Results for 'Meta-painting'

982 found
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  1.  33
    The Narrator of The Painted Bird.Meta Lale & John Williams - 1972 - Renascence 24 (4):198-206.
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  2. The Self-Aware Image: An Insight into Early Modern Meta-Painting. By Victor I. Stoichita.M. Rampley - 1999 - The European Legacy 4:117-126.
     
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  3.  30
    Painting with natural pigments on drowning land: the necessity of beauty in a new economy.Maria Jordet - 2023 - Journal of Critical Realism 22 (3):467-485.
    This article draws on insights of young people learning to make natural pigments and traditional paintings in acute climate vulnerable areas. Why do they paint during ongoing crises and how do they voice their future concerns? Critical realism is applied as a meta-theory in this field-based study in a slum area in Kolkata and the Sundarbans mangrove forest. Methods comprise focus groups, semi-structured interviews, and participant observation. Analysis was done in an abductive process, applying Roy Bhaskar’s model of ‘four-planar (...)
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  4.  8
    Painting, Ethics, and Aesthetics in Rome.Nathaniel B. Jones - 2019 - Cambridge University Press.
    In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman (...)
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  5.  62
    Painter into Painting: On Courbet's "After Dinner at Ornans" and "Stonebreakers".Michael Fried - 1982 - Critical Inquiry 8 (4):619-649.
    In the pages that follow I looked closely at two major paintings by Gustave Courbet : the After Dinner at Ornans, perhaps begun in the small town of the title but certainly completed in Paris during the winter of 1848-49; and the Stonebreakers, painted wholly in Ornans just under a year later. The After Dinner and the Stonebreakers are the first in a series of large multifigure compositions--others are the Burial at Ornans and the Peasants of Flagey Returning from the (...)
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  6. The Fallacy of Self-Referencing Images: The Use of Ambiguous Characters in Moving Images through the Form of Painting.Yu Yang - 2021 - Riact-Revista de Investigação Artística, Criação e Tecnologia 3:13-35.
    Connecting research and production, art research represents a breaking of the barrier between creation and academia. However, there is also a contradiction contained in this kind of research deriving from its methods, since the process of art-based practice must, by its very nature, involve the subjectivity of the artist. I use my own studies as the research object to discuss this issue, and this article presents the problems I encountered during my artistic practice and research of ambiguous roles. This paper (...)
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  7.  3
    Neomythology in the Developing Trends of Modern Kazakh Painting.Balnur Karabalayeva, Khalima Тruspekova, Olga Baturina, Leila Kenzhebayeva & Zukhra Ydyrys - forthcoming - Evolutionary Studies in Imaginative Culture:1486-1496.
    The article identifies the manifestations of neomythology in Kazakh painting. Bricolage, as the basis of pre-logical, early human thinking, has not lost its relevance even in modern times, and it is being consciously disseminated. However, many researchers assert that the historical bricolage differs significantly from the contemporary artistic technique. As a creative technique with a conceptual underpinning, bricolage in XX century art manually produces a myth or imitates a myth. The mythology vanished and stopped existing, but the myth itself (...)
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  8. Art as "Night": An Art-Theological Treatise.Gavin Keeney - 2010 - Newcastle upon Tyne: Cambridge Scholars Press.
    Written over the course of two months in early 2008, Art as "Night" is a series of essays in part inspired by a January 2007 visit to the Velázquez exhibition at the National Gallery of Art, London, with subsequent forays into related themes and art-historical judgments for and against theories of meta-painting. Art as "Night" proposes a type of a-historical dark knowledge crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a (...)
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  9. META-ART.Ulrich de Balbian - forthcoming - Academic publishers.
    Philosophy of art, reflective practice of art and painting, meta-philosophy, meta-philosophical methods.
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  10.  83
    A Meta-Ethical Perspective on Organizational Identity.David Oliver, Matthew Statler & Johan Roos - 2010 - Journal of Business Ethics 94 (3):427 - 440.
    Although much of the growing literature on organizational identity implicitly recognizes the normative nature of identity, the ethical implications of organizational identity work and talk have not yet been explored in depth. Working from a meta-ethical perspective, we claim that the dynamic, processual, and temporal activities recently associated with organizational identity always have an ethical dimension, whether "good" or "bad." In order to describe the ethical dimensions of organizational identity, we introduce the balance theory of practical wisdom as a (...)
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  11. SEEKING PHILOSOPHY BY WORDS 1 ART and META-ART.Ulrich De Balbian - 2017 - Oxford: Academic Publishers.
