The paper deals with a perspective of Christian philosophy on artificial memory erasuse for psychotherapeutic purposes. Its central question is whether a safe and reliable technology of memory erasure, once it is available, would be acceptable from a Christian ethics point of view. The main facet of this question is related to the Christian ethics requirement of contrition for the past wrongs, which in the case of memory erasure of particulary troubling experiences and personal choices (...) would not be possible. The paper argues that there are limits to the ethical significance of contrition in the writings of the leading Christian fathers on the theme, where excessive suffering and inability to forgive oneself for one’s actions is an impediment to the achivement of tranquility of mind and spiritual redemption, rather than a prerequisite for it. The paper thus concludes that there is no hindrance in principle from the Christian ethics point of view to pursuing a voluntary and selective memory erasure as a psychotherapeutic technique once a fully adequate technology is available. (shrink)

We explored whether children’s suggestion-induced omission errors are caused by memory erasure. Seventy-five children were instructed to remove three pieces of clothing from a puppet. Next, they were confronted with evidence falsely suggesting that one of the items had not been removed. During two subsequent interviews separated by one week, children had to report which pieces of clothing they had removed. Children who during both interviews failed to report that they had removed the pertinent item completed a choice (...) reaction time task. In this task, they were presented with different clothing items. For each item, children had to indicate whether or not they had removed it. Significantly more errors were made for those removed items that children failed to report than for those they had not removed. This indicates that children’s suggestion-based omission errors are not due to erasure of memories. (shrink)

Emerging technologies raise the possibility that we may be able to treat trauma victims by pharmaceutically dampening factual or emotional aspects of their memories. Such technologies raise a panoply of legal and ethical issues. While many of these issues remain off in the distance, some have already arisen. In this brief commentary, I discuss a real-life case of memory erasure. The case reveals why the contours of our freedom of memory—our limited bundle of rights to control our (...) memories and be free of outside control—already merit some attention. (shrink)

With this nuanced and interdisciplinary work, political theorist Mihaela Mihai tackles several interrelated questions: How do societies remember histories of systemic violence? Who is excluded from such histories' cast of characters? And what are the political costs of selective remembering in the present? Building on insights from political theory, social epistemology, and feminist and critical race theory, Mihai argues that a double erasure often structures hegemonic narratives of complex violence: of widespread, heterogeneous complicity and of "impure" resistances, not easily (...) subsumed to exceptionalist heroic models. In dialogue with care ethicists and philosophers of art, she then suggests that such narrative reductionism can be disrupted aesthetically through practices of "mnemonic care," that is, through the hermeneutical labor that critical artists deliver—thematically and formally—within communities' space of meaning. Empirically, the book examines both consecrated and marginalized artists who tackled the memory of Vichy France, communist Romania, and apartheid South Africa. Despite their specificities, these contexts present us with an opportunity to analyze similar mnemonic dynamics and to recognize the political impact of dissenting artistic production. Crossing disciplinary boundaries, the book intervenes in debates over collective responsibility, historical injustice, and the aesthetics of violence within political theory, memory studies, social epistemology, and transitional justice. (shrink)

This article articulates a sociological conception of settler colonial remembering as a tool of legitimation. Theories of memory in the context of settler colonialism generally center counter-memories by the subaltern or colonized, or official hegemonizing representations at the level of state institutions. Underexamined is the dialectical nature of memory and discursive representations that help reproduce settler colonial processes of accumulation and displacement at the micro-level. The article draws on archival data from avowedly socialist-leftist Zionist colonies to explicate patterned (...) representations of Palestinian villages that Zionist forces gradually displaced prior to and during the 1948 War/Nakba. I demonstrate how the colonial settlers attributed political meaning through five representational modes: contrasting the indigenous as backward and primitive and settlers as progressive and developed; denying an indigenous connection to the land; emphasizing amiable relations through the promotion of cultural progress and settler superiority; asymmetrically assessing settler and indigenous belongings to national collectives; and legitimizing land purchases that dispossessed indigenous cultivators, despite the settlers’ socialist ideology, while reducing conflict to the issue of economic compensation. I theorize a form of settler colonial memory based not merely on erasure, but on recognition and disavowal. Finally, I argue that local memory is a significant site of production in which the conceptual tools to both trace the historical processes of supremacy and subvert asymmetrical sociality lie. (shrink)

What happens when we blur time and allow ourselves to haunt or to become haunted by ghosts of the past? Drawing on archaeological, historical, and ethnographic data, Blurring Timescapes, Subverting Erasure demonstrates the value of conceiving of ghosts not just as metaphors, but as mechanisms for making the past more concrete and allowing the negative specters of enduring historical legacies, such as colonialism and capitalism, to be exorcised.

The questions raised by Māori identity are not static, but complex and changing over time. The ethnicity known as “Māori” came into existence in colonial New Zealand as a new, pan-tribal identity concept, in response to the trauma of invasion and dispossession by large numbers of mainly British settlers. Ideas of Māori identity have changed over the course of succeeding generations in response to wider social and economic changes. While inter-ethnic marriages and other sexual liaisons have been common throughout the (...) Māori-Pākehā relationship, the nature of such unions, and the identity choices available to their descendants, have varied according to era and social locus. In colonial families, the memory of a Māori ancestor was often deliberately suppressed, and children were encouraged to deny that part of their history and “become” European New Zealanders: a classic form of what we call “trans-ethnicity.” From a Māori perspective, the relationship with Pākehā has been marked by a series of losses: loss of land, language, social cohesion, even loss of knowledge of whakapapa. This article explores this last form of loss, which leads to “suppressed” Māori identities, and possible effects of attempting to recover such lost Māori identity rights. (shrink)

