Hegel’s treatment of Judaism in his early theological writings and his lectures on the philosophy of world history is relatively well-known. One of the best and most recent discussions of it is found in Shlomo Avineri’s paper, “The Fossil and the Phoenix: Hegel and Krochmal on the Jewish Volksgeist,” presented at the 1982 biennial meeting of the Hegel Society of America. Avineri points out that Hegel’s portrayal of Judaism in the early writings mainly followed the conventional image found in (...) traditional Christian theology. He depicted Judaism as a religion of “slavish obedience to laws” laid down not by the people themselves but by a “supreme wisdom on high,” as well as a religion of deceit, cowardice, alienation, and stubborn particularism. In one significant instance, however, Hegel deviated from these traditional stereotypes, namely, in his understanding of and sympathy for the political, national feelings of the Jews during the period of Roman subjugation prior to the destruction of the second temple. They “discarded their ineffective messianic hopes and took up arms,” resisting courageously but suffering “the most appalling of human calamities,” the loss of city and nation. “The scattered remnant of the Jews have not abandoned the idea of the Jewish state, but they have reverted not to the banners of their own courage, but only to the standards of an ineffective messianic hope.”. (shrink)

This paper demonstrates the importance of the reception and development of Goethe’s metamorphosis of plants as a methodological and philosophical framework in the history of botanical theories. It proposes a focus on the textbooks written by the German botanist Ludwig Reichenbach and his first attempt to use Goethe’s idea of metamorphosis of plants as fundamental to his natural system of plants published under the title ‘Botany for Women’, in German Botanik für Damen. In this book, Reichenbach paid particular (...) attention to Goethe’s sensitive views on the essence of nature; he regarded Goethe’s idea of metamorphosis in the plant kingdom as an ideal model to interpret connections of natural phenomena, in particular as a conceptual frame for a natural system. Furthermore, he aimed to develop the philosophical statement of the metamorphosis, in which he called for nature-philosophical conceptions in order to materialize his representation of plant “affinities,” and of a kind of “ontogeny” of the whole plant kingdom. This paper demonstrates that, between speculative views and empirical attempts, the extent to which Reichenbach actually belonged to a new “school” of thought, which left its mark on the history and philosophy of botany. (shrink)

Jean-Luc Nancy’s Deconstruction of Christianity views the current crisis of globalization as a mutation of our Christian culture and heritage. After outlining the basic premises of Nancy’s philosophy, this article situates Jacques Derrida’s critique of Nancy in his groundbreaking On Touching: whereas Nancy sees contemporary culture as a rupture (or indeed mutation) with the former Christian culture, Derrida argues that we are still dealing with the remnants and relics of precisely culture and are at best witnessing a metamorphosis (...) of this culture. This dialogue between Nancy and Derrida allows us to assess the critique of metaphysics in both thinkers. (shrink)

This paper highlights certain features of the metamorphosis that the concept “the end of the world” has undergone from its origin in early Christian thought to the present day. This concept has, in recent decades, become increasingly prominent within Western European Lutheran and Roman Catholic theology. This paperdemonstrates that the notion of the end of the world popularized by Jürgen Moltmann and Karl Rahner, despite the traditional, biblical language in which it is couched, has more affinity with the philosophical (...) concept “the end of history” developed by Hegel than it has with the ideas common in early Christianity. (shrink)

In this paper I explore two distinct but related emphases in Deleuze's later philosophy, both on his own and in collaboration with Félix Guattari, having to do with literature. The first is the emphasis on the work of literature as an assemblage whereby the author constructs lines of flight in the pursuit of self-experimentation and self-transformation. The second is the rejection of metaphor across Deleuze's work. I use Difference and Repetition to chart the origins of these emphases, by unpacking (...) the metaphysics of language contained in Difference and Repetition. I first recount the basic structure of Deleuze's intensive ontology, before going on to discuss the way in which the ‘fundamental encounter’ forces thought to formulate Ideas, which, as they are transmitted through the subject, alter her nature. This self-transformation is tantamount to a kind of ‘death’, whereby one is continually explicated, but this explication implies the transcendental Other-structure at the end of Difference and Repetition, wherein the Other, through language, gives birth to ‘possible worlds’. I end with the development of an unexplored concept in Difference and Repetition, the loquendum, which is what must be spoken precisely because it is inexpressible, the purely intensive. Language comes closest to this intensive use in its aesthetic, poetic, literary modes whereby authors distort their own languages. (shrink)

This book starts off from a philosophical premise: nobody can be in the world unless they are born into the world.