    ABSTRACT -/- One increasingly reads about different aspects of the death of philosophy. One reason or cause being its institutionalization, as just another academic discipline, while research universities demand their tenured professionals to produve endless streams of really irrelevant publications, resulting in dealing with more detailed, microscopic issues and fabricated ‘problems’. The professionalization of philosophers created other problems of this socio-cultural practice. The dying out of philosophy is not only cased by external social and cultural factors, but also by internal (...)
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  12.  16
    Can Consumers’ Altruistic Inferences Solve the CSR Initiative Puzzle? A Meta-analytic Investigation.François A. Carrillat, Carolin Plewa, Ljubomir Pupovac, Chloé Vanasse, Taylor Willmott, Renaud Legoux & Ekaterina Napolova - forthcoming - Journal of Business Ethics:1-20.
    Research into consumer responses to corporate social responsibility (CSR) initiatives has expanded in the past four decades, yet the evidence thus far provided does not paint a cohesive picture. Results suggest both positive and negative consumer reactions to CSR, and unless such mixed findings can be reconciled, the outcome might be an amalgamation of disparate empirical results rather than a coherent body of knowledge. The current meta-analysis therefore tests whether the mixed findings might reflect consumers’ distinct, altruistic inferences across (...)
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  13.  2
    Can Consumers’ Altruistic Inferences Solve the CSR Initiative Puzzle? A Meta-analytic Investigation.François A. Carrillat, Carolin Plewa, Ljubomir Pupovac, Chloé Vanasse, Taylor Willmott, Renaud Legoux & Ekaterina Napolova - 2025 - Journal of Business Ethics 196 (3):639-658.
    Research into consumer responses to corporate social responsibility (CSR) initiatives has expanded in the past four decades, yet the evidence thus far provided does not paint a cohesive picture. Results suggest both positive and negative consumer reactions to CSR, and unless such mixed findings can be reconciled, the outcome might be an amalgamation of disparate empirical results rather than a coherent body of knowledge. The current meta-analysis therefore tests whether the mixed findings might reflect consumers’ distinct, altruistic inferences across (...)
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  14.  30
    Art Therapy Alleviates the Levels of Depression and Blood Glucose in Diabetic Patients: A Systematic Review and Meta-Analysis.Qingqi Yang, Qunhui Shao, Qiang Xu, Hui Shi & Lin Li - 2021 - Frontiers in Psychology 12.
    Objective: To systematically analyze the effects of art therapy on the levels of depression, anxiety, blood glucose, and glycated hemoglobin in diabetic patients.Methods: We searched Cochrane Library, PubMed, Embase, and ClinicalTrials.gov databases from inception to January 24, 2021. The language of publication was limited to English. Randomized controlled trials that used art therapy to improve mental disorders in diabetic patients were involved. After selection of eligible studies, data were extracted, including the first author's full-name, year of publication, the first author's (...)
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  15.  3
    I Bet on Cézanne’s Cards: An Aesthetic Approach of “Still-life”.Oana Serban - 2024 - Balkan Journal of Philosophy 16 (2):137-148.
    This article tackles the possibility of reframing Cézanne’s reception of still life as a meta-painting in which individuals occasionally become objectified, gathering objects with other ontological dignities, such as things and tools, in a Heideggerian manner. One of the rare situations in which individuals are presented like objects throughout a still life is represented by the series of Card Players. I will argue that the still life form is reflected in objectual painting in which the insertion of (...)
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  16. Gonzo Strategies of Deceit: An Interview with Joaquin Segura.Brett W. Schultz - 2011 - Continent 1 (2):117-124.
    Joaquin Segura. Untitled (fig. 40) . 2007 continent. 1.2 (2011): 117-124. The interview that follows is a dialogue between artist and gallerist with the intent of unearthing the artist’s working strategies for a general public. Joaquin Segura is at once an anomaly in Mexico’s contemporary art scene at the same time as he is one of the most emblematic representatives of a larger shift toward a post-national identity among its youngest generation of artists. If Mexico looks increasingly like a foreclosed (...)
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  17.  25
    Tapping into the senses: Corporeality and immanence in The Piano Tuner of EarthQuakes.Fátima Chinita - 2019 - Empedocles European Journal for the Philosophy of Communication 10 (2):151-166.
    In The Piano Tuner of EarthQuakes, the Quay Brothers' second feature, the sensual form and the meta-artistic content are truly interweaved, and the siblings' staple animated materials become part of the theme itself. Using Michel Serres's argument in Les cinq sens, I address the relationship between the Quays intermedial animation and the way the art forms of music, painting, theatre and sculpture are used to captivate the film viewer's sensorium in the same way that some of the characters (...)