Following the trend of sharing, and associating being on-line with being 'on-life', many people are now demanding the ownership and control of their data across all processing phases, including the erasure of their presence on the web. In Europe, recent proposals for regulation include an explicit 'Right to be Forgotten'; this right stated in the European Commission Proposal for Regulation COM 2011/12 does not emerge without controversy. It is being criticised on several grounds, including clashing with other rights, such (...) as freedom of expression, as well as setting the terrain for censorship. Besides the purely legal aspects of the proposed provisions, the chapters of this volume discuss how those legal provisions correspond in practice to worldviews and how individual and collective memory must be governed. They look into the deeper consequences of such provisions to construction of identity, culture and community formation, and how such a right affects how, what and why individuals, groups and societies remember and forget. (shrink)

(draft) In this chapter, I examine the most significant ethical questions surrounding memory, both at the collective and individual levels, as discussed in the literature. I begin by exploring the values associated with memory, including truth, accuracy, integrity, and broader social and political dimensions. I then address the concept of a duty to remember, particularly in the context of genocide and other human atrocities, and the complex questions this concept raises. Following this, I analyze the ethical challenges posed (...) by forgetting, focusing on its collective implications for forgiveness and its individual dimensions, such as the responsibility for forgetting and the right to be forgotten. After briefly discussing memory virtues—a topic that remains underexplored in the literature—I explore the ethical considerations surrounding the wishes of individuals with severe memory loss, such as those with dementia. Finally, I summarize ethical debates related to current and hypothetical cases of memory modification, erasure, and enhancement, highlighting their potential impacts on personal identity, agency, authenticity, moral responsibility, testimony, and their overall desirability. (shrink)

The broad aim of this introduction to a Special Issue on “Susceptibilities: Toward a Cultural Politics of Consent under Erasure” is to broach key questions and research directions that illuminate contemporary public debates about the conditions and limits of conscious intention (and consent as a byproduct thereof), which is typically treated as a “property” that can be “underdeveloped”, “given”, or “taken away”. In keeping with Jacques Derrida’s repudiation of the metaphysics of presence, the perspective animating this essay is that (...) the psychoanalytic standpoint of the unconscious deconstructs the epistemological privilege of determinacy, consistency, and wholeness in treatments of intentional consciousness. Given Jean Laplanche’s attention to the residues of coherent ego fetishism in Sigmund Freud’s oeuvre, the former’s critique of self-sovereignty as evinced in his theorization of the “enigmatic signifier”, “primal repression”, and “afterwardsness” assumes a pivotal role in the analysis of how writers as represented here by Sarah Polley in Run Towards the Danger narrate the vicissitudes of their traumatic memories of sexual assault. Ultimately, then, the implications of this analysis will carry over to brief discussions of this Special Issue’s seven contributions by Melissa Wright, Karen McFadyen, J. Asher Godley, Madeleine Reddon, Gautam Basu Thakur, Robert Hughes, and Rebecca Saunders. (shrink)

In our article (Zawadzki and Adamczyk 2021), we analyzed threats that novel memory modifying interventions may pose in the future. More specifically, we discussed how optogenetics’ potential for reversible erasure/deactivation of memory “may impact authenticity by producing changes at different levels of personality.” Our article has received many thoughtful open peer commentaries for which we would like to express our great appreciation. We have identified two main threads of objections. They are related to the potential applicability of (...) optogenetics as a therapeutic memory modification technology (MMT) in humans—applicability thread, and the normative value of authenticity, that is, the assumption that preserving authenticity is valuable (either in general or in the particular approach we adopted)—normative thread. Both of these threads concern fundamental issues: The former deals with the scientific credibility of the case vignette on which our discussion is based, and the latter deals with the normative weight of our considerations. We think that addressing both of them can be instructive in a broader context as they reflect a more general disagreement among neuroethicists about the very purpose and method of our discipline. (shrink)

Utopias are embedded in contexts from which they derive meaning and significance. As a vehicle for speculation, intervention, and creativity, narrative utopia reflects the circumstances of its times, including its culture's relationship to the past. This article offers a survey of ways in which utopias engage with the problematics of historical memory both by looking to the past in the “real” world or in a mythical world and by positing fictional peoples with their own historical memory/ies, as instanced (...) in legends, libraries, works of art, and so on. The erasure or falsification of memory, on the other hand, appears as an important leitmotif of the dystopian imagination. By pointing out a variety of examples and issues, the article will attempt to bridge the existing gap between utopian studies and cultural memory studies. (shrink)

This article is constructed around the author’s reflections on ‘trace, print, remains’. Greisch uses three personal anecdotes to establish a preliminary understanding of the concept of trace. He then considers trace and memory, drawing on Ricœur. He examines whether the notion of trace can be approached from the angle of life as well as death, and attempts to outline a phenomenological approach. He considers philosophical views of ‘trace’ from Plato onwards. Finally, he discusses Eco’s ‘Signor Sigma’, creating his own (...) conceptual character ‘Herr Spur’ or ‘Mr Trace’. (shrink)