This dissertation focuses on the problem of novelty as seen from the perspective of two French philosophers: Paul Ricoeur and Gilles Deleuze. As such, a new interpretation of the works of these two philosophers is developed. I argue that two models can be derived from their works: a model that strives to make tensions productive (based on Ricoeur) and a model that aims to organize encounters between bodies (taken from Deleuze). These models are developed on their own terms without superimposing (...) one over the other. Hence, the first part of the dissertation focuses on Ricoeur, the second on Deleuze. Through an extensive reading of Ricoeur’s La métaphore vive, it is shown that the living metaphor creates a productive tension in which two previously distinct domains are drawn together. This results in a semantic innovation that first appears as an image and only later can be conceptualized. This argument is further developed by analyzing Augustine’s notion ‘time is a distention of the mind (distentio animi)’ as an example of how a living metaphor introduces a new language that re-describes reality. This example prepares the way for broadening the model of productive tensions by showing how, from Ricoeur’s perspective, the innovative potential of actions can be understood in terms of a productive tension between two orders of imagination. In contrast to Ricoeur, Deleuze’s conception of novelty is not analyzed in terms of a productive tension between two heterogeneous domains, but in terms of an encounter between bodies in which a creative coupling or an affective relation emerges that links these bodies together in a common trajectory. On the basis of a reading of Deleuze’s essays on literature, it is shown how such an encounter can give rise to a single process of metamorphosis. This process can be divided in two closely connected moments: a mutual metamorphosis that sets the whole process in motion and a continuous metamorphosis of proliferating series that keeps it alive. This first, intuitive understanding of the model is deepened by linking it to a metamorphic ontology of expression that is derived from Deleuze’s works on Spinoza. This provides the model with a more rigorous vocabulary and also shows in how these encounters can be organized in such a way that they create the conditions for novelty in three forms of thinking: science, art, and philosophy. (shrink)

Abstract:Describing the metamorphosis of a beloved wife into a vixen, David Garnett's novella Lady into Fox does not depict a possible world that is remote from our actual one. This metamorphosis is a metaphor, a speech act embedded in a literary description of actual reality, in which marriage, dissociated from natural, free untrammeled love, turns into a hunt—terminating in the horrible death of the wife as a hunted vixen. The unity of the literary realism and fantasy, as a (...) metaphor, is what makes Lady into Fox such a moving novella. (shrink)

The article considers the question of the study of satire in philosophy. The study found that satire is an underdeveloped topic in the field of Ukrainian philosophy and the philosophy of Englishspeaking countries. For instance, the works of the last five to six years by such philosophers as D. Ab rahams and D. Declercq, who echoed the opinion of C. W. Mendell concerning the close connection of satire with philosophy. In the work “Satire as Popular (...) class='Hi'>Philosophy” created at the be ginning of the 20th century Mendell proved that ancient satire was a type of philosophy. Ne vertheless, the issue of the first place of appearance of the genre of satire in the period of Antiquity, whether in ancient Roman or ancient Greek art, needs to be clarified. Therefore, the purpose of the article is to solve a number of related questions, namely: where previously appeared satire as a genre — in Ancient Rome or in Ancient Greece, why it got such a name, and what metamorphoses took place with it over time Antiquities. One of the primary sources about the history of satire was Aristotle’s work “Poetics”, which describes iambic (humorous) and satirical poetry. According to Aristotle, the nature of satiric poetry undergo metamorphosis from the “dance” tetra meter to the iambic meter characteristic of mocking poetry. In this regard, the main part of the work is devoted to proving that satiric poetry got its name from mythological goat-like satyrs and if the performers of iambic (derisive lyrics) could be ordinary people, then the performers of satirical poems — only mythological goat-like satyrs. As a result of the research, it was found that initially the genre called satire had a poetic form and was borrowed by ancient Roman poets from ancient Greek artists. The adopted type of satire received the name “satura”, in Latin meaning “miscellany or medley” of prose and verse form of presentation of the creation. (shrink)