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  18.  37
    Postmodernism, or an Abuse of Concepts.Van Dan Nguyen - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:169-189.
    There exist at present many conceptions of postmodern(ism). But there is a certain number of differences between the conceptions of postmodernism in the arts and the conceptions of postmodernism in various spheres of social activities. In arts, people pay much attention to the significant attributes of the concept, but in spheres of social life, the term is often used as a criterion to marking time in the periodization of history. That is, while in arts the significant attributes will make the (...)
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  19.  8
    The Material Object in the Work of Marcel Proust.Thomas Baldwin - 2005 - Peter Lang.
    This book describes the development of Proust's treatment of material objects from his earliest work Les Plaisirs et les jours to his mature novel À la recherche du temps perdu. It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The (...)
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  20.  11
    Феноменологія образотворчої мови в естетиці моріса мерло-понті.Оlena Vyacheslavova - 2017 - Схід 6 (152):72-83.
    In this article the philosophy of Merleau-Ponty is considered in the methodological aspect as an approach to the study of the problem of meaning in the visual arts. The author's hypothesis is that the ideas of Merleau-Ponty can serve as a philosophical justification for the aesthetic theory of tropos in the visual arts. The author of the article comes to the conclusion that the meta-aesthetic function of painting, grounded by the philosopher, was not a consequence of her representative (...)
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  21.  59
    Complexities of Aesthetic Experience: Response to Johnston.Richard J. Shusterman - 2004 - Journal of Aesthetic Education 38 (4):109.
    In lieu of an abstract, here is a brief excerpt of the content:Complexities of Aesthetic Experience:Response to JohnstonRichard J. ShustermanI am grateful for this opportunity to clarify my views on aesthetic experience and somaesthetics that Scott Johnston discusses. Combining two very vague and contested ideas ("experience" and "the aesthetic"), the concept of aesthetic experience is an extremely ambiguous notion some of whose principal different conceptions I have carefully tried to outline.1 It is therefore rash for Johnston to presume that what (...)
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  22. 30,000 bc: Painting animality. Deleuze & Prehistoric Painting - 2006 - Angelaki 11 (2):137 – 152.
  23.  9
    The Critical Import of the Image: From Freud to Magritte.Gaetano Chiurazzi - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 6 (2):551-564.
    In the Interpretation of Dreams Freud asks how and if the dream, which is made of images, can express its connective structure, and in particular the negation. This can be made only by interpretation. This question represents the thread to examine the problem of the critical import of figurative arts, by comparing Adorno’s and Heidegger’s theories. According to Adorno, the artwork is mimesis: the capability to express negativity coincides with its autonegation, with its disappearing. For Heidegger, on the contrary, the (...)
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  24. By dw Masterson.Sport in Modern Painting - 1974 - In Harold Thomas Anthony Whiting & D. W. Masterson, Readings in the aesthetics of sport. London: Lepus Books : [Distributed by] Kimpton.
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  25. 129 Jean-franqois Lyotard.Experience Painting-Monory - 2007 - In Diarmuid Costello & Jonathan Vickery, Art: key contemporary thinkers. New York: Berg. pp. 129.
     
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  26. Paintings of Music.Michelle Liu - 2022 - Journal of Aesthetics and Art Criticism 80 (2):151-163.
    Paintings of music are a significant presence in modern art. They are cross-modal representations, aimed at representing music, say, musical works or forms, using colors, lines, and shapes in the visual modality. This article aims to provide a conceptual framework for understanding paintings of music. Using examples from modern art, the article addresses the question of what a painting of music is. Implications for the aesthetic appreciation of paintings of music are also drawn.
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  27.  14
    The Painting "Confessions" of Nikolay Raynov.Yvanka B. Raynova - 2018 - Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 20 (2):201-208.
    The aim of the following paper is to show that it is not possible to penetrate into the depths of Nikolay Raynov's universe and to comprehend its wholeness, without posing and investigating the question about the origin or the foundation of his various creative occupations, i.e his novels, philosophic and theosophic writings, art history and critique, paintings, decorative design etc. This question is far too complex to be answered briefly without being simplified, and therefore two main directions will be articulated: (...)
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  28. Euthanasia and assisted suicide: Who are the vulnerable?Meta Rus & Chris Gastmans - 2024 - Clinical Ethics 19 (1):18-25.