Canadian landscapes on gallery walls in art museums serve as a primer for understanding the nation. Visitors cannot easily escape the purposeful emptiness of rugged scenes meant to visually assure them of the nation’s right to colonial possession. Most viewers respond positively to these pretty pictures because such ways of seeing the art history of Canada has been naturalized and normalized, appearing politically neutral.Ubiquitous Canadian landscape paintings also reinforce colonial claiming of land and authorize erasure of Indigenous relations with (...) the land. Understanding the noted landscapes as something other than part of a national narrative, however, has not been widely accepted, even as a sanctioned mandate to broaden art historical narratives has resulted in displaying additional Indigenous art in galleries. In an analysis that considers ways to re-vision the privileged colonial narrative present in Canadian art museums, deeper ethical issues arise in relation to institutional structures. Here the analysis focuses on three projects in and around Canada 150, including examples such as Shame and Prejudice: A Story of Resilience, the rehanging of Norval Morrisseau’s Artist and Shaman between Two Worlds at the National Gallery of Canada, and the Michael Belmore and A. J. Casson: Nkweshkdaadiimgak Miinwaa Bakeziibiisan/Confluences and Tributaries exhibit at the Ottawa Art Gallery. This essay explores questions regarding whether ways of seeing land differently come about simply by hanging Indigenous art on institutional walls or whether more systemic change is required. (shrink)

This paper proves that Maxwell's Demon is compatible with classical mechanics. In particular it shows how the cycle of operation - including measurement and erasure - can be carried out with no entropy cost, contrary to the Landauer-Bennett thesis (according to which memory erasure costs kln2 of entropy increase per bit). The Landauer-Bennet thesis is thus proven to be mistaken.

In this second part of our two-part paper we review and analyse attempts since 1950 to use information theoretic notions to exorcise Maxwell’s Demon. We argue through a simple dilemma that these attempted exorcisms are ineffective, whether they follow Szilard in seeking a compensating entropy cost in information acquisition or Landauer in seeking that cost in memory erasure. In so far as the Demon is a thermodynamic system already governed by the Second Law, no further supposition about information (...) and entropy is needed to save the Second Law. In so far as the Demon fails to be such a system, no supposition about the entropy cost of information acquisition and processing can save the Second Law from the Demon. (shrink)

There has been in recent years a huge surge of interest in the so-called extended Wigner’s friend scenario (EWFS). In short, a series of theorems (with some variation in detail) puts pressure on the ability of different agents in the scenario to account for each of the others’ measured outcomes: the outcomes cannot be assigned single well-defined values while also satisfying other reasonable physical assumptions. These theorems have been interpreted as showing that there can be no absolute, third-person, ‘God’s eye’ (...) description of our reality. The focus of this paper is the strongest of these no-go theorems, the ‘local friendliness’ theorem of Bong et al. (2020, _Nature Physics_, _16_, 1199–1205), which gives earnest consideration to the possibility of a measurement that unitarily reverses an entire lab system, including a conscious agent, thereby erasing the agent’s memory. The purpose of this paper is to begin the philosophical conversation regarding key questions concerning this process: Are the events in the lab merely ‘erased’, or do they in some sense not exist at all? What would it be like to be unitarily reversed? Should an agent care about any experiences they have inside the lab before they are reversed? This analysis employs a parallel case of memory erasure, to which this case can be contrasted, arising in the context of drug-induced amnesia as a result of administering anaesthesia during medical procedures (Carbonell, 2014, _Bioethics_, _28_(5), 245–254). I argue that the consequences of unitarily reversing an agent are much more dramatic than simply memory erasure—the set of events themselves, and the personal timeline of the agent, leave no record at all inside or outside the lab. I consider the ramifications of this for the picture of reality that arises from the EWFS. (shrink)

This paper primarily explores the ethical debate surrounding the use of memory erasure for therapeutic ends. It argues that procedures such as kinase inhibition therapy, which can entail memory erasure in the individual, incur a high cost in terms of the integrity of our individual identities, thus jeopardizing our claim to individual rights and accountability. Therefore, we should reserve such therapies for the extreme cases in which the procedures have the potential to actually restore a person’s (...) autonomy. Furthermore, this paper goes on to explore which situations might fit this criterion, while still accounting for the cost of memory erasure in each instance. (shrink)

Memory, funerals, and the communion of the saints: growing old and practices of remembering / M. Therese Lysaught -- God bends over backward to accommodate humankind...while the Civil Rights Acts and the Americans with Disabilities Act require [only] minimum effort / Mary Jo Iozzio -- Radical solidarity: migration as challenge ofr contemporary Christian ethics / Kristin E. Heyer -- Catholic lesbian feminist theology / Mary E. Hunt -- Theology of whose body? Sexual conplementarity, intersex conditions, and La Virgen de (...) Guadalupe / Katie M. Grimes -- Social conscience and politics in the United States of America: reflections / Mary Jo Bane -- Pope Francis, women, and the church for the poor / Lisa A. Fullam -- Floodwaters and the ticking clock: the systematic oppression and stigmatization of poor, single mothers in American and Christian theological responses / Julie A. Mavity Maddalena --What causes inequity? / Dean Baker -- Engaging the U.S. Bishops' pastoral on crime and criminal justice: from atomism to community justice / Robert DeFina and Lance Hannon -- Reconstructing the moral claim of racially unjust mass incarceration / Alison Benders -- The systemic erasure of the Black/dark-skinned body in Catholic ethics / Bryan Massingale -- Anti-blackness and white supremacy in the making of American Catholicism / M. Shawn Copeland -- White privilege / Charles E. Curran -- The Black Lives Matter Movement: justice and health equity / Michael P. Jaycox -- Mujerista theology: a challenge to traditional theology / Ada María Isasi-Díaz -- Faith of our mothers; Catholic womanist God-talk / Diana L. Hayes. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

In this book, author John Lynch shows how three controversial experiments--the Tuskegee Syphilis Study, the Willowbrook Hepatitis Study, and the Cincinnati Total Body Irradiation Study--have been remembered and forgotten, and why their memorialization or their erasure matters today.