The essays in this volume look at various kinds of music from a number of perspectives, including the socio-political, the aesthetic and the psychological. The music under discussion here is diverse but fits loosely into the categories rock-pop, new music, rap, metal and music video, with the caveat that much of the music discussed here is historically layered and engages self-consciously in the deconstruction of music genres. If there is an interpretative theme that links these essays, it is that of (...) the cultural embeddedness of music. At the same time, and this is perhaps the single most important challenge taken up in these essays, this variable cultural studies approach embraces fully the aesthetic dimension of music, construing it as that which resists and articulates the signifying function of symbolic systems of meaning. Music is seen here as the kind of social critique that traces out its own phenomenological and structural pathways in such a way that, in the end, it is critical hermeneutic theory itself that comes under scrutiny. By way of reference (and perhaps indebtedness), the non-signifying property of music discussed variably in this volume is the same as that which was brought into relief in the terminologically contradictory title of Theodor Adornos masterwork, Aesthetic Theory. (shrink)

It was commonly accepted in Goethe’s time that plants were equipped both to propagate themselves and to play a certain role in the natural economy as a result of God’s beneficent and providential design. Goethe’s identification of sexual propagation as the “summit of nature” in The Metamorphosis of Plants (1790) might suggest that he, too, drew strongly from this theological-metaphysical tradition that had given rise to Christian Wolff’s science of teleology. Goethe, however, portrayed nature as inherently active and propagative, (...) itself improvising into the future by multiple means, with no extrinsically pre-ordained goal or fixed end-point. Rooted in the nature philosophy of his friend and mentor Herder, Goethe’s plants exhibit their own historically and environmentally conditioned drives and directionality in The Metamorphosis of Plants. In this paper I argue that conceiving of nature as active productivity—not merely a passive product—freed Goethe of the need to tie plants’ forms and functions to a divine system of ends, and allowed him to consider possibilities for plants, and for nature, beyond the walls of teleology. (shrink)

Talk of educational reform and of the importance of ‘the management of change’ in education and elsewhere is still in vogue. However it often seems concerned to persuade us that if we engage fully with change rather than resisting it we will find our lives more meaningful, thus omitting the important matter of the goal of the change in question. Change here is in any case invariably a euphemism for the impoverishment of education and the annihilation of its ideals, together (...) with the deprofessionalisation of teachers and other educators. Recent writers about educational change tend to be less concerned with an ever-changing, labile world than with how to make the transition—and make others make the transition—from one stable condition of things to another. Different ways of thinking about change, drawing on different literature, might help us see beyond the ways in which we are currently being asked to respond to educational change and reform. (shrink)

The author seeks to shed light on the changes in man from infant to adult. He rejects Freud's notion of the pleasure principle, arguing that the infant also turns to and enjoys the excitations of the world; on the other hand "ego psychology" is charged with neglecting the developmental factor. In going beyond these views Schachtel makes his contribution to a fuller understanding of the human situation. A clear and well-written book.--K. H.

