So he crossed them off. The comets war is seen under this light and the pro-Brahe bias in the censorship of the Dialogo is strongly conjectured. (shrink)

La búsqueda de una educación ambiental basada en los principios de la sustentabilidad, está en el centro de la reflexión de la autora. El arte de educar implica, por parte de educadores y educandos, consiste en asumirse como seres sociales y complejos; inmersos en una realidad que exige un compromiso constante con el medioambiente. La libertad que podemos alcanzar en el mundo exterior -el cual habitamos en tanto cuerpos interrelacionados entre sí y respecto de su medio- tiene como requisito previo (...) el desarrollo de nuestra libertad interna. La propuesta implica una educación ambiental como proceso crítico de comunicación y reelaboración constante del conocimiento, donde se construyen realidades sobre la base de la paz y de un futuro compartido. (shrink)

Home care is one of the fastest‐growing industries in the United States, providing valuable opportunities for millions of older adults and people with disabilities to live at home rather than in institutional settings. Home care workers assist clients with essential activities of daily living, but their wages and working conditions generally fail to reflect the importance of their work. Drawing on the work of Eva Feder Kittay and other care ethicists, we argue that good care involves attending to the needs (...) of another out of a concern for their well‐being. Such care should be standard in the home care system. Yet, because of the pervasive racial, gender, and economic inequalities that the home care industry perpetuates, home care workers and their clients cannot reasonably be expected to care about each other. We endorse reforms aimed at enabling home care workers and their clients to form and maintain professional relationships that cultivate care.. (shrink)