Drawing on her memories of growing up in a racially segregated South, the author argues not so much for the removal and erasure of Confederate memorials as for mutilating them or retaining a version of their presence glossed with an explanation for their rejection. Connecting the southern anti-Semitism and anti-Black racism of her youth, she explains the parallels and differences between German efforts to come to terms with the Holocaust and American efforts, southern and northern, to move beyond and (...) make reparation for both slavery and continuing twentieth- and twenty-first-century racism. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I (re)interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

& co-graphy names here writing experienced as differance of ‘now’ and ‘then’, of memory and erasure called here ‘saw’ and ‘was’ and the rupture that const...

Landauer's Principle asserts that there is an unavoidable cost in thermodynamic entropy creation when data is erased. It is usually derived from incorrect assumptions, most notably, that erasure must compress the phase space of a memory device or that thermodynamic entropy arises from the probabilistic uncertainty of random data. Recent work seeks to prove Landauer’s Principle without using these assumptions. I show that the processes assumed in the proof, and in the thermodynamics of computation more generally, can be (...) combined to produce devices that both violate the second law and erase data without entropy cost, indicating an inconsistency in the theoretical system. Worse, the standard repertoire of processes selectively neglects thermal fluctuations. Concrete proposals for how we might measure dissipationlessly and expand single molecule gases reversibly are shown to be fatally disrupted by fluctuations. Reversible, isothermal processes on molecular scales are shown to be disrupted by fluctuations that can only be overcome by introducing entropy creating, dissipative processes. (shrink)

The articles published in our Winter 2016 edition are connected loosely under the themes of pop culture and public memory. Our annual conference, held in late April, featured Dr. Kelly MacFarlane as our keynote lecture to speak on the interplay between history, public memory, and pop culture. We are thrilled to present to you eight excellent articles in our Winter 2016 edition: An ideological examination of the US-Russian Space Race and public memory of the event during the (...) cold war is offered in "Narrative Memory in the Space Race"; The article "The Swastika and the Maple Leaf: National-socialism and anti-semitism in Canada" returns to the 1930s to explore anti-semitist ideologies in our country preceeding the second world war;"The Monumentalization of our Disgrace" is a captivating look at the manner in which concentration and death camps standing after the Holocaust are memorialized today and the local residents' public perception of such memorials; "Hegemony without Tears: Defenitions and uses of hegemony from Gramsci onwards" explores the works of Marxist writer Antonio Gramsci and his influence upon other writers through several case studies, ultimately commenting on the subsequent reinterpretation of Gramsci's definition of hegemony; "Confrontation and Cooperation: the hidden history of national parks and Indigenous groups in Canada" takes the reader through a historical analysis of Canada's national parks and the indigenous groups originally inhabiting them, arguing the erasure of these groups by the National Parks system; "War and Faith: Memories of the Great Patriotic War in the Russian Orthodox church" examines the Church's modern conceptualization of the Soviet Union as a "holy battle for survival; "Administering State Legislation: The kirk and witchcraft in early modern Scotland" is a fascinating look at the relationship between the duties performed by the Royal Court and the Calivinist church in Scotland; and finally, we have "The Limits of Rationalism: Early modern geography and the idea of Europe", an investigation of cartogropher's contributions in the 16th and 17th century towards the concept of 'Europe' and the growth of a scientific worldview. We wholly hope you enjoy our Winter 2016 edition as much as our staff has enjoyed curating it. Editors Emily Kaliel Ellen Sutherland Assistant Editors Jean Middleton Kayla Pituka Senior Reviewers Kyler Chittick Emily Hoven Katarina Hoven Faculty Advisor Jeremy Caradonna. (shrink)

It is generally accepted, following Landauer and Bennett, that the process of measurement involves no minimum entropy cost, but the erasure of information in resetting the memory register of a computer to zero requires dissipating heat into the environment. This thesis has been challenged recently in a two-part article by Earman and Norton. I review some relevant observations in the thermodynamics of computation and argue that Earman and Norton are mistaken: there is in principle no entropy cost to (...) the acquisition of information, but the destruction of information does involve an irreducible entropy cost. (shrink)