The Russian philosopher Nikolai Onufrievich Lossky considered himself a Leibnizian of sorts. He accepted parts of Leibniz’s doctrine of monads, although he preferred to call them ‘substantival agents’ and rejected the thesis that they have neither doors nor windows. In Lossky’s own doctrine, monads have existed since the beginning of time, they are immortal, and can evolve or devolve depending on the goodness or badness of their behavior. Such evolution requires the possibility for monads to reincarnate into the bodies of (...) creatures of a higher level on the scala perfectionis. According to this theory, a monad can evolve by being progressively reincarnated multiple times through a sort of process of metamorphosis from the level of the most elementary particles all the way up to the level of human beings or even higher. Lossky argues that the works of Leibniz contain scattered elements of such a systematic doctrine of reincarnation. He attempts to reconstitute this doctrine in an article that appeared both in Russian and German in 1931. The Russian version, ‘Ученiе Лейбница о перевоплощенiи какъ метаморфозѣ’, was published in the Сборникъ Русскаго института въ Прагѣ, vol. 2, 1931, pp. 77–88. The German version appeared under the title ‘Leibniz’ Lehre von der Reinkarnation als Metamorphose,’ in Archiv für Geschichte der Philosophie, vol. 40, n. 2, 1931, pp. 214–226. The content of the Russian and German versions is roughly the same, except for the omission, in the German version, of a mention of David Hume in the second sentence and of one paragraph and a half at the end of the article. The following is a translation of this article. I translated the text from the Russian version, which was in all appearances written first, but I also took the German version into account. The original pagination is added in angle brackets. Angle brackets are used wherever the additions are mine. — Frédéric Tremblay. (shrink)

CHAPTER ONE Simple cognition Ockham's epistemology is founded upon the primacy of individual cognition. As coming first in the order of knowing, ...

Zhu had originally thought throughout the domain for life, for the "metaphysical" and "physical" between the living environment of the deep feelings. However, Zhu could not resist the idea in the history of the final ready-made common tendency, eventually leading to and thought, metaphysical and physical fragmentation. Wang Yangming thought of a great significance is to overcome this inherent Zhu thought the inconsistency. Zhu Xi's thinking is deeply concerned with the life horizon between the "metaphysical" sphere and the "physical" one. (...) However, due to the ready-made orientation often seen in the history of thoughts, his thoughts end up in the disjunction of thoughts and life, the "metaphysical" and the "physical". A major accomplishment of Wang Yangming's thoughts is to overcome the built-in contradiction in Zhu Xi's thoughts. (shrink)

In a wide-ranging argument moving from Sumerian demons to Lucian Freud, from Syriac prayer books to John Carpenter's film The Thing, this book explores the ways the body has been represented through time. A response to the vertiginous increase in writings on bodily representations, it attempts to form a single coherent account of the possible forms of representation of the body. This work brings together concerns, images, and concepts from a wide range of perspectives: art history and criticism, the history (...) and philosophy of medicine, the history of race, phenomenological and post-phenomenological thought, studies of feminism and pornography, and the new interest in visual studies. Yet it is less a philosopher's look at history or a historian's foray into philosophy than a practical and critical look at the current constellation of art practices. Above all, it is intended to be of immediate use in the conceptualization and production of visual art and its history. (shrink)

This article is an extended commentary inspired by Alan Drengson's paper “Shifting Paradigms: From Technocrat to Planetary Person” (Drengson 2011). In this article Susan Greenwood and I echo Drengson's criticism that Euro-American science is incomplete, having committed what Thomas Roberts calls “The Singlestate Fallacy: the erroneous assumption that all worthwhile abilities reside in our normal, awake mindbody state” (Roberts 2006:105). This singlestate fallacy is vividly portrayed in Mary Shelley's novel Frankenstein, whose critique of Euro-American science is revisited in this article. (...) Alternatively, Greenwood and I suggest that what is needed is a multimodel framework “that allows for in-depth analysis of the different modes of consciousness.” Roberts refers to this alternative attitude toward science as the Multistate Paradigm. An awareness of the transformational character of shamanism is also explored in this article as a means to overcome the oppositions between the technocratic and person planetary perspective, and their related gender associations. (shrink)