    One of the common domains in health care in which the concept of vulnerability is used is end-of-life care, including euthanasia and assisted suicide (EAS). Since different uses and implications of the notion have been recognised in the literature on EAS, this paper aims to analyse them and reflect on who is the most vulnerable in the context of EAS. A prior exploratory review of the literature has served as a starting point for the discussion. We concluded that vulnerability is (...)
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  29. “Paintings Can Be Forged, But Not Feeling”: Vietnamese Art—Market, Fraud, and Value.Quan-Hoang Vuong, Manh-Tung Ho, Hong-Kong T. Nguyen, Thu-Trang Vuong & Ho Manh Toan - 2018 - Arts 7 (4):62.
    A work of Vietnamese art crossed a million-dollar mark in the international art market in early 2017. The event was reluctantly seen as a sign of maturity from the Vietnamese art amidst the many existing problems. Even though the Vietnamese media has discussed the issues enthusiastically, there is a lack of literature from the Vietnamese academics examining the subject, and even rarer in from the market perspective. This paper aims to contribute an insightful perspective on the Vietnamese art market, and (...)
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  30.  4
    Wissen und glaube in der geschichtswissenschaft.Meta Scheele - 1930 - Heidelberg,: C. Winter.
  31.  31
    No Decrease in Muscle Strength after Botulinum Neurotoxin-A Injection in Children with Cerebral Palsy.Meta Nyström Eek & Kate Himmelmann - 2016 - Frontiers in Human Neuroscience 10:194629.
    Spasticity and muscle weakness is common in children with cerebral palsy (CP). Spasticity can be treated with Botulinum Neurotoxin-A (BoNT-A), but this drug has also been reported to induce muscle weakness. Our purpose was to describe the effect on muscle strength in the lower extremities after BoNT-A injections in children with cerebral palsy. A secondary aim was to relate the effect of BoNT-A to gait pattern and range of motion. Twenty children with spastic cerebral palsy were included in the study, (...)
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  32.  44
    Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.
    Explains the difference between pictorial and linguistic meaning, examines the works of Titian, Poussin, Ingres, Manet, Picasso, and de Kooning, and discusses art's psychological impact.
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  33.  20
    A Functional MRI Paradigm for Efficient Mapping of Memory Encoding Across Sensory Conditions.Meta M. Boenniger, Kersten Diers, Sibylle C. Herholz, Mohammad Shahid, Tony Stöcker, Monique M. B. Breteler & Willem Huijbers - 2021 - Frontiers in Human Neuroscience 14.
    We introduce a new and time-efficient memory-encoding paradigm for functional magnetic resonance imaging. This paradigm is optimized for mapping multiple contrasts using a mixed design, using auditory and visual stimuli. We demonstrate that the paradigm evokes robust neuronal activity in typical sensory and memory networks. We were able to detect auditory and visual sensory-specific encoding activities in auditory and visual cortices. Also, we detected stimulus-selective activation in environmental-, voice-, scene-, and face-selective brain regions. A subsequent recognition task allowed the detection (...)
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  34. Eve Sweetser.Meta-Metaphorical Conditionals - 1996 - In Masayoshi Shibatani & Sandra A. Thompson, Grammatical Constructions: Their Form and Meaning. Clarendon Press. pp. 221.
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  35.  9
    Bralec in književnost.Meta Grosman - 1989 - Ljubljana: Državna zal. Slovenije.
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  36. Servicio social de empresa en el Brasil.Meta Grupo - forthcoming - Humanitas.
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  37.  15
    Philosophical abstracts.Meta-Constraints Upon Interpretation - 1987 - American Philosophical Quarterly 24 (2):801-803.
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  38. Our brain is a mirror.Meta Knol - 2021 - In Helen Westgeest, Kitty Zijlmans & Thomas J. Berghuis, Mix & stir: new outlooks on contemporary art from global perspectives. Amsterdam: Valiz.
     
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  39.  71
    Discourse of Menstruation as a Way to Control the Female Body.Meta Mazaj - 1995 - American Journal of Semiotics 12 (1-4):273-287.
  40. Filosofia della prassi e pragmatismo.C. Meta - forthcoming - Critica.
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  41.  46
    International policy of Albania: 1912–21.Beqir Meta - 1996 - The European Legacy 1 (2):852-857.
    (1996). International policy of Albania: 1912–21. The European Legacy: Vol. 1, Fourth International Conference of the International Society for the study of European Ideas, pp. 852-857.
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  42.  13
    A Training Program to be Perceptually Sensitive.Conceptually Productive Through Meta-Cognition - 2004 - In A. Blackwell, K. Marriott & A. Shimojima, Diagrammatic Representation and Inference. Springer. pp. 365.