For some, the 1967 war meant a setback to grand Arab projects; but the Palestinians understood the war in physical and epistemic terms. This is because the war made it clear to them that Israel and Zionism are capable of physically erasing Palestine as well as its history. The Palestinian existential fear of epistemic erasure (athazagoraphobia), following the complete occupation of their land, has produced works that affirm epistemic presence through the assertion of history and ownership. Athazagoraphobia refers to (...) an existential human fear of death both physically and memorially––namely, human continuity. As a result, Palestinian discourse, responding to athazagoraphobia, centers around questions of origins, genealogy, and beginnings. Moreover, Palestinian reaction to athazagoraphobia opens up a discussion about the impact of this reaction on larger intellectual projects that deal with universal themes. Consequently, this article offers additional insights into the relationship between the 1948 and 1967 wars. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Piso in Chicago: A Commentary on the APA/AIA Joint Seminar on the Senatus Consultum de Cn. Pisone PatreHarriet I. FlowerThe discussion which follows comprises comments on the papers by John Bodel, D. S. Potter, and Richard Talbert which were delivered at the APA/AIA seminar on the Senatus Consultum de Cn. Pisone Patre in Chicago, 28 December 1997. Those papers, now collected (with some minor revisions) in this issue of (...) AJP, cover a variety of topics ranging from Piso’s punishments to the virtues espoused and advertised in the rhetoric of the Julio-Claudians, from the chronology of events in A.D. 19–20 to the relationship between the decree and the account of Piso’s trial in Tacitus (Ann. 3.10–18). They serve to illustrate just some of the many aspects of Roman life which have been illuminated in new and vivid detail by the publication of the decree. My purpose here is to reflect upon these particular papers and to prompt further thought about a number of questions arising from the decree. Remarks below are focused closely on the meaning and interpretation of the new text itself. Rather than seeking to take a definite stance on every issue, my aim here is to explore some interpretations and to prompt further debate. Even as the Senate’s decree provides us with a wealth of fresh insights into events in Rome and in the empire in 19–20, it also reveals the limits of our knowledge and understanding about many areas of Roman life.J. Bodel, “Punishing Piso”In his detailed and well-argued paper John Bodel focuses on four of the six penalties imposed by the Senate on Cn. Calpurnius Piso after his suicide:1. The ban on mourning by women (lines 73–75)2. The ban on Piso’s imago (76–82) [End Page 99]3. The erasure of Piso’s name from the statue of Germanicus set up by the sodales Augustales in the Campus Martius near the Altar of Providentia (82–84)4. The demolition of additions built by Piso to link various private houses supra portem Fontinalem (105–8).Bodel has chosen to comment on these four penalties since they reflect Piso’s public image in Rome. A focus on specific penalties is helpful in getting to grips with the implications of the Senate’s imposition of post-mortem sanctions, commonly referred to as damnatio memoriae. However, all six of the penalties are actually part of the damnatio memoriae, and it is also important to consider them as a group. 1 As Bodel has clearly shown, they were specifically tailored to Piso’s case. They seem to be listed in an order which suggests events in sequence after a death, starting with mourning by women, moving through commemoration, and ending up with questions of property, which would, under other circumstances, have been disposed of through the will of the deceased. The property is actually divided between two generations of Piso’s descendants as provision is also made for his granddaughter Calpurnia. She was the child of his eldest son and must have been very young at the time of the trial. 2As Bodel has so perceptively emphasized, the penalties imposed on Piso reflect a tension between the desire to remember the villain, by holding him up as an example to warn others, and the desire to erase his memory, since being forgotten is integral to his punishment. This tension is further emphasized by the title of Copy A of the new decree found at Irni, which was added locally by the governor, N. Vibius Seranus. Piso’s name appears in large letters over the very decree which bans his memory. There is an essential contradiction here, but it is a contradiction which is actually typical of sanctions against memory in Roman culture. A similar contradiction is inherent in other traditional penalties not imposed on Piso, such as the celebration of the day on which the disgraced person died. Scribonius Libo Drusus had suffered this disgrace only four years earlier (Tac. Ann. 2.32.4). In the same way, as Bodel has discussed in a recent article (1997), the traitors of... (shrink)

This essay explores the material, phenomenological and political meaning of the Syrian corpse and the question of its dignity as represented in a series of media and visual outputs from 2011 to the present. The essay begins by arguing that the violence in Syria now targets the dead as much as the living. As such, the essay highlights the forms of ‘necroviolence’ that the Syrian corpse has been subjected to: mistreatment, erasure of markers of identity, denial of burial, mutilation (...) and ultimately an attempt to erase it from memory. The essay concludes by arguing that the Syrian corpse is not merely the passive subject or victim of ‘necroviolence’ but can also become the paradoxical agent of what we might call ‘postmortem resistance’. (shrink)

The paper considers how the logic of settler colonialism, the active and ongoing dispossession of Indigenous peoples, shapes scholarship on migration, race and citizenship in Canada. It draws on the insights of settler colonial theory and critiques of methodological nationalism to do so. The concept of differential inclusion and assemblages methodology are proposed as a way to understand the relationship between Indigeneity and migration in a settler colonial context. The paper develops this conceptual proposal through an analysis of a single (...) place over time: Scarborough, Ontario. Authors present portraits of Scarborough, Ontario, Canada to understand how migration and Indigenous sovereignty are narrated and regulated in convergent and divergent ways. Together, the portraits examine historical stories, media discourses, photography and map archives, fieldwork and interviews connected to Scarborough. They reveal how the differential inclusion of migrant, racialized and Indigenous peoples operates through processes of invisibilization and hypervisibilization, fixity and erasure, and memorialization. They also illustrate moments of disruption that work to unsettle settler colonial dispossession. (shrink)

Landauer’s principle is the loosely formulated notion that the erasure of n bits of information must always incur a cost of k ln n in thermodynamic entropy. It can be formulated as a precise result in statistical mechanics, but for a restricted class of erasure processes that use a thermodynamically irreversible phase space expansion, which is the real origin of the law’s entropy cost and whose necessity has not been demonstrated. General arguments that purport to establish the unconditional (...) validity of the law fail. They turn out to depend on the illicit formation of a canonical ensemble from memory devices holding random data. To exorcise Maxwell’s demon one must show that all candidate devices—the ordinary and the extraordinary—must fail to reverse the second law of thermodynamics. The theorizing surrounding Landauer’s principle is too fragile and too tied to a few specific examples to support such general exorcism. Charles Bennett’s recent extension of Landauer’s principle to the merging of computational paths fails for the same reasons as trouble the original principle. (shrink)

continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

Death beyond Disavowal utilizes "difference" as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism. According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post-World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas (...) that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism's exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense. Using various books and films as case studies, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase. Hong posits cultural production as a compelling rejoinder to neoliberalism's violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism. (shrink)

In the current American iconoclash, certain monuments are subject to vandalism and municipal removal from their pedestals. Phrases such as “the erasure of history” and “damnatio memoriae” point to concerns that iconoclasm is an attempt to censor history or even remove certain individuals from public memory altogether. Because these phrases beckon the past, this wave of iconoclasm calls for a close examination of previous image-breaking to establish motives. Drawing first from art history, we analyze Byzantine iconoclasm and anxieties (...) over the nature of icons’ power, before contextualizing these findings within image destruction from the Paleolithic to the present day. Each comparison is suggestive of an enduring aesthetic principle: that what appears inanimate is not always inert. Next, drawing from cultural anthropology, we argue that principles of sympathetic magic are at the heart of contemporary iconoclasms, but not in the way media outlets often suggest. Instead, the fear of history’s erasure betrays a deeply rooted equivalence between the representation and the represented. In perceiving their fates as shared, sympathetic magic is seen to persist in the way humans create, interpret, and desecrate images. We conclude with the speculative realist proposition that iconoclasm can produce new, original artworks, which carries implications for the autonomy of art and its distribution between artist and artwork. (shrink)

Landauer’s principle is the loosely formulated notion that the erasure of n bits of information must always incur a cost of k ln n in thermodynamic entropy. It can be formulated as a precise result in statistical mechanics, but for a restricted class of erasure processes that use a thermodynamically irreversible phase space expansion, which is the real origin of the law’s entropy cost and whose necessity has not been demonstrated. General arguments that purport to establish the unconditional (...) validity of the law fail. They turn out to depend on the illicit formation of a canonical ensemble from memory devices holding random data. To exorcise Maxwell’s demon one must show that all candidate devices—the ordinary and the extraordinary—must fail to reverse the second law of thermodynamics. The theorizing surrounding Landauer’s principle is too fragile and too tied to a few specific examples to support such general exorcism. Charles Bennett’s recent extension of Landauer’s principle to the merging of computational paths fails for the same reasons as trouble the original principle. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Antiutopianism: An IntroductionPatricia McManus (bio) and Darko Suvin (bio)Utopia is endangered today! Such a sentence seems redundant: utopia—the shape of the possibility that things could be better—is always in danger. But the present danger is something distinct from the dangers that historically have attended utopia. These have not gone away but, added to them, and largely superseding utopia’s other perils in our twenty-first century, is the disappearance of utopianism (...) from the culture and politics that dominate our collective sense of any future. Politically, this is a conscious and unconscious erasure serving the interests of ecocide and the present mass killings of poverty and declared or undeclared wars. Our axiom is that the unchecked drive for profits will necessarily continue serving such interests, so that we cannot take seriously either presumed new “green” interests as today enforced, or group “identities” unless they challenge that drive.The collection of essays that make up the following “bloc” contains an argument that there is a need, political and historical, to disentangle our understanding of antiutopianism today from the overt “anti-utopianisms” of previous epochs, giving weight if not shape to the Cold War identification of utopia with authoritarianism or uniformity under the fake sign of [End Page 289] “totalitarianism.” Where such older predecessors still linger, they have been turned to face the past, as if those past models of tyranny themselves buried not just particular utopias but also the need for utopia. We now have antiutopianism as a thing in itself, antiutopianism without utopia. It deserves to be taken very seriously, without the hyphen.This argument was first put forward by Darko Suvin in the final essays of his most recent collection Disputing the Deluge (Bloomsbury, 2022). The editor of that collection, Hugh C. O’Connell, glossed Suvin’s use of the unhyphenated term “antiutopianism” as follows: “we might think of antiutopianism today as the blurring of the boundaries between a stalwart negation of all utopian thought... and the hallucinatory proclamations of the End of History accompanying the triumph of the global capitalist world system.”Following the release of Disputing the Deluge, Suvin took up a Visiting Fellowship at the University of Brighton’s Centre for Research in Narrative, History and Memory. He developed the materials for a two-day workshop on antiutopianism in early April 2023. After conversation with Patricia McManus, that workshop was titled “Antiutopia as an Enforced Dominant Horizon of Mass Culture,” and it proposed to investigate the causes and consequences of this dominance for personality and utopianism today. It adopted the TV series Game of Thrones as its concrete exemplum. The first day of the workshop was introduced by Suvin’s presentation on the theory of antiutopia(nism), with a response by Antonis Balasopulos; the second day by McManus’s reading of Game of Thrones with a response by Lazar Atanasković. All of these presentations were rewritten for this volume of Utopian Studies. We were happy with the interest generated, which ran to over seventy registrants from all over the world.Suvin’s contribution, “On Antiutopianism in Pragmatics and Narrative,” sets the scene for the interventions that follow it. It engages with two aspects of our present in some detail, the self or woebegone “personality” of late or catastrophic capitalism, and the gathering signs of “neofeudalism,” possibly issuing into a Fascism 2.0, as a way of probing the historical horizon of this capitalism.In his response on the first day, “Antiutopianism, Social Darwinism, and Self-Preservation,” Balasopoulos picked up Suvin’s focusing on the “personality” in relation to both utopia and the bourgeois revolutions. That concept is here subjected to an analysis that traces its filiations with both Social Darwinist and Marxist conceptualizations of “survival.” [End Page 290]The two essays from the second day of the workshop move from the explorations opened by Suvin and Balasopoulos to focus on analysing HBO’s hit TV series Game of Thrones. Following up a suggestion by Suvin, McManus makes the case for understanding the series as articulating antiutopianism and thriving on so doing. Atanasković, in “On the Antiutopian Effect in Game of Thrones,” examines the series’s use of an aesthetic of “Fantastic history,” and... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Art of Forgetting: Disgrace and Oblivion in Roman Political CultureCynthia DamonHarriet I. Flower. The Art of Forgetting: Disgrace and Oblivion in Roman Political Culture. Studies in the History of Greece and Rome. Chapel Hill: University of North Carolina Press, 2006. xxiv + 400 pp. 75 black-and-white ills. 1 map. Cloth. $59.95.Despite its title, this book is not really about forgetting. Forgetting, as Tacitus knew to his cost, (...) cannot be done to order, whether the order be one's own or another's. Erasure, rather. Indeed erasures of a wide variety, from official memory sanctions mandating the removal of names from inscriptions and imagines from funerals, to spontaneous erasures on or of monuments associated with the disgraced, to literary attacks targeting posthumous reputations. The emphasis is on the first category; the book is structured around a chronological survey of official memory sanctions and the physical traces thereof from the early Republic [End Page 599] up to the first year of the principate of Antoninus Pius, but the other types are well integrated into the discussion. The Art of Forgetting is a fascinating study of the battle between the living and the dead or disgraced for prime turf in the memory space of the Roman elite.As with so much of Roman history as we can know it, the "memory wars" and "memory games" treated in this book are an elite phenomenon. The erasures discussed (and, happily, often pictured) here are most accessible to us when they are accomplished in the same enduring media to which the Roman elite entrusted its public record and reputation. The title of Flower's first chapter, "Clementis' Hat," alluding to the chance survival of a photographic testimonial for Czech politician Vladimir Clementis, captures Flower's early assertion that we can only know the incompletely successful erasures (12), but this seems to me to collapse an essential distinction, preserved elsewhere in the book, including its subtitle, between memory and reputation. The senate-mandated erasure of the man accused of Germanicus' murder is accomplished both by chiseling his name out of the dedication of a statue of Germanicus and by chiseling it into the empire-wide inscriptions on which the senate's verdict in his trial was recorded. The former deprives him of prime memory space; the latter assigns him space on the wrong side of the tracks, so to speak. Both oblivion and disgrace are weapons in the memory wars, and their relative salience varies.The chronological survey of the Roman evidence is preceded by a contextualizing chapter on memory sanctions in the Greek world, particularly in the Hellenistic world, in which Rome's elite saw first hand the battles over what went into the monumental record that followed (or even preceded) battles for territory. Early-attested sanctions such as the razing of a disgraced person's house seem to combine practical and symbolic ends: displacement of the individual and his immediate family and erasure of an avatar. The record of sanctions in democratic Athens, which adds to house-razing the expulsion of remains and the erection of stelai publicizing the names and crimes of offenders against the demos, already shows the complementary effects of oblivion and disgrace later exploited at Rome. A helpful distinction is drawn between amnesties such as that of 403 B.C.E. Athens, in which "a new start was made by promising not to use the past as a political weapon" (23), and the kind of memory politics manifested in sanctions. The discussion of the Hellenistic world establishes the connection, later relevant to the treatment of Rome's imperial women, between extravagant honors and harsh penalties in the symbolic realm: in the rhetoric of relations between cities and kings, for example, a ruler in favor is honored as a god, while a ruler out of favor may find his cult appropriated, his record erased, and his memory cursed.Rome had its own long-standing traditions of memory sanctions. Or at least by the Augustan age it felt it had. Chapter 3 tries to get back beyond the triumviral phase of Roman memory sanctions, citing fifth- and fourth-century house-razings for "citizen traitors" (45... (shrink)

Thanks to the revival in Bergson’s scholarship prompted by Gilles Deleuze’s Bergsonism, it is widely recognized that Bergsonism challenges the metaphysics of presence. Less attention, however, has been devoted to the status of negation or negativity in Bergson’s thought. Differently from Deleuze, I argue that Bergson’s claim that memory and perception, past and present, differ in kind does not call for the erasure of the negative but rather for the radical reconceptualization of negation in temporal terms. Thinking negation (...) temporally allows Bergson to open the space for conceptualizing existence beyond presence, for developing an account of the paradoxical nature of the past. With an insight that anticipates Derrida’s thinking, Bergson tells us that the past is neither “there” nor “not-there,” neither a presence nor an absence. Grâce au regain d’intérêt pour Bergson qu’a suscité le livre de Gilles Deleuze, Le bergsonisme, il est maintenant largement reconnu que le bergsonisme met la métaphysique de la présence à l’épreuve. On a cependant moins porté attention au statut de la négation ou de la négativité dans la pensée de Bergson. Au contraire de Deleuze, je soutiens que l’affirmation de Bergson selon laquelle la mémoire et la perception, le passé et le présent, diffèrent en espèce n’amène pas un effacement du négatif mais plutôt une reconceptualisation radicale de la négation en termes temporels. En pensant la négation temporellement, Bergson peut ouvrir un espace pour conceptualiser l’existence au-delà de la présence et développer une explication de la nature paradoxale du passé. Anticipant la pensée de Derrida, Bergson nous montre que le passé est ni « présent » ni « non-présent », ni une présence ni une absence. (shrink)

In official and unofficial histories, and in cultural memorializations of the 1971 war for Bangladeshi independence, the treatment of women's experiences—more specifically the unresolved question of acknowledgment of and accountability to birangonas, “war heroines” —has met with stunning silence or erasure, on the one hand, or with narratives of abject victimhood, on the other. By contrast, the film Meherjaan revolves around the stories of four women during and after the war, and most centrally the relationship between a Bengali woman (...) and a Pakistani soldier. In this article, I investigate the anxieties underlying the responses to Meherjaan, particularly in association with themes of trauma—its absence or omnipresence—to nonnormative gender frames of national sexuality, and the notion of loving the Other. Drawing from feminist theories of vulnerability, ethics, and love, I want to explore these themes at two levels: the political message the film transmits, and its aesthetic choices and affects. Finally, I want to comment on the potential of this film, as feminist art, in furthering a dialogue around healing and ethical memorialization in relation to 1971 in Bangladesh. (shrink)

In the last 25 years increased violence against Black Americans by police and white vigilantes has led to a resurgence in lynching discourse. This article examines two strains of twenty-first century lynching discourse in America with attention to questions of historical erasure and racial appropriation. The move from justificatory discourses of lynching to rhetoric stigmatizing its practice led to two distinct discursive forms: a rhetoric of memorialization that reads Black women as part of the lynching archive and a rhetoric (...) of white aggrievement and victimhood that leverages the moral authority of Black trauma to evade justice. By mapping the shift from justificatory discourses of lynching and rhetoric professing its ‘end’ to discourse memorializing victims and rhetoric professing lynching’s persistence, this article illumines how the term lynching circulates in the twenty-first century American discourse. (shrink)

In this article I begin to explore Friedrich Nietzsche’s and Jacques Derrida’s philosophies of history in terms of the persistence of forgetting within memory. In section I, I shall outline the totalizing production of history understood as an unsuccessful attempt to erase the indifference of animality and the difference of madness. The following two sections are concerned with the particular kinds of non-subjective memories—memorials—that arise in the aftermath of this erasure and include writing and the archive, as well (...) as the ghostly and genealogical confusions. Throughout these sections I shall argue that each of the externalizations of memory in non-subjective memorials is contaminated by forgetting, both shaping and shaking up the foundations of history. Finally, section IV revisits the memorials and states of forgetting discussed in the previous sections in light of the possibility of justice. (shrink)

From accounts of migration and stories of personal alienation, through the fragmented memories of former incarnations, to fable-like tales of half-breeds and species metamorphosis, Ying Chen's fiction evolves as it revolves around questions of difference, otherness and identity, which is never fixed or singular. While presenting the narrators' inner preoccupations and, in some cases, unreliable nature, the increasingly complex texts of this francophone-Chinese writer (1961-) also reveal larger concerns about dominant discourses, the limitations of social realities, survival, and the relationship (...) between beings, all framed within an aesthetics of non-belonging. Intriguingly, the author achieves this by consciously distancing her works, from 1998 onwards, from any categorisation by ethnicity. This engaging study considers Chen's writing from the contemporary perspective of the breakdown of traditional spatiotemporal experiences, the homogenization of places, the erasure of cultural differences, and the resulting tendency towards universalism. Rosalind Silvester is Senior Lecturer in French Studies and Director of Education in the School of Arts, English and Languages at Queen's University Belfast. (shrink)

Abstract This article traces a historical shift, and in particular its erasure from memory on the intellectual map of the West, in concepts of subjectivity across practices of rabbinic thinking in late antiquity, medieval interpretations of the Talmud, and modern talmudic scholarship. I first introduce a comparative perspective that relies on a mutual hermeneutics of philosophical and talmudic traditions. I consequently engage with Alain de Libera's archaeological analysis of the birth of the thinking subject in medieval philosophy and (...) theology. In this light, I analyze the role of the notion of the thinking subject in construing the Talmud from Maimonides to contemporary Talmud criticism. Finally, I explore the implications of de Libera's program of a philosophical archaeology of the thinking subject for mapping the complex relationship of mutual presupposition and exclusion between philosophical, rhetorical, and talmudic traditions of thinking in antiquity, as manifested in the larger scope of these traditions. (shrink)

Sociological accounts usually emphasise the primacy of phenotype (cor, colour) over ancestry for orienting concepts of ‘race’ in Brazil. In this paper, I present an alternative account of the cultural and political significance of ancestry in contemporary Brazil, drawing on qualitative interviews conducted with 50 Brazilians who had recently taken personalised DNA ancestry tests. The interviewees’ attitudes towards their ancestry are interpreted in relation to Brazil’s longstanding national myth of mestiçagem and the history of eugenic Whitening ideologies (ideologias do branqueamento) (...) that have sought to erase traces of Brazil’s African origins. However, they are also interpreted also against the backdrop of contemporary Black Movement activism that aims to actively recovering Afro-Brazilian histories and memories from these processes of erasure. (shrink)

The responses to this discovery, in the press and elsewhere, seem to focus on the act of passing judgment, a judgment that reopens with some urgency the question of the ethical implications of de Man’s work and, by extension, of the whole school of critical approach known as “deconstruction.”The discourse of moral judgment takes as its target three distinct domains of apparent ethical misconduct:1. the collaborationist political activities themselves;2. de Man’s apparent erasure of their memory—his radical “forgetting” of (...) his early past;3. the silence that de Man chose to keep about his past: the absence of public confession and public declaration of remorse.The question of ethics thus seems to be linked to the separate questions of the nature of political activities, of the nature of memory, and of the nature of silence. It is judged unethical, of course, to engage in acts that lent support to Germany’s wartime position; but it is also judged unethical to forget; and unethical, furthermore, to keep silent in relation to the war and to the Holocaust. The silence is interpreted as a deliberate concealment, a suppression of accountability that can only mean a denial of responsibility on de Man’s part. Shoshana Felman, the Thomas E. Donnelley Professor of French and Comparative Literature at Yale University, is the author of The Literary Speech Act: Don Juan with Austin, or Seduction in Two Languages , Writing and Madness: Literature/Philosophy/Psychoanalysis , and Psychoanalysis in Contemporary Culture: Jacques Lacan and the Adventure of Insight . She is also the editor of Literature and Psychoanalysis: The Question of Reading—Otherwise . She is currently working on a book entitled Testimony in History, Literature and Psychoanalysis. (shrink)