This article explores a significant question, implicit in Kafka’s novel Metamorphosis, explicitly asked by Rorty: ‘Can I care about a stranger?’ Alphonso Lingis’s view is adopted to overcome a mainstream belief that there is a distinction between my community and the stranger’s community, or us community and the community of those who have nothing in common. His view is thus beneficial to reveal the in-depth paradoxical meaning in the relationship between the stranger and me: I am the stranger and (...) the stranger is me. Therefore, to care about the stranger is to care about myself. (shrink)

This paper is an insight on a front-line doctor’s experience of Coronavirus in Italy, in an Internal Medicine ward transformed to a COVID-19 ward. Using content analysis were analyzed 52 destructurated interviews to “Covid clinicians” in the “Ospedale dei Castelli” hospital structure in Rome, Italy. Thematic analysis was performed to recognize common topics in the interviews. Finally, a correlation between the 5 Ovid’s forces and Narrative Medicine scenarios is described. Coronavirus is a “tsunami” by confrontation with the poet Ovid’s five (...) driving forces. Covid-19 never gave health-workers a chance to draw breath for a moment themselves, as presentation and treatment hypotheses changed at dizzying speed, constantly forcing them to modify and adapt established procedures and behavior as the pandemic evolved. Every scenarios present a correlation with at least one positive and one negative force. Many healthcare workers who came face-to-face with the magnitude of this emergency are able in some way to contextualize the social implications of this experience, which paradoxically has some positive aspects, having let them discover newfound courage, resourcefulness, and hope. Negative forces result from too strong positive emotions and they are a signal of deteriorated relationships and an alarm bell of clinician’s burn-out. Covid era has been defined by the lack of emergency preparedness, together with lack of international coordination and media reports generating terror. People can defeat Covid by combatting against terror of the heart, by finding passion and courage and by dealing honestly with the fear of disease and death. (shrink)

In this article, the potential for Artificial Intelligence (AI) to be appraised as an object of beauty is critically examined through the lens of philosophical thought. Tracing beauty’s evolution from Platonic ideals to contemporary interpretations, the analysis contends that AI’s emergence offers a unique illustration of beauty in the modern age. Confronting the challenge of assigning beauty to entities devoid of consciousness or emotional depth, the argument unfolds to suggest that the intricate design of AI’s algorithms and its technological advancements (...) constitute an emergent form of beauty, one inherently tied to human intellectual endeavor. The article proposes that with time, as with historical art forms, the aesthetic qualities of AI may gain broader acknowledgment, implying that technological advancements necessitate an ongoing revision of established beauty norms. The historical evolution of beauty has been traced in details, and an extended literature review has been provided, serving as the foundation for a comprehensive exploration into the potential for AI to be recognized as an object of beauty. The harmony, elegance, and problem-solving capabilities of AI algorithms have been meticulously evaluated, with a comparison made to classical elements of beauty in an effort to contextually situate AI within longstanding aesthetic traditions. Furthermore, the analysis has been extended to consider the emergence of artificial and digital beauty, alongside an investigation into the parallels drawn between divine and artificial intelligence. As part of a deeper inquiry, the possibility of human emotions, such as awe and love, being authentically directed towards AI has been scrutinized. In conclusion, a reflection has been presented on the transformative role of AI in reimagining the conceptual landscape of beauty, prompting readers to thoughtfully engage with an extended review and the philosophical and cultural implications emerging from AI’s evolving influence on the field of aesthetics. (shrink)

Philosophy and literature are natural allies--philosophy supplying perennial themes raised anew from one generation to the next, literature providing vivid illustrations of the meaning and poignancy of abstract thought. Illuminates basic philosophical concepts through literary worksThis unique text introduces students to philosophy through the medium of great literature. The book is divided into seven parts, each devoted to the illumination of a basic philosophical concept-such as Knowledge, Truth, Personal Identity, Ethics, and justice through the use of literary (...) selections from Sophocles (Oedipus the King), James Joyce (Araby), Kafka (The Metamorphosis), and John Dos Passos (The House of Morgan), among many others. The editors have given special attention to choosing the right combination of literary piece and philosophical issue to ensure that the story or play lend itself to philosophical scrutiny. Selections of the best philosophical writingsThe questions raised by these selections are then explored further through some of the best philosophical writings available, including the writings of Aristotle, William James, Plato, Locke, John Stuart. Mill, and many other classic philosophers, as well as contemporary pieces from Richard Rorty, Peter Unger, John Rawls, John Hick, and others. In each chapter, the editors have attempted to include the clearest presentation of a particular point of view, sometimes going back to an earlier article not generally found in other current texts. Throughout, they have made an effort to balance the analytic tradition with hermeneutics and feminist philosophy. Excellent introduction for studentsEvery chapter is introduced with an essay by the editors that provides a unifying thread through the various philosophical and literary pieces that follow. Each chapter ends with discussion questions and suggestions for further study. The result is a volume that will provide students with a valuable tool for illuminating timeless, as well as contemporary issues, and an introduction to philosophy that they will remember and to which they can return over and over again. (shrink)

This article illuminates Nietzsche’s and Kafka’s spiritual kinship and its manifestation in Kafka’s story The Metamorphosis. Nietzsche’s role as a practitioner of “disruptive wisdom” serves as the point of departure for the examination of Gregor Samsa’s untimely and abrupt transformation into a giant vermin. The article explores Gregor’s development in light of Zarathustra’s parable of the three metamorphoses of the spirit, and it examines the relevance of the myth of the Way in the protagonist’s search for meaning. Central to (...) this discussion are Kafka’s and Nietzsche’s fascination with animal similes and Kafka’s modification of the Nietzschean metaphor of man as a rope. (shrink)

Several problems with Hegel’s conception of the organism in the Encyclopaedia are due to the separation between individual life in Nature and the universal life of the Concept. This discontinuity between ontogenesis and phylogenesis in his dialectics of organic life will be studied here by following his presentation of physiological development, especially reproduction, and by reconstructing the historical model he criticizes—Leibniz’s organic machines and their development in Buffon’s Natural History—a model that was also of crucial importance to the philosophy (...) of nature of Schelling and his followers. (shrink)

This article discusses one kind of athlete instrumentalization by reinterpreting Kafka’s novella Metamorphosis, in which the main character, Gregor Samsa, may be seen as a victim of family exploitation. We suggest that this story can be taken as a metaphor in the context of sport—of a ‘tennis mom’ or a ‘football dad’, who comes to see their child in instrumental terms. In a highly competitive sporting environment, instrumentalization has a direct impact on the young athlete, whose sporting encounter is (...) profoundly altered by family pressure and exploitation, often leading to fear of losing, or of being perceived as not trying hard enough, which might trigger negative parental behaviour and eventually lead to a metamorphosis. Through the lens of Heideggerian phenomeno-logy, we consider the autobiographies of two elite tennis players, Jelena Dokic and Andre Agassi, in order to highlight the complexities and dynamics of this kind of instrumentalization. (shrink)

Hegel is commonly understood to have required that the philosophy of history must be retrospective and therefore fundamentally conservative. Yet at the same time he is thought to have claimed that his system involved an absolute truth beyond which no philosophy could advance, and that it therefore marked the end of the history of philosophy. The two claims are evidently inconsistent, since a history of philosophy, which must be bound by constraints on the philosophy of (...) history, could not legitimately comment on philosophy's future. If this is the result of Hegel's metaphilosophy then he has contributed at least this much to his reputation for presumption and incoherence. However, I will argue that both claims are based upon misinterpretations that follow from inattention to Hegel's ontology, and that his metaphilosophy is more subtle and more critical than most interpreters have allowed. Though Hegel clearly requires that a philosophy draw its content from its time, he regards it as historically transcendent in its form, and as consequently playing a crucial role in the transition to the next historical epoch. The discussion begins with Hegel's views on the role of philosophy in history and proceeds to his conception of his place in the history of philosophy. (shrink)

The main goal of the article is to analyze, systematize, summarize and develop a theoretical model of the downshifting phenomenon as an alternative form of personal fulfillment in contemporary society. Various definitions of the concept are presented, as well as its forms of manifestation; the main reasons for undertaking such a change in lifestyle are described, along with the most common methods for its implementation. The effect which voluntary decrease in income and working hours have on consumer behavior and concern (...) for of the environment are also examined. Special attention is paid to the fundamental characteristics of the phenomenon. An analysis of the value constellation of the voluntary simplicity movement, which is considered its precursor, is also conducted. The various stages through which the individual goes in the process of realizing the need for a career metamorphosis are specified, leading to an increased sense of well-being and improved mental health. The article serves to provide a comprehensive framework for understanding downshifting and its implications, enabling individuals to better address the motivations and outcomes associated with this lifestyle choice. (shrink)

There is a hard relationship between law and techno-science; two powers that shape reality. In principle, these powers shape reality by acting as two poles of a battery, i.e., endowed with opposite charges: techno-science is a mechanism for overcoming the limits that human beings encounter in their relationship with nature; law, on the other hand, reveals its face by imposing limits on human action, which, by nature, is free of certain bonds. From a general point of view, certain unavoidable normative (...) requirements seem clear in the effort to regulate new technological applications. Artificial intelligence poses new questions for legal theory and tests both the responsiveness of the system and the traditional and current conceptual categories. The challenge stems from the need to adapt the law, through normative or hermeneutic evolution, to a reality that is changing at a frenetic pace and with unpredictable mutations. All attempts to regulate AI to date have declared that scientific innovation must be brought within the framework of human rights. However, there is a question, rather a more general, I would even say preliminary, challenge to be faced without epistemic prejudice: do the applications of AI in any way affect the very meaning of the human? AI has a huge potential to improve the human condition (provided we can clarify what ’improve’ means) but, at the same time, increases, in terms of rights, unforeseen and unforeseeable challenges for existing treaties. This is due not only to the crisis of the legal dimension but also to the fact that its impact influences the notion of what we have hitherto conventionally considered as human beings. (shrink)

A review of Emmanuel Falque, The Metamorphosis of Finitude: An Essay on Birth and Resurrection, trans. George Hughes ( New York: Fordham University Press, 2012).

Catherine Malabou's concept of plasticity has influenced and inspired scholars from across disciplines. The contributors to _Plastic Materialities_—whose fields include political philosophy, critical legal studies, social theory, literature, and philosophy—use Malabou's innovative combination of post-structuralism and neuroscience to evaluate the political implications of her work. They address, among other things, subjectivity, science, war, the malleability of sexuality, neoliberalism and economic theory, indigenous and racial politics, and the relationship between the human and non-human. _Plastic Materialities_ also includes three essays (...) by Malabou and an interview with her, all of which bring her work into conversation with issues of sovereignty, justice, and social order for the first time. Contributors. Brenna Bhandar, Silvana Carotenuto, Jonathan Goldberg-Hiller, Jairus Victor Grove, Catherine Kellogg, Catherine Malabou, Renisa Mawani, Fred Moten, Alain Pottage, Michael J. Shapiro, Alberto Toscano. (shrink)

This paper develops the thesis that personal identity is neither to be taken in terms of an unchanging self-sufficient ‘substance’ nor in terms of selfhood ‘without substance,’ i.e. as fluctuating processes of pure relationality and subject-less activity. Instead, identity is taken as self-transformation that is bound to particular embodied individuals and surpasses them as individuated entities. The paper is structured in three parts. Part I describes the experiential givenness of conflicts that support our sense of self-transformation. While the first part (...) develops an inter-subjective topography of emotional movements, the second part pays attention to their temporal dimension. We work with conflicts and get transformed by them also in the way we remember them. Part II focuses on the process of self-understanding that accompanies conflicts and their metamorphosis in memory. Part III compares and discusses different models of a ‘relational ontology’ of the person, which question the idea that we are defined only by how we define ourselves—just as they question the idea that one’s identity is independent of how one relates to one’s having changed. (shrink)