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  43. Painting an Experience: Las Meninas, Consciousness and the Aesthetic Mode.Ron Chrisley - 2008 - Journal of Consciousness Studies 15 (9):40-45.
    Paintings are usually paintings of things: a room in a palace, a princess, a dog. But what would it be to paint not those things, but the experience of seeing those things? Las Meninas is sufficiently sophisticated and masterfully executed to help us explore this question. Of course, there are many kinds of paintings: some abstract, some conceptual, some with more traditional subjects. Let us start with a focus on naturalistically depictive paintings: paintings that aim to cause an experience in (...)
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  44.  12
    Silk paintings in the works of modern Chinese artists as a synthesis of traditions and innovations.Tianpeng An - forthcoming - Philosophy and Culture (Russian Journal).
    In contemporary Chinese art the national traditions and modern trends of the art world are especially relevant. Since the 1980s, in the works of a number of authors, interest began to manifest itself in the techniques of silk work, which was characteristic of ancient and medieval painting on scrolls, which was later replaced by more accessible drawings on paper. At the present stage, such painting has reached its heyday and is highly appreciated in the art market. The most (...)
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  45. Meta-learning Contributes to Cultivation of Wisdom in Moral Domains: Implications of Recent Artificial Intelligence Research and Educational Considerations.Hyemin Han - forthcoming - International Journal of Ethics Education:1-23.
    Meta-learning is learning to learn, which includes the development of capacities to transfer what people learned in one specific domain to other domains. It facilitates finetuning learning parameters and setting priors for effective and optimal learning in novel contexts and situations. Recent advances in research on artificial intelligence have reported meta-learning is essential in improving and optimizing the performance of trained models across different domains. In this paper, I suggest that meta-learning plays fundamental roles in practical wisdom (...)
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  46. When Paintings Argue.Gilbert Plumer - 2024 - Philosophy 99 (3):379-407.
    [Winner of the American Philosophical Association’s 2024 Journal of Value Inquiry Prize.] My thesis is that certain non-verbal paintings such as Picasso’s GUERNICA make (simple) arguments. If this is correct and the arguments are reasonably good, it would indicate one way that non-literary art can be cognitively valuable, since argument can provide the justification needed for knowledge or understanding. The focus is on painting, but my findings seem applicable to comparable visual art forms (a sculpture is also considered). My (...)
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  47.  2
    A painting you can eat: A dialogue between Dōgen and postmodern thinkers on nature and ecology.Carl Olson - 2024 - Asian Philosophy 35 (1):45-57.
    Ecology is a major international issue of the present moment because the earth is threatened by forces beyond our control that have potential devastating consequences. This essay looks at the problem through the eyes of the Zen master Dðgen and selected postmodern philosophers. The difference between them is evident by Dðgen’s planful statement about eating a painting of a rice cake. Postmodernists perceives nature as a social construct connected to a representational mode of thinking that conflicts with the postmodern (...)
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  48. The meta-ethical significance of experiments about folk moral objectivism.Jeroen Hopster - 2019 - Philosophical Psychology 32 (6):831-852.
    The meta-ethical commitments of folk respondents – specifically their commitment to the objectivity of moral claims – have recently become subject to empirical scrutiny. Experimental findings suggest that people are meta-ethical pluralists: There is both inter- and intrapersonal variation with regard to people’s objectivist commitments. What meta-ethical implications, if any, do these findings have? I point out that current research does not directly address traditional meta-ethical questions: The methods used and distinctions drawn by experimenters do not (...)
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  49.  23
    Painting for Fools.Catherine M. Soussloff - 2023 - Theory, Culture and Society 40 (1-2):179-200.
    Manuscripts and notes by Michel Foucault on the visual arts recently deposited at the Bibliothèque Nationale reveal a reliance on canonical oil paintings by the ‘old masters’; a respect for the primary sources in the history of European art; an understanding of the necessity of research in both literary and visual sources, particularly self-portraits; and a sense of the value that a certain philosophical milieu – beginning with Sade and Nietzsche and expanding to his near contemporaries, Bataille, Blanchot, and Klossowski (...)
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  50.  41
    David Painting Death.Didier Maleuvre - 2000 - Diacritics 30 (3):1-27.
    In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.3 (2000) 13-27 [Access article in PDF] David Painting Death Didier Maleuvre Our life has no end in just the way in which our visual field has no limit. —Wittgenstein, Tractatus Logico-Philosophicus Dates It was the "terrible year." The Revolution was in danger, the enemies of France marched on the borders, the Reign of the Terror had begun. There lay Marat in his blood bath, a letter (...